steam engines tag archives

The tree eaters


Video link.

Last Saturday at an antique farm machinery show I fell in love with steam engines: the shiny copper complicated piping, the valves, the pistons, the throaty puttputtputting as the great iron beasts rolled into place. They ran on firewood and smudged the bucolic sky with their hoary breath, part smoke, part vapor. And here I was, tree-lover and conservationist, cheering them on.

One venerable steam engine powered an entire sawmill with a single, long belt. Three men helped feed a tulip poplar log to the screaming blade while below, an auger laddered the yellow chips onto a growing mound. The next engine over ran a cider press, carrying apples up a conveyor to be chopped and crushed by slow screws as big around as barrels. While one vat filled, the other sent fresh cider gushing through a hose — plastic, like the jugs that sold almost as fast as they were filled.

But for that detail, this could have been a vision of a post-oil future. I had some idea of what that might mean: the long sinuous ridges would go bluer in the thicker haze, and maybe we wouldn’t notice as their wooded slopes thinned into pasture for draft horses, and the remaining woods went back to woodlot, a “working forest” in the Nature Conservancy’s 21st-century euphemism, prized only for what’s of use to people: timber. Fuel. Pulp. Maybe chemicals again. Wild game. Water for steam and for mills. I thought of Shel Silverstein’s fable The Giving Tree, and the selfishness of that boy who grows old without ever growing up. The impossible contradictory demands he makes on the tree, both to go on nurturing and to sacrifice herself.

The men who tended the steam engines and the other old machines grinned and sweated like boys at play, breathing hard. It began to rain. We made our way quickly back to the car.

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  • Smorgasblog

    • Metaphors for the Moon
      Early marriage is a wetland, a marsh
      of co-mingling reeds, breeding birds.

    • Cleaning My Attic
      Cast-iron Royal, weighty and not regal at all but seriously proletarian, ostensibly portable in your anonymous black case: my secret unmusical instrument, which I lugged to cafes before they were wireless or even wired...

    • Clumps and Voids
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    • botanizing
      On calm days, the soil swirls and rises in isolated twisters. On a windy day when the wheat is being harvested — a day like today — the soil lifts like a yellow curtain, obliterating the sky.

    • The Twitching Line
      My uncle, gutting a fish:
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      tipping the knife below

      the little anus, pointing the tail-
      end away, slitting it to the gills,
      then plunging in a hand

      to scoop the organs out, soft
      and scarlet as a litter of kittens.

    • The Ordinary and the Wild
      I had a dream the other night about a tall machine, like a crane or an android giraffe, lanky with angles of metal that reach up to the sky when they should somehow be digging. When I woke I felt taller for a moment, and also deeper, as if the soles of my feet had met up with some spilled honey or errant tar while I walked in my sleep.

    • Busily Seeking... Continual Change
      So the mountain was steep? I threw a couple of windbreakers, yogurts and miscellaneous snacks (really, whatever I could lay my hands on at the last minute), wallet, phone, bottles of water--yes, just the things I thought to grab into a new REI bright yellow daypack--and off we went. That was it. Toss things in a bag and go.

    • Chatoyance
      And on the other side, what I
      set in motion: the open field, the low hill,
      a crease scored in bent blades of grass
      where I forgot the wall stood,
      my footsteps blurring as the
      grass unbends.

    • Velveteen Rabbi
      There are trade-offs: in the womb we knew perfect intimacy, but couldn't meet. Now we are separate, which is at once the source of loneliness (especially for him, I'm guessing) and the source of our ability to connect.

    • Will Buckingham
      My small guide and I then did our double-act of worshipping at the shrine, at which point the monk then declared that, once again, I was not doing it right. There followed another twenty minute lesson in proper bowing -- different from the previous lesson, in fact -- and if I have retained anything it is that one’s feet must be aligned like the lines in the number 8 -- an auspicious number in China.

  • "On the whole I concentrated on things and people that I found charming and splendid; my notes are also full of poems and observations on trees and plants, birds and insects."
    — Sei Shonagon, 994 A.D.