Porcupine,
do the sapless twigs of winter
taste any different on the tree
you’ve just girdled,
this waste of a pine?
Its whited branches light
the grove like candles,
like candelsticks.
But you with your poor eyesight
must favor the dark: hollows & cavities,
the undersides of things,
unchewed bark.
This pine was unwise to arm itself
with such soft & succulent spines.
It did nothing but hiss
like a gnawed-on road-salted tire.
Slow destroyer,
do you ever pass
those bleached roads in the air
& long for salt?
Support the site
What’s up
The Manual series, when complete, will tell you everything you need to know that you didn't learn in kindergarten. Belgian video-artist and soundcreator Swoon is making videos for some of its sections. Guest-author Luisa A. Igloria has been writing a poem a day since November 2010 in response to Dave's posts at The Morning Porch. Yet another on-going collaboration is the dialogue in poems and photos prompted by late-night conversations between Dave and British blogger Rachel Rawlins, a project we call Conversari. Finally, the Words on the Street cartoon, featuring Dave's urban doppelganger Diogenes, returned at the beginning of 2012 as a weekly feature after a several-year hiatus.Categories
Series
- Bestiary
- Blogging the Appalachians
- Breakdown: The Banjo Poems
- Cibola
- Conversari
- Highgate Cemetery Poems
- Honduran poetry
- Manual
- Morning Porch Poems: Winter 2010-11
- Morning Porch Poems: Spring 2011
- Morning Porch Poems: Summer 2011
- Morning Porch Poems: Autumn 2011
- Morning Porch Poems: Winter 2011-12
- Odes to Tools
- Poetics and technology
- Postcards from a Conquistador
- Public Poems
- Ridge and Valley
- Self Portraits
- The Temptations of Solitude
- Wildflower poems
-
Recent Posts
- Manual: How to make videopoems, courtesy of Swoon
- Landscape, with Geese; and Later, Falling Snow
- How to find things
- Lumen
- Words on the Street
- The Jewel in the Fruit
- How to breathe
- Preparing the Balikbayan Box
- How to wait
- Diorama, with Mountain City and Fog
- How to listen
- Legacy
- How to walk
- Maquette
- How to eat
-
Recent Comments
- rr said This is the pig’s bollocks. (Aka awesome)
- Dave Bonta said Thanks. I’ve always loved that word (as well...
- Deb said Loving this series; want to steal many lines. Chee...
- Dave Bonta said Thanks! I kind of think my spring wildflower poems...
- Dave Bonta said Hi Albert – I’m glad you’re liki...
- Dick said Good to have both Words on the Street and the Manu...
- Albert B. Casuga said Correction: http://ambitsgambit.blogspot.com/2012/...
Authors
Dave Bonta (3184), Luisa A. Igloria (424), Todd Davis (9), Teju Cole (5), Steven Bonta (3), Chris Bolgiano (3), Marcia Bonta (2), Bruce Bonta (1), Abdul-Walid of Acerbia (1), Sarah Bennett (1), Nathan Moore (1), Kristin Berkey-Abbott (1), Joan Ryan (1), Alexis Aguilar (1), Peter Stephens (1), Alison Kent (1), Dick Jones (1)

Love it *grin*.
I enjoyed the audio. Am trying to recall where Buck & I were hiking when we saw the trees gnawed into pencil points.
A fine poem, much enhanced in the reading. Shades of Ferlinghetti in the vocalisation, I thought.
Dave,
I should never comment on a post in the evening after drinking whiskey. Those “pencil point” trees were from beavers — not porcupines. Good grief.
By the way, I just watched your “bear on a unicycle” in the tree. Fantastic. I have gone way out on a limb for much less reward. . .
Beth
Thanks, all.
Beth, thanks for bringing up (albeit inadvertently) the beaver comparison, which I didn’t even think of. And I’m rather flattered to think of readers enjoying a fine whiskey while they peruse the blog.
Dave, I like the hidden and off rhymes in your poem — and esp. its narrow lines, like a quill. And thanks for visiting A Walk around the Lake (not park…oops)!
You didn’t divide this one into into quatrains, per se, but I like the last two quatrains an awful lot.
Hi Pam – Thanks for the comment, and sorry I messed up the name of your blog in the smorgasblog! (There’s another blog in my feed reader called Once Around the Park, and I mixed them up.) Yeah, I experimented with even shorter lines, but since that’s not the way I’d conceived the poem in the first place, it just didn’t work.
Rachel – Thanks. You mean from “This pine” on? I agree that’s the strongest part of the poem. Altogether, the poem might be a little too concept-heavy, like something out of the 17th century.
The blending of earlier sensibilities and modern form is part of why I like this!