Spring is definitely underway now, even as Old Man Winter is still shuffling slowly toward the exit. I heard tundra swans almost as soon as I went out on the porch this morning, and when the swans stopped flying over around mid-morning, it was time for the “V”s of migrant Canada geese. I even saw a lone seagull.
I walked around the field, checking out the networks of vole burrows emerging from the melting snowpack. Down by the barn, the bluebirds were inspecting a battered old nesting box, and a few hours later, the first song sparrow returned. This was actually the first year in a couple of decades that song sparrows didn’t over-winter, and the mornings have seemed unnaturally silent as a result.
When the temperature hit 60 degrees this afternoon, I felt a sudden compulsion to cut my hair. It had been a year and a half since my last self-administered haircut. It’s nice to be able to do it outside, without a shirt on, leaning over the porch rail.
I documented the results mainly with Facebook in mind, but since I don’t feel up to a real blog post tonight, I thought I might as well inflict it on y’all, too. (Yes, I wear deeply unfashionable glasses and clothes from Wal-Mart.) I was somewhat repulsed by the emergence of my bare scalp from underneath all that graying hair. There were some blood spots and other unsightly blotches of the sort that I tend to identify with — you know — old people. It looked raw, like a patch of ground just liberated from the snow.
A wonderful conversation between two environmental activists. I love that Pete gets the whole film crew singing along at the end. Good ol’ Pete. The only wince-worthy moment for me was when Pete repeated the tired and ubiquitous quote from Margaret Mead about a small number of thoughtful, committed people making a difference.
Here’s an interesting fact about that quote, though: my dad is actually the one who originally discovered it and put it into circulation. Back in the late 80s, my parents were very active in our local Audubon chapter, heading up an International Issues Committee to bring attention to the destruction of the rainforests in the global South. I am not sure how much credit we can take for bringing that issue into the mainstream consciousness, but National Audubon leaders took a great interest in the committee and sought to replicate it in other chapters. We collected second-hand binoculars to send to environmentalists in Central America, Peru and the Philippines, among various and sundry other good deeds, and we prepared educational materials to share with schools and civic groups around here: slideshows, exhibits, pamphlets and the like.
It was in one of those pamphlets that Dad first deployed the now-famous quote. He had been reading a great deal of classic anthropological works at the time, including the works of Margaret Mead. The trouble is that he quite uncharacteristically (for a reference librarian) failed to include a proper citation for the quote — and no amount of searching since has ever turned it up. Which Mead book is it from? He says he says no idea. And really, we only have his word for it that he didn’t just make the quote up himself. In any event, someone at National Audubon liked it well enough to put it in their own propaganda, and it took off from there, spreading like a contagion through environmentalist and activist circles. Small groups of citizens, thoughtful and committed or otherwise, have been using it to bolster their self-esteem ever since.
My sledding video from last winter was such a success, I thought I’d try it again this year. The conditions were pretty icy and scary last winter, so I stopped at the half-way point, not wanting to risk the video camera any farther. (I hold it in my right hand as I ride — this isn’t a helmet cam.) But this winter, given all the wonderful cold weather and regular snow, sledding conditions have been exceptional, and with the January thaw imminent, yesterday afternoon I went ahead and shot this video of a sled ride clear to the bottom, a mile-and-a-half-long run. It isn’t quite non-stop, as you’ll see: there are two places, slight uphills on the way down, where I had to get out and walk for a few yards. (The first is the half-way spot where I stopped in last winter’s video.)
Since I was on hard-packed snow rather than ice this time, the ride was relatively quiet. It’s the quiet that I love about sledding, as much as the speed, so I decided to dispense with rousing music on the soundtrack and go for straight realism. (Actually, a little less realism might’ve been nice, but unfortunately my camera doesn’t have image stabilization. I also apologize for all the sniffing — but that too is the sound of winter, isn’t it?)
