My weekly podcast is proving more expensive than I’d originally thought. Not only have I bought a new microphone (and am contemplating the purchase of a mobile digital recorder) but I’m having to buy more books, too, so I can interview their authors on the show. I believe in buying books and supporting authors, of course; it’s just that my income is extremely limited. I’ve actually thought about trying to get some underwriting support — that’s how desperate I am.
But this morning I got an email from John Miedema offering to barter his book Slow Reading — something I’ve been meaning to read for a while — for my Odes to Tools, and a lightbulb went off in my head. Why didn’t I think of this before? I lost no time in adding a note to the Via Negativa Contact page about the option of bartering with other authors (or musicians who have CDs out). It doesn’t have to be poetry, but obviously it does have to be something I want to read (or listen to). Self-published material is as eligible as anything else, but what will really help me decide is if you can point me to some of the content online. (For Odes to Tools, you can look at the first few pages on the publisher’s website, or even browse all the poems here.)
Now, if you’re shy, or otherwise uninclined to be a guest on the Woodrat Podcast, that’s fine — we can still barter. If you’ve already ordered Odes to Tools and would like to send me a review copy of your book for podcast consideration, that of course would be fine, too. My postal address — also on the Contact page — is PO Box 68, Tyrone, PA 16686 U.S.A.
The snow flea is rarely found alone.
Though if it were, who but another snow flea
would notice it against the snow,
a single speck of pepper, a mote of ash?
Come March & they move en masse,
transhumant across their blue-shadowed host.
Approach too close & they start to rocket about
like acrobats in a mad flea circus.
There’s safety in numbers, & in
the unpredictability of a random launch —
the wingless springtail’s main defense.
True, one sometimes goes straight up
& returns to the same, dangerous spot,
but what bird wants to mess with such
unquiet seeds?
The snow flea is as self-reliant
as its cousin the true flea is dependent.
It absorbs moisture through
a feeding tube in its abdomen
& breathes directly through its thick skin.
Its blood contains a protein
that prevents it from ever freezing
& hardening into knives.
The snow flea never stops molting, even
after becoming an adult.
Life alternates between two phases,
mating & eating, with a complete
change of skin after each.
Nor does the fastidiousness end there:
all reproduction is by post.
The male deposits a tidy packet of sperm
at some convenient location
& the female stops by later & picks it up.
To everything its season.
And when the snow melts?
The snow flea walks on water if it must,
& returns at last — recalcitrant seasoning —
to the soil’s dark goulash.
This is a complete re-working of a poem that first appeared here back in December 2008, “Like a Snow Flea.” For more on snow fleas and springtails generally, see Bug Girl’s Blog and especially the Marvelous in nature.
If people are determined not to believe something, then no amount of proof will change their mind. You will be called a liar for proclaiming things that call into question the way people are living. But remember, you’re just one in a long line of Cassandras and Jeremiahs — prophets who were scorned for being right. They stuck to their guns, and so should you. What’s the alternative? You can’t change the laws of nature.
If you still think you can overcome people’s aversion to the truth by uncovering better evidence, hey, go for it. Delve into the mysteries of geologic time, subatomic particles, or the outer reaches of the known universe, and bring the clearest evidence you can find — see if that makes any difference. Only those who have learned to listen will actually hear, and that depends in great measure on whatever chance circumstances shaped their upbringing; you have no control over it. Those who can’t hear are as good as dead — and therefore soon to rejoin the cosmic mystery in any case.
Some will say: How come God hasn’t sent some sort of obvious sign about this? And all you can say is, signs and miracles abound! Most people just don’t know how to read them. All creatures that move on the earth or fly through the air belong to communities equal in importance to your own. God doesn’t overlook anything, and we’re all in this together.
The foregoing is my own rough paraphrase of several verses from the Quran, 6:32-38, based primarily on the Ahmed Ali translation but with reference to several others on the Internet, especially for the crucial passage about the equal validity of non-human communities (other translations offer “societies” and even “peoples”). I even found a Sufi blog that interprets 6:38 as a call for animal rights.
Note however that in attempting to make this passage a bit more palatable for modern secular types, I have stripped out most of the poetry. The part about geologic time and subatomic particles, for example, paraphrases: “Seek out a tunnel (going deep) into the earth,/ or a ladder reaching out to the skies, and bring them a sign…” Fascinating stuff one way or the other, though, I thought. I am seriously exploring the idea of writing a modern bestiary now, and looking for inspiration. Who’d have thought the Muslim holy book would contain such a radically inclusive vision?
