Moving Poems profiled in Connotation Press

Back in early August, I had a very enjoyable, rambling discussion via Skype with California-based poet Erica Goss, who wanted to interview me for her new monthly column on videopoetry at the online journal Connotation Press. That interview is now up, and it’s coupled with an interview with Motionpoems founder Todd Boss (whose blog I just linked to here yesterday). Check it out.

I especially liked the closing quote from Todd: “To see your poem through the lens of film is to learn a new language about your poem. What could be more instructive than that?” I think this holds equally true for poets who envideo their own poems — or, as often happens, derive poems ekphrastically from film footage, their own or others’: it’s a form of translation. And just like traditional translating, it requires a reading so slow and so close as to amount to reinvention.

I also had a couple thoughts over at the Moving Poems forum, reacting to something Erica wrote: Are poets who make films of their poems self-publishing? And if so, are we risking loss of prestige (versus getting others to envideo our works)? Please go over there to comment on that, if you wish. But first, of course, read Erica’s column.

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