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<channel>
	<title>Via Negativa</title>
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	<link>http://www.vianegativa.us</link>
	<description>How can we live without the unknown before us? —Rene Char</description>
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		<title>Preparing the Balikbayan Box</title>
		<link>http://www.vianegativa.us/2012/02/preparing-the-balikbayan-box/</link>
		<comments>http://www.vianegativa.us/2012/02/preparing-the-balikbayan-box/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 04:51:10 +0000</pubDate>
		<dc:creator>Luisa A. Igloria</dc:creator>
				<category><![CDATA[Guest writers]]></category>
		<category><![CDATA[Poems & poem-like things]]></category>
		<category><![CDATA[Luisa A. Igloria]]></category>

		<guid isPermaLink="false">http://www.vianegativa.us/?p=15381</guid>
		<description><![CDATA[It&#8217;s almost spring, and I am putting a large box of things together to send away across the ocean in a container ship with many other boxes just like this one. We call these balikbayan boxes&#8212; and we fill them &#8230; <a href="http://www.vianegativa.us/2012/02/preparing-the-balikbayan-box/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>It&#8217;s almost spring, and I am putting<br />
a large box of things together to send<br />
away across the ocean in a container ship<br />
with many other boxes just like this one.</p>
<p>We call these <em>balikbayan</em> boxes&#8212; and we<br />
fill them to the brim (they&#8217;re packed and taped,<br />
not weighed, by volume) with every imaginable<br />
first world desire: chocolate, clothes and shoes </p>
<p>bought at various sales throughout the holidays,<br />
books for nieces and nephews; coffee, processed<br />
ham, brined and pressed into teardrop-shaped tins;<br />
liter bottles of shampoo, purse-size samples</p>
<p>of scents and lotions and oils; candy, pain-<br />
killers, cans of tuna and corned beef and Spam.<br />
Strips of masking tape and markers help<br />
to designate which items will go to which </p>
<p>relatives and friends back home. I know<br />
that what I really want to send can&#8217;t fit<br />
inside this cardboard box&#8212; And so from time<br />
to time I&#8217;ll stop to lean against the kitchen door, </p>
<p>survey the goods strewn across the table:<br />
despite the labels, unsure of their destination<br />
as I am uncertain of what real purchase<br />
I have over the things in this world.</p>
—<a href="http://luisaigloria.com">Luisa A. Igloria</a><br />
02 08 2012<br />
<p><em>In response to <a href="http://morningporch.com/2012/02/159122344/">an entry from the Morning Porch</a>.</em></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
	
		<series:name><![CDATA[Morning Porch Poems: Winter 2011-12]]></series:name>
	</item>
		<item>
		<title>How to wait</title>
		<link>http://www.vianegativa.us/2012/02/how-to-wait/</link>
		<comments>http://www.vianegativa.us/2012/02/how-to-wait/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 19:19:45 +0000</pubDate>
		<dc:creator>Dave Bonta</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Riffs]]></category>

		<guid isPermaLink="false">http://www.vianegativa.us/?p=15383</guid>
		<description><![CDATA[Download the MP3 Incubate an egg with the heat of your palms. Brood. Nurse your sorrows with the sour milk of jealousy, or failing that, Nestle&#8217;s infant formula. Dissect a seed. Relive a pleasant memory by reenacting it in excruciating &#8230; <a href="http://www.vianegativa.us/2012/02/how-to-wait/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<em><a href="http://shadowcabinet.files.wordpress.com/2012/02/how-to-wait.mp3">Download the MP3</a></em></p>
<p>Incubate an egg with the heat of your palms. Brood. </p>
<p>Nurse your sorrows with the sour milk of jealousy, or failing that, Nestle&#8217;s infant formula. </p>
<p>Dissect a seed. </p>
<p>Relive a pleasant memory by reenacting it in excruciating detail. </p>
<p>Do math problems in your head—for example, prove Goldbach&#8217;s Conjecture.  </p>
<p>Collect rain in jars, tightly sealed and organized by month and day. </p>
<p>Get ready! Sharpen all your knives. </p>
<p>Grind them until they&#8217;re thin as piano wires. </p>
<p>Hug yourself tightly and rock back and forth on your haunches. </p>
<p>If you must watch the clock, unplug it first. </p>
<p>If you must play solitaire, dispense with the cards. </p>
<p>Light cigarettes and watch from a safe distance as they turn into columns of ash. </p>
<p>Pace, but let your fingers do the walking. </p>
<p>Novels are best read backwards, one page at a time. </p>
<p>Stop kidding yourself about what comes next. </p>
<p>Go about your business. </p>
<p>Coil into a spring so your mind won&#8217;t have anywhere to wander. </p>
]]></content:encoded>
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		<slash:comments>4</slash:comments>
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		<series:name><![CDATA[Manual]]></series:name>
	</item>
		<item>
		<title>Diorama, with Mountain City and Fog</title>
		<link>http://www.vianegativa.us/2012/02/diorama-with-mountain-city-and-fog/</link>
		<comments>http://www.vianegativa.us/2012/02/diorama-with-mountain-city-and-fog/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 04:58:17 +0000</pubDate>
		<dc:creator>Luisa A. Igloria</dc:creator>
				<category><![CDATA[Guest writers]]></category>
		<category><![CDATA[Poems & poem-like things]]></category>

