The banjo knows
what it’s like to be sky,
how high pressure brings
the clearest sound.
I read about a woman
without a vaginal opening
who still conceived
& gave birth through a Caesarian.
This is more or less
how a banjo makes music,
is it not? She had lovers,
oh yes. And one of them,
jealous, had stabbed her
in the stomach,
permitting his rival’s semen,
which she had taken orally,
to find & fertilize
her unsuspected egg.
Maybe this is
an urban legend but
it sounds like something
that ought to happen
in a world with banjos in it.
Who needs root-workers?
The streetcorner pusher,
the New Age huckster,
the Big Pharma barker
all prescribe the same
white bomb
for everything,
expanding like a cloud
in a clear sky.
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What’s up
The Manual series, when complete, will tell you everything you need to know that you didn't learn in kindergarten. Belgian video-artist and soundcreator Swoon is making videos for some of its sections. Guest-author Luisa A. Igloria has been writing a poem a day since November 2010 in response to Dave's posts at The Morning Porch. Yet another on-going collaboration is the dialogue in poems and photos prompted by late-night conversations between Dave and British blogger Rachel Rawlins, a project we call Conversari. Finally, the Words on the Street cartoon, featuring Dave's urban doppelganger Diogenes, returned at the beginning of 2012 as a weekly feature after a several-year hiatus.Categories
Series
- Bestiary
- Blogging the Appalachians
- Breakdown: The Banjo Poems
- Cibola
- Conversari
- Highgate Cemetery Poems
- Honduran poetry
- Manual
- Morning Porch Poems: Winter 2010-11
- Morning Porch Poems: Spring 2011
- Morning Porch Poems: Summer 2011
- Morning Porch Poems: Autumn 2011
- Morning Porch Poems: Winter 2011-12
- Odes to Tools
- Poetics and technology
- Postcards from a Conquistador
- Public Poems
- Ridge and Valley
- Self Portraits
- The Temptations of Solitude
- Wildflower poems
-
Recent Posts
- Manual: How to make videopoems, courtesy of Swoon
- Landscape, with Geese; and Later, Falling Snow
- How to find things
- Lumen
- Words on the Street
- The Jewel in the Fruit
- How to breathe
- Preparing the Balikbayan Box
- How to wait
- Diorama, with Mountain City and Fog
- How to listen
- Legacy
- How to walk
- Maquette
- How to eat
-
Recent Comments
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Authors
Dave Bonta (3184), Luisa A. Igloria (424), Todd Davis (9), Teju Cole (5), Steven Bonta (3), Chris Bolgiano (3), Marcia Bonta (2), Bruce Bonta (1), Abdul-Walid of Acerbia (1), Sarah Bennett (1), Nathan Moore (1), Kristin Berkey-Abbott (1), Joan Ryan (1), Alexis Aguilar (1), Peter Stephens (1), Alison Kent (1), Dick Jones (1)

i’m enjoying your poems about banjos. i haven’t written, but have felt, a great deal about the dulcimer in similar ways.
i like the idea of not needing roots, simply taking the small white pill, a chewable eraser. i think my mother took that pill but forgot to give one to me :-) a friend of mine, a uu minister who participates in ‘white studies,’ tells me that that is the whole secret to ‘white culture.’
seriously, i haven’t been looking for roots, because i’ve always known/experienced them, but just looking for greater understanding and recognition, a language if you will, to express my past experiences. that work is nearly completed now.
Thanks for these thoughts. I’d like to hear more about the dulcimer sometime. I meant “roots” here in several different senses, including the sense of ancestry. But I think this is a valid insight about American medical practice, too: ever since the medicine shows with their miraculous nostrums, and maybe as far back as the alchemists, we’ve been searching for a panacea, and we love the idea of pills that are like a vampire-killer’s silver bullets in the war against disease, ideas inimical to the African and Native American approaches, with their emphasis on roots and herbs and the restoration of harmony between body and cosmos.