I’ve been sledding for a long time — since at least the age of four, I think. My mother remembers watching me sled the hill below our farmhouse in Maine, trudging up and flying down over and over at zero degrees Fahrenheit. We moved to Plummer’s Hollow in 1971, when I was five. We did a lot of sledding as a family in the early 70s; my mother’s back still permitted her to go down a gentle slope sitting up. I remember sledding by moonlight, the five of us, taking turns on a shifting assortment of runner sleds and wooden toboggans, our whoops strangely not out of place in the silvered landscape. We never had anything plastic, nor even an aluminum saucer. We were arch traditionalists.
Winters were serious business back then, boys and girls. I remember our first brown Christmas, sometime in the late 70s, because it was such an exception. This winter so far has been like a trip into a time-machine (and given the option of going anywhere back in time, how many of us from happy families wouldn’t choose our own childhoods over the most stirring periods of human history?). January was always the best month for sledding because it was the coldest.
February, by contrast, was always the serious snow month, which brought its own excitement — snow forts, long walks on snowshoes — but it also meant we had to do a lot of tromping in order to keep the sled runs open. Dad showed us how to shuffle slowly along in a straight line, making several passes. But I don’t think anyone else had the patience for it but him and me, and after a few years it was all me. I was an inveterate day-dreamer, so it didn’t much matter what I was doing — I was always somewhere else, deep in a story. And you know, maybe that explains the attraction of sledding to someone like me, who never got into sports otherwise: going down a hill on a sled is one time I am fully alive to the present and nothing else.
After Mom’s back got too bad to permit any more sledding, Dad stopped too, and from the mid-70s on, his main contribution was to mow a sledding trail through the field with his tractor and brushhog each fall. Oddly enough, we didn’t otherwise keep walking trails through the fields mowed back them. We were still raising chickens and ducks and cutting hay, so I guess we viewed them more as hayfields than meadows for wildlife watching. We didn’t, for example, have the trail down through what we call the amphitheatre, where I start my sled ride in the video. The sledding trail Dad mowed every year went straight down from the upper edge of the field opposite the barn. We’d sometimes shovel snow into a bump at the bottom to make group toboggan rides more exciting: airborne!
It’s funny the way people look at me now, as an almost 44-year-old man, when I mention I like to go sledding. As I noted in last year’s post, even though lots of adults enjoy skiing and snowboarding, somehow sledding is for children. But is it? About a week before Christmas, I was joined by a couple of kids — my four-year-old niece Elanor and an older boy of around nine, I think, and the boy’s father, who’s my age, joined in as well. We had a blast sledding and tobogganing down through the field. But I couldn’t help noticing that both children seemed to regard the walk back up the hill as something onerous. Well, to be fair, their legs were a lot shorter than mine, but on the other hand, they were in way better shape than me. The walk up the hill is how you build up the warmth that makes the ride down tolerable, I told them, but they weren’t buying it. So maybe you have to be a grown-up to truly appreciate sledding.
One of the other things besides sledding that signals my permanent adolescence to most people, of course, is the fact that I don’t own a car and barely know how to drive. I am not a big fan of the internal combustion engine. But I’m not sure I’d enjoy sledding nearly as much if I weren’t so accustomed, as we all are, to the contrasting experience of riding in a car. It makes sledding feel like a magic carpet ride.
It helps that these days I invariably sled in a sitting position, which is a bit slower than lying down because of the way the weight’s distributed — the runners tend to bite in toward the back and it can slow forward momentum considerably, depending on the conditions. But it feels faster and more dangerous, especially the sharp turns when you risk tipping over. About ten years ago I started to notice dangerous twinges in my lower back whenever I went over a bump while sledding prone, so much as loved sledding that way I was forced to switch. Our neighbor Paula threw her back out a couple weeks ago while sledding with her grandchildren in front of their house (the third residence in Plummer’s Hollow). And she’s just a year older than me.
