Monthly Archives: June 2011

Anniversary

This entry is part 87 of 93 in the series Morning Porch Poems: Spring 2011

“Summer specializes in time, slows it down almost to dream….” ~ Jennifer Grotz

I too was bent on it, eager to jump
out of the pockmarked skillet and into

the heated cauldron of marriage— Hurry,
hurry
, said the wind, all the while boring

escape hatches in the tall reeds. Hurry
said the lilac, and the jeweled hummingbird

that revved the throttle on its small engine.
Oh, I let them sing their songs of scorching

and I rushed to drink the wine. And oh,
my fingers bled from threading silk

into the needle, from slipping on
my rings of twine. The dish of nectar

tilts from the brittle branches, and the weeds
remain the feathery vagabonds they are… Now

I try to learn the gold-slow rhythms of afternoons,
the thrift of hours from the longer bones of time.

Luisa A. Igloria
06 14 2011

In response to an entry from the Morning Porch.

Posted in Greatest Hits, Guest writers, Poems & poem-like things | Tagged | 7 Comments

Pantomime

This entry is part of 93 in the series Morning Porch Poems: Spring 2011

It is the hour after noon. At the sandwich and ice cream shop I sit in the car before coming inside to join you, waiting for the call with the test results from the doctor’s. Colder today, but behind the window glass I count at least three old men— silvered hair, baseball caps— ordering double scoops: butter pecan and chocolate, strawberry and vanilla, butter pecan and strawberry. They walk out of there slowly, licking those ice cream cones like nothing else matters; we should all be so lucky. Women and children out early from school sit on counter stools eating pulled pork sandwiches, fries, onion rings; guzzling limeades or shakes. The place is packed, but only the cash register rings the air. Gulls bluster around the entrance, unfazed by traffic. Amid the trees edging the parking lot, some fates are being decided too: a catbird chases the rival of its mate in silence. And I– I cast a tiny prayer into the foliage, then watch to see what might descend.

Luisa A. Igloria
06 13 2011

In response to an entry from the Morning Porch.

Posted in Guest writers, Poems & poem-like things | Tagged | Comments Off

Brewing with gruit

My earth-sheltered laundry room would be the best spot for it, I thought, keeping it cool as it worked. But a dry high had just blown in yesterday afternoon, and we might be in for another prolonged cool spell despite what the calendar says, I told myself. So around 11:00 p.m., I finally gave in: fetched it from the laundry room and placed it in the usual spot, in a corner about eight feet behind me where I can hear and smell it while I write. Why go to all the trouble of making it if I can’t be with it during the most exciting stage in its life?

I am talking — as any homebrewer probably will have guessed — about the wort (rhymes with “dirt”): the beer-to-be. The fragrance of its early working blends with the lingering smell from yesterday’s multi-hour boiling to create an odor many times more delicious than freshly baked bread. How had I let four years go by since I last brewed? Poetry and blogging are fine, but they’re no substitute. Even if a batch of beer were to go bad (which almost never happens) it would be worth the trouble and expense just to enjoy a few days inhaling those malty esters and the earthy, spicy fragrance from the giant tea bag of gruit roots floating in the wort.

Actually, my expense this time was minimal: I had all the herbs and malted barley at hand; I simply needed yeast and a fresh bottle of iodine sanitizer solution. Homebrewers who don’t allow themselves the pleasure of branching out beyond hops tend to put a lot more emphasis on getting just the right blend of different malts, but I have some 25 pounds of basic, pale 2-row malt in storage, plus a few odds and ends of other things, and if I want to improve on that, I can always roast a little bit of malt in the oven. The final color and flavor of the beer depend mostly on which roots and herbs I add, and how I add them.

This, for example, will be a yarrow beer, for the simple reason that yarrow is in bloom right now, and we have plenty of it. Yarrow is in the same class as mugwort and hops: an herb that can make a great beer all by itself, possessing the proper antispetic properties, the astringency needed to balance the sweetness of the malt, and just the right aromatic flavors to make it interesting. Some fifteen minutes of labor sufficed to gather all the yarrow I needed for a five- or six-gallon batch of beer. I picked the young inflorescences together with several of the topmost fronds, since the flowers tend to concentrate the flavor and the leaves have more of the bittering properties. I could use them fresh, but all the recipes I’ve developed over the years are based on quantities of the dried herb, and it’s not much trouble to spread them on a screen in a warm room for a week.

