Sulfur and sweetness, relish and bite:
you know it’s that good when you cry
from pleasure. Light a single votive
as you chop and mince: it helps to muffle
tears. The husk is a paper tunic, a skin
to wear like another language—
like the woman in Oregon who woke
from dental surgery surprised,
speaking with a foreign accent.
It means the house for what we think
we know is made of swirly layers—
see all those rings that fall away
on the cutting block when you
slice crosswise through? I like to think
that everything we’ve touched,
touches back; and vice versa.
See how a bug has left a red
swelling between my knuckles—
I’ll put some salve on it
until it subsides; then finger this
new site of rescue absently for days.
In response to an entry from the Morning Porch.
Oh, my. Wonderful wonderful wonderful.
I like to think/ that everything we’ve touched,/ touches back; and vice versa…
WITH THIS TOUCH, I KNOW
We go in and out of the chambers of grace
and afflictions in the heart of things at our
own peril. These are houses we scarcely know
but before long we think we have known,
and cried at every mention of how things were
in those days in those houses where we grew.
We have known them all: the familiar songs,
the loves gone by, the pains forgiven, the hurts
that linger, and all that has touched us we now
want to touch, maybe not with caressing hands
but certainly with steady and soulful embraces
that know how to let go when things must go.
We have known them all already, we have touched
them all. With each touch we have learned to pray.
—Albert B. Casuga
06-02-11