Stage Directions

This entry is part 17 of 28 in the series Morning Porch Poems: Autumn 2013

 

Thirst and dreams in the middle of the night. Smoked herring in oil; sardines, anchovies. Capers and capelin roe. This strange, intense longing for salt, unkillable like a roach that skitters out from under the shelves as soon as the lights are doused. Nervous twitching behind walls, beneath the floorboards. Don’t give me a fake geode to lick; let me have a bead of citrine, a yellow sapphire, a tiger’s-eye, a crystal facet around which to fit my tongue. In other words, the thing itself: because everything else would be poor copy. I groom my retinue of desires to impeccable standards— only the best will do. I march them through daily drills, hup hup; review their syntax, applaud all vaults and clumsy dismounts, attempts to clear the pommel horse. Up high, the bars and wires glint sharper than walls in a knife thrower’s gallery. But darlings, don’t fret. You work hard, you’re lovely as newborn lyrics. Don’t worry yourselves about the weather, ticket sales, secret shoppers, masquerading critics, the ennui of the damned. Don’t pay attention to anything but the beautiful wings waving you onward, the ones that flush the currant bushes with color and sound.

 

In response to an entry from the Morning Porch.

Time thief

(Lord’s day). In the morning to our own church, where Mr. Powel (a crook legged man that went formerly with me to Paul’s School), preached a good sermon.
In the afternoon to our own church and my wife with me (the first time that she and my Lady Batten came to sit in our new pew), and after sermon my Lady took us home and there we supped with her and Sir W. Batten, and Pen, and were much made of. The first time that ever my wife was there. So home and to bed.

In church, a crook
preached to the new
pew and took
much time.


Erasure poem derived from The Diary of Samuel Pepys, Sunday 18 November 1660.

The rise of Twitter poetry

From The Independent, a good article on the “The rise of Twitter poetry” in the U.S. and U.K., though as so often with online articles from newspapers, it is strangely lacking in links to any of the people it mentions, making it less useful than it could’ve been. And I question their decision to illustrate it with a photo of Benjamin Zephaniah, who follows all of four people despite being followed by more than 10,000, instead of George Szirtes, Alison Brackenbury or Ian Duhig, who are much better and more generous netizens. Anyway, here’s a quote:

Ian Duhig – twice-winner of the National Poetry Competition – wrote a tweet poem about the Bramhope Tunnel disaster: “They wove the black worm/ a shroud of white stone/ and thought it was nothing/ But the worm turned.” Would he ever publish his Twitter poems? “I’d have no problem using Twitter poems in a book and may well do in the next one,” says Duhig, whose Twitter poem “Yew”, is more romantic: “Each root of church yew/ reaches a skull:/ mistletoe/ for kissing above.”

The director of the Poetry Society, Judith Palmer, says: “There’s a renewed interest in the form of British poetry at the moment and the constraints of the 140-character limit play to that, in the same way as the 14 lines of the sonnet or the 17 syllables of the haiku. Twitter poems tend to be playful and are often collaborative, but they’re also good for ‘Imagist’-style observation, or philosophical musing. They can reach a wide audience in moments but they’re also ephemeral, evaporating pretty as the Twitter-feeds roll relentlessly on.”

Read the rest.

Old salt

In the morning to Whitehall, where I inquired at the Privy Seal Office for a form for a nobleman to make one his Chaplain. But I understanding that there is not any, I did draw up one, and so to my Lord’s, and there I did give him it to sign for Mr. Turner to be his first Chaplain. I did likewise get my Lord to sign my last sea accounts, so that I am even to this day when I have received the balance of Mr. Creed.
I dined with my Lady and my Lady Pickering, where her son John dined with us, who do continue a fool as he ever was since I knew him. His mother would fain marry him to get a portion for his sister Betty but he will not hear of it.
Hither came Major Hart this noon, who tells me that the Regiment is now disbanded, and that there is some money coming to me for it. I took him to my Lord to Mr. Crew’s, and from thence with Mr. Shepley and Mr. Moore to the Devil Tavern, and there we drank. So home and wrote letters by the post. Then to my lyra viall, and to bed.

The seal is chaplain to the sea;
I am her fool.
I took my crew to the devil,
and there we drank.


Erasure poem derived from The Diary of Samuel Pepys, Saturday 17 November 1660.

