In lieu of new content

One great thing about blogging is that whenever writer’s block strikes — or even writer’s ennui, which is all I think I’m afflicted with at the moment — I can always tinker around under the hood. And since I have more than one blog, that makes for a lot of tinkering! Here’s some of what I’ve been up to lately.

Shadow Cabinet move and redesign

Shadow Cabinet has now followed Spoil off of WordPress.com and onto vianegativa.us. The new address is shadowcabinet.vianegativa.us. I know a few of you link to the collection from your blog sidebars, for which I’m grateful, but please do change the links when you get a chance. For now, I’ve left a page up at the old domain directing people to the new one. Obviously, any links to specific poems, from old blog posts or elsewhere, will no longer work, and I’m afraid you’ll have to visit the site to get the new links, because I’ve changed and simplified the permalink structure. In other words, you can’t just switch the domain part of the URL and expect it to work, because I’ve removed the month-and-day part.

Social media prompts

Ten days after moving onto its new host, Via Negativa continues to enjoy much faster load-times than before, and stats have improved as a result. I’m cautiously introducing a few new plugins, such as Sociable, which generates the icon-links at the foot of each post. I’m trying this instead of the more elegant-looking ShareThis icon, which I’d had before, for two reasons: the code is leaner and thus less of a drag on load-times, and I think having an unobtrusive visual prompt to share content on Twitter, Facebook, and so forth is half the point. I don’t care for clutter, so I’m keeping the list as brief as possible, excluding social bookmarking sites I don’t want traffic from (i.e. Digg) or doubt that my readers use. But if you’re fond of a social media site or bookmarking service I haven’t included, please let me know and I’ll put it in.

New commenting system

I’ve changed the template here to include the new comments functions that came with the most recent major version of WordPress (2.7): comment threading, and javascript-ennabled comment forms that update the comments thread without reloading the entire page. Comment threading, in layperson’s terms, means that you now have “reply” links below every comment in a thread. I currently have it set so comments will nest up to six deep; any more would probably look goofy given the width of the column.

I’ve also switched on avatars, to see if I can get used to having them — it’s doubtful. But if you’re wondering how you can get one to appear beside your own name, here and on other WordPress blogs, you have to register with Gravatar (stands for Globally recognized avatar) and remember to put the same email in the comment form each time.

By the way, if you, like me, are on an independently hosted WordPress installation (i.e. using WordPress.org) with a theme that hasn’t yet been updated for 2.7, I found the following tutorials invaluable:

Basically, I added the necessary line of javascript to header.php, replaced my comments.php file with the one for the default theme, then modified the sections of my stylesheet relating to the comments and comment form, borrowing both from the default theme and from Chris Harrison’s example. Of course, it helped that my theme happens to use similar CSS classes to the default theme.

Postal Poetry has turned into a static site

Submissions to Postal Poetry have really dropped off in the last couple of months, and it became obvious to Dana and me that we’d either have to become permanent cheerleaders and devote an increasing amount of time to hassling poets for submissions, or stop publishing new work and convert the site into a static gallery of poetry postcards. After much agonizing and discussion, we chose the latter course. At present we’re continuing to use the same theme with a newly widened archive page pushed to the front, but I’ll be keeping an eye out for other free or affordable WordPress themes that may work better. Permalinks to individual postcards won’t change. The present theme, designed with photobloggers in mind, is hard to beat for simplicity and usability, especially now that we’ve added category links below each postcard.

We hope the postcards on the site will continue to inspire Postal Poetry’s visitors and past contributors, and as we say on the About page, we encourage you to keep experimenting with poetry postcards, sending them to your friends, and posting them on your blogs. We’re proud of the work we’ve published there and grateful to everyone who made cards for the site, whether or not we ended up publishing them. It’s been fun.

Other news

I’m continuing to discover great new video poems, mostly on YouTube, for my Moving Poems site. I’m currently feeding it at the rate of a new post every weekday, though I expect that will slow eventually. I’m trying to avoid posting things that could be subject to take-down from YouTube for copyright infringement, because I don’t fancy having empty archives, so there are some slick documentaries that won’t make it in.