Come to think of it, maybe that’s the real reason most adults prefer to leave sledding to the kids. But I hear there are an increasing number of publicly designated sledding hills, for example in Pennsylvania state parks, and given the tendencies of people in my generation to try and prolong childhood indefinitely if possible, I suspect I might even be part of a trend. But even if all the downhill skiers decide to switch tomorrow, forgo their lazy-ass ski lifts, and take up something truly physically demanding, I think I’ll still stick to the quiet and solitude of a Plummer’s Hollow sled ride.
Be careful what you wish for. We had a white Christmas, all right — especially after it started to sleet and the clouds settled in. It couldn’t have gotten any whiter, or any drearier.
Late in the morning, I took the camera on a short walk across the field to check up on the American bittersweet (Celastrus scandens), of which we have just a couple vines on the property. I’ll admit I have collected a few sprigs for Christmas wreaths in past years, but since we have so little of it, I stopped. Collecting by camera will have to suffice.
Unlike the more familiar East Asian species Celastrus orbiculatus, which is invasive in some areas, American bittersweet is in decline throughout its range due to over-collecting and, I suspect, over-browsing by deer. In almost 40 years, we’ve never found a new vine on the property. Up until 15 years ago there was a vine at the Far Field, too, but when its host trees fell over, that was the end of it. The two vines I visited today used to have a third companion, as well.
As a symbol of Christmas, bittersweet seems aptly named, at least as far as my own feelings about the holiday are concerned. For the first couple decades of my life, it was the unchallenged climax of the year, but now, I don’t know — I guess I prefer the smaller but more regular pleasures of daily life, and I no longer feel such an overwhelming urge to acquire new things. Christmas used to be all about the presents, but now seems significant mainly as a celebration of the slow return of light to the northern hemisphere; today’s gloomy weather simply made the holiday cheer more essential.
And of course I love that we get to bring a tree inside (though according to rigid family custom, that can’t happen until Christmas Eve) and decorate it with lights and a couple hundred ornaments, each with its own story. We have hand-painted Christmas balls that once belonged to my mother’s grandmother, and a couple of blown-egg Santa Clauses that my parents made in the first years of their marriage, before we were born. Originally there were a full dozen, each slightly different depending on the exact arrangement of glued felt pieces and cotton balls, but they, like the bittersweet, have suffered a gradual attrition. Mom still exclaims about how much work it was to empty all those eggs: “Never again!”
This year, my niece Elanor was old enough to help rather than hinder the tree-decorating process, which accounts for the unusual concentration of angels at about the two-foot line. She likes angels. And her Nanna told her something about each ornament they hung: “That’s a God’s-eye your Uncle Dave made when he was a boy. And here’s Santa Claus in the bathtub — isn’t he funny? A friend of ours gave this to us years and years ago.”
I was impressed by the extent to which the presence of a 4-and-a-half-year-old child could put the magic back in the holiday for me. She was very good about taking turns opening presents this morning, but was so excited by her own presents, at one point she actually started weeping for joy. She ran over and hugged her daddy after every present from him. And when everything had finally been opened, we discovered one present that nobody could remember giving. The odd thing was that her grandfather had been sitting on the floor with her the whole time reading the labels and making sure all the presents went to the proper recipients.
So a cheap plastic knick-knack suddenly acquired an aura of wonder, and I had a dim recollection of being five and taking it on faith that half my presents had been delivered in the middle of the night by a fat guy in a flying sleigh. Hey, it’s no weirder than the whole incarnation and virgin birth thing, right? Winter is, above all, a time for telling stories. Here’s wishing all my friends and readers an abundance of wonder this holiday season and in the year to come.
I seem to recall a blog meme that went around earlier this year or last in which bloggers were supposed to post photos of their workspace. This post was prompted however by some photos of his studio space that Clive Hicks-Jenkins put up on his Artblog. Now of course an artist’s studio is bound to be more interesting than a writer’s desk, but I thought Clive’s posts gave a real glimpse into his work habits and personality. In fact, I have to say I was a little frightened by the abundant evidence of a rage for order (though Clive claims in the comments that his studio isn’t always quite so neat). Because, as you can see, I’m a bit of a slob.
