Ghost Monorail

(poems of the abandoned or disrupted)

1

From my office
window, angle
of tree limbs in winter
offset by these un-
finished platforms.

2

Like that station
in Pound’s metro:

almost I see
the running stroke:

brush, clumps of color
that could be faces.

3

On summer evenings
if you closed your eyes,
sometimes it’s possible
to imagine standing
by the pillars of much
older ruins.

4

A grid defines
periphery, limits
of what we wanted
to deliver or
enclose.

I kind of like
the unfinished—
how it lapses
into space
at the end.

5

This is
the real
lesson:
levitation
is the dream
of every
earth-
bound
thing.

6

Other than that,
we go about
our business:
no need to oil
our wheels
from too
much
habit.

Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.

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