Open Micro, the group blog for micropoetry, continues to chug along with a new post or two roughly every day, and some lively discussions in the comment threads. If you haven’t jumped on the Twitter bandwagon yet, and are wondering if there’s any truth to the critiques of Twitter and similar sites as irredeemably shallow outlets for the attention-challenged, I’d encourage you to check out some of Open Micro’s contributors (linked in the foooter). Many of us see the 140-character limit of microblogging as ideal for haiku and other short poetic forms, and haiku is all about paying attention. Or as the editor of Cordite Poetry Review‘s new Haikunaut issue, Issa translator David G. Lanuoe, puts it:

Haiku is a posture, a way of seeing and being, a philosophy of life in which one dedicates one’s self to noticing, not ignoring; to being open, not closed; to discovering, not defining; to inviting meaning onto a page, never imposing it. Poets of haiku peer expectantly into the moments and moods of this universe of which we are part, ready always to be startled, to receive with open eyes the treasures and enigmas that others miss in their hell-bent rush through traffic and life.

That sounds like excellent advice for anyone afflicted with writer’s ennui, as well — blog tinkering be damned.

Spoil alert

Spoil: selected earlier poems by Dave BontaI spent entirely too much time today moving my old e-book Spoil off of WordPress.com and onto a sub-domain of this blog. The new address is spoil.vianegativa.us. I’d tell you to change your links and bookmarks, but I’m not sure anyone actually links to it.

I considered taking it down altogether, but I’m just too fond of the header image (which is by the multi-talented Lori Witzel) to let it go yet. And moving it should be good practice for moving Shadow Cabinet, whose contents I am slightly more invested in. That move will probably take even more time, because I’m not as wedded to the header image there, and therefore will be freer to play around with templates. I want to explore the available options for e-book presentation with a self-hosted WordPress installation so that we can do a good job with the electronic version of the winner of qarrtsiluni‘s first chapbook contest, which we expect to publish in November.

Why not just use Issuu, you may ask? Online flip-books are very cool looking, but I personally don’t find them as easy to read as regular webpages. More than that, though, I’m not willing to write off the visually handicapped, forgo search engine access, and deprive users of the ability to link to (and promote) specific poems. Issuu is great for print publications that just want to have something online — if you already have a nice-looking PDF, you don’t have to do anything further — but it would represent a step backward for a truly online magazine like qarrtsiluni. I also really admire good web design, and enjoy giving exposure to some of the more talented designers out there. (My new site Moving Poems represents, in part, my desire to do something with Oulipo, by Andrea Mignolo — the most attractive blend of minimalism, whitespace, and good typography in a free WordPress theme since Ulf Petterson’s Modern theme, if you ask me.)

The Conversation


Video link.

A new poem-like thing gave me an excuse to use some video I’ve been hoarding.

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Don’t forget to bookmark or subscribe to the feed for Moving Poems, where I’m posting other people’s videoetry at the rate of five a week, skipping the weekends. I’m having a blast hunting down poetry videos on the web (95% of it on YouTube, of course), and it looks as if it’ll be many months before I run out of material. Upcoming posts include poems by Paul Celan, Nazim Hikmet, Martin Espada, and Gabriela Mistral.

By the way, if anyone has an interest in helping out, I could definitely use help in finding and translating video poems in languages other than English and Spanish (and sometimes I need help in Spanish, too, but I don’t tend to let that stop me). You would of course get full credit and link-love.

Buzz

The furnace stops and I hear the refrigerator. The refrigerator cycles off and I hear the computer. I power down the computer, turn off the lights, and now I hear nothing but the buzz in my head…

This evening’s buzz was all about the Obamas. I didn’t watch. I was busy making something new: a blogsite devoted to videoetry called Moving Poems. Nothing fancy — just a place to put my growing collection of cool poetry videos from YouTube and other video-sharing sites, with minimal commentary. The very first video I posted was a clay-on-glass animation of the Emily Dickinson poem that begins,

I heard a Fly buzz – when I died –
The Stillness in the Room
Was like the Stillness in the Air –
Between the Heaves of Storm –

It’s only my 43rd birthday, though. I’m not dead yet! Not as long as I still hear that buzz…

Haiku in English: art, exercise, or oxymoron?