		<guid isPermaLink="false">http://www.vianegativa.us/?p=15373</guid>
		<description><![CDATA[On Friday afternoons, my father sometimes picked me up from school and took me with him up Session Road, past Assandas, Bombay, and Bheroomull&#8217;s department stores; then Dainty Restaurant where the chess-players were by then deep in their cups, and &#8230; <a href="http://www.vianegativa.us/2012/02/diorama-with-mountain-city-and-fog/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>On Friday afternoons, my father<br />
sometimes picked me up from school<br />
and took me with him up Session Road, </p>
<p>past Assandas, Bombay, and Bheroomull&#8217;s<br />
department stores; then Dainty Restaurant<br />
where the chess-players were by then deep</p>
<p>in their cups, and the air was fragrant<br />
with the smells of coffee, soy sauce,<br />
and sesame oil. In the alley, a rabble</p>
<p>of crows occasionally swooped down<br />
among the garbage for scraps, driving<br />
the cats behind the upstairs apartment </p>
<p>windows crazy. Farther, past Pines<br />
Studio and Cid Educational Supply,<br />
the entrance to Magnolia ice cream</p>
<p>parlor and Sky View Mezzanine.<br />
There, he gestured to the maitre d&#8217;<br />
named Lito, who soon escorted us</p>
<p>to the basement where father&#8217;s best<br />
friend, Don Alfredo Blanco, held office<br />
in a room musty with the cinnamon </p>
<p>and clove smells from the humidor, mingled<br />
with a whiff of English Leather. I don&#8217;t<br />
know or can&#8217;t remember what they talked </p>
<p>about for hours, it seemed; only<br />
that they let me sink into the leather<br />
armchair underneath a lamp and a poster </p>
<p>of a <em>toreador</em> in Spain, and I was free<br />
to take out books from the low shelf:<br />
<em>The Count of Monte Cristo, The Great</p>
<p>Gatsby</em>, and I turned the yellowed<br />
pages and read or drowsed, until a hand<br />
shook me awake and it was time to go. </p>
<p>Sky View is gone; I hear it&#8217;s now<br />
a pizza parlor. And both men have<br />
likewise passed away. Sometimes</p>
<p>I catch a glimpse in <a href="https://www.facebook.com/media/set/?set=a.1068441704028.2011849.1015622954&amp;type=1" target="_blank">photographs</a><br />
someone has posted on Facebook&#8212;<br />
the old buildings, the wide sweep </p>
<p>of streets not yet choked by cars<br />
and pedestrian traffic: the Chinese </p>
<p>couple who kept a shop called The Old<br />
Pagoda, dipped brushes into ink to make<br />
calligraphy; fingers of fog on the sleeves </p>
<p>of trees, their reluctance to let go too soon.</p>
—<a href="http://luisaigloria.com">Luisa A. Igloria</a><br />
02 07 2012<br />
<p><em>In response to <a href="http://morningporch.com/2012/02/159122341/">an entry from the Morning Porch</a>.</em></p>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
	
		<series:name><![CDATA[Morning Porch Poems: Winter 2011-12]]></series:name>
	</item>
		<item>
		<title>How to listen</title>
		<link>http://www.vianegativa.us/2012/02/how-to-listen/</link>
		<comments>http://www.vianegativa.us/2012/02/how-to-listen/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 21:01:59 +0000</pubDate>
		<dc:creator>Dave Bonta</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Books and Music]]></category>
		<category><![CDATA[Humor]]></category>
		<category><![CDATA[Riffs]]></category>

