Cibola 110

This entry is part 109 of 119 in the series Cibola

 

Owl-Meeter Shaman (conclusion)

Ah, my brothers & sisters,
my nieces & nephews whose scalps hang
in the eastern rainhouse,
go where they send you:
to the springs, to the great oceans. Swim
& burrow through the mud. Be happy
if you can.

I watched that red-faced chief encircle us.
Those he sprinkled water on–already
their shadows grow thin.
They drape the crossed sticks
with all the flowers they can find
but still their skins loosen.

In the smoke from my cigarette
I can see a bitter wind
building in the south,
scattering our ragtag remnants
across the desert.
In the crystal’s frozen kernel, a flood
that sweeps away towns
& buries villages. This time
it wasn’t the shaman who worked witchcraft.

Ah, my lost children,
be clouds, be rain–if you come back
wearing any other kind of feathers
I won’t be there to meet you.
Be siblings to the rainbow, to lightning,
to thunder that makes
the hollow mountains shake,
rattling their seeds.

The packrats have plenty of shamans.
Come visit us in the west
when the saguaro’s ripe.
__________

the eastern rainhouse: I.e., Shiwanna.

that red-faced chief: I.e., Marcos de Niza.

if you come back wearing any other kind of feathers: I.e., as owls – a form frequently adopted by the spirits.

The packrats have plenty of shamans: Burrowing owls are sometimes referred to in O’odham lore as shamans for the packrats they live among (and predate upon).

Bridge

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In the middle of the 5,000-acre wild area, itself surrounded by tens of thousands of acres of state forest, a sturdy footbridge spans a large creek. Twin telephone poles serve for its beams, supporting a four-foot-wide deck of pressure-treated planks and a single railing on the downstream side. It took a National Guard helicopter to airlift the thing in, ten years ago or more. And there it sits in the middle of this mini-wilderness, a tribute to something-or-other. Hikers who would never consider spray-painting a rock or carving a tree – not even a dead one – have scarred the railing with names, dates, even a crude etching of trees and a campfire. I wonder how many of these graffiti artists would have ventured so many miles off the pavement were it not for our country’s draconian drug laws? But then, I suppose we all go out in the wilderness to alter our minds a bit.

I don’t know why this comes to mind now; perhaps it made an appearance in one of last night’s dreams. So often in the dreams that I can remember I have found myself suddenly on a bridge, staring at the water. Living where I do at the head of a small stream, and having grown up here, I have never felt threatened by floodwaters, though they’ve cut off our access to the outside world more than once. But a river marks the physical end of this hollow and the ridges that enclose it. When I was a kid, the school bus always dropped us off on the far side of the river, and our mile-and-a-half walk home began by crossing the one-lane county bridge. The first time I did this, as a five-year-old kid returning from a highly traumatic first day of public schooling, I was terrified. The bridge has open metal decking, a grid with three-inch-wide squares. Twenty feet below, the river ran brown and gave off a peculiar odor. It was all my big brother could do to coax me across.

During last autumn’s flood – the result of two hurricanes a week apart – my dad and I made our way down the hollow with some trepidation about whether the bridge would still be there. It was. The roiling, chocolate-colored waters were barely a foot below the deck of the bridge, and a massive pile of logs and debris against the upstream railing showed that the river had crested several feet above that. The highway beyond was still flooded; only an occasional pickup truck ventured through. We stepped gingerly out onto the bridge, venturing maybe a third of the way across. The bridge shook with the force of water thundering against its single, stone pier; once or twice a minute something large would strike against it with a hollow boom. We quickly retreated, remembering stories of how the previous bridge had been taken out by a floating oil tank back in the flood of ’36.

It seems a little odd, even to myself, that I’ve never run a river – not in an inner tube, a raft, a kayak or a canoe. On the one hand, it does seem like fun. On the other, I don’t relish the thought of spending all that time sitting, and in the hot sun to boot. I’d rather be walking in the woods, thank you very much. It has nothing to do with any fear of water, the fact that I’m a poor swimmer or that I almost drowned once while swimming in the ocean. No, sir.

I do enjoy walking beside streams and rivers, and I imagine I’d enjoy fishing if I ever got into it. There is something undeniably refreshing about running water, even in a small stream like Plummer’s Hollow Run. Not only Baptists, but Cherokees with their “going to water” rite and Hindus bathing in the Ganges are all convinced of the curative powers of streams and rivers. I’m not too well-versed in the science of this, but a Google search of “ions” and “flowing water” brings up a commercial website for some purveyor of home water fountains called – I kid you not – Holy Mountain.