Also, yes, I do dress like a homeless man. But I figured these would be really boring photos if I didn’t put myself in them (thanks to a cheap-ass tripod and my camera’s ten-second timer). Objects of note in the first photo include a balsam pillow handmade by my hiking buddy L. from a recycled men’s shirt and stuffed with needles collected on one of our trips to the Adirondacks; a plaster bust of Chopin wearing a turban; an old Pennsylvania Railroad kerosene lantern which I use during prolonged power outages; about half of my fiction collection; a view of the kitchen; and a coat rack I made from a dead pitch pine. The dark object in the foreground is the shoulder pack for my cameras.
This photo looks a little weird because I played with the light levels. The room has lots of natural light — from my swivel chair I have a view of the outdoors in all four directions — but it was kind of an overcast day.
This is starting to seem like a self-indulgent, even narcissistic exercise (thought somehow it didn’t when Clive did it). But what strikes me about this photo is that almost everything in it was a gift or a hand-me-down. The filing cabinet, lamp and chair were all Christmas gifts (on different years) from my parents, who are also the biggest enablers of my writing habit. The computer monitor and speakers are hand-me-downs from the same source. Hat and fingerless mittens were both knit by blogger friends. The ducks who watch over me while I work are a mated pair of mallard decoys that once belonged to my paternal grandfather, who I believe actually used them for hunting. The smaller object in front of the right-hand decoy is a black clay toucan my brother Mark brought back from Oaxaca. The tree is not a Christmas installation but a potted, year-round resident: a Norfolk Island pine that once belonged to my poetry mentor Jack McManis. So when I look at these photos, I see other people.
If any other bloggers want to pick up this meme, consider yourself tagged.
I didn’t have the name for it
in English: lumpy fruit soft
as thin leather, knobbed with
the biggest outie I’d ever seen.
She took it back, sliced it in half,
& handed me one of the hemispheres
together with a Western spoon. Kezuro wa ne, oishii desu yo,
she said, speaking slow & smiling
as if to a child. That first seedy,
pulpy spoonful tasted like
it could have been any fruit.
I remember the brush of her fingers
on mine, & how it suddenly became
difficult to meet her gaze.
I placed the empty skin cup
upside-down on the table & fumbled
for my dictionary. Pomegranate,
I said, handing it over with my finger
on the word. Her brows knit
as she sampled the unfamiliar syllables.
I still have it, that little red dictionary
bound in thin fake leather.
There is no satisfaction quite like the satisfaction that comes from destroying a misbegotten poem — especially when it can be done with the click of a mouse. Removing a tick, by contrast, is much more difficult: grasping it firmly and pulling just hard enough so the skin stretches into a tent around its buried head, this paper-thin creature, trying to get it to withdraw on its own. And when that fails, sterilizing the tip of a sewing needle with a cigarette lighter and digging for the severed mouthparts. I was once almost that thin, I think, as I work the needle into my abdomen’s soft gibbous moon.
The Big Idea woke me up after less than six hours’ sleep. Hey, what’s the big idea? I asked. You’re about to find out, it said. Put down your sleep and follow me.
Me: Go away and leave me alone. I need a new project like I need a hole in the head.
B.I.: There’s a hole in everything. That’s how the mutagens get in.
B.I: Thirty-year-old bumper sticker slogans won’t save the earth, either. But I just might.
Me: Hey, whoa! The track record for ideas saving the earth is really, really poor. Just about every time people have tried that, they’ve ended up providing cover for new systems of oppression instead. Look at Marxism, Fascism, Christianity. We don’t need any more of those kinds of big ideas. Go away.
B.I.: I am not that big! Besides, I am much too whimsical to inspire sociopaths like Stalin or Constantine, and you know it. I would be at best a part — a small part — of any solution. Just one of many things that could help bring about a subtle but significant shift in the global consciousness…
Me: “A shift in the global consciousness”?! Jesus fucking christ. Take your goddamn simplistic New Age babble and get the hell out of my head!