		<guid isPermaLink="false">http://www.vianegativa.us/?p=15370</guid>
		<description><![CDATA[Download the MP3 Just as the tail bone is a vestigial tail, the ears are vestigial cabbages. Wear a hat to ward off ear worms, which if unchecked can turn into ear butterflies. Listen with the heart. It&#8217;s not really &#8230; <a href="http://www.vianegativa.us/2012/02/how-to-listen/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<p>Just as the tail bone is a vestigial tail, the ears are vestigial cabbages. </p>
<p>Wear a hat to ward off ear worms, which if unchecked can turn into ear butterflies. </p>
<p>Listen with the heart. It&#8217;s not really designed for that, but it gets bored just pumping blood all the time. </p>
<p>Listen with your skin: each body hair is an antenna.  </p>
<p>Turn on, tune in, drop into a really comfortable couch. </p>
<p>That &#8220;still, small voice&#8221; is neither God nor conscience but a long-deceased great aunt with a few things still on her mind. </p>
<p>Take notes. </p>
<p>All sound can be heard as music, but not all music can be heard as music. </p>
<p>Your life did, in fact, come with a soundtrack—what have you done with it? </p>
<p>The listener, too, must improvise. </p>
<p>One chord is enough for most purposes—don&#8217;t be greedy! </p>
<p>Silence can take four basic forms: pregnant, shocked, utter, and radio. </p>
<p>Pregnant silence is the most tragic, since she always dies giving birth. </p>
<p>Compose in her memory a sonata for the ear trumpet. </p>
]]></content:encoded>
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		<series:name><![CDATA[Manual]]></series:name>
	</item>
		<item>
		<title>Legacy</title>
		<link>http://www.vianegativa.us/2012/02/legacy/</link>
		<comments>http://www.vianegativa.us/2012/02/legacy/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 04:56:49 +0000</pubDate>
		<dc:creator>Luisa A. Igloria</dc:creator>
				<category><![CDATA[Guest writers]]></category>
		<category><![CDATA[Poems & poem-like things]]></category>
		<category><![CDATA[Luisa A. Igloria]]></category>

		<guid isPermaLink="false">http://www.vianegativa.us/?p=15356</guid>
		<description><![CDATA[What had he saved, at the close of his life, that he might have left as a bequest? We found out only after his death: despite his long career in law, how scrupulous, how fraught with superstition the lengths he &#8230; <a href="http://www.vianegativa.us/2012/02/legacy/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>What had he saved, at the close<br />
of his life, that he might have left<br />
as a bequest? We found out only</p>
<p>after his death: despite his long<br />
career in law, how scrupulous, how<br />
fraught with superstition the lengths</p>
<p>he went to avoid the writing of a will,<br />
or such grave considerations of the end:<br />
a bank account his widow had no real </p>
<p>knowledge of, with one last retirement<br />
deposit; the neat and mostly unused<br />
stack of blank checks (he favored cash) </p>
<p>tucked in a corner of the sock drawer.<br />
Somehow I can&#8217;t remember more<br />
than the questions that now come </p>
<p>out of that time. They crowd upon<br />
the present, which today seems<br />
cloudless and untrammelled, clear </p>
<p>blue shot through with loose coins<br />
of sunshine though winter&#8217;s breath<br />
suspends its shadow from every branch. </p>
<p>If you can&#8217;t take it with you, what is<br />
this lifetime of working and making do,<br />
of putting others&#8217; needs before your own; </p>
<p>and nights of sleepless worry, counting<br />
the days from one paycheck to the next?<br />
The clock in the hallway whirrs </p>
<p>and hidden levers scroll the hands<br />
across its ivory face. Its music<br />
is also a counting-out, a measuring</p>
<p>of the remaining distances between<br />
the ache of all that wants so much<br />
to be fulfilled, to be disbursed.  </p>
—<a href="http://luisaigloria.com">Luisa A. Igloria</a><br />
02 06 2012<br />
<p><em>In response to <a href="http://morningporch.com/2012/02/159122339/">an entry from the Morning Porch</a>.</em></p>
]]></content:encoded>
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		<series:name><![CDATA[Morning Porch Poems: Winter 2011-12]]></series:name>
	</item>
		<item>
		<title>How to walk</title>
		<link>http://www.vianegativa.us/2012/02/how-to-walk/</link>
		<comments>http://www.vianegativa.us/2012/02/how-to-walk/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 20:25:01 +0000</pubDate>
		<dc:creator>Dave Bonta</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Humor]]></category>
		<category><![CDATA[Riffs]]></category>