Don’t you just hate it when a blogger writes a provocative title for a post that turns out to be little more than a link? Me too — sorry! But there’s kind of an interesting discussion going on at Open Micro, and I think it would be helpful to those of us who try and write haiku (or 17-syllable American sentences, for that matter) if we could hear from a few more perspectives. If you’re primarily a reader, for example, what makes a haiku satisfying to read? Do you even notice how many syllables it has? Stop on over and let us know.

Trees and desert

snowballs

Sorry for the slow and intermittent site performance lately — we’re doing our best to address it, but we’re not out of the woods yet. Or if we are out of the woods, we’re lost in the desert instead, inching along under unknown power like the sailing stones of Death Valley. And as it happens, Via Negativa posts are featured in two fabulous new blog carnival editions, each a pleasing blend of art and science: Carnival of the Arid #1 at Coyote Crossing, and Festival of the Trees #32 at treeblog. Stop on over if you get a chance. Hours of exploring await.

Open Micro

Yes, I know my photo blog is down. Shutterchance, the host, sent around an email saying they had experienced massive server failure, and were working hard to try and reconstruct files. It doesn’t sound too encouraging. And I know that Via Negativa was out of commission for close to a day. My blog host and patron, Matt, suggested that’s because I had over 30 active plugins, and the server couldn’t take it. So I’ve been cutting plugins right and left and holding my breath. No more ShareThis, no more silly word count in the footer, no more Table of Contents. (Did anyone ever actually use ShareThis? If so, for what?)

There for a few minutes yesterday morning, even The Morning Porch was down for maintenance, which meant that all three of my personal blogs were MIA at the same time. Scary. What to do?

Well, create a new site, of course. Check out the new group blog for micropoetry, Open Micro.

Most people use microblog services like Twitter and its open-source counterpart Identica for updates on their daily activities, and that’s fine. Some people use them for hilarious bon mots — I try to follow as many of those as possible. At qarrtsiluni, we use Twitter and Identica to help disseminate news about the magazine and our contributors. There are even some novelists taking advantage of the medium, trickling out new work one or two sentences at a time — enough of them that a new word has been coined for the genre, twitterature. But some of us simply enjoy the challenge of trying to create complete poems or prose-poems within the strict confines of a single microblog post of 140 characters, spaces included.

There are actually quite a few haiku writers on Twitter, though of course not all of them take the art too seriously. But it was actually the much less populous Identica whose recent addition of groups sparked the creation of Open Micro. Some of us on Twitter and Identica had long been favoriting other people’s most lyrical notices and hoarding them in our Favorites pages (mine are here), but with the ability to create a Poetry group page came a new idea: wouldn’t it be cool if we could somehow combine all our favorites pages into one?

That’s essentially what Open Micro will do. We’re trying to be careful to get permission for everything we post, though this isn’t as onerous as it sounds, since any micropoem by a fellow contributor is fair game. The group will probably add a few more members, but what we really need now are readers. Stop on over! And be sure to bookmark it, so that the next time Via Negativa vanishes into the ether, you’ll still have something to read.

Taking back the country

Over at the cassandra pages, my qarrtsiluni co-editor Beth Adams has been filing reports from D.C. for the past several days: Sunday, Monday, Monday night, and Tuesday. The scene in the capital today certainly sounded like a festival of the dispossessed.

