Ars Poetica?

Video link.

Czeslaw Milosz reads his poem. This is a different translation from the one he did with Lillian Vallee for the Collected Poems.

I made this thinking I might post it on Moving Poems, but I’m not sure it quite qualifies as “the best video poetry on the web.” Nevertheless, I enjoy matching poems to footage like this, and I happen to think it’s a pretty good fit, assuming I’m correct in reading a fairly light-hearted tone into the poem.

I wholeheartedly concur with the sentiment that “the world is different from what it seems to be / and we are other than how we see ourselves in our ravings.” The closing assertion, that poems should only be written rarely and reluctantly, strikes me as a rather strong prescription: potentially life-saving for some poets and very dangerous for others. I do love the next-to-last stanza, though (in the canonical translation):

The purpose of poetry is to remind us
how difficult it is to remain just one person,
for our house is open, there are no keys in the doors,
and invisible guests come in and out at will.

Groundhog vs. groundhog

In honor of Imbolc and its buck-toothed seer, I uploaded a sharper copy of some footage I shot two years ago. Groundhogs are among the most solitary of marmots, and I think what we’re seeing here is a territorial dispute over some valuable real estate — the crawlspace under my house.

And as long as we’re watching videos, here’s another one I just uploaded, from the three-banjo jam session. There were other songs they performed more flawlessly, but this is the only one where the video is also half-decent (emphasis on “half”). And yes, it is entirely possible that they interrupted the sleep of the groundhog(s) below the floor.

Sledding Plummer’s Hollow

My sledding video from last winter was such a success, I thought I’d try it again this year. The conditions were pretty icy and scary last winter, so I stopped at the half-way point, not wanting to risk the video camera any farther. (I hold it in my right hand as I ride — this isn’t a helmet cam.) But this winter, given all the wonderful cold weather and regular snow, sledding conditions have been exceptional, and with the January thaw imminent, yesterday afternoon I went ahead and shot this video of a sled ride clear to the bottom, a mile-and-a-half-long run. It isn’t quite non-stop, as you’ll see: there are two places, slight uphills on the way down, where I had to get out and walk for a few yards. (The first is the half-way spot where I stopped in last winter’s video.)

Since I was on hard-packed snow rather than ice this time, the ride was relatively quiet. It’s the quiet that I love about sledding, as much as the speed, so I decided to dispense with rousing music on the soundtrack and go for straight realism. (Actually, a little less realism might’ve been nice, but unfortunately my camera doesn’t have image stabilization. I also apologize for all the sniffing — but that too is the sound of winter, isn’t it?)

I’ve been sledding for a long time — since at least the age of four, I think. My mother remembers watching me sled the hill below our farmhouse in Maine, trudging up and flying down over and over at zero degrees Fahrenheit. We moved to Plummer’s Hollow in 1971, when I was five. We did a lot of sledding as a family in the early 70s; my mother’s back still permitted her to go down a gentle slope sitting up. I remember sledding by moonlight, the five of us, taking turns on a shifting assortment of runner sleds and wooden toboggans, our whoops strangely not out of place in the silvered landscape. We never had anything plastic, nor even an aluminum saucer. We were arch traditionalists.

Winters were serious business back then, boys and girls. I remember our first brown Christmas, sometime in the late 70s, because it was such an exception. This winter so far has been like a trip into a time-machine (and given the option of going anywhere back in time, how many of us from happy families wouldn’t choose our own childhoods over the most stirring periods of human history?). January was always the best month for sledding because it was the coldest.

February, by contrast, was always the serious snow month, which brought its own excitement — snow forts, long walks on snowshoes — but it also meant we had to do a lot of tromping in order to keep the sled runs open. Dad showed us how to shuffle slowly along in a straight line, making several passes. But I don’t think anyone else had the patience for it but him and me, and after a few years it was all me. I was an inveterate day-dreamer, so it didn’t much matter what I was doing — I was always somewhere else, deep in a story. And you know, maybe that explains the attraction of sledding to someone like me, who never got into sports otherwise: going down a hill on a sled is one time I am fully alive to the present and nothing else.

After Mom’s back got too bad to permit any more sledding, Dad stopped too, and from the mid-70s on, his main contribution was to mow a sledding trail through the field with his tractor and brushhog each fall. Oddly enough, we didn’t otherwise keep walking trails through the fields mowed back them. We were still raising chickens and ducks and cutting hay, so I guess we viewed them more as hayfields than meadows for wildlife watching. We didn’t, for example, have the trail down through what we call the amphitheatre, where I start my sled ride in the video. The sledding trail Dad mowed every year went straight down from the upper edge of the field opposite the barn. We’d sometimes shovel snow into a bump at the bottom to make group toboggan rides more exciting: airborne!

