or, How I Spent My Summer Vacation
But as of 12:30 this afternoon, thanks to the intercession of my cousin Jeff and a new modem from Verizon, Plummer’s Hollow has high-speed internet once again.
or, How I Spent My Summer Vacation
But as of 12:30 this afternoon, thanks to the intercession of my cousin Jeff and a new modem from Verizon, Plummer’s Hollow has high-speed internet once again.
This is the weblog of Dave Bonta, a poet, editor, and shutterbug from the eastern edge of western Pennsylvania. For background on the site, see the About page. For more about me, see my Google profile.

Order from the publisher or
Contact me for a signed copy or to barter for your own book. Central PA residents can buy it at Webster's, where I'm doing a reading on April 10.
Qarrtsiluni, a literary magazine I co-edit
Festival of the Trees, a blog carnival I co-founded
Open Micro, a group blog I belong to dedicated to poetry in 140 or fewer characters
Moving Poems, my daily compendium of video poems from YouTube, Vimeo, and beyond
The Morning Porch, Twitter-length prose-poems based on the view from my porch first thing in the morning
Woodrat Photoblog, "a midden of photos from a Pennsylvania mountaintop"
Shadow Cabinet, an online collection of my more recent poems
Spoil, an online collection of my older poems
(For a complete listing, see my Google profile)
Mark Doty
And then, when they were done, I turned my head and saw, on a video screen, my own heart. It was golden, and pulsing, and resembled a cross between a Georgia O'Keefe flower and a jellyfish.
----
Dick Jones' Patteran Pages
The painter washes his hands on the flannel of the sky
Everything is in gouts of colour
And the hats of the passing women are comets
across the evening’s fire.
----
Parmanu
But Hopper didn’t paint any snowy landscapes, did he? I wonder why. The loneliness and solitude of people in his cityscapes would, it seems to me, be accentuated in a street filled with snow. I can almost imagine the effect of streetlamp light bouncing off the snow, and the resulting shadows on nearby objects.
----
Mutating the Signature
Don’t bring your tires
stripped of hot rims, or used
condoms, syringes or jumbo sized
needles. Leave the headless
doll in the truck, along with wrappers,
giddy snack vestiges and Keystone
cans.
----
the cassandra pages
Her features rubbed with a wooden spoon,
Fadwa's Damascene face emerges
beneath my hands black with printing ink...
----
Clive Hicks-Jenkins' Artlog
I may yet soften the massed patterning of leaves and branches, but it nevertheless has to be present, carefully arranged to suggest a foliate barricade made by a careful gardener to create a safe oasis from the wilderness beyond. Perhaps I'll put some sheep on the distant hills rising to the upper edge of the painting. And some low mounds of rock plants. The painting evolves and becomes dense with shapes and patterning, shadow and highlight, colour and tone.
----
everything feeds process
In stories like Alice in Wonderland, Wizard of Oz or The Little Mermaid, the main character has to make sense of a world that is not her own. In my mind, this is an excellent metaphor for living as a grown-up in modern times.
----
slow reads
This cold has eyes, not menacing or even intent ones, but the limpid eyes of the cold dead, the kind of eyes that feel every nape’s tooth marks. This cold moves as slowly as black water, silently as the far side of fish: unpied, canopied — the crosshatch of hawks.
----
Coyote Mercury
Somewhere along those dusty Philippine roads my fascination with war turned to recoiling as I realized it was one thing to reenact battles with my friends, but quite another to walk endless miles along a trail of brutality, hopelessness and murder. I think it was then that the idea of war began to move from fantasy to nightmare as we walked through Bataan imagining the sheer horror of the reality our reenactment was meant to remember.
----
The Middlewesterner
Even the crow
knows nothing
except that hope
is a kind of
uselessness.
----
All content by Dave Bonta at Via Negativa is available for reprint and remix under a Creative Commons Attribution-Share Alike 3.0 United States License.
Hehehe! Glad your DSL is back.
Ah, but you had time to appreciate the bird song!
I love that slug!!!
but I am not coming to fetch him or her or it
I want to congratulate you
on how well you kept your cool
through what was
I know from experience
a horrible terrible experience
If you drag the handle back and forth along the bottom of the video, you can make it look like the slug is super-quick.
Cool! I’m about to move house (down to Charlottesville, VA) but once I get online from down there, I’ll be happily following your posts again!
Marja-Leena – Me too, as you can imagine. Back to being an addict…
Laura – Quite right.
suzanne – Slugs and snails are hermaphrodites, so “s/he,” I guess.
Harry – Good tip! I’ve always loved time-lapse photography.
David – Good luck on your move.
This post comes exactly forty days after you let us know you lost your DSL connection. (Forty days if, Bible-like, you count the starting point as a day.) That’s a long, slow fast.
Welcome back to this century, dude.
:-)
Yay! You have your high speed connection back. Welcome to the world where a ten second wait is the height of anguish.
I can’t help but feel the snail video is a visual metaphore for dial-up connections. Glad to have you back in hyperwarp again, though, although the only one to suffer was you, since your posts were still lovely and we still got to see them all along.
Peter – It was really 40 days? That’s scary.
Lorianne – Thanks.
robin andrea – Yeah, but it’ll probably take a while for the feeling to wear off that this high-speed thing is too good to be true.
Joan – Thanks. But only with high-speed can I upload stunning videos like this one.
As good as a poem, Dave. Actually, I found the clip deeply relaxing – like listening to Brian Eno!
What a fantastic way to announce your return to, uh, I nearly send the real world. Let’s say life in the fast lane. That has to be the best soundtrack ever. And that slug looks very like one I saw yesterday. Perhaps they are related.
The slight irregularities of the camera movement made me suddenly think about your breathing, heart beating. Beautiful sounds, too.
Think of the silvery trail you must have left this summer.
Dick – That’s cool. I wasn’t prepared for anyone to actually like the clip, other than me, so I’m kind of surprised at the reception here.
rr – Yes, that was a bit of serendipity, I’d say (though I shot the movie over a month ago). Now if you wrote a poem about the fast lane today, that would be downright spooky.
mb – Glad you liked the shaking. A made a second short movie of that slug with the tripod, but it wasn’t quite as compelling, for some reason.
Slug and snail locomotion always makes me think of a very low-flying magic carpet.
I didn’t realize there was a video here until I clicked over… dang bloglines.
I can’t get over how different your birds sound compared to ours. Your yellowthroat has a yankee accent I think. :) And there are a few in there I don’t recognize at all. That loudest one, with the three same-tone notes, what is that?
Karen – Yeah, it didn’t come through in the emailed version, either. I’m going to have to start adding a note for subscribers when I post a video (there’s a technical fix, I think, but I’m too lazy to explore it, for as often as I post videos).
I’m not sure what that loudest bird is, to be honest. The microphone in my camera is pretty lousy, giving everything a tinny sound. I’ll get my mom to listen to it and get back to you.