		<guid isPermaLink="false">http://www.vianegativa.us/?p=15353</guid>
		<description><![CDATA[Download the MP3 Walking is a form of climbing—one extremity should keep hold of the floor or ground at all times to prevent a fall. (Feet are better for this than hands.) You can try delegating it to others, but &#8230; <a href="http://www.vianegativa.us/2012/02/how-to-walk/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<br />
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<p>Walking is a form of climbing—one extremity should keep hold of the floor or ground at all times to prevent a fall. </p>
<p>(Feet are better for this than hands.) </p>
<p>You can try delegating it to others, but you have to hope they won&#8217;t do the same. </p>
<p>Someone must walk or the earth will forget about us and have other bad dreams instead. </p>
<p>Find a tree to coach you—trees spend their whole lives plotting their next step. </p>
<p>Be careful not to take root.  </p>
<p>Every corner of terra firma requires a different walk, as well as every hour of the day. </p>
<p>A morning walk should never take the place of an evening or postprandial walk.  </p>
<p>Saunter. Shuffle. Swagger. Stride. Plod.</p>
<p>Feet are like oxen bound in harness: they&#8217;re paired, but they&#8217;re not a couple. </p>
<p>However much they&#8217;re fetishized, their first and only mate is the ground.  </p>
<p>Muscles are like batteries—simply walk backwards to recharge! </p>
<p>Try not to think about the ten little piggies with their discordant agendas. </p>
<p>Try not to think about those other two-legged animals, the birds. </p>
<p>At birth, you are allotted just so many steps. Choose them carefully. </p>
<p>Keep your eyes on the sidewalk—there are no dropped coins in the sky. </p>
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		<series:name><![CDATA[Manual]]></series:name>
	</item>
		<item>
		<title>Maquette</title>
		<link>http://www.vianegativa.us/2012/02/maquette/</link>
		<comments>http://www.vianegativa.us/2012/02/maquette/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 04:55:15 +0000</pubDate>
		<dc:creator>Luisa A. Igloria</dc:creator>
				<category><![CDATA[Guest writers]]></category>
		<category><![CDATA[Poems & poem-like things]]></category>
		<category><![CDATA[Luisa A. Igloria]]></category>

		<guid isPermaLink="false">http://www.vianegativa.us/?p=15348</guid>
		<description><![CDATA[Buttonhole: wound, opening trellised over with such careful stitches. If the edging is even and well-spaced, and the knot hidden from view, the garment is practically knighted. Tell me about frog closures, keyhole backs, pin-tucks that seam close and sigh &#8230; <a href="http://www.vianegativa.us/2012/02/maquette/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Buttonhole: wound, opening trellised over<br />
with such careful stitches. If the edging<br />
is even and well-spaced, and the knot hidden<br />
from view, the garment is practically knighted.<br />
Tell me about frog closures, keyhole backs,<br />
pin-tucks that seam close and sigh open;<br />
the patient work of the foot, the hours<br />
pressed on the treadle. Romance of voile,<br />
the pragmatism of cotton, the tensile<br />
wisdom of wool and lace. At the mall,<br />
trendy with mirrors and mannequins:<br />
a thousand blemishes sparkle, but<br />
everything is hungry for more. </p>
—<a href="http://luisaigloria.com">Luisa A. Igloria</a><br />
02 05 2012<br />
<p><em>In response to <a href="http://morningporch.com/2012/02/159122337/">an entry from the Morning Porch</a>.</em></p>
]]></content:encoded>
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		<series:name><![CDATA[Morning Porch Poems: Winter 2011-12]]></series:name>
	</item>
		<item>
		<title>How to eat</title>
		<link>http://www.vianegativa.us/2012/02/how-to-eat/</link>
		<comments>http://www.vianegativa.us/2012/02/how-to-eat/#comments</comments>
		<pubDate>Sun, 05 Feb 2012 16:36:47 +0000</pubDate>
		<dc:creator>Dave Bonta</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Food and Drink]]></category>
		<category><![CDATA[Humor]]></category>
		<category><![CDATA[Riffs]]></category>

		<guid isPermaLink="false">http://www.vianegativa.us/?p=15346</guid>
		<description><![CDATA[Download the podcast Cultivate an appetite through rigorous exercise of the organs of speech. Grow root vegetables and, if possible, talons. Salivation is important, but in most cases it will not be necessary to consume the saliva of other creatures, &#8230; <a href="http://www.vianegativa.us/2012/02/how-to-eat/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<br />
<em><a href="http://shadowcabinet.files.wordpress.com/2012/02/how-to-eat.mp3">Download the podcast</a></em></p>
<p>Cultivate an appetite through rigorous exercise of the organs of speech. </p>
<p>Grow root vegetables and, if possible, talons. </p>
<p>Salivation is important, but in most cases it will not be necessary to consume the saliva of other creatures, e.g. in the form of <em>Aerodramus</em> swiftlet nests. </p>
<p>Go to the ocean—primal eater—and watch how it wags its tongue. </p>
<p>Make sure the bread and the soup are singing in the same key. </p>
<p>Beware of the sea cucumber, which turns itself inside-out to avoid becoming a meal. </p>
<p>The best food is the most obvious: a fan never runs out of air to chew. </p>
<p>If the meat is rotten, eat the maggots. </p>
<p>Forks to the left, spoons to the right and a steak knife&#8217;s macron over the dish&#8217;s O. </p>
<p>Oxidation is too unpredictable. Use gastric acid and fermentation. </p>
<p>Set an extra place at your table for the anthropologist with the most delectable buttocks. </p>
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		<series:name><![CDATA[Manual]]></series:name>
	</item>
		<item>
		<title>How to wake up</title>
		<link>http://www.vianegativa.us/2012/02/how-to-wake-up/</link>
		<comments>http://www.vianegativa.us/2012/02/how-to-wake-up/#comments</comments>
		<pubDate>Sun, 05 Feb 2012 04:59:07 +0000</pubDate>
		<dc:creator>Dave Bonta</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Riffs]]></category>

