Mother; & Shadow, Shadow

This entry is part 9 of 15 in the series Morning Porch Poems: Spring 2016

 

At the army hospital, whose nipple
did they put in my mouth after I
slid out and through her? That first
night and the rest that came after,

whose arms received the wrapped
bundle of me (in those days before
Pampers or vinyl diaper covers),
that soon I must have soaked

with my own effluvia? I know
they never were farther apart
or closer than that day; later,
through the winding years, one

always in the next room,
or at most a floor below
in the split-level bungalow
we shared. To this day,

what they knew suspends
like a gauzy drape above my head,
around my shoulders as I sift
in my own rooms, trying to write

again toward their secrets: older
and younger, sisters yoked by that
most domestic space of the womb
and what issues from it.

In what way and what did it signify
how each in turn or at the same time
was loved by my father? —for he
is the other shadow in this

unfinished tale. Two being dead,
only one of them perhaps could put
my questions to rest—but she sits
in the house of her diminishing

faculties, unconscious
of the echolalia that’s crept
into her speech… In a moment
I’ll put these threads aside,

as the hour grows late. But never
do they leave me completely alone—
at table, at the stove, attending
to my work or my own

housekeeping, I’ll feel the fierce
press of their shadows in the old
ways: triumvirate to all I do,
dreaming, sleeping, waking.

 

In response to an entry from the Morning Porch.

Switchboard

At home, she adjusted the ends of a pink
hairband so they came over her ears, punched

holes in the lid of a cardboard shoebox
then fixed colored yarn to the ends

of bobby pins, having seen the phone
operator’s switchboard on the first floor

of the City Hall— Her father used to take her
there after school; while he finished up work

in his office, she wandered the halls,
the men and women in suits never minding,

going about their business. The heels
of her black Mary Janes tapped lonely

on linoleum until she stood before the wide
glass windows and she watched as the women

spoke into the mouthpiece, patched
a call from someone on the other side

to any of the offices in the building.
Some waved and smiled in her direction,

never once missing a cue, never once
uncertain: the cords in one hand connecting

to their proper jacks, the hum of barely
audible voices looped into waiting circuits.

Clavicular

This entry is part 8 of 15 in the series Morning Porch Poems: Spring 2016

 

The clear sky has turned white.
When did the roots of your hair begin

to reflect the distance of the road
from moonlight? Supposing we did

what we said we would not do?
Perhaps I would not be secretly

looking for the pale blush
of squash flowers in each new

greengrocer I visit. I taste
your lips each time I drink

the salty broth. When a dragonfly lit
on the porch, I counted birthday

after birthday on the grid of its belly
pressed to the screen. Still with me,

the idea of you is close enough to touch
like the nubs that rise at the ends

of the strut between my shoulder blade
and sternum. The textbook says:

The clavicle is the only long bone
in the body that lies horizontally.

It says nothing of how things lie down
before they say goodbye or go to sleep.

 

In response to an entry from the Morning Porch.

Eating at midnight

This entry is part 7 of 15 in the series Morning Porch Poems: Spring 2016

 

Once, greeting me at the door
at midnight when I’d come home

again after my week after week
of working in the city, you took

my bags and led me to the table.
You took from the refrigerator

a few green peppers, a handful
of mushrooms, a small onion

which you diced into quarters.
A slick of oil sizzled in the pan.

You crushed a clove of garlic
and sautéed the medley, soy-

spattered, which I ate and ate
until nothing remained

in the bowl of rice. I think
of that meal sometimes and try

without success to bring it all
back together on my stove.

 

In response to an entry from the Morning Porch.

Only

which amber
which old precedent
~ D. Bonta

I want to write about
the tyranny of only

how for years I was taught:
fly low under the radar.

When the gods give you something,
give thanks; but when others notice,

belittle its importance. Say it’s only
a trifle, only by chance. Don’t praise

too loudly the cleanliness of your house,
the neatness of your numbered columns,

the smooth-running engine of days that do work.
Point instead to the flaw in the bed-spread,

the uneven table leg, the trouble that hasn’t
visited your house yet. Do this often enough

and soon you’ll believe as I did: the moment
warm in your hands isn’t in itself a gift.

 

In response to Via Negativa: Ova.

Have They Run Out of Tasteless White Yet?