The air all around us is electrically charged with positive and negative ions. Positive ions are emitted by computers, microwaves, air conditioners, heaters, televisions and other conveniences of modern-day life. These positive ions in the air we breathe can result in feelings of mental or physical exhaustion and affect overall health.

It has been said that the movement of water releases negative ions which in turn make you feel refreshed, and bring peace to your heart and mind. This is because these negative ions naturally attract airborne particles, such as pollutants and dust. A waterfall or water fountain acts like a magnet to pull these particles out of the air. As a result, the air is purfied [sic], humidified and noticeably fresher.

So “troubled water” – as in “a bridge over” – may be far less troubling than we think. A little more web searching reveals that, as one might expect, these claims are regarded with some skepticism in the scientific community. But then, scientists are supposed to be skeptical. Given the title of this blog, I am intrigued by the notion that something referred to as negative can be regarded so positively.

Another site, peddling high-tech negative ion generators, summarizes a couple of experiments that seem to bear out some of the claims of mental health benefits. I was interested by the suggestion that long periods of negative ion depletion – caused by, say, sitting in front of a computer monitor – can lead to “an increase in serotonin and its attendant drowsiness and relaxation.” Serotonin, eh? No wonder blogging is so addictive!

Does this mean that if we want to be properly productive Americans we should all be rushing outside to stand beside waterfalls, or installing miniature waterfalls from HolyMountain.com in a corner of the office? Well, not necessarily. Apparently, far simpler options are literally right at hand.

Josh Backon, a member of the Department of Cardiology, The Hebrew University of Jerusalem, writes in an Internet posting that in order to increase left-hemisphere activity (linear, language, logical), one can block the left nostril and engage in “forced unilateral nostril breathing.” Likewise, to increase right-hemisphere activity (creative, holistic, emotional), the right nostril should be blocked. This practice increases the supply of negative ions to a specific hemisphere.

So the astounding mental agility you’ve come to expect from Via Negativa probably owes something to the fact that I am an inveterate nose-picker. Whenever I pause to think – which is more often than the evidence might suggest – either one nostril or the other is getting blocked, you can count on it. And while the thumb goes diving, the index finger leans comfortably against the bridge of my nose, high and dry.

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Cibola 109

This entry is part 108 of 119 in the series Cibola

 

Owl-Meeter Shaman

Again at dusk Blue Mockingbird alights
on the topmost twig of the mesquite tree
that stands on the western edge
of Rain Plaza. He preens
& pirouettes, hangs upside-down
as he holds forth once more
on his favorite theme:
Nights are for singing, days are for gathering songs.
How many medicine men do the packrats need?

Ah, my fallen nieces, my fallen nephews!
Since when can’t a shaman cure
his own ailment?
We tried to keep him
from making off with the better part
of the pueblo’s youth–at least until
I could assemble all my helpers,
send fog & nightmares down
on the warriors of Shiwanna.

He said If Owl,
if Rattlesnake,
if Gila Monster send sickness,
cut off their heads!
Surely a doctor
who spreads disease is no doctor.

The same way old Nawitsu talks: inside-out.
Up on Sun Plaza the priests smile
their tattooed smiles
& dribble coded messages
in colored sand; Nawitsu below
makes handprints, spits tobacco.
Straight-faced master of interpretation,
polished mask,
his medicine is proof against
excessive smoothness,
the dry scales of a snake
that nothing ever sticks to,
joy or pain.
            That’s what
I should’ve told the Black Shaman,
instead of impersonating
a respected elder with a set-
piece for the occasion:
smooth.

(To be continued.)
__________

Owl-Meeter Shaman: This fictional character was introduced in the song contest. In conformity with the conclusions of archaeologists, I picture Hohokam society as two-tiered. I further imagine a priesthood allied with the nobility, and medicine men and women of various kinds, similar to those who still exist among the O’odham, ministering to the needs of the common people. (There are many other examples in the Americas of native societies that persisted as hunting-gathering-gardening bands like the O’odham after the loss of priesthood, nobility and urban infrastructure to conquest and/or pandemics.)

Blue Mockingbird: A central figure in traditional O’odham oratory for the cactus wine drinking festival which doubles as a rain-bringing ritual.

If Owl, if Rattlesnake, if Gila Monster send sickness: The O’odham theory of disease attributes many illnesses to the involuntary giving of offense to a variety of animal spirits. Such illnesses can only be cured by all-night shaman-led rituals featuring, in homeopathic fashion, the chanting of songs given in dreams by the very beings responsible for the illnesses. Each shaman has ownership of the songs of one or more spirit being which he or she has personally received in a dream or vision-quest. Thus, an owl-meeter shaman is a master of owl songs. (See note to Cibola 83 for more on the owl-meeter shaman’s role.)