It’s funny the way people look at me now, as an almost 44-year-old man, when I mention I like to go sledding. As I noted in last year’s post, even though lots of adults enjoy skiing and snowboarding, somehow sledding is for children. But is it? About a week before Christmas, I was joined by a couple of kids — my four-year-old niece Elanor and an older boy of around nine, I think, and the boy’s father, who’s my age, joined in as well. We had a blast sledding and tobogganing down through the field. But I couldn’t help noticing that both children seemed to regard the walk back up the hill as something onerous. Well, to be fair, their legs were a lot shorter than mine, but on the other hand, they were in way better shape than me. The walk up the hill is how you build up the warmth that makes the ride down tolerable, I told them, but they weren’t buying it. So maybe you have to be a grown-up to truly appreciate sledding.

One of the other things besides sledding that signals my permanent adolescence to most people, of course, is the fact that I don’t own a car and barely know how to drive. I am not a big fan of the internal combustion engine. But I’m not sure I’d enjoy sledding nearly as much if I weren’t so accustomed, as we all are, to the contrasting experience of riding in a car. It makes sledding feel like a magic carpet ride.

It helps that these days I invariably sled in a sitting position, which is a bit slower than lying down because of the way the weight’s distributed — the runners tend to bite in toward the back and it can slow forward momentum considerably, depending on the conditions. But it feels faster and more dangerous, especially the sharp turns when you risk tipping over. About ten years ago I started to notice dangerous twinges in my lower back whenever I went over a bump while sledding prone, so much as loved sledding that way I was forced to switch. Our neighbor Paula threw her back out a couple weeks ago while sledding with her grandchildren in front of their house (the third residence in Plummer’s Hollow). And she’s just a year older than me.

Come to think of it, maybe that’s the real reason most adults prefer to leave sledding to the kids. But I hear there are an increasing number of publicly designated sledding hills, for example in Pennsylvania state parks, and given the tendencies of people in my generation to try and prolong childhood indefinitely if possible, I suspect I might even be part of a trend. But even if all the downhill skiers decide to switch tomorrow, forgo their lazy-ass ski lifts, and take up something truly physically demanding, I think I’ll still stick to the quiet and solitude of a Plummer’s Hollow sled ride.

Undead


Direct link to video.

I got some half-decent footage of crows mobbing what turned out to be a red-tailed hawk this afternoon. I wasn’t quick enough to get the hawk, so it didn’t make for much of a nature video even by my low standards, so I decided I’d mess around with it and try to make a videopoem instead. Here’s the text:

If the dead can’t rest,
it’s because we won’t let them.
We storm,
we harry,
we decry,
we implore.
We make them star
in our horror shows
for that surge of adrenalin
that lets us know
we’re alive —
as if they our dear departed
were the ones out for blood.

Jamendo.com was down, so I went to the Internet Archive’s Open Source Audio collection instead and quickly found some suitable music. The main advantage of searching on Jamendo is that you can filter out Creative Commons licenses that specify “no derivatives.” But I think from now on I’ll probably try the Internet Archive first, because it seems to have much more of the kind of music I’m looking for.

*

For what it’s worth, this is my 3,000th post at Via Negativa. Granted, 466 of those are just quote-and-link posts in the Smorgasblog category. And this figure does not include the 719 Morning Porch posts, which are in a separate blog. I mention them because, in my first several years of blogging, I almost certainly would’ve included them as part of the Via Negativa stream — and someday when I stop keeping the Morning Porch record, I will probably import all those posts into the VN archives.

As luck would have it, we just passed another milestone a week ago: the 12,000th approved comment, which was left by Dana Guthrie Martin. That excludes the several thousand comments that were lost when Via Negativa moved to WordPress on April Fool’s Day, 2006. And just to keep things in perspective: I’ve logged 1,118,233 spam comments during that same period.

Lines (videopoem)


Link to video.

A video adaptation of a poem I wrote back in 2006 and included in my online collection Shadow Cabinet.