Have they run out of tasteless white yet?
Looks like they haven’t, so we’ve reason to fret.
Long ago, they started a trend: statues in alabaster.
(Long ago, we thought this was just about marble.)
But then they stole to stuff their museums with our artifacts.
Brass Buddhas, bulols, black Venuses: filched, no contract.
With not so much as a by-your-leave, they set up camp
on our shores. Took our women, flogged our men, looked askance
but secretly salivated at dishes made by the kitchen slaves.
Pigafetta (another kind of white) wrote in his journals
with a certain type of disgust that the natives were not normal:
they wore next to nothing on their skin and ate things
fished from the swamp with bare hands. It’s why the white man brings
this gift called civilization. Cloth and cutlery, its own style of chow.
But on weekends they’ll make exceptions and head to Judy’s for the Xiao Long Bao.
Perhaps week after week of white Wonder Bread does things to the psyche—
already burdened with historical conflict, how to admit one’s curious about lychee?
So fascinating… but what’s beneath the crimson of those dragon-like scales?
They’ll wait for the food review, even knowing “epicures” eat things like snails.
From LA to New York, they read that Filipino food is the next big thing,
plus some others— too many to name. Like how at Panda Express, Beijing
Beef Bowl rates as actually good. But I’m so tired
of these cycles of bashing and reappropriation, tired
of the lame defenses of those who, let’s face it,
have no respect for either a spring roll or a tit.
We come from places with catalogs of jewel-colored rice
and more than a hundred names for moss, rain, spice.
We come from places where universities were founded
before their Ivy Leagues. Their lies about us, unfounded,
have glibly masqueraded as history, geography, poetry—
We can’t let them continue with such tasteless bigotries.

 

In response to Have They Run Out of Provinces Yet?.

Lumad

Lumad – native or indigenous

“…news here …signifies little
but to say that something comes” ~ D. Bonta

This means to know

a chant for putting in the seed
a liniment for aching bones

This means to sew

a constellation of beads on dark woven ground
an intricate braid of horsehair for a collar

This means to coax

a lash of fibers stripped by hand from reeds
a rope to fix broad screens of leaves to house posts

This means to hum

a low supplication when crossing the plains
a prayer to ward off the evil ones and hurricanes

This means

a ritual for the birth of the child
a sacrifice of animals for the ones who have died (so many)

This means

a lake in the hinterland bordered by plantations
among them Dole Del Monte Unifrutti Sumifro

This means

a harvest of riches they’re told they do not own
a tube of sugarcane Cavendish bananas palm oil cacao rubber

This means

among the rare flora and fauna at daybreak
a priestess touches her forehead to the water and the earth

This means

a palm criss-crossed by marks and the labor of years
a child’s hand leathered like an ancient’s

This means

a type of plant whose flowers open their throats only at night
and the song of a mythical bird that could turn you to stone

This means

a stranger crossing into their villages eats of their food
and in this way wears their mantle of protection

This means

a five-note warble high in the trees
another one for coming danger

This means

a space grows wider every day from constant erasure
a memory collapses from its magnitude when there are no vessels left

 

In response to Via Negativa: In Cuba.

In Kidapawan

In these islands the light begins
to burn hottest toward noon.

A drought since January, which further
parched the land and thinned the crops.

Farmers, the poor; lumad, or
indigenes— One could not really tell.

And how does it really matter?
In another life these could have been

the people a few history books say
may have eaten from plates of beaten brass,

may have borne ingots of gold on their chests
when foreign ships slid into these inlets.

Most of the land is taken, and the air
is stale as the chemicals in the sea.

What’s brought them here: their hunger
and despair. I’ve never understood the logic

that goes by the name of protocol— We’re told
when police fired guns to disperse them,

they went on their knees in the street
to illustrate the weight of their need.

Calamity funds & 15,000 sacks of rice,
safe in some government warehouse.

At weddings, it used to be that one
would throw handfuls of rice

at the laughing pair emerging from
the church. But now that’s considered

wasteful. Soap bubbles are blown instead,
or confetti showered on their heads.

Bullets have the elongated shape of rice
grains; they explode but will never expand

on contact with bodies made of 73% water.
A grain of rice expands to 3 or 4 times

its volume. 2 cups of rice, according to some
conversion tables, could feed a family of 6.

 

In response to 1 killed, 13 wounded in farmers' protest in Kidapawan.

Night Feeding

This entry is part 6 of 15 in the series Morning Porch Poems: Spring 2016

 

Last night I woke again
from fitful sleep and heard
the wind’s high whistling—

white-throated, mouth pursed
on its way from one end of that
unimaginable island called infinity

to the other. Which is to say,
I’ve heard before this song
it sings, always an octave higher

than the notes I ping on the rim of my
dented cup. And if it is indeed infinity
that feeds this cycle of wailing, this

song conjuring elegy upon elegy,
where does it learn to make things up?
Night opens its caves of hungry cries

in search of any warm breast
to drink from— With effort I remind
myself I’m not being called by name.

 

In response to an entry from the Morning Porch.

Origin

This entry is part 5 of 15 in the series Morning Porch Poems: Spring 2016

 

Who left me,
if I was too young

to know? I look into
the bathroom mirror

and touch the forehead’s
porcelain shelf, the twin

arches of brows floating
in the shape of stilled

metronomes. These lips
a boat, a pod set loose

with cravings for salt,
green tea, pork rinds,

cracked black
pepper chips— Who left

in me this strain,
this penchant for looking

out of windows, probing
the soil for any trace

of indigo? Every day
the backyard quietly

erupts with spring.
And for each flag

hoisted from the depths,
I salute the cost.

 

In response to an entry from the Morning Porch.