Nawitsu: The only mask traditionally worn by the O’odham. Nawitsu is referred to as a clown by anthropologists, though among Native peoples of the American southwest, clowns are far more sacred and powerful than the silly creatures usually meant by the English word. Here, I am imagining that Nawitsu’s role among the Hohokam was as a satirist and advocate for the common people, similar to the role of the Newekwe clowns among the Zuni.

Legends of the Cherokees

These are legendary in the sense that they are my own, brash interpretations of sacred traditions, drawn mainly from material collected and interpreted in the late 19th century by the anthropologist James Mooney.

LONG MAN

Long Man dips his toes in the ocean and cracks his knuckles in the coves. He is the original “long drink of water;” when he climbs over the rocks, fish fall out of his hair. His skin is so translucent you can see the veins ticking beside each ear. Ball players always go to him for help, because weak as he sometimes appears, nothing in the world can hold out against him. He is never silent, though it takes a trained listener to distinguish his words from the ordinary drip & flow of events. Those are his wet footfalls just beyond the campfire’s circle of light.

WILDERNESS

To change into a bear or panther, go live among them & eat what they eat. Quite soon they start to look like people, how people would look if they weren’t so hairless & full of spite. Bear & panther can get everything they need with so little effort, who wouldn’t want to be like them? The name of their country is Always Enough. The only immigration requirement is a seven-day fast; it’s going back home that kills you, almost every time. The borders of our country & theirs make a perfect match, but here everything’s turned outside-in, like the fur in a hunter’s boots.

SHINING WOMAN

Shining Woman lives in the south & walks on a shining road. Her shining cloak opens wide, a house that expands to accommodate all visitors. She has the power to banish sorrows; she can exorcise despair. No one can travel her road & not lay down their burdens one by one, growing lighter with every step. Such happiness, they say, is contagious – the same as misery. But beware of her imitators here in the north, those with a small share of her magic who awaken only a restless itch to be elsewhere. Bar your door against these beautiful ones, unless you would turn as blue as a tree’s naked shadow on the snow.

THE GOOD PEOPLE

The Ní»ñní«’hí¯ – Immortals – hide in plain view. They are no different from us, except that the eye of envy never comes among them. Their farms are disguised as wild forests, their homes as holes or mounds. Their invisible towns leave footprints on the highest mountains: bare, open spots where no trees grow. Sometimes their young women show up for dances, strangers circling with uncommon grace, their hair sweeping the ground. Love-struck boys who try to follow them home watch them turn sideways into a shimmer of air among the trees, where the road deteriorates into a rabbit track & disappears into a thicket. Lost hunters tell of hearing drums & flutes, a bewildering music that leads them in circles, unwitting dancers at a never-ending feast. Free of the fear of death, who wouldn’t dance?

UNBIDDEN FRUIT

The very first married couple in the world have their very first fight. What do they do? There’s no one to arbitrate, no story or proverb to point the way. The only road is the sun’s road, so the woman starts out on it, aiming for the sunrise – a fresh start. The sun, too, is a woman, & she minds everyone’s business. Her verdict can burn, but with the exception of one memorable incident, she always strives for balance, turns each small death into fuel for new growth. Do you want her back? she asks the husband, who trails mournfully behind. Yes! The sun makes a patch of huckleberries spring up in front of the woman, hoping to tempt her, but she walks right through it without a pause. Next comes a blackberry tangle, loaded with fruit: she walks around it. Pawpaws, service berries, peaches, all manner of fruit: nothing works. At last the sun thinks strawberries. Strawberries! The woman stops, her concentration broken. What fruit is this, the color of sunrise, of life itself? She tastes one, then another. She can’t stop eating them, can’t think of anything else. Then suddenly she remembers her husband. He would love these berries! she thinks. And he does. And they do.

MOON MAGIC

Scoop the moon out of the river, mix it with red clay & your own saliva. Paint yourself red, red. Young women will see your skin & immediately feel an ache between their thighs. They will long for fullness, banishing the moon’s red cycle. The sun-living-in-the-night looks kindly on human beings, who never squint at him the way they do for the sun-living-in-the-day. Red & blue are the same to him. Everyone looks their best in his forgiving light.

BUSYBODIES

The council of birds appoints the wren to go live among human beings and report back. Every time a baby is born, she twitters the news. If it’s a boy, she cries more arrows, more wounds! If it’s a girl, she sings more fields & bigger harvests! The six-legged tribe sends the cricket to spy. When a girl is born, he rubs his hollow belly & hops for joy.