The TV coverage, apparently, didn’t show what really happened: when Bush was introduced, a “boo” arose from all those millions of people that must have been completely audible; it was extremely loud. And when his helicopter lifted off, a cheer arose along with millions of uplifted arms, waving goodbye (quite a few, I’d say, with middle finger raised) — all the length of the Mall. I was a little surprised, and didn’t participate in the booing, but it was not so much rudeness as it was a spontaneous shucking off of a tremendous burden and source of despair, and an acknowledgment that this man never represented us, he was not of us, and Obama is clearly someone entirely other. The day for me was all about being part of that tremendous crowd who felt that America was being taken back, repossessed, by the people who have felt so disenfranchised all this time. Their presence, and the fact that they had traveled so far to be there, was not just a personal desire but also a statement to the world that there actually is another American spirit, and it’s still alive.

UPDATE: Be sure not to miss her final Reflections on the Inauguration.

American conquistadors

Don’t miss “Men Without Weakness.” Dale’s take on imperialism is very much like my own, and I link it here to provide perspective on my ongoing series, Postcards from a Conquistador. Stonewall Jackson and William Tecumseh Sherman were cut from the same cloth as Hernán Cortés, I think.

The cold blue eyes look down history, finding us with contempt. He gave up drinking whiskey when he found that he liked the taste of it; he gave up reading the newspapers when they started to praise him. He did take pride in winning battles, but he knew it was a sin: the victories belonged to God, not to him. In winning a battle he found spiritual ecstasy: it was, maybe, the only token of God’s love he would ever believe.

Though I suppose Dale’s perspective, like my own, must’ve been shaped by leftist critiques of imperialism, this post could just as easily have been penned by a disciple of Ron Paul, and I like the fact that he tries to get inside the heads and hearts of men who are all too easily dismissed as monsters, or adulated by latter-day partisans. By the end of it — it’s not long — you’ll also understand why Dale named his blog mole, after the homebody protagonist of The Wind in the Willows. Go read.

Old trees, new ornaments

discarded Christmas treesFestival of the Trees #31, the New Year’s 2009 edition, is worth an extended visit at Rock Paper Lizard. As Hugh says, ’tis the season to take down the Christmas tree — something we just got around to doing this morning up at my parents’ house. Dad kindly undecorated the tree, leaving me with the simpler task of carrying it outside.

If you feed wild birds, discarded Christmas trees make very useful shelters from hawks and inclement weather. I nestled this year’s tree among the skeletons of previous Christmases, four of them, in varying stages of decomposition. Even without the needles, thin, tangled coats of weeds and grasses still offer some protection. The Christmas tree is truly a gift that goes on giving. When I came back with my camera to snap the above picture less than five minutes later, a half-dozen white-throated sparrows flew out. No sooner had it been stripped of the usual myriad of fake bird ornaments than the real thing moved in.

*

I’ve just been reading about TreeYoga. I got all excited at first, but it turned out that this was really boring old PeopleYoga — the trees are merely used for a form of non-lethal hanging.

As in the yoga posture (asana) of the Tree Pose (Vrksasana), TreeYoga beckons us to reflect upon a core principle of yoga — balance. Like trees, yogis can now root themselves into the earth and extend gloriously up to the sky. There is great beauty and playfulness in the flowering shapes of yogis sprouting from trees.

If the accompanying photos are any indication, the dangling yogis do indeed resemble some kind of strange fruit. The official TreeYoga website refers to trees as “yoga partners,” which strikes me as presumptuous in the same way I find tree-hugging presumptuous: how do we know the trees really want to be hugged or enlisted as partners?

Still, people have been meditating in or under trees for a very long time, and as I’ve written here in the past, many Central Pennsylvanians practice an annual tree-based meditative activity that probably resembles quite closely the paleolithic, ancestral form of meditation. And because they spend such long hours up there, staying as still as they can, they’re rewarded with all sorts of great wildlife sightings. One of the hunters on our property saw a bobcat from her tree stand this year; another saw a fisher. There were several red fox sightings, which surprised us a little because we haven’t seen any in two or three years, and had assumed they’d all been killed or driven off by the coyotes. And quite regularly of course the hunters draw the attention of small flocks of winter birds. I can only imagine a chickadee’s reaction if it saw a human hanging upside-down, chickadee-fashion, with the help of a TreeYoga swing.