B.I.: So you’re content to go on drifting through life as a tinkerer, a putterer, an intellectual dilettante? You don’t want to contribute to something larger than yourself?
Me: I contribute every time I capture an insight on paper — or in pixels, as the case may be. And it’s not like I’m completely self-centered, either. Well over half my energies these days are already directed toward promoting other people’s work. If I decide to put you into practice yet, that will not only eat into these other commitments, but leave me with hardly any time for my own creative work. Not to mention rob me of sleep on a regular basis, give me ulcers, and lead in all probability to an early grave.
B.I.: But I could make you famous! Then your own words would have an astronomically larger audience. And eventually, once I’m well established, you could pass the baton to someone else and go back to what you’re doing now.
Me: Get thee behind me, Satan.
B.I.: Well, who’s got the messianic complex now? You see — you do want to save the earth.
Me: The very idea that we should aspire to “save the earth” — that any one of us, or even any group of us, could possibly begin to comprehend what the earth needs — it’s total hubris. It’s nothing but the old colonialist, white-man’s-burden bullshit times ten. The earth doesn’t need to be saved, it needs to be left the fuck alone.
B.I.: That’s a very convenient belief for someone who happens to own thousands of dollars worth of stock in evil transnational corporations. Come on. Give up everything you have and follow me.
Me: Don’t try to sweeten the deal. You know what a masochist I am. Look, the fact is I am not the right person — not your Saul, if we want to keep playing with this ridiculous New Testicle analogy. Even the best idea, if brought into the world by the wrong person, will either be still-born or die slowly and painfully after a few, heart-wrenching years of life.
B.I.: But nobody else would love me as well as you do! And you do, admit it. Why else does anyone wake in the middle of the night? What you lack in connections and technical expertise you could more than make up for in passionate commitment.
Me: Tired. I’m so tired.
B.I.: People would literally come out of the woodwork to help. O.K., figuratively. But build it — build me — and they will come.
Me: O.K., that’s it. When an idea depends on clichés from sentimental baseball movies to communicate its importance, it is officially NO LONGER WELCOME IN MY HEAD. Get out! Get out!
I was three and a half when my mom went off to the hospital to give birth to my younger brother. Dad was left in charge. Five days later, my maternal grandmother arrived to help out, and was astonished to discover that I was wearing five pairs of underpants, one overtop the other. Every morning my dad had reminded me to put on clean underwear, and I had.
This story is sometimes still re-told at large family gatherings to general merriment. Yes, kids can be literal. This afternoon when I walked into my parents’ house, Mom said to her four-year-old granddaughter, “Here comes trouble!” “What do you mean?” Elanor said. “That’s not trouble! It’s just Uncle Dave.” Thanks. I think.
Two weeks ago, I caught a whiff of body odor from my underarms. As long as I change shirts regularly, I never get B.O. I decided it must be time to do laundry. The next morning, when I went to pull out the T-shirt from inside the usual layers of turtleneck, sweatshirt, and quilted flannel shirt (I keep a cool house), I discovered not one but two T-shirts, the newer one underneath the old. It gave me a funny kind of deja vu.
*
I’ve written before about the dreams I used to have in which I’d walk over the ridge and discover another hollow, parallel to this one, often with very similar buildings and inhabitants, “where the orchard was never bulldozed out in the 1950s and the old farmhouse was spared its extreme makeover into a faux plantation home. Everything is twice as big and twice as far.” Last night I had a version of this dream, but the previously unknown, Land-of-Faerie Plummer’s Hollow I found myself staring down into this time was a hellscape of strip-mine terraces and settling ponds: Lost Mountain.
Or rather, it was Lost Mountain crossed with a very local instance of mountaintop removal northeast along this same ridge, where an area known as Skytop was carved out to make room for a controversial highway cut a few years back, and a smaller geographic analogue to Plummer’s Hollow was almost completely buried in what turned out to be toxic pyritic fill. I shudder every time we drive over it on our way to Penn State. It’s like we’re driving over our own grave.