There is, of course, the problem of how to get the yarrow in the beer without destroying all the delicate flavonids. “Dry-hopping,” adding the herb directly to the fermenting wort, is one approach, but brings with it a certain risk of contamination. My solution is to make a tea from it the day before, put it in tightly sealed, sanitized jars, refrigerate it overnight, and add it right at the end of boiling to aid in a rapid cooling-down of the wort. I make a gallon and a half to two gallons of tea from one packed pint of yarrow tops.

Yarrow is a relatively minor component of the present aroma, but the figurative odor of its reputation couldn’t be stronger or more interesting. What can you say about a common weed with the widely attested power to heal wounds? And its use as a brewing herb goes way back in northern Europe, especially in Scandavia, where it’s given nicknames that mean “field hops” or “earth hops.” Linnaeus famously declared that beer brewed with yarrow is more intoxicating, which is what originally got me to use it, but really, the use of almost any herb that lacks the strongly sedative quality of hops will tend to produce a pleasanter buzz than you’ll get from a commercial beer.

Also, I toss so many different things into my ales, it’s sort of hard to tell what the active agents are. I tend to wait until all the mashing and sparging is done and the wort is finally blended and boiling to decide what the gruit mix will be. I’ve always found that roasted dandelion roots (or chicory — the taste is nearly identical) provide a nice bass note, so this time I added half an ounce of dandelion at the beginning of the boil, and put another half-ounce in the gruit bag. Then I found I still had some calamus (A.K.A. sweet flag) root on hand, and I decided I wanted its flavor, too. A friend of mine once described calamus as smelling like a health-food store, and I think that’s a good way to put it: there’s a kind of earthy exoticism befitting a member of the arum family that grows in swamps. Calamus is a nice thing to add to any beer, really. It has antimicrobial properties — always an asset in a brewing herb — aids in digestion, prevents flatulence, and is credited with a slew of other wondrous powers by traditional healers from China to India to eastern North America. And as the author A. H. Church put it back in 1879, “Calamus imparts at once an aromatic taste and an agreeable bouquet or odor to the liquid in which it is infused.”

For a summer ale, wild ginger roots are nice, so I added a full ounce of that, and then briefly wrestled with myself: should I use up part of my precious stock of Indian Sarsaparilla root, or save that for my next mugwort or wormwood stout? God, it smelled good! And it would be a new experiment to add it to a yarrow-based beer. So in it went, just half an ounce — a little bit of it goes a long way. Then I tied up the bag and went away and did other things, because brewing with twelve pounds of grain and needing to reduce the volume to three and half gallons to make room for two gallons of cold tea takes a lot of boiling. I didn’t want to add the roots until just ten minutes before the end of the boil, enough to sanitize them and the bag. But as soon as I did, damn! Like Proust’s madeleine, the odor instantly conjured up memories of other brews and other times I’ve been engaged in this arcane and messy game of converting starch to fermentable sugars and finding just the right roots and leaves to give them character. This, I said to myself, is what it’s all about.

For more in this vein, see my “Short Treatise on Homebrewing
& the Meaning of Gruit
.”

Posted in Brewing, Greatest Hits | Tagged | 17 Comments

Gleaning Song

This entry is part 85 of 93 in the series Morning Porch Poems: Spring 2011

These are registers on the staff
of days: grains of dust that gather

like vellum in summer, the high and lazy
whirring of ceiling fans. Drifts of yellow

petals falling from the tulip trees, pitch
and warble of birds. Gather and gather,

lisp the ants and worker bees; pluck
and scour
. The season lilts like a song

working the route to its coda. Lyric by lyric
the mouth learns the intricate passages:

where the rests are, and the furrows.

Luisa A. Igloria
06 12 2011

In response to an entry from the Morning Porch.

Posted in Guest writers, Poems & poem-like things | Tagged | 1 Comment

Wanderers and garden eels


Watch on Vimeo.

More footage from the algae exhibit at the Kew Gardens. The garden eels were fascinating to watch: shy creatures, but more or less habituated to the steady stream of humans on the other side of the glass. Rooted as they were, they were clearly very far from home indeed. I somehow got the idea of pairing them with a poem by Nic Sebastian from her collection Forever Will End on Thursday, which I read and wrote about in April. Fortunately, Nic saw the logic in my seemingly bizarre choice, as she wrote in an email and subsequently blogged:

I would never have thought of pairing the footage and the poem, but the footage speaks to the themes in the poem — solidarity yet separateness; deep wariness and alertness to the environment; the need for camouflage and the longing for connection — all things that characterize the ‘order of strangers and interlopers.’ The music resonates as well – made me think of yearning and unfinishedness. It’s an unexpected connection you made, but I think it works.

