First poem, last poem, I told my class tonight. Confession:
I’m always writing that dream book, wandering with its chimeras.
Wind and fog, and then just wind. Silhouettes of goldfinches
indistinguishable from leaves. Then silence like a caesura.
In the Iliad: a thing of immortal make, not human, lion-fronted,
snake behind; goat in the middle, breath from a hot caldera.
Always I’m of more than two minds: heart ravenous as a craw,
mud-burdened as an ox. My real self, vertiginous in the sierras.
It’s late November and the birds come back in droves to Mt. Ampacao.
In darkness, hunters wait: 20 meters of nylon nets strung along the frontera.
From high up, the flush of bonfires must look like dawn; the terraces,
low stone walls against the mountainside, like streaks of dark mascara.
High-pitched cries, vague feathered bodies in the mesh. I’m not there but I
too pan the air: I want what flies, what lifts my pulleys, bones, my aura.
In response to an entry from the Morning Porch.