*
When I was a teenager, I used to day-dream about finding a small clearing in the woods where tree branches touched overhead, water dripped in a hidden spring, and you couldn’t hear a sound that wasn’t natural. Sometimes it had a small hut in the middle of it, but most of the time it didn’t. When I went to Japan in my sophomore year of college, I think I was still searching for that clearing — it had acquired Zen and Shinto overtones. I visited hundreds of rural shrines and temples that year, and would often take a bus or train to the end of the line and wander around in the hills. I was a bit of a romantic, it’s fair to say. Then I’d come back into the city and get back-slappingly drunk with friendly strangers. Somewhere along the line I stopped looking for that magic clearing and just stuck with the drinking.
Last week, for no particular reason, that old day-dream sprung to mind again. Maybe I’d still been inhabiting it all this time without realizing it. I took a walk up to the ridgetop, and instead of a second hollow, found myself looking into a sunlit clearing that stretched along the far side of our property line for half a mile where a small-scale logging operation has been underway since August. I’d been avoiding it for weeks. As my mother said resignedly the other day, at least we have a better view of the migrating hawks and eagles now. I stared across the valley at the Allegheny Front and saw another recently logged patch, marked with the raw Z of a steep haul road.
Today was crystal-clear, so I went back with my camera to take some pictures for documentary purposes. Every disturbed patch of forest recovers differently, based on chance factors as well as features intrinsic to the site, so I like to observe what I can. This was a diameter-limit cut, with everything under ten inches in diameter still standing except for the collateral damage of saplings run over by the skidder, so aesthetically it wasn’t as harsh as it could have been. But the freshly cut stumps were still hard to look at, especially those from trees I remembered well. I snapped more pictures of stumps than anything else. I studied the patterns left by the chainsaw’s teeth, the way they made a crosshatch with the concentric layers of what had once been xylem, the bark that would never be stretched over another new layer of life.
One pair of stumps from a double-trunked oak had small hollows at their center — a surprise to the loggers, I imagine. They must’ve found solid wood not too much farther up the tree, though, because I didn’t see any discarded logs lying about. I brought my face down close to avoid the glare on the top surface of the stumps, peered into the closest hollow and saw another face staring back. Hello sky. Hello water.
A freak snowstorm on Thursday night/Friday morning ripped down numerous, still-leafed-out limbs and some whole trees. We got up to five inches in Plummer’s Hollow, though the accumulation dwindled to almost zero at the bottom of the hollow. State College, which is roughly at the same elevation as our farm, made the national news. The damage was greatest on the trees with the largest leaves: oaks, maples, tulip poplars, and black locusts — the reverse of what tends to happen during icestorms that hit after the leaves are down, when oaks and tulips are among the most damage-resistant trees.
The storm left us without power for fourteen hours, and without internet and telephone for three days and counting. I’m typing this from a computer in my brother’s house in Tyrone. So how have I been taking advantage of this enforced separation from the internet?
I’ve been getting some reading done. My parents subscribe to a few magazines, such as Newsweek, Orion, and the new weekly Christian Science Monitor, and this kind of reading is a fair substitute for a lot of what I’m used to reading online (though it’s frustrating not to be able to Google references for more information). It’s kind of like taking methadone to treat heroin addiction: it’s fundamentally the same substance, but without the high. Reading magazines, it’s more difficult to shake the persistent impression that you’re actually just wasting time.
I’ve been checking the internet connection.
I’ve been reading copies of American Poetry Review from 2008. Penn State Library discards its paper copies at the end of every year when they get it on microfilm, and a friend of mine who works in the library passes them on to me. I certainly wouldn’t pay money for APR, but it’s amusingly snooty and a good way to keep up with what’s going on in the U.S. poetry establishment. (In a year’s worth of cover poets, the only one who manages not to look like a dork is Stanley Moss, who posed for his photo leaning on a horse’s ass.) I’m surprised that APR keeps publishing in such a disposable format rather than putting full content up on the web, but poets are a conservative lot. The editor of Linebreak tells me that some of the poets they solicit work from refuse to submit to an online journal.