A conversation with Todd Davis about life and death, religion and poetry
Todd Davis stops by to read some poems from his latest book, The Least of These, as well as from his previous books, and to talk about public reading, what motivates him as an artist, growing up with Mennonites and how that shaped his own beliefs, nature poetry, travel poetry, deer and deer hunting, how to kill in a manner that honors the spirit of the slain, and more.
I made this thinking I might post it on Moving Poems, but I’m not sure it quite qualifies as “the best video poetry on the web.” Nevertheless, I enjoy matching poems to footage like this, and I happen to think it’s a pretty good fit, assuming I’m correct in reading a fairly light-hearted tone into the poem.
I wholeheartedly concur with the sentiment that “the world is different from what it seems to be / and we are other than how we see ourselves in our ravings.” The closing assertion, that poems should only be written rarely and reluctantly, strikes me as a rather strong prescription: potentially life-saving for some poets and very dangerous for others. I do love the next-to-last stanza, though (in the canonical translation):
The purpose of poetry is to remind us
how difficult it is to remain just one person,
for our house is open, there are no keys in the doors,
and invisible guests come in and out at will.
This is the weblog of Dave Bonta, a poet, editor, and shutterbug from the eastern edge of western Pennsylvania. For background on the site, see the About page. For more about me, see my Google profile.
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Via Negativa’s first book-spawn!
Order from the publisher or Contact me for a signed copy or to barter for your own book. Central PA residents can buy it at Webster's, where I'm doing a reading on April 10.
Qarrtsiluni, a literary magazine I co-edit Festival of the Trees, a blog carnival I co-founded Open Micro, a group blog I belong to dedicated to poetry in 140 or fewer characters Moving Poems, my daily compendium of video poems from YouTube, Vimeo, and beyond The Morning Porch, Twitter-length prose-poems based on the view from my porch first thing in the morning Woodrat Photoblog, "a midden of photos from a Pennsylvania mountaintop" Shadow Cabinet, an online collection of my more recent poems Spoil, an online collection of my older poems
"On the whole I concentrated on things and people that I found charming and splendid; my notes are also full of poems and observations on trees and plants, birds and insects."
— Sei Shonagon, 994 A.D.
Smorgasblog
Mark Doty
And then, when they were done, I turned my head and saw, on a video screen, my own heart. It was golden, and pulsing, and resembled a cross between a Georgia O'Keefe flower and a jellyfish.
----
Dick Jones' Patteran Pages
The painter washes his hands on the flannel of the sky
Everything is in gouts of colour
And the hats of the passing women are comets
across the evening’s fire.
----
Parmanu
But Hopper didn’t paint any snowy landscapes, did he? I wonder why. The loneliness and solitude of people in his cityscapes would, it seems to me, be accentuated in a street filled with snow. I can almost imagine the effect of streetlamp light bouncing off the snow, and the resulting shadows on nearby objects.
----
Mutating the Signature
Don’t bring your tires
stripped of hot rims, or used
condoms, syringes or jumbo sized
needles. Leave the headless
doll in the truck, along with wrappers,
giddy snack vestiges and Keystone
cans.
----
the cassandra pages
Her features rubbed with a wooden spoon,
Fadwa's Damascene face emerges
beneath my hands black with printing ink...
----
Clive Hicks-Jenkins' Artlog
I may yet soften the massed patterning of leaves and branches, but it nevertheless has to be present, carefully arranged to suggest a foliate barricade made by a careful gardener to create a safe oasis from the wilderness beyond. Perhaps I'll put some sheep on the distant hills rising to the upper edge of the painting. And some low mounds of rock plants. The painting evolves and becomes dense with shapes and patterning, shadow and highlight, colour and tone.
----
everything feeds process
In stories like Alice in Wonderland, Wizard of Oz or The Little Mermaid, the main character has to make sense of a world that is not her own. In my mind, this is an excellent metaphor for living as a grown-up in modern times.
----
slow reads
This cold has eyes, not menacing or even intent ones, but the limpid eyes of the cold dead, the kind of eyes that feel every nape’s tooth marks. This cold moves as slowly as black water, silently as the far side of fish: unpied, canopied — the crosshatch of hawks.
----
Coyote Mercury
Somewhere along those dusty Philippine roads my fascination with war turned to recoiling as I realized it was one thing to reenact battles with my friends, but quite another to walk endless miles along a trail of brutality, hopelessness and murder. I think it was then that the idea of war began to move from fantasy to nightmare as we walked through Bataan imagining the sheer horror of the reality our reenactment was meant to remember.
----
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