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	<title>Trills &#8211; Via Negativa</title>
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	<description>Purveyors of fine poetry since 2003.</description>
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		<title>Woodrat Podcast 5: Radames Ortiz with Jonathan Jindra, Amplified Bards</title>
		<link>https://www.vianegativa.us/2010/02/woodrat-podcast-5-amplified-bards/</link>
					<comments>https://www.vianegativa.us/2010/02/woodrat-podcast-5-amplified-bards/#comments</comments>
		
		<dc:creator><![CDATA[Dave Bonta]]></dc:creator>
		<pubDate>Mon, 08 Feb 2010 16:26:34 +0000</pubDate>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Books and Music]]></category>
		<category><![CDATA[Poets and poetry]]></category>
		<category><![CDATA[Woodrat Podcast]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[electronic music]]></category>
		<category><![CDATA[Jonathan Jindra]]></category>
		<category><![CDATA[Radames Ortiz]]></category>
		<category><![CDATA[Trills]]></category>
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					<description><![CDATA[A conversation with Houston-based poet Radames Ortiz and his audio collaborator, the composer Trills (Jonathan Jindra). Topics include: How electronic music is composed; the arts scene in Houston; composing and improvising music to accompany poems; making the transition from ambient music to electronica that demands active listening; how Radames started writing poetry and why he &#8230; <p class="link-more"><a href="https://www.vianegativa.us/2010/02/woodrat-podcast-5-amplified-bards/" class="more-link">Continue reading<span class="screen-reader-text"> "Woodrat Podcast 5: Radames Ortiz with Jonathan Jindra, Amplified Bards"</span></a></p>]]></description>
										<content:encoded><![CDATA[<p><strong>A conversation with Houston-based poet Radames Ortiz and his audio collaborator, the composer Trills (Jonathan Jindra).</strong></p>
<p>Topics include: How electronic music is composed; the arts scene in Houston; composing and improvising music to accompany poems; making the transition from ambient music to electronica that demands active listening; how Radames started writing poetry and why he chose not to get an MFA; turning a poetry reading into a multimedia experience and getting the audience involved; online reading, e-book readers and the supposed death of the text; the obligation of poets and writers to master multimedia tools; making and watching videopoetry.</p>
<p>Links:</p>
<ul>
<li><a href="http://theamplifiedbard.blogspot.com/">The Amplified Bard</a> (Radames&#8217; blog)</li>
<li><a href="http://www.trillsband.com/">Trills Music</a></li>
<li><a href="http://www.i-absentee.com/order.html">Modular Puzzle from i, absentee records</a></li>
<li><a href="http://textura.org/reviews/trills.htm">Review of Modular Puzzle in textura</a></li>
<li><a href="http://www.cortlandreview.com/issue/31/ortiz.html">Radames&#8217; poems in Cortland Review</a></li>
<li><a href="http://www.youtube.com/watch?v=390kJpLby6c">Family Group Day (videopoem)</a></li>
<li><a href="http://www.vimeo.com/user1445668">Jonathan Jindra on Vimeo </a></li>
</ul>
<p><em>Theme music: &#8220;Le grand sequoia,” by <a href="http://www.jamendo.com/en/album/6889">Innvivo</a> (Creative Commons Attribution-Noncommercial-Share Alike licence)</em></p>
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<p><a href="http://www.vianegativa.us/category/podcast/feed/">Podcast feed</a> | <a href="http://itunes.apple.com/podcast/woodrat-podcast/id350283209">Subscribe in iTunes</a></p>
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