I’ve been checking the internet connection.
I re-read Every Day is for the Thief, Teju Cole’s novella. For a story without much of a plot, it was surprisingly re-readable. However, I did feel that he should have done more with the mysterious Ondaatje reader on the danfo. I hope she gets a more substantial role in the screenplay adaptation.
I’ve been checking the internet connection.
I also re-read another book by a blog buddy: Tom Montag’s The Idea of the Local. The essays about walking made me feel I should take up walking for exercise again — photography has made me such a dawdler! However, the weather has been cold or wet, so I didn’t actually go on any long walks.
I’ve been checking the internet connection.
I started a fire in the woodstove, something I rarely do anymore. I guess the flicker of flames behind isinglass were a substitute for the flickering light of a computer monitor. It made the house too warm, though, and I had trouble sleeping.
I’ve been checking the internet connection.
I read most of Lost Mountain, a searing book about mountaintop removal that’s been sitting on my coffee table for more than a year, alternately beckoning and repelling. Who wants to be reminded about where our electricity comes from, its terrible cost? But the book turned out to be very well written, and sympathetic in its treatment of miners, mining, and Appalachian culture. The cast of characters is very compelling, including Lost Mountain — that’s its actual name — whose obliteration the author chronicles month by month over the course of a year. Compared with something like that, this storm seems very minor indeed.
And now and then I’ve been checking the interent connection.
Already I am looking at the photos and saying — as one does about a place visited in dreams, or about a life spent dreaming — was I really there? Read more…
Second syllable of what was once my name, now used only by the bank, by the government, and by certain few women who insist on it: you are like the necktie I long ago forgot how to fasten. No, scratch that. You are like that great bulb of an Adam’s apple I sported before my neck widened and absorbed it. I and D, you make me trochaic. You turn me into my ancestor, that quiet boy I suspect that I, as a Dave, would’ve hated, because he thought he was special, and not in the short-bus kind of way. A David. God’s favorite sociopath, going buck-wild in front of the ark: no David is ever quite free of that chaos, that cauldron, that id.
But Dave? A name without promise or poetry. Every Tom, Dick and Harry is named Dave now, you say — but that’s precisely the point. It was only when I freed myself of the i.d. that I started to discover who all I might become.
I scan the sky the way others study
a lover’s face. It is
all I have. Three nights ago when
I went out to urinate,
the smell of rain was so rich I couldn’t
get enough of it.
I turned my face to the invisible sky
& stood there taking
great deep breaths, drawing the strange
air into my nostrils,
& when I went back in my glasses were
so wet I had to grope
for a cloth — swatch of cotton softer
than any skin.
__________
Sorry for my relative absense around here; I’ve been busy with qarrtsiluni stuff.
My brother had chanted its name for days
until, voilà, it hung
a hundred feet above our astonished faces:
lammergeier, impossible to miss,
the open book of its body so wide
it could be read by the thinnest updrafts,
dark against the clouds —
& us standing by the very rock
that Roland’s sword was said to have split
when he fought the Basques & prepared
a feast for vultures. But this one
with its fully feathered head
& wisp of beard looked nothing like
one of those tonsured carrion-eaters.
We lamented its empty talons,
having fed ourselves on tales
of an expert locksmith
taking the bones one by one up
into the sky & letting them drop
onto some likely rock, there to glean
from the splinters the wine-red
marrow, mother of blood.
We watched it pivot,
rocking in the high wind,
then slide quick as a sword down
that long & boney ridge.