This is the third videopoem I’ve made with a Nic Sebastian reading in the soundtrack, but the first for one of her own poems. If you only know her as the editor and main reader for the audiopoetry magazine Whale Sound, you’re missing a real treat: her own poems are wonderful, too. I hope this video helps win her a few more fans.

Posted in Greatest Hits, Video, Videopoetry | Tagged | 18 Comments

Gardenia

This entry is part 84 of 93 in the series Morning Porch Poems: Spring 2011

Walking to the waterfront in hopes
we might watch the fireworks show tonight,

one of us kicked aside the sun-bleached
carcass of a bracken leaf. In the pagoda

garden, fireflies lit the ochre undersides
of leaves on the Japanese maple. Heat

hung like a bower of creosote flowers
in bloom, presaging rain. And sure enough

thunder rippled in the sky across the water,
rain came down in sheets. The only

smoldering on the horizon, a barb
of ragged light every now and then,

outlining the spires of ships. We sat
at an upstairs table in the crowded

restaurant where people had rushed
for shelter. Someone pushed open

a sliding door on the veranda and the cooled
air came rushing in, musty as the planks

on the wooden pier. But somewhere in the currents,
a vein of remembered scent; and I said, Gardenia.

Luisa A. Igloria
06 11 2011

In response to an entry from the Morning Porch.

Posted in Guest writers, Poems & poem-like things | Tagged | 3 Comments

Parable

This entry is part 83 of 93 in the series Morning Porch Poems: Spring 2011

They say not the dove first but the raven,
sent out to fly back and forth across the earth
all in shadow, until the waters had dried up
and the penitent returned with their paired
beasts and the seeds of future gardens
pressed in the crevices of their palms.

But memory, long and bright in the sun,
shrivels in darkness or solitude. In the stories,
the bird is only a herald: it brings back
proof that something in the void sustains,
with wings that change color too: not always

sooty or dark, but touched with flame
like a breast or the fruit of a heart
offered up to the soul. And oh it wants
so much to be dissolved in the hour of its
most brooding need— what it seeks in the cup
not charity but some form of kindness, mercy.

Luisa A. Igloria
06 10 2011

In response to an entry from the Morning Porch.

*and after Clive Hicks-Jenkins’ “The Prophet Fed by a Raven”

Posted in Guest writers, Poems & poem-like things | Tagged | 3 Comments

The Grave Dug by Beasts (videopoem)

This entry is part 11 of 11 in the series The Temptations of Solitude


Watch at Vimeo.

Some footage of an anemone from the algae exhibit at the Royal Botanical Gardens, Kew, seemed like a good fit for the first of my poems in response to Clive Hicks-Jenkins’ “Temptations of Solitude” paintings. It is of course a tricky thing to come up with film images to go with a poem that itself was a response to another, completely different image — but for that very reason, a fun challenge.

Posted in Videopoetry | Tagged , | 12 Comments

Mirage

This entry is part 82 of 93 in the series Morning Porch Poems: Spring 2011

In front of a cloud
of blossoming mountain laurel,
a deer: the flash of her tan coat
passing quicker than a kiss farewell—

Always, you travel ahead. And yet
you’ve cast your shadow everywhere:
even here in the river shallows,
refracted in the volatile colors of fish
swimming from the brutal heat of day.

Luisa A. Igloria
06 09 2011

In response to an entry from the Morning Porch.

Posted in Guest writers, Poems & poem-like things | Tagged | 1 Comment

Land of Ruin

Give me an armless angel
with an eroded face.
Bury me in an ivy-clad
graveyard, where you can let
my grave go untended.
Leave me in a land of ruin.

Don’t you dare deposit
me in a land left flat
for the convenience
of the lawn mower.
Plant a crop above me.
Feed the poor or provide flowers.

On that day of many dusks
when you must let me go,
remember a distant cemetery
near a college football field.
Open a bottle of wine
and remember the stolen
kisses of our youth, the illicit
thrill of a midnight ramble
in a neglected graveyard.

Kristin Berkey-Abbott
May 9, 2011

In response to Dave’s Highgate Cemetery photos. See the post at Kristin’s blog for background and process notes.

Posted in Guest writers, Poems & poem-like things | Tagged | 2 Comments
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