On Deciding Not to Travel

palmist 2

From the window of the fourth-
floor walk-up, the umbrellas
slid past each other with
assembly-line perfection,
black & blue mingling with
the occasional red, yellow,
lime-green. The street shone
like a mirror that gives
nothing back. The hiss of tires.
This short loop keeps playing
in my head as I watch
the cloud lift & a white moth,
caught out after daybreak,
yawing & veering against
a backdrop of dripping trees.
This summer won’t come again.
Why spend it en route
to somewhere else? I pluck
a snail from the deep grass
& place it on my palm.
It makes a slow circuit
on its single foot.

[Poetry Thursday - dead link]

Tomorrow is the deadline to submit material for the Greatest Blog Hits issue at qarrtsiluni. All genres are welcome and there’s no length limit, but the posts must have appeared at least one year ago — see here for additional details.

Filed in Greatest Hits, Poems & poem-like things. Bookmark the permalink. Trackbacks are closed, but you can post a comment.Print Print

20 Responses to On Deciding Not to Travel

  1. gautami says:

    “This short loop keeps playing
    in my head as I watch
    the cloud lift & a white moth,
    caught out after daybreak,
    yawing & veering against
    a backdrop of dripping trees.”

    Great writing!

  2. Brett says:

    Don’t know how autobiographical this is, but I will again say that I envy your rootedness in your place. Nice move with the snail and its own little permanent connection to its house.

  3. Dave says:

    Thanks, gautami!

    Brett, this one is quite autobiographical, for what it’s worth.
    its own little permanent connection to its house
    Oh. Right! I knew it fit for a reason.

  4. quiet regular says:

    The street shone
    like a mirror that gives
    nothing back.

    this line has huge meaning for me.

  5. leslee says:

    Nice. Funny how dear things become when you think about leaving them behind. Maybe more so when you decide to stay.

  6. Dave says:

    quiet regular – Really? Cool.

    leslee – Yes, I think that’s what I’m feeling.

  7. Catherine says:

    I particularly like the lines “why spend it en route to somewhere else?” One thing I regret about our coming trip to the UK in September is that I will miss spring in New Zealand. I keep thinking of Housman – “and since to look at things in bloom/fifty springs is little room” (quoting from memory, so it may not be exactly right)

  8. Dave says:

    Housman said that? I’ll have to look that up. It’s a sentiment I know all too well, especially during springs like the one we just had where it was cold until late, and then it warmed up and everything bloomed in a rush. If I’d gone away for just two weeks, I’d have missed almost all the action! A month later, I’m still feeling a bit dazed.

    Anyway, thanks for stopping by.

  9. pauline says:

    “This summer won’t come again.
    Why spend it en route
    to somewhere else? ”

    Indeed. You could substitute life for summer and it would still hold true.

  10. Beautifully written poem and I like the sentiments too.

  11. Dave says:

    pauline – That’s what I was hoping. Thanks!

    CGP – I’m glad you liked it.

  12. leslee says:

    Cool! Love the snail! And great with the poem.

    I went to Paris for a week and spring pretty much came and went while I was away. Well, it wasn’t gone but I missed the grand opening, as it were, which after a long winter is always so exhilarating.

  13. Dave says:

    Thanks. FWIW, that was the snail I wrote about.

    I guess you got to see “April in Paris” (or was it May?) but I’m thinking probably the best time to go would be when the other tourists are fewest. November, perhaps?

  14. marly says:

    Like the nothing-back mirror and yawing moth especially. That snail: you have solidified its slowness into some alloy, containing silver.

  15. quiet regular says:

    I ‘m really enjoying the detail of this snail but even better is the subtle color variations in the original palm shot…the life just under the skin’s surface.

  16. Dave says:

    marly – I was pleased with myself for finally finding a use for sepia.

    Really, I could’ve ended the poem with the moth and let the photo speak for the rest. I’m uneasy about having such a didactic conclusion.

    qr – Thanks. Yeah, I liked that other photo too, for the reasons you suggest, but I thought the one I included here was aesthetically superior.

  17. marly says:

    Oh, I dunno.