Click on the image to read the other posts in honor of International Vulture Awareness Day and learn why vulture conservation is so vital. Sentence-of-the-day award goes to Charlie at 10,000 Birds:
On the face of it, all this attention for a group of scavenging birds that are fairly universally seen as ugly, quarrelsome, and unkempt, dark reminders of mortality, and definitely not the sort of guests you’d invite to a dinner-party (“We sent the invitations out Mrs Vulture, I know we did — it must just be coincidence that both you and the Hyenas didn’t receive them…”) must seem a little odd (especially to any non-birder who stumbles across IVAD and who had probably assumed that we birders usually celebrate delicacy, beauty or song rather than excrement-coated bags of feathers who spend much of their day with their heads shoved up a rotting corpse).
This is the weblog of Dave Bonta, a poet, editor, and shutterbug from the eastern edge of western Pennsylvania. For background on the site, see the About page. For more about me, see my Google profile.
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Via Negativa’s first book-spawn!
Order from the publisher or Contact me for a signed copy or to barter for your own book. Central PA residents can buy it at Webster's.
Qarrtsiluni, a literary magazine I co-edit Festival of the Trees, a blog carnival I co-founded Open Micro, a group blog I belong to dedicated to poetry in 140 or fewer characters Moving Poems, my daily compendium of video poems from YouTube, Vimeo, and beyond The Morning Porch, Twitter-length prose-poems based on the view from my porch first thing in the morning Woodrat Photoblog, "a midden of photos from a Pennsylvania mountaintop" Shadow Cabinet, an online collection of my more recent poems Spoil, an online collection of my older poems
"On the whole I concentrated on things and people that I found charming and splendid; my notes are also full of poems and observations on trees and plants, birds and insects."
— Sei Shonagon, 994 A.D.
Smorgasblog
Dick Jones' Patteran Pages
The painter washes his hands on the flannel of the sky
Everything is in gouts of colour
And the hats of the passing women are comets
across the evening’s fire.
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Parmanu
But Hopper didn’t paint any snowy landscapes, did he? I wonder why. The loneliness and solitude of people in his cityscapes would, it seems to me, be accentuated in a street filled with snow. I can almost imagine the effect of streetlamp light bouncing off the snow, and the resulting shadows on nearby objects.
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Mutating the Signature
Don’t bring your tires
stripped of hot rims, or used
condoms, syringes or jumbo sized
needles. Leave the headless
doll in the truck, along with wrappers,
giddy snack vestiges and Keystone
cans.
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the cassandra pages
Her features rubbed with a wooden spoon,
Fadwa's Damascene face emerges
beneath my hands black with printing ink...
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Clive Hicks-Jenkins' Artlog
I may yet soften the massed patterning of leaves and branches, but it nevertheless has to be present, carefully arranged to suggest a foliate barricade made by a careful gardener to create a safe oasis from the wilderness beyond. Perhaps I'll put some sheep on the distant hills rising to the upper edge of the painting. And some low mounds of rock plants. The painting evolves and becomes dense with shapes and patterning, shadow and highlight, colour and tone.
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everything feeds process
In stories like Alice in Wonderland, Wizard of Oz or The Little Mermaid, the main character has to make sense of a world that is not her own. In my mind, this is an excellent metaphor for living as a grown-up in modern times.
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slow reads
This cold has eyes, not menacing or even intent ones, but the limpid eyes of the cold dead, the kind of eyes that feel every nape’s tooth marks. This cold moves as slowly as black water, silently as the far side of fish: unpied, canopied — the crosshatch of hawks.
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Coyote Mercury
Somewhere along those dusty Philippine roads my fascination with war turned to recoiling as I realized it was one thing to reenact battles with my friends, but quite another to walk endless miles along a trail of brutality, hopelessness and murder. I think it was then that the idea of war began to move from fantasy to nightmare as we walked through Bataan imagining the sheer horror of the reality our reenactment was meant to remember.
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Heraclitean Fire
And while zebra finches aren’t exactly imbued with an enormous amount of dignity at the best of times, there was something slightly off-putting about seeing these little birds with their own aims and desires in life being cajoled into being art.
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