This videopoem idea has been brewing for a while. I finally got a chance to shoot the contrail footage last week, on one of those days when some of the contrails remain and others quickly fade, depending I suppose on the elevation of the jet. As usual, though, the most time-consuming part of the video-making process was finding the right music. The wordless, a capella song is by a Belgian electronica band called Silence, who are generous enough to copyleft all their material. The track happened to be just the right length, so I didn’t have to alter it in any way.

Advice for Prospective Troglodytes (video)


Video link.

It’s International Rock-Flipping Day, so I thought I’d try making a poetry video with footage of the underside of rocks, shot this afternoon in the woods above my house. The poem is a couple of years old, and may be found at my online collection Shadow Cabinet.

UPDATE: Here’s the complete list of bloggers who participated in IRFD this year.

Wanderin’ Weeta
The Natural Capital
Fertanish Chatter
Roundrock Journal
Just Playin’ Around
What It’s like on the Inside
KrisAbel
BugSafari
Sofia_Alexandra
Growing with Science
ChickenSpaghetti
NaturalNotes
Yips and Howls
Rock, Paper, Lizard
Outside My Window
The dog geek
Dave Ingram’s Natural History Blog
Unplug Your Kids
ORCA: Observar, Recordar, Crecer y Aprender
Will Rees Fine Woodworking …
The Marvelous in Nature
Pohangina Pete
Ontario Wanderer
Bare Baby Feet
The Homefront Lines
Crazy Maize World
Dr. Omed’s Tent Show Revival

And don’t forget to check the Flickr group, too.

In and Out


Video link (subscribers must click through to watch).

The first part of this video may look familiar — I used it for a video poem back in July. At the time, I kind of felt I should upload a straight-up, full-color version of the footage as well, but video uploading is time-consuming and I never got around to it. Then on Sunday, the same guy who spotted the snake going into the house — our friend and caretaker Troy Scott, this time with his son Andy — spotted it emerging. You can hear all three of our voices on the soundtrack. It was fascinating to watch the snake figure out a new way to get to the ground, now that we’ve pruned out its handy walnut branch.

I’d like to say it caught all the mice, but in fact there’s still at least one. It ran under my chair just an hour ago.

Admonition


Video link (RSS subscribers must click through)

There’s also an accompanying image at my photoblog. I’m not sure what the species is here, nor why they’re attracted to this bucket in which brushes covered with latex house paint have been cleaned out. If anyone can enlighten me on either score, please leave a comment.

This was shot with my regular digital camera (in the heat of the moment I forgot I had a camcorder), then speeded up to about twice the actual speed. I extracted, cleaned up, and selected a portion of the audio track — annual cicadas in full whine — to combine with my recitation. I dashed off the poem under the influence of alcohol for authenticity’s sake. Here it is, for the benefit of those on dial-up:

This is no moon, my poet friends.

Those are no crickets.

That cloying scent doesn’t come from a flower.

Whatever you’re trying to quench, it isn’t thirst.

The Fire Fox


The Fire Fox from Dave Bonta on Vimeo.

I’ve been working on this poem for the last three days, thinking I could repurpose some video I shot back in March 2008 and only shared in black-and-white form at the time (see Rabid fox). The story has been simplified slightly, but most of that simplification is a consequence of memory’s alembic — I did not refer to my earlier post before completing the video.

(Transcript)

The gray fox was sitting in the driveway
when we got up. A blessing, we thought,
returning its gaze from the veranda.
To have found a place in the cool regard
of a creature so at home in the forest
& so seldom seen by day — it felt
like a message: that we belong here
on the mountain, that our presence
is acceptable. We were already
rehearsing the story we’d tell about it
as it got to its feet, that lovely animal
the color of ash & flame, & trotted
up past the garage & out of sight.

We’re still basking in the warm glow
of chosenness when later that day
we see it again, wandering in circles
around the stark sunlit field. Now
it wears a beard of bloody foam
& keeps shaking its head as if
something has it by the throat.
We watch through binoculars
as it sinks into the grass & disappears,
then rises again: undead. Rabid.
What we took for friendliness
is instead a violent kind of taming,
the virus robbing it of every wild instinct.

I get close & watch as long as I
can stand to. Its jaw works & works.
Its eyes close for long moments.
If my presence registers at all, I doubt
I’m anything but one more, minor torment.
The brief convulsion after
the bullet shatters its skull is almost
refreshing to watch — a return to
the expected order of things.
I dig a deep grave between the roots
of a wild black cherry, break the brick-
red clods with the back of my shovel
& trickle the soil over that shining coat.