TRANSPARENT

The great horned serpent Uktena has a blazing diamond in the middle of his forehead, clear but for a red streak running through its heart. This jewel, called Ulí»ñsí»’tí® – Transparent – is the most valuable thing in the world, but also the most dangerous to obtain & the hardest to keep. The serpent uses it to hypnotize his prey. When a hunter sees it, he throws down his weapons & rushes forward to die. Only one hunter ever succeeded in killing an Uktena, and its Ulí»ñsí»’tí® still resides with the eastern band of the Cherokee, wrapped in a deerskin and hidden deep in a cave. It has the power to satisfy every desire – brings success in hunting, rain making, love – but if its owner forgets to feed it twice a year with fresh blood, it turns into a ball of fire, a vengeful meteor. Of all crystals it is the best at showing the shape of things to come, as clearly as reflections in still water. It sees the way a serpent sees: all warm-blooded beings are transparent except for the red streak running straight through their hearts.

CHEROKEE PRINCESS (ancient Anglo legend)

The Cherokee Princess lives in a wigwam palace & gives orders to an army of spirit helpers: friendly woodland creatures with sad brown eyes. Her buckskin gown reaches only partway down her dusky leg, & her cheek is in permanent blush. The Cherokee Princess never worries her pretty little head about war or diplomacy. She must come from a different stock entirely from the Beloved Women whose words used to carry so much weight among those who called themselves Tsalagi. She is such a slight thing, she might well be made of posterboard, or even celluloid. But a vast & clamorous tribe claims descent from those insubstantial hips. Her destiny reaches far into the Darkening Land. Side by side with her handsome blue soldier she rides into the sunset, shedding tears of joy.

Cibola 108

This entry is part 107 of 119 in the series Cibola

 

Reader (18)

I took a rib from my body and made of it a fire stick.
I took it in my hands and set out over the whole earth . . .
In the shelter of the trees I traveled,
Seeking everywhere what I did not find.
I came to a great plain and I fell prone upon my face and slept there.
There my brother came to me, face to face.
I threw out my arms to embrace him,
But they closed empty on my own breast.
My face was streaked by my tears . . .
WILLIAM BLACKWATER
“Orphan Boy” recitative (traditional O’odham oratory), translated by Ruth Benedict with unknown Pima collaborators

Here the statements of the Pimas . . . are of special value. . . . [They claim] the [Hohokam] pueblos fell one after the other, until the Pimas, driven from their homes, and moreover, decimated by a fearful plague, became reduced to a small tribe.
ADOLF BANDELIER
Fifth Annual Report of the Archaeological Institute of America, 1883-1884

Another think coming

Thanks to everyone who joined the discussion in the comment thread to Via negativa and the road to hell. I was reminded once again why it’s a good idea to keep writing even when one isn’t feeling especially inspired, as was the case last Wednesday (and almost every other day last week – summertime humidity is setting in). Sometimes the best ideas do emerge from dialogue. And judging from people’s reactions, it’s gratifying to think that some of my wilder and woollier notions may not be entirely half-baked. There’s still a part of me that believes that an idea has to be obscure to be of any real value. But another, louder voice says, on the contrary, that ideas only gain value as they approach the vatic or poetic; anything else amounts simply to rearrangement of semantic furniture. Which, to the extent that it allows us to reconceptualize the symbolic spaces where we live and work, is no empty exercise either. And which does not begin to account for the power of mathematical ideas… (Aaagh, here I go again! Somebody hose me down!)

Nuptials

1. Eastern fence lizard

The male eastern fence lizard moves his body to show off bright blue skin on his throat and stomach. If the female is not ready to mate, she arches her back, raises herself off the ground, and jumps away sideways.

2. Blue-footed booby

The male begins by lifting up his enormous clown-feet one-by-one, and then stops in a distinctive pose, beak raised skyward, announcing his manhood with a loud whistle, pointing out his tail, and opening his wings. This is accompanied by a love-offering of sticks and twigs. Females join in the mating dance, following the same movements, but respond with a guttural honk.

3. Brook lamprey eel

The females would laboriously construct nesting hollows in the gravel bed of the stream. Moving one tiny piece of gravel a time in their suckers it would take hours but eventually the tiny creature would have made a depression about the size of a computer mouse. Exhausted she would fasten her sucker to the largest stone in the wall of her nest and wait.

Within half an hour the little nest would be a seething mass of lampreys! I never found out whether it was just males from other parts of the stream or whether there were other females there that had been too lazy to build a nest. Unlikely, I think, because sometimes one would even see two or more females collaborating on a nesting hollow that would be correspondingly larger.

The mating frenzy would go on for hours, in an orgiastic scenario which would have doubtlessly provided scope for any aspiring producer of piscine pornography. Then, as suddenly as it had begun, the frenzy was over. The exhausted lampreys would drift away and fasten themselves to rocks and just shimmer in the water like seaweed. The next day they would all be dead.

4. Scarlet-bodied wasp moth

As a caterpillar, the insect feeds on a non-toxic plant, climbing hempweed. Then, when it becomes a moth and is ready to mate, the male changes his eating habits. As darkness falls on his big night, he visits the poisonous dogfennel plant. Dogfennel is easy to spot in pastures, says [Prof. William] Conner, because the cows eat all the grass around it, but leave the tall toxic plant standing.

The male moth extracts toxins called “pyrrolizidine alkaloids” from the plant.

“He lands on the plant, regurgitates on the plant to dissolve the alkaloids and then reimbibes the toxin-rich liquid,” says Conner.

The small red and black moth stores the toxins in a special pouch. The pouch, located on his underbelly, is filled with fibers that have a cotton candy consistency.

Once he has ingested the toxin from the plant, the male is no longer tasty to his common predators, particularly spiders and bats. After gathering the poison, the moth goes in search of a female. When he finds his insect bride, they mate for nine hours. But, just before mating, the moth releases the toxin like a cloud of miniature confetti that sticks to the female. The toxin protects her while she is mating and while she lays her eggs. The female moth then passes the toxin to her eggs. The toxin deters egg-eating insects like ants and ladybugs from devouring her young.

5. Crane

Cranes form lifelong monogamous pair bonds.

The mating dance of the crane is spectacular. The birds walk stiffly around each other with quick steps, wings half spread, alternately leaping high in the air. During this, the cranes bow deeply and stretch. Next, the cranes pick up sticks or blades of grass; throw them in the air, and stab at them with their beak as they come down. Both sexes, mature and immature, take part in the dances.

When males and females call in unison, both point their bills to the sky and the male raises part of his wing over his back and joins the female. The two birds call back and forth for about 10 seconds. Scientists believe these calls reinforce the monogamous pair bond and also serve to defend their territory.

Otherwise

Friday catbird blogging

A foggy, rainy morning. While I’m drinking my coffee, the black cat pads down the driveway and up into the woods, seemingly invisible to the catbird, who’s holding forth from the vicinity of the springhouse, or the wood thrush caroling at the woods’ edge. But a couple minutes later, a gray squirrel goes apeshit. Oddly enough, this squirrel’s whiny alarm call doesn’t sound too different from the mewing of a catbird – or a cat. So often, it seems, we come to resemble those we fear. Imitation is the sincerest form of opposition.

*

Checking the log of keyword searches each night, I am often amused, as I expected I’d be when I signed up for statcounter. My extreme verbosity, combined with my decision to archive by month, makes Via Negativa a real sink for Google searches of every description. What I didn’t expect is this feeling of frustration that I couldn’t have been there somehow, standing at some virtual doorway or sitting behind a desk marked INFORMATION, ready to welcome visitors and send them where they need to go. Must be the influence of my father, a retired reference librarian. We’re all about service, you know? In the comment string to a recent post about search strings, my friend Peter flattered me by stating, “I go to Via Negativa instead of Wikipedia. Who the hell cares if the precise question gets answered.” In response, I wondered whether I should give the blog a new slogan: “With misinformation like this, who needs to know the truth?” From simple ignorance, perhaps, one can progress to full-fledged unknowing.

I collect some of the more memorable search strings (together with the pages where they ended up) and ponder how I might have handled them in person…

camp songs about feathers
lead to campy dreams about angels, which may not be suitable for all audiences.

origin, land of enchantment
virgin is for lovers
I [heart] You, Nork

egil vomit
Propulsive verse. Skald ick. Skoal.

st lucy eyeballs the cake before digging in. I’d give my eyetooth to see what it tastes like.

striation kidney bowels
Mm, haruspicy! Don’t believe the tripe.

how do i make a egg salad?
Slowly and carefully, so as not to break the eggs.

swallow hash slime and turn back into a handsome toad.

is the african art humanistic or religious
is the american imagination stunted or over-stimulated

i am a bright steak of light in the sky. i am made when a small piece of space rock enters the earth
and after an hour or two of sky-watching, you are a pain in the neck.

hanging gardens daily life
The hangman likes his job O.K., but doesn’t care for the long commute.

criticisms of the via negativa will be promptly deleted.

has pennsylvania’s mountain laurel bloomed in 2005
not in this blog.

analysis of the african proverb: when it rains, the roof always drips the same way
drip drip drip drip drip

coon dick toothpick
You’ns is ignernt.

catbird and thrush walk into a bar…