Azkal Ghazal

The pedigree of Honey
Does not concern the Bee,
Nor lineage of Ecstasy….
~ Emily Dickinson

Askal: Tagalog, asong-kalye (street dog).

Azkal: stylized from Tagalog askal. A member of the Philippines national football team.

Have you ever been told that good bearing and manners will take you
where a lack of money can’t? The issue being, as always, pedigree.

In a short story by a Filipino writer in English, it’s wartime. But the lady of the house sizzles wet
rags on hot fry pan, so neighbors will hear and not think they’ve come down too much. Pedigree.

At Kate and William’s wedding, admit it— we were all voyeurs. Red carpet, velvet ropes,
but oh pedestrian gawking. Pippa’s derrière, Fergie’s daughters’ hats: what pedigree?

McDonald’s now styles itself a WiFi café: smoothies, frappes, laid over Big Macs
and the same dollar burger menu. Can’t blame ’em for trying to refurbish their pedigree.

“Nobody’s children,” writes the British poet laureate of rioting mobs in Birmingham. If yours
was one of those who “just happened” to filch an iPhone, would you be so quick to disavow pedigree?

Branch of dead cherry under darkening sky: you’d think it too a throwaway. But the downy
woodpecker gleaning breakfast there knows taste and need consider different pedigrees.

The Russian piano teacher demonstrates the opening bars of Tchaikovsky’s “Morning
Prayer” to her ten year old pupil. Music haloes the room, forgives, anoints us with its pedigree.

On the national putbol team, I’m sure there’s at least a couple of stories: orphaned at birth,
used to live in the sticks; then soared like slumdog pigskin through the air to say, Fuck pedigree.

Excuse my French. Now and again I forget what the nuns taught us of deportment. Do you ever feel
like you want to run in the streets and howl? Sometimes, Maria, I really couldn’t care less about pedigree.

 

In response to an entry from the Morning Porch.

Becoming Banjo

This entry is part 31 of 34 in the series Breakdown: The Banjo Poems

 

I could’ve been
many things—doctor,
lawyer, beggarman, CEO—
but not a banjo. They stopped
taking applications
the moment I was born.
Though a few months earlier,
a big-headed embryo in
the womb, I might’ve had
at least a fat chance.
What a headline that
would’ve made for
the Weekly World News!
Woman Gives Birth to Banjo.
My life might’ve become
a Stuart Little-like quest,
riding the rails north
toward the great bear,
the cosmic gourd.
Ah, the tailored furs
I’d have worn, the round
houses I’d have inhabited,
built from snow!
The moon & sun would’ve
circled in the sky,
unwilling to set. The land
would’ve glistened like
a shaman’s hide drum
for conversing with the dead.
And the dead like all emigrants
would’ve babbled incoherently
from the other side,
unable to send back
the right medicine
for our breakdowns, & we
still unready to abandon
our mother tongues.

Shroud Villanelle

This entry is part 51 of 93 in the series Morning Porch Poems: Summer 2011

 

Already the caterpillars in their one winding sheet
lie still as death. The child that picks them whole
in their wrappings wants to know what color, sheen,

or tissue will solder their wings, to make complete
their transformation: first mummy, then prismed unfold-
ing. The caterpillars wound tightly in one dream

build their wings in the dark, breathing replete
but mostly unseen. Convey them carefully; not bole,
but bit of leaf under each body, faint color, sheen—

Clear and cold, lesson lighter than a husk, complete;
elusive flight the body needs, before it turns to coal.
What other dream but for what’s bound within the sheet?

When it comes time to rend the woven sheet
will light bear down upon these bodies whole,
or splinter into spectral color, muted sheen?

So cold some mornings, evenings damp and clear—
All surfaces echoing the questions of their skins.
The caterpillars wound up tightly in one dream,
in sleep burrow more fiercely toward color, sheen.

 

In response to an entry from the Morning Porch.

Powerless

Things you can’t do during a power outage if you lack a generator and a mobile device:

  • listen to music
  • listen to the radio
  • process photos
  • work on a podcast
  • post to a blog
  • post to Twitter
  • visit Facebook
  • tend to qarrtsiluni submissions
  • read or answer email
  • revise poems, none of which have a paper backup
  • call or take calls on Skype
  • do laundry
  • cook
  • make tea or coffee
  • run the tap
  • flush the toilet
  • tell the time

Things you can do during a power outage:

  • read a book
  • read a magazine
  • weed the garden
  • write with pen and paper
  • weed the garden some more
  • take pictures
  • go for a walk
  • gather herbs for drying
  • take a nap
  • drink a beer

I am trying to lead an unexciting life and failing miserably. I give thanks to the power company for its periodic lapses, reminding me how far I have yet to go.