		<guid isPermaLink="false">http://www.vianegativa.us/?p=15342</guid>
		<description><![CDATA[Download the MP3 This is the first page of the missing manual, designed to be understood only by those who have no need of it. Waking up isn&#8217;t for everyone. Dreaming is an anodyne to our nearly inescapable grief. But &#8230; <a href="http://www.vianegativa.us/2012/02/how-to-wake-up/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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<br />
<em><a href="http://shadowcabinet.files.wordpress.com/2012/02/how-to-wake-up.mp3">Download the MP3</a></em></p>
<p>This is the first page of the missing manual, designed to be understood only by those who have no need of it. </p>
<p>Waking up isn&#8217;t for everyone. </p>
<p>Dreaming is an anodyne to our nearly inescapable grief.</p>
<p>But if you must awaken, make your bed inside a kettle drum and pray for rain. </p>
<p>When it starts to thunder, climb onto the roof and cling to the lightning rod. </p>
<p>Waking up isn&#8217;t for those who are already dead. </p>
<p>You have to start from a position of strength: go fetal. </p>
<p>Every zipper yearns for closure, but it can&#8217;t be rushed. </p>
<p>The mountain isn&#8217;t going anywhere—stop trying so hard! </p>
<p>Early birds are known only from the fossil record, having met their end in the jaws of nocturnal beasts.  </p>
<p>Leave a window open for cat burglars and cats, either of whom might teach you how to travel light. </p>
<p>Waking up isn&#8217;t for sleepers. </p>
<p>Eternity can be bribed, though, if you&#8217;re subtle about it. </p>
]]></content:encoded>
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		<series:name><![CDATA[Manual]]></series:name>
	</item>
		<item>
		<title>Thread and Surface</title>
		<link>http://www.vianegativa.us/2012/02/thread-and-surface/</link>
		<comments>http://www.vianegativa.us/2012/02/thread-and-surface/#comments</comments>
		<pubDate>Sun, 05 Feb 2012 04:58:26 +0000</pubDate>
		<dc:creator>Luisa A. Igloria</dc:creator>
				<category><![CDATA[Guest writers]]></category>
		<category><![CDATA[Poems & poem-like things]]></category>
		<category><![CDATA[Luisa A. Igloria]]></category>

		<guid isPermaLink="false">http://www.vianegativa.us/?p=15339</guid>
		<description><![CDATA[The eye of a needle is tiny. The threader&#8217;s wire hooks a whip of floss and passes it through the door of a wool-gray sky. If I were a camel, would I have known where the fissure lay? The word &#8230; <a href="http://www.vianegativa.us/2012/02/thread-and-surface/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>The eye of a needle is tiny. The threader&#8217;s wire hooks a whip of floss and passes it through the door of a wool-gray sky. If I were a camel, would I have known where the fissure lay? The word <em>heather</em> means variegated, shaded off in parts, whimsy not cut out of the same sheen or sheet or cloth. Like how some dreams are stippled and some are plain. Like how some joys are miles and miles of gossamer, unfazed by the idea of seams. I drive past neighborhoods in the afternoons, as children are just starting to walk home from school. Brick houses like rust-colored skeins line the streets, flagstone walks edged by monkey grass. Let me not forget what I&#8217;ve always wanted, so hard its edges strain against the remnants of fabric scraps.</p>
—<a href="http://luisaigloria.com">Luisa A. Igloria</a><br />
02 04 2012<br />
<p><em>In response to <a href="http://morningporch.com/2012/02/159122335/">an entry from the Morning Porch</a>.</em></p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
	
		<series:name><![CDATA[Morning Porch Poems: Winter 2011-12]]></series:name>
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