Remnants

She used to keep a tall cabinet with glass doors,
filled with special occasion dresses. Most of them,
she sewed herself. From her I learned bateau and
keyhole neckline, peplum, organdy, linen, voile

The treadle conveyed the body’s weight, the energy
of the motor to the hand wheel and the presser foot.
The bobbin winder and the spool fed stitches
through the needle plate. Childhoods were made

of buttonholes cut through cloth and edged
by hand, one patient stitch at a time.
Deaths were panels of black, month after month
for a year. White, black, charcoal, grey,

then the range of hues between. Feelings
thick as paint, matte and glossy. Low
ceilings across which the light flickered
tungsten yellow as if through old lace,

gray anvil of days on which the tedium of monsoon
months is hammered. I cannot throw away the smallest
bit of good muslin or truthful strip of leather,
each scrap wanting only to be loved and used again—

Luisa A. Igloria
01 12 2013

In response to small stone (198).

About Luisa A. Igloria

Poet Luisa A. Igloria (website) is the author of Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), Trill & Mordent (WordTech Editions, 2005) and 8 other books. When she isn’t writing, reading, or teaching, she cooks with her family, hand-binds books, listens to tango music, and keeps her radar tuned for cool lizard sightings.
Posted in Guest writers, Poems & poem-like things | Tagged | Spot a typo? Please let us know

3 Responses to Remnants

  1. lucychili says:

    it is a kind of mental richness to be able to make like that. sewing, baking, preserving. lovely memory.

  2. Thank you Lucy… yes, forms of making that sadly are not being taught much to our children anymore.

  3. Pingback: dear readers of this blog « 如 (thus) 是

Comments are closed.