Written with pen and paper, 10 August 2011

40 years in Plummer’s Hollow: an interview with my dad

Bruce BontaDave Bonta: Can you remember your first reaction to the property? What impressed you the most?

Bruce Bonta: Forty years ago, on August 19, 1971, Fred A. Good and his wife Madeline M. Good signed over to your mother and me a deed for approximately 143 acres on Brush Mountain. My first reaction to this property was, wow, what are we getting ourselves in for? How am I going to keep this 1.5 mile long road open so I can commute to Penn State during the winter? Also, the 42 half-culvert breakwater pipes across the road, with heavy steel gratings on top, were all filled with silt and weeds. I realized I faced some serious maintenance challenges. I decided that I would need a tractor and a large rotary cutter if I wanted to keep open the woods roads and the fields. I felt excited, challenged, and perhaps a bit apprehensive during that first year until I realized we would, indeed, be able to make a go of it.

DB: How did Central Pennsylvania differ from other places you’ve lived? And how have your impressions of it changed over the years?

BB: We had lived on a farm in Maine for five years, but the vegetation was quite different — many evergreens there, mostly deciduous trees here. Our farm in Maine was directly on a paved highway — few people would be crazy enough to live year round very far from a public road. But our place in Plummer’s Hollow had one significant benefit over Maine: no black flies. May would prove to be a beautiful season, not a dreadful ordeal as it was in the north woods.

DB: You took the lead role in the 14-year battle to keep the hollow from being lumbered. What stands out to you from that time? What would you have done differently, with the benefit of hindsight?

BB: The various battles that I fought from 1978 through 1992 to protect our access road were stressful. I did some things right, and won some of those contests, particularly the early ones. Since a lumbering operation in the hollow would have severely harmed our access road, I acted quickly. A visit to our congressman’s office in Washington produced decisions that effectively prevented the lumberman from taking out truckloads of logs. Unable to truck off his timber, he was able to do only a limited amount of harm. We subsequently bought that piece of property. I was less successful in preventing subsequent lumbering operations — the laws favor the removal of trees from private property — but suffice it to say, we ultimately bought the second and third tracts of land in the hollow with some, then with most, of the timber already removed. By 1992, we owned the entire watershed of the Plummer’s Hollow Run, a first order stream.

DB: What have been the biggest changes to the natural environment on this end of Brush Mountain over the past 40 years, in your estimation, both for the better and for the worse? Which changes have surprised you the most?

BB: Let me answer that by focusing on our management strategies over the years, some of which, I feel, have made a significant difference to the health of the land. For instance, due to the deteriorating condition of the forest understory, we decided in 1992 that we had too many deer on our property, a conclusion that a visiting biologist confirmed. This prompted me to decide to manage the deer herd better, by managing the hunters more effectively. I closed the property to general hunting and posted it for hunting by written permission only. Our new policy, of cultivating friendships with excellent hunters, has given us great results. We have seen huge numbers of deer taken off each year plus major improvements in the understory and the forest as a whole.

I also decided, in the 1970s, to keep the First Field open as a meadow, and not let it revert back to a closed-canopy forest, as it would have done naturally. I had to cut the field with the Bush Hog, but learned, over the years, to mow less and less in order to foster the development of our “old growth” meadow of today. Other management decisions have affected the property too, though perhaps in less obvious ways. I introduced warm season, native grasses, purchased from a seed company in Western PA, about 10 years ago, and have subsequently spread the seeds on disturbed areas. About 15 years ago, you helped me put up a small deer exclosure fence near the Far Field, an experiment that prompted us to erect, with the help of our hunter friends, a second, three-acre exclosure in the old dump area in 2001. The two exclosures have demonstrated the effects of controlling the deer overpopulation to everyone who visits Plummer’s Hollow.

DB: Living on a mountaintop, we’ve weathered a lot of interesting storms in the past 40 years. Which ones impressed you the most?

BB: Several sleet storms have proven to be challenging. If conditions are right, the sleet pellets slide down the steep slopes in the lower portions of the hollow, filling in the road. Then, as the sleet storm ends, the temperature typically warms up for a period of hours, fusing everything into a solid mass, before then turning cold and freezing the slope. We are left with a rock hard, 40 percent sloping surface of ice in the lower part of the hollow, a condition that no snow plow can break through. Once, a large bulldozer could barely make it up the road. We bought a modest sized, 13 ton bulldozer to break out going down the road for those sleet storm occasions.

