Letter to Water

This entry is part 76 of 95 in the series Morning Porch Poems: Winter 2010-11

 

Dear moisture, dear nearly soundless
rain that falls all night to turn the fields
into sheets of soggy Canson paper, the reeds
are soaking their feet in sepia. Some nights
I’ve roused from sleep to hear your sharp
artillery deflecting from roofs and windowpanes;
other times, almost unlikely, you’ve warmed
the glass to make trees loom and fade through fog
while in the distance, streams carol like frogs.
In monsoon months you’ve painted maps with mold,
new worlds of islands in swirly skirts, darkening
at the hems with salt water; you wrote to me
a daily script on the ceiling that I tried to read,
lying in bed at night. I’ve put away those letters,
pretending I didn’t know your other names
and how they all spell willfulness, swift change,
precipitous and unpredictable nature.
Tantalus wants just a bite of fruit from the bough,
washed down by a chaser; and the Danaids
only want to be done with that never-ending
business of filling and emptying those joke-store
jars pre-riddled with holes. When I was seventeen,
confused and green, my ex- took me hiking, then
at the summit leered “Don’t tell me you don’t know
what I want.” But the clouds shifted— I’m not
making this up— We were drenched, a thunderstorm
had saved me. You know the feeling, when every pore
is saturated with dampness and maybe a sliver
of wistfulness or longing; and there’s not
a towel in sight, not a hair-dryer, not a clean
dry sheet smelling simply of air and light.

Luisa A. Igloria
02 28 2011

In response to today’s Morning Porch entry.

Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.

The truth about trees

gloomy beech

Some trees are agoraphobic — it’s true. With every branch and twig they strain to block out the sky, and they never leave the forest. Winter is painful for them, but they escape as best they can by drawing down their sap and hiding underground. On warm days in late winter and early spring, when their sap starts to flow again, they are groggy as sleepwalkers that have just fallen down the stairs.

black birch

Waking up isn’t always a pleasant thing, especially if you are approaching middle age and your joints creak, your skin is suddenly no longer elastic, and any weird lump or lesion could be the beginning of something dire.

black birch with polyphores

Better to stay asleep and dream of sprouting a thousand parasols or hiding like a bird beneath its feathers. Better just to stand by the stream and listen to the water, which has mastered the art of running from the sky.

Dave Bonta (bio) crowd-sources his problems by following his gut, which he shares with 100 trillion of his closest microbial friends — a close-knit, symbiotic community comprising several thousand species of bacteria, fungi, and protozoa. In a similarly collaborative fashion, all of Dave’s writing is available for reuse and creative remix under a Creative Commons Attribution-ShareAlike 3.0 United States License. For attribution in printed material, his name (Dave Bonta) will suffice, but for web use, please link back to the original. Contact him for permission to waive the “share alike” provision (e.g. for use in a conventionally copyrighted work).

Link roundup: Dingles, thunder thighs, and a journey through a poet’s brain

The Awl: “Being Female
I know I’m a little late with this, but the issue of discrimination against women in publishing and reviewing isn’t going anywhere, and Eileen Myles’ response to the troubling data released by VIDA last month really cuts to the chase.

So I wrote five pages of pussy wallpaper and gave it to the editors at VICE who did publish it but confided in me that the money people really had to be convinced that it was not entirely disgusting. With all the dirty and violent and racist things that VICE has done, this was um a little troubling. Do we really want to send that kind of message to our readers. What kind of message is that. I guess a wet hairy soft female one. I mean a big giant female hole you might fall into never to be heard from again.

Wicktionary: “dingle

A small, narrow or enclosed, usually wooded valley.

How can I have lived in a dingle for 40 years and not known it? “Plummer’s Dingle.” Hmm.

Plummer’s Hollow blog: “Fisher caught on video in Plummer’s Hollow
More great trail cam footage from our neighbors, Paula and Troy Scott, this time of a fisher, which is a once-extirpated and still rare species of large mustelid, bigger than a pine marten but smaller than an otter.

O.K., I know some of you don’t want to click through and read my deathless prose, so here’s the video:

Watch on YouTube.

Wordyard: “Another misleading story reports that blogs ‘r’ dead
The New York Times had a kind of half-baked article last week titled “Blogs Wane as the Young Drift to Sites Like Twitter.” This has become a persistent meme on the part of the old media, and probably represents wishful thinking, because the data don’t bear out the contention. Scott Rosenberg’s response was right on the money:

Maybe we’ll end up with roughly ten percent of the online population (Pew’s consistent finding) keeping a blog. As the online population becomes closer to universal, that is an extraordinary thing: One in ten people writing in public. Our civilization has never seen anything like it.

