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Discordant

Dear jake-brake and tire whine
slicing like a stonecutter’s tool
through the scented dark, it’s been
a while but I know all about your

penchant for early morning throat-
clearing, those loud flushing sounds
you like to make from the outhouse
of out there. As usual they’re

reminders that beneath fleecy
cloud border or vivid blue veins
of water and sky, you’re hard at work
prying the tarp of summer loose.

Oh soon enough, soon enough: we’ll turn
a corner, and the avenues now flushed cerise
and heavy with crepe myrtle will streak
like watercolors left out in the rain.

There you are in the hot heart of pavement,
shimmering like the proverbial mirage. There
you are in every syncopated bird call; chilled
taste of winter tucked in every bite of sour fruit.

 

In response to an entry from the Morning Porch.

Among the Brambles

Brambly grave

Working through a black-
berry patch, you learn
a new way to move, step
high & slow as a heron,
pivot to trample back-
wards in your big boots,
& lean nimble as a lover
into the fiercest thorns
to get free. These are
not skills of widespread
applicability. But one
day when the sweat dries
& the mosquito’s skirl
dwindles to a soft wind
in the inner ear, you may
find yourself stretching,
stretching, stretching for
that last sweet berry
& wondering why in hell
your hand won’t move.

Real

My youngest girl asks for stories—
Real stories tonight, she says, not
made-up
. Like what I did, summers when

I was her age: mornings with the wash billowing
on the line, evenings too humid for clothes
but too buggy for bare skin (smolder and fume

of mosquito coils in terra cotta dishes).
And so I tell her again of sandals kicked off
on the wooden porch, reading Gasoline Alley

and Ripley’s Believe It Or Not in
the Sunday paper, while eating mouth-
puckering green plums dipped in salt

and sugar. Sputter and flare of kerosene
lamps, lizards skittering across living
room walls. Strident cry of a black and

orange rooster tied to the tree in
the yard (its heaped bones decorate
lunch plates the next day). I have

nostalgia for these things, not
necessarily for their pieties.
And she, she wants to smell

the camphor escaping from ancient
wardrobes I pry open; wants to taste,
along with me, the star-shaped indentation

on my father’s pinky finger where the nail
should have been; to imagine the ghost nun’s
shadow beside the bell-pull at school,

summoning souls from the other side.

 

In response to an entry from the Morning Porch.

Artifactual

Faceless statue

When a relationship dies, what happens
to the orphaned plus sign?
Might it live on as a cemetery cross
marking some otherwise dubious grave?
At one time it could’ve been reborn as
a TV antenna mast or the minimal
skeleton of a scarecrow. Now
even crossroads seem archaic,
& a crucifix is a piece of jewelry
to finger in times of stress,
finger & twirl on its chain
around the neck — a thing humans wear
instead of a bell.
In extreme cases, the plus sign
can lose its vertical axis
& merge with the horizon,
beyond which, as we know,
there’s nothing but subtraction.

Letter to Attention

Dear restless, wandering mind, sometimes
you really must try to chisel your focus—

Try to listen to the soft-spoken woman
who leads us through downward-facing dogs,

warrior poses and planks, steeple
mudras, salutations, lunges—

instead of to the growing industrial whine
of your belly, where no other breakfast

but the half-cup of soy latte now sloshes
around, a whirlpool of acids and worry. Keep

count of the breaths as they come through
the branches in the upside-down trees

of your lungs. Keep count as they exit:
the thing to do is turn them into things

with wings— cicadas, perhaps. Or tiny
fireflies throwing their low-wattage beams

at the dark. Effortless effort, the teacher
intones. So don’t let the ten year old’s

giggling distract you as you try and fail
to maintain your balance, coming out

of the dancer’s pose. Are you still with me?
I know you’re tired, and you want to press

your cheek on the mat or stay supine as a corpse.
But the voice nudges you back to the shore, saying

Open your arms and legs like a starfish, open
the cage of your heart; look at the unblinking sun
.

 

In response to an entry from the Morning Porch.

Defiler

Lymantriidae: family of moths, many of its component species referred to as Tussock moths; Lymantria means “defiler”.

Before Todos los Santos, the Day
of the Dead, armed with whitewash,
buckets, and brooms we visit
the graves of our dearly departed,

to clear the gathered debris of
the previous year— dry leaves
and bracken pushing up through
cracked concrete, bits of amber-

colored glass from broken Cerveza
Negra
bottles. Someone’s grand-
father’s grave has been spray-painted
with graffiti; and the stone cherubs’

wings have been chipped for sport.
What do we know of eternity? What
could we do to stave off the hardening
froth of days? In the groves of trees,

above rows of headstones, cicadas rub
their tymbals and sing their heated songs
of courtship. Two months later, all of them
will die, leaving behind eggs that will emerge

in seventeen years. Among the skeletal branches,
the tussock moth caterpillar is busily at work.
For every mouthful of leaf, a tufted crown; red-
light glands on its back signaling imminent

danger: dazzling mystery: inevitable conclusion.

 

In response to an entry from the Morning Porch.

Eating roast ox at the outhouse races


Watch on Vimeo.

Yesterday I went to Martinsburg, Pennsylvania with a couple of friends to take in the newly-revived tradition there of outhouse races, a fundraising event sponsored by the local firehall. This was my first exposure to an activity of apparently quite widespread popularity: a Google search for “outhouse race” turns up photos, videos and articles on events from the Ozarks to Michigan to Alaska. One of the outhouses in attendance (and the one that won) bore a painting of the Confederate flag, which led me to wonder whether outhouse racing is seen as a Southern thing originally.

Contestants were judged on design as well as speed, and each outhouse had an occupant and four pushers. There weren’t that many outhouses this year, but the crowd didn’t seem to mind. It was, among other things, a rolling display of folk art, notional shithouses with painted-on names — The Midnight Dumpster, The Boss’s Office. They ran multiple heats and everyone yucked it up. One of the outhouses lost a wheel, but otherwise there were no NASCAR-style crashes. I suggested they have a pit crew next year, but making a pit stop in an outhouse might be kind of redundant, come to think of it.

Afterwards, we joined the crowd at the pavilions in the park, where the firemen were cooking cheap dinner fare — roast ox sandwiches for $2.00, barbecued chicken for $4.00. I had the former: a round, brown patty in a bun. It wasn’t too bad slathered with condiments. We sat with a friendly couple who, seeing our photographic equipment, peppered us with suggestions of cool things to go see in Pennsylvania. He had worked for Conrail, he said, but quit after “the rebels” (meaning Norfolk-Southern, headquartered in Norfolk, Virginia) took it over and ran roughshod over workers — a story I’ve heard before.

Afterwards, we sat out on the main drag until dusk, talking and watching a steady stream of classic cars, tricked-out Harleys and other outlandish vehicles go past. It was an all-American kind of day, I thought. I was led to muse about how, as a people, we are in love with speed and consumption. The result: when we gotta go, we gotta go.

*

I got home to discover my night-blooming cereus had opened, filling the room with a pungent, aromatic scent. By morning, it had already deflated, consigned, as it were, to the midnight dumpster.

Ode to the Pedicure Place at the Mall

That kind of day— when even the wren
in the tree swipes its bill back and forth
on the end of a dead limb, as if sharpening

a knife on the whetstone. And so instead
of waiting resigned for the blade to fall,
or the basilisk to sink its old caried

tooth into the vein throbbing at the base
of my nape, I betake myself to a spa
called Millennium Nails at the mall.

The water in the basin swirls with warmth;
and a dark-haired woman named Maria takes
my tired, callused feet into her two gloved

hands. She lathers and massages with pomegranate
oils, sugar and crushed walnut seed scrubs till—
don’t laugh— the ginger-root knobs on my toes

unclench. When she lifts my feet to pat them
dry on the terrycloth towel, I know all about
her so-called best friend who didn’t come

to her wedding, and she knows the age
when I had my first child. Is it the light
chemical veil of ammonia floating in the air,

or the low-key bubble of voices across the room?
No matter: I can only think of the poet who’d written
of the world in a grain of sand and of holding

infinity in the palm of his hand; and of how,
likely, he never had a pedicure in all his life.
Maria and I bend over rainbow rows of bottles

with names like Haze of Love or Cha-Cha-Champagne;
Snake Charmer, Bling to Me, Seize the Daze, Fire Starter—
for all I know, they could be ruby-lit signs:

shiny new fortunes just waiting to be painted on.

 

In response to an entry from the Morning Porch.

Shit

“Whither the thrush whose ethereal notes
woke me at dawn? A male towhee flies up to a sunlit
branch and takes a shit, singing.” ~ Dave Bonta

Explaining idioms to my youngest child,
I remembered a book we used to keep
in the bathroom of my childhood home,
stuffed into the basket of dog-eared

Good Housekeeping and Better Homes
and Gardens
magazines: An Irreverent
and Almost Complete Social History of
the Bathroom
— dishing out in droll

anecdotal detail the likely reasons for
expressions such as Don’t throw the baby
out with the bathwater
(the master
of the medieval household the first to dunk

himself in the tub, the rest of the family
succeeeding); and Careful that you don’t
get the short end of the stick
(public
toilets at a time when organic implements

were used in lieu of toilet paper, which
hadn’t been invented yet). The same book
blandly made the case for privies and
outhouses still being then so rare,

that belled skirts, hooped petticoats,
and perfume provided cover or necessary
counterpoint. Sometimes I can hardly
remember how I raised my older

daughters from birth through
toddlerhood without diapers whose
sticky tabs you could pry loose
after wiping and changing, to refasten

the bundle for tidy disposal in the can.
Shit, says the man skidding out of the drive-
way then hitting the row of garbage bins.
Shit, says his wife as the shit

hits the fan. A friend tells me
that in moments of great stress,
when not only his bosses but clients
get viciously mean, he closes his eyes

and simply imagines what they might
look like without a stitch of clothing,
or grunting on the pot; then smiles at
the equalizing release that ensues.

 

In response to an entry from the Morning Porch.