DB: How has your perception of the natural world changed over the years as a result of living here? Or, to put it differently: How has living here informed your understanding of nature and biodiversity?

BB: One thing I have learned over the years is that, for me, forest stewardship should be defined as a process of waiting and watching, not a process of blindly accepting the recommendations of people with credentials. They don’t necessarily know our ground — they don’t live here as we do. For instance, living here and maintaining the road as I’ve done for so many years, I’ve learned that the color of the stream after a storm is a good indicator of my effectiveness as a land steward. If it turns brown, if it has some silt in it, I am at fault. I am not managing correctly. The road, the garden, the latest digging project — something is wrong. When you own an entire watershed, even if it is small, you can’t blame problems on anyone else.

DB: We’ve hosted a lot of visitors over the years, and seen a lot of interesting reactions to the place. Which reactions have surprised or impressed you the most?

BB: I have learned to overlook most of the “what do you do up here” or “how do you get in and out in the winter” or “I’d love to live up here but my spouse…” kinds of questions. I try to impress on visitors the importance of living lightly, enjoying nature, and relying mostly on reading and family for entertainment.

DB: You were part of the “back to the land” movement, both here and previously in Maine. Now there’s a whole new generation getting into small-scale farming and sustainability. What advice would you give to kids starting out? How should they try and balance their needs with the needs of wildlife?

BB: While all of our gardening and raising animals in the 1970s and 1980s did help our budget, the activity that I most enjoyed was beekeeping. I found that working with the little critters was gentle, quieting, and satisfying. The bees are completely wild animals. I was just helping them do their thing better, so they could produce some surplus honey that they could share with me. If I had realized that the arrival of bears on the mountain in the late 1980s would result in the destruction of the bee hives, I might have put in stout fences and continued as an apiculturist. Beekeeping showed that it is possible to manage WITH nature, rather than just manage for ourselves.

DB: In the language of real estate, human developments are viewed as “improvements,” even if they are disastrous for wildlife. But suppose we were to take a more eco-centric view. Have we, in fact, improved the property during our tenancy here, do you think?

BB: I suppose we have, at least a little. By forbidding logging over the past 40 years, we’ve allowed the property to heal itself, at least to some extent. But some of our necessary management practices, such as maintaining the essential Plummer’s Hollow Road, are inherently detrimental to the land. The road represents a sword thrust deep into the belly of the forest. There’s no way around that.

DB: How do you envision Plummer’s Hollow 40 years from now, or 100?

BB: The future of the land will depend on the easement that we design, and the future ownership that your mother and I decide upon, with input from our three sons, of course.

DB: Any concluding thoughts?

BB: Over the years, particularly during the lumbering battles of the 1980s and 1990s, I began to really dislike the concept of private land ownership. Landowners often view their deeds filed in courthouses as permits to despoil the lands that they “own.” It may sound trite to suggest that if we would begin to modify this concept of private land ownership, the entire relationship of humanity with the earth could be gradually changed.

Also, I would observe that living here for 40 years has prompted ever closer relationships to grow between your mother and me. I have learned to defer to her wisdom and experience when it comes to natural occurrences, and she normally respects my decisions relating to management issues. This sort of partnership has been fostered by the complexity of our property. Though we would certainly have remained a close couple had we lived in the suburbs, the ownership of such unique land prompts us to work together, to learn from each other, and to share our insights and decisions.

Finally, I have found that my peace research, particularly my obsession with peaceful societies, has been supported by the peacefulness of the place where we live. I frequently go for walks to help solve problems. Wording comes to me, solutions pop up, the essence of things becomes more clear when I go outside. Gandhi went for daily walks throughout his life and he didn’t live on a place like this. These 648 acres help make me a more peaceful person.

Visit Bruce Bonta on the web at PeacefulSocieties.org.

Three More Improvisations

[see “Three Improvisations” from the Spring Morning Porch series]

1

Each bead a prayer, ten a decade, all
a mystery with a name.

Translation: Oh drizzle of bossa nova
sliding down the windows inside this
café: the coffee roaster exudes its
dark aroma. Skins split. The metal
drum, soft as a sheet of thunder.
Angry crowds hurl rocks into shop
windows. Streets are burning
not so far away.

2

With me or against me?

Translation: A woman at the price
club checkout line, cart filled
to overflowing: toilet paper, muffins,
eggs, frozen chicken breasts, ground
chuck, short ribs; A1 steak sauce.
Her booklet of food stamps. Ripples
of annoyance as the cashier goes
to get the manager.

3

Unlucky the mouth that has never
learned when to open, when to close.