Disintegrate

This entry is part 16 of 28 in the series Morning Porch Poems: Autumn 2013

 

(a partly found poem)

“The death toll could still climb higher, with an additional 1,000 cadaver bags sent to provinces, the disaster council announced as search-and-rescue operations continued in Tacloban City.” ~ from a news report on the aftermath of Typhoon Haiyan in the Philippines

Different cells die at different rates.
Hair and nails continue to grow a little
while, but nature is more efficient.

In the air decomposition is twice as fast
as when the body is under water, four times
more than underground. Clostridia

and coliforms, enzymes; greens and blues
that blister. Methane and mercaptans,
sulfides. More rapid in the tropics,

where the sun brings everything up
to a melon boil. Bluebottle flies,
carrion flies, ants and beetles

and maggots and wasps. Nails and teeth
detach, their ivory falling, letter
after letter that will never

again be sent. After weeks, a month,
a year, a decade: rags and bones,
motes indistinguishable

from dust. Finally
everything the body held,
burst open like a secret.

 

In response to an entry from the Morning Porch.

Letter to Audrey Hepburn

This entry is part 15 of 28 in the series Morning Porch Poems: Autumn 2013

 

So many yards of cloth:
good cotton, polyester, rayon;
prim edge of childhood’s
Peter Pan collars, chaste tents
of A-line skirts that crept
up and up as silhouettes tightened
and searched for the key
in any keyhole neckline,
the getaway boat in any bateau.
I was no exception: I could not
bind a blanket stitch,
would not feather a herringbone.
What chance did I have without
the curved swan of your neck,
my feet shod but shoddy
in ballerinas, un-dainty from birth,
limbs decorated with scars or scabs,
stitched together with dark
needle and thread? And so I flew
the nest right after breakfast,
kissed the first tear-shaped bar
of light from the chandelier,
hurried to find myself
a fit bustle. I do, I do,
I do regret more than a few
things: but guess what, finally
I’m old enough to admit I don’t
rue it all! —though you hit it
right on the head when you said
those things about the sky
being vague and empty— Marriage
(whatever that means), or what you give
yourself to, can be like that: just a country
where the thunder goes and things disappear

sometimes, but not forever.

 

In response to an entry from the Morning Porch.

Britain BC with Francis Pryor

This two-part documentary, made for British television, is a great way to get up to speed on the current thinking about prehistoric Britain.


View on YouTube

I’m certain that the people who did this believed in another world, another dimension beneath the ground.


View on YouTube

In this new farming landscape, the cult of the ancestors is born. Their influence was necessary for the continued fertility of the land. For the ancient Britons, the discovery of crops, something that, when you cut it down, can be regrown from the seeds of the dead, must’ve been a kind of magic. And it’s possible that they believed that these ceremonial enclosures were fields for the dead, the place where the ancestors’ souls could, like the crops, grow to life again.

There’s also a book. And Francis Pryor’s blog For the Time Being is very worth following.

Geomancy

Up early to my father’s, where by appointment Mr. Moore came to me, and he and I to the Temple, and thence to Westminster Hall to speak with Mr. Wm. Montagu about his looking upon the title of those lands which I do take as security for 3000l. of my Lord’s money.
That being done Mr. Moore and I parted, and in the Hall I met with Mr. Fontleroy (my old acquaintance, whom I had not seen a long time), and he and I to the Swan, and in discourse he seems to be wise and say little, though I know things are changed against his mind.
Thence home by water, where my father, Mr. Snow, and Mr. Moore did dine with me. After dinner Mr. Snow and I went up together to discourse about the putting out of 80l. to a man who lacks the money and would give me 15l. per annum for 8 years for it, which I did not think profit enough, and so he seemed to be disappointed by my refusal of it, but I would not now part with my money easily.
He seems to do it as a great favour to me to offer to come in upon a way of getting of money, which they call Bottomry, which I do not yet understand, but do believe there may be something in it of great profit.
After we were parted I went to the office, and there we sat all the afternoon, and at night we went to a barrel of oysters at Sir W. Batten’s, and so home, and I to the setting of my papers in order, which did keep me up late. So to bed.

I speak with the land,
which seems to be wise
and say little, though things change—
ore to money, money to profit,
the afternoon to paper.


Erasure poem derived from The Diary of Samuel Pepys, Friday 16 November 1660.