    I like it that the summer’s wayward, quick beauty is embodied by the ghostlike–caught out after daybreak–moth. Then the “spend it” and “en route” take us back to the road and the assembly-line umbrellas, and make another loop or circle before the snail’s slow circle.

    That wouldn’t all be there without a little “saying.”

    “Show, don’t tell” can get to be a fetish.

  18. Dave says:

    O.K., I guess you’re right. The thing is, I probably wouldn’t mind this level of didacticism in a poem by someone else. My own thoughts bore me; I know them too well.

  19. bev says:

    As per usual, I’m way behind in my reading. Unfortunately, my net connection is making it next to impossible, but here I am. Wonderful image of the snail. The poem strikes a note with me too – not sure if we will do any wandering off this summer. In part, the feeling of not wanting to miss anything here at the farm… the progression of creatures that I observe and photograph… and the feeling that all travel is just a waste of energy and a source of pollution. We may eventually end up going somewhere, but it seems more likely not.

  20. [...] * at Dave’s Via Negativa, two posts that might make you pause to think for a moment — On Deciding Not to Travel, and False Faces. [...]

Leave a Reply

Your email is never published nor shared. Required fields are marked *

*
*

Basic HTML tags are permitted. URLs are converted to links, and three or more links in one comment will cause it to be sent to the moderation queue. Constructive criticism is always welcome. To get an avatar, go to Gravatar.com.

  • Smorgasblog

    • Velveteen Rabbi
      Avraham failed the test.
      For Sodom and Gomorrah he argued
      but when it came to his son
      no protest crossed his lips.

    • Parmanu
      The flight took us towards Heidelberg. We approached it along a silvery streak (the Neckar), flew over a terraced hilltop oval (Thingstaette), the cramped rooftops (altstadt), a ruin in pink (the castle) and then turned around just as the sun sank behind the horizon. The places we had seen earlier --- and spent hours exploring --- flipped past us in an instant, and at that moment I could not decide what I liked better: the fleeting but striking impression from this height, or the slow immersion into those places below.

    • The House & other Arctic musings
      Another use of the seal, that as far as I know is particular to them is that the small intestine is relished. It is taken out, the contents squeezed out, a couple of plugs of blubber are then put in and squeezed through to further clean out the contents. Then they are coiled through each other for ease of handling and cooking. The intestines are eaten boiled, much like hollow sausages.

    • small change
      Oh Emily, I see you leap
      through your mother’s tatted dream
      of the hearted ballerina
      you don’t want to be. Your face
      a stage, wrought in shadows
      as it is, the lattice of discomfort,
      but the cushy seat of your reserve.

    • The Storialist
      A cute thing begs hyperbole,
      rhetorical questions:
      aren't you just the cutest...

      It is little, an it, a thing, small
      and low to the ground.

    • Metaphors for the Moon
      Early marriage is a wetland, a marsh
      of co-mingling reeds, breeding birds.

    • Cleaning My Attic
      Cast-iron Royal, weighty and not regal at all but seriously proletarian, ostensibly portable in your anonymous black case: my secret unmusical instrument, which I lugged to cafes before they were wireless or even wired...

    • Clumps and Voids
      The program description, however, devolves into the fey. "The lingam (or linga) is a cylindrical votary object that represents the Hindu god Shiva, and a dispute about its meaning has been going on for many centuries." When a phallus is tagged with the museum label of "cylindrical votary object," I lose hope that the speaker will be introduced as Professor Wendy Doniger: don of dongs.

    • botanizing
      On calm days, the soil swirls and rises in isolated twisters. On a windy day when the wheat is being harvested — a day like today — the soil lifts like a yellow curtain, obliterating the sky.

    • The Twitching Line
      My uncle, gutting a fish:
      removing the fins from either side,
      tipping the knife below

      the little anus, pointing the tail-
      end away, slitting it to the gills,
      then plunging in a hand

      to scoop the organs out, soft
      and scarlet as a litter of kittens.

  • "On the whole I concentrated on things and people that I found charming and splendid; my notes are also full of poems and observations on trees and plants, birds and insects."
    — Sei Shonagon, 994 A.D.

`