Translation: It is the seventh month
of the Lunar Year, the month of the Hungry
Ghosts. In Ejia town, in Yunnan province,
the men may touch the women’s breasts.
How true is it that this is what the women
prefer, that they would rather not rouse
to the touch of light upon the river?

 

In response to an entry from the Morning Porch.

Living with wrens: 40 years in Plummer’s Hollow

Carolina wren silhoutte
Carolina wren silhouette

Teakettle, teakettle, teakettle chants the Carolina wren from my front porch, seemingly unfazed by this morning’s rain and gloom. I smile at what I can’t help hearing as irrepressible ebullience, though quite possibly to the wren its song conveys matters of urgency and deep seriousness.

August is the quietest time of the year for birdsong. The neotropical migrant hordes whose songs made the woods ring in May and June are mostly done raising their broods, and many species are in the midst of their molt and lying low. So the Carolina wren’s song is more welcome than ever — especially considering that we didn’t have any of them nesting around the houses this spring, for whatever reason. A couple pairs nested elsewhere in the hollow, Mom said, and are now dispersing, some to breed a second time this season. Which may very well be what my front-porch wren has been so excited about the last couple of days. Continue reading “Living with wrens: 40 years in Plummer’s Hollow”

Notes on poetic form

One of the most interesting things that Marly Youmans said in our conversation for the Woodrat podcast was that she began using form in poetry as a consequence of writing prose fiction, because she wanted to make her poems as unlike prose as possible. She also said she liked how trying to find words to fit set rhyme schemes and meters pushed poems in unexpected directions. These two statements have forced me to analyze my own approach to poetry a little bit — in particular, why I still prefer nonce forms or free verse, and why I so quickly get bored whenever I try to write in established forms.

Marly’s right: the discipline of adhering to a strict form can enforce more creative responses. In a way, I encounter something like this every day when I try to fit a lyrical observation into 140 or fewer characters for The Morning Porch. On rare occasions when I’ve dabbled with end-rhyming forms, I have been entertained by some of the odd directions in which this can take a poem. But I’ve also been frustrated by the necessity of abandoning other, equally odd and perhaps more fruitful directions because I couldn’t find a rhyme word. The results have tended to leave me with mixed feelings: they are fun to read, for sure, but they also stay somewhat more on the surface than I like.

Of course, one person’s depth is another person’s shallows, and I make no claim to profundity in any absolute sense. But the fact remains that I write poems first and foremost to discover what I am thinking. Writing a poem involves a kind of extremely attentive listening, in which, ideally, every word and every phrase should be questioned: Is this really the optimal way to express the idea taking shape in my mind? And rhythm and sound are absolutely key. Often, I’ll know I need to end a breath with a one- or two-syllable word, but not which one. Quite often, too, the right word is the one with the best assonance and/or alliteration with its predecessors.

This is one of the most pleasurable and surprising — and perhaps also troubling — things about writing, to me: how the best-sounding words and phrases are also those that seem most right. One sees this of course in political and other forms of discourse, as well: how often our supposed search for meaning in fact brings us under “the spell of the sensuous,” to quote philosopher David Abrams’ resonant phrase.

I don’t know if what I write could be considered free verse or not — I’ve never taken a poetry class — but I do know it is anything but undisciplined. I often go out of my way not to include end-rhymes, either rearranging the lines to hide them, or else thinking up other words in their stead. I don’t want my poems to be song-like and melodic; I want them to sound more like the 20th-century classical music I grew up with, with relatively few repeating figures and lots of pleasing dissonances. I’m not saying I always achieve this, of course, but it’s what I strive for:


Watch on YouTube.

Pantoum, with Spiderweb and Raindrops

This entry is part 47 of 93 in the series Morning Porch Poems: Summer 2011

 

Still, how beautiful and perfect
each raindrop looks— pearls strung
in that radial pattern, artful across
the web. Easy enough to think

each raindrop a pearl, a rhinestone
broken loose from a silken thread. And
the web’s an easy metaphor, just think.
Someone paces, paints, or writes all night.

Then something loosens: a sigh snaps the threads
that held the shapes, that filled and colored
in the light. Sleepless, write or paint all night:
then revise at dawn; wreck, rewrite. Begin

all over again— what filled those shapes? Color
that beguiled with absolute certainty of itself.
Revising at dawn, amid the wreckage of beginnings,
you find it’s hard to remember how love looked

except beguiling, so absolutely sure of itself.
Think radial patterns, think lines that artfully cross
with all you need, want to, remember. You know how hard to look
at what’s unfinished; proclaim it beautiful or perfect, still.

 

In response to an entry from the Morning Porch.