So you can keep your “waning” headlines, and I’ll keep my amazement and enthusiasm.

The New Yorker: “The Arrival of Enigmas: Teju Cole’s prismatic debut novel, ‘Open City’
To say that James Wood loved Open City might be an understatement. “Teju Cole has made his novel as close to a diary as a novel can get, and his narrator is both spectator and flâneur.” (As close to a diary? Don’t you mean blog?) Also, if you’re a reader of the Sunday Times, I think you’ll find a glowing review of Open City there, too.

BBC: “Dinosaur named ‘thunder-thighs’
More like karate thighs. (The artist’s conception is great!)

Yale Environment 360: “Alien Species Reconsidered: Finding a Value in Non-Natives
Science writer Carl Zimmer examines some new studies suggesting that total eradition of invasive species might not always be the best idea: for example, “Introduced cats were eradicated from Maquarie Island off the coast of Australia, after having driven two of the island’s bird species extinct. But with the cats gone, an introduced population of rabbits exploded, devouring the native plants.” Read the comments too, though. (via Chris Clarke on Twitter)

Geoffrey Chaucer Hath a Blog: “Interviewe wyth Margarethe Atte-Woode
Advyce for beginninge makeres of ficcion and poesie. Ful heartily Ich LOLd. (via Nic S., who incidentally is also guest-blogging at Best American Poetry this week)


Watch on Vimeo.
Hannah Stephenson did a screen-capture video of the composition process for one of the poems she blogged last week, then speeded it up by about ten times. Be sure to expand it to full screen by clicking the four-arrows icon on the lower right, so you can read the poem as it grows and mutates. This is more or less how I work, too, except that I can’t listen to music while I’m writing. In her blog post about it, Hannah says, “It feels a bit like I’m inviting you into my brain…welcome! Come on in.”

Dave Bonta (bio) crowd-sources his problems by following his gut, which he shares with 100 trillion of his closest microbial friends — a close-knit, symbiotic community comprising several thousand species of bacteria, fungi, and protozoa. In a similarly collaborative fashion, all of Dave’s writing is available for reuse and creative remix under a Creative Commons Attribution-ShareAlike 3.0 United States License. For attribution in printed material, his name (Dave Bonta) will suffice, but for web use, please link back to the original. Contact him for permission to waive the “share alike” provision (e.g. for use in a conventionally copyrighted work).

The Angel of February

A gray feather floats down & lands on the snow as if from the angel of February. There’s a yellow spot in the otherwise gray sky that might be the sun. A sharp-shinned hawk appears from behind the house & alights in the lowest limb of the big maple. The small birds ignore it. It takes off through the trees, wings scissoring the air. A chickadee sings its spring song. Hawk, I say, thanks for being a hawk & not an angel. But we are not out of the woods yet. Invisible dead rest in neglected graves, reads the headline at CNN.com. Some of the graves were only marked by spoons, & the gray angels were busy tending, let’s say, the factories of grief. February is a hard month. If only the juncos were invisible, they too could rest.

In response to today’s Morning Porch entry.

Dave Bonta (bio) crowd-sources his problems by following his gut, which he shares with 100 trillion of his closest microbial friends — a close-knit, symbiotic community comprising several thousand species of bacteria, fungi, and protozoa. In a similarly collaborative fashion, all of Dave’s writing is available for reuse and creative remix under a Creative Commons Attribution-ShareAlike 3.0 United States License. For attribution in printed material, his name (Dave Bonta) will suffice, but for web use, please link back to the original. Contact him for permission to waive the “share alike” provision (e.g. for use in a conventionally copyrighted work).

Imminence

This entry is part 74 of 95 in the series Morning Porch Poems: Winter 2010-11

 

Gray sky, gash of a gray breast feather
laid across the snow. It must have been
a dream— I walked up a flight of stairs
to a room where, with every step, a cloud of insects
rose from inside each plank of wood. Like wraiths,
they circled. They wound tissue ribbons and dogged
my heels. I cried out and a voice replied
with some kind of apology. Waking, I found
three plastic discs with electrodes still stuck
to my shoulder blades, to the small of
my back. A thin humming, slight as wings,
disappeared over the roof of my brain.
In the maple, shadow of a sharp-shinned
hawk; and somewhere, some small creature
flattening itself against the ground.

Luisa A. Igloria
02 26 2011

In response to today’s Morning Porch entry.

Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.

Little Waking Song

This entry is part 73 of 95 in the series Morning Porch Poems: Winter 2010-11

 

Muddy prints in the veins’
ruby-colored tunnels,
thumping in the crawlspace
underneath the ribs;
rain drumming on the balconies
of the heart.

Luisa A. Igloria
02 25 2011

In response to today’s Morning Porch entry.

Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.

Famous Last Words (videopoem)


Watch on Vimeo.

Text:
We are not vessels of fired clay
but ice. One glance reveals
the odd fragments of earth—
a brown leaf, a silkworm’s thumb-
sized mummy—waiting for spring’s
indiscriminate knife. We are
not hawks, we desert people,
but kites—the kind that can’t fly
without a string. Our words
are singular & fragile as uranium
in the only universe we know.
Soon we will have spoken, typed
or penned the last one. It will be
our birthday, as it always is.
The rabble will rubble the palace,
waving charred copies of
our once-green book.
The tent in the garden will flap
like a mutilated wing.

Dave Bonta (bio) crowd-sources his problems by following his gut, which he shares with 100 trillion of his closest microbial friends — a close-knit, symbiotic community comprising several thousand species of bacteria, fungi, and protozoa. In a similarly collaborative fashion, all of Dave’s writing is available for reuse and creative remix under a Creative Commons Attribution-ShareAlike 3.0 United States License. For attribution in printed material, his name (Dave Bonta) will suffice, but for web use, please link back to the original. Contact him for permission to waive the “share alike” provision (e.g. for use in a conventionally copyrighted work).

Nave

This entry is part 72 of 95 in the series Morning Porch Poems: Winter 2010-11

 

Above the road’s dead grass and gravel,
beneath the raftered lattice of tree limbs,
one crow cries, high and shrill. Some days

there’s nothing intermediate, only
the line that cleaves between suspension
and release. I’ve walked from back

door to gate to rutted street.
And the times I’ve done it over—
the bees fluting their heady pollen

one season, the moths tearing
their shrouds at dusk. When I
come in, sometimes I peel

the burr off the hems of pants,
and twilight has come to rest
its arms on the window ledge.

Luisa A. Igloria
02 24 2011

In response to today’s Morning Porch entry.

Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.

Hepatica

This entry is part 20 of 29 in the series Wildflower Poems

 

Hepatica by Jennifer Schlick
Hepatica by Jennifer Schlick (click to see larger)

Hepatica nobilis

Above the road bank where
the hepatica has just come
into bloom, carrion beetles
clamber through the quills
of a dead porcupine.
Spring azure butterflies ring
what’s left of its mouth—
a void spanned by a pair
of yellow rails—
& ignore the blossoms
swaying on their downy stems
in all the colors of the sky,
white & pink & blue.
The snow hasn’t been gone a week,
but already life & death
seem far apart. The rusty leaves
that lasted the winter out
are relaxing into the earth,
& soon will be indecipherable
even to the most ardent follower
of the doctrine of signatures
in search of liverleaf,
or those who seek respite
from dreams of snakes.

*

An earlier version of this poem appeared in a post from April 17, 2006.

Dave Bonta (bio) crowd-sources his problems by following his gut, which he shares with 100 trillion of his closest microbial friends — a close-knit, symbiotic community comprising several thousand species of bacteria, fungi, and protozoa. In a similarly collaborative fashion, all of Dave’s writing is available for reuse and creative remix under a Creative Commons Attribution-ShareAlike 3.0 United States License. For attribution in printed material, his name (Dave Bonta) will suffice, but for web use, please link back to the original. Contact him for permission to waive the “share alike” provision (e.g. for use in a conventionally copyrighted work).

Ellipsis

This entry is part 71 of 95 in the series Morning Porch Poems: Winter 2010-11

 

There is so much I did not know.
For every sapling of silver birch, flowering cherry,
elder, chaste tree and mountain ash—

trees of a darker timber: red stinkwood,
yellow wood, Mukui and Meru oak; mahogany,
Flame kurrajong and cigar cassia.

At the kitchen table over tea and cookies,
my friend visiting from Kenya tells me
of local witchcraft and sorcery.

In the coastal towns of Mombasa, Kilifi, Kwale
and Malindi, a number of fishermen will weave
the hair from albinos into their fishing nets,

believing their golden glimmer will bring
a bigger catch. All the children with bodies
the sun has dusted with its chalk

have gone into hiding, all the men
and women. Their legs and arms are
amulets, their fingers and ears, genitals.

Backlit by the sun, a hoarfrosted forest
glitters with captured ice. I read
news stories of miners

who quarter the limbