Dry Run

Hottest Christmas in years,
read the headlines. The fig tree is
confused, pushing out small

feelers of buds. Warm mist in the air,
thick fog for miles so it feels like the inside
of a greenhouse. Hardware stores nervously eye

snow shovel deliveries that nobody now
will buy. Further south, a Christmas day
tornado and floods. And in the desert, snow

and freezing winds. Whatever world
we fear is coming seems to have arrived.
Wrap your arms in layers of gauze. Be nothing

but tender toward the body
whose ashes will soon rain down
on the ocean’s thick piled curtains.

Votives

Only in old-time cathedrals
do they have them now—

tiers of candles flickering in rows,
waiting for the supplicant’s coin

and the next addition to their ranks,
waiting for the prayer breathed

in the silence of the nave—
And in seething counterpoint, the hubbub

of votive sellers just around the door,
boys hawking lottery tickets or cures

to swill from bottles of neon-
colored liquid. Shreds

of incense trail into the dark,
cadre leading the charge on heaven.

 

In response to Via Negativa: Forest Fire.

Simmer

“…To thee the spring will be a harvest-time.” ~ John Keats, “What the Thrush Said”

I listened to a man speak in a radio program
of how he threw together all the leftovers
from Thanksgiving that no one wanted—

bits of brussels sprouts, carrot, onion, celery;
overlooked beets, wands of beans and wilted
parsley; desultory nuggets of turnip and sweet

potato turning into mash. And of course,
the carcass of the roasted bird. All these
he kept simmering in a stock pot on the stove’s

lowest setting, night and day, for a whole
week— until even the bones of the animal
softened to meal. Parts of things fell away,

disintegrated, liquefied— their outer husks
become indecipherable from chiseled versions
of themselves, as in Osias Beert the Elder’s

Still Life of a Roast Chicken, a Ham and Olives
on Pewter Plates with a Bread Roll, an Orange,
Wineglasses and a Rose on a Wooden Table
,

where the glistening life of things rises
through three glass nodes into flutes of clear
and rosy wine; and the knife suspends above the hard,

yeasty surface of a piece of bread: all that rich,
lovely bounty caught in the moment before the invisible
mouth descends and the petals darken on the rose.

Tomorrow

That restaurant shingle promising Free Crab tomorrow.

That fresh start sudsing with promise, easy as the reset button on a laundromat machine.

The voice of 9 year old Lea Salonga in Repertory Philippines’ “Annie,” betting her bottom dollar on the sun pre-climate change.

Every apocalyptic movie we’ve inhabited for the space of a large buttered popcorn and soda combo.

Rain forecast, and increasingly warming temperatures on until Christmas day.

How we kept saying we’d just pick up a fresh Christmas tree at the last minute, and when we did all the lots were out.

How we settled for “like real” 7.5 foot Colorado spruce in a box, petroleum-based plastic that bacteria will leave alone the next 400 years, or virtually forever.

Finding the Groove

The ear opens and shuts
like an awning. Each of its little bones

has a name. No, not hammer, anvil, stirrup.
Names like the hope poured on a child’s head

as she emerges, pushing with her elbows
through the tunnel, swimming against the current

of the upside-down world.
What are the chances of landing

straight in the lap of florescence?
Don’t look now. Listen

as hard as you can especially when
the blood rushes through your head.

 

In response to Via Negativa: Dusk and Rebecca Horn: Concert for Anarchy.

Migratory Sphinx

Protocol, they say in no uncertain terms,
must be observed; leather-bound,embossed

ledgers consulted especially for any
manner of infringement. Of course,

this does not seem to prevent
the strange appearance of a single

bullet in one’s combination-locked
carry-on luggage. Like all mysteries,

they count on this one being managed
through a hefty bribe. But the real gods

don’t like afterthoughts as gifts. You know
they have been provoked when they begin to raise

their arms at the end of the runway, carefully
articulating each pleat in the space

arcing from the hip joint to just beneath
the shoulder— If you see one of them

as you wing it through border control, find some way
to let them know you are fugitive too, and on the same side.

 

In response to Rebecca Horn, Mechanical Body Fan.

Lucid Dream

Morning’s sheer margin,
feathery protuberance that brushes

against my face until I stir.
Limpid milk, topiary of frozen liquids.

In every language I know,
I practice saying Do you love me?

I unpeel layer after layer:
down to the water table,

down to the quiet mud.
In another hundred years,

our fingers might trace
the beveled surface of the same bud.

 

In response to Via Negativa: Grandiloquent and Rebecca Horn: Cockatoo Mask.

Notation

“My poignant luxury…” ~ Emily Dickinson

When we returned, all the leaves of the fig
had fallen, and those of the Japanese maple;

the bare ground, covered in tearable
wrappers of the after all easily shed.

All day a glimmering sky spoke in fragments
as if time were sending postcards: how we walked

by the river, how the wind slipped the taste
of moss and salt under our tongues; how I called

when you walked too fast, how at night on the cool
sheets you always fell asleep before I did.

 

In response to Via Negativa: Late Bloomer.

Coup de grâce

She says she has recurrent dreams of a hot fire licking at her hands and feet, drawing her into its center. She says she sees her sister there, and her husband, motioning for her to cross over to the other side. She is by turns ecstatic and furious. She moans and cries, then bellows like a bull provoked for the matador. She likes the blazing red cape, the suit of lights edged with gold; but not so much the lances. For all these visitations, her body has not given up the ghost. What is it they mean when they say this, anyway? Whose ghost lives in her, spurring the bouts of energy, the hunger for fruit, for bread, roast turkey; the mean anger, the need for control? Whatever it is, when she’s in pain she prays for it to be swift— like a wisp of smoke from a snuffed candle, like a tug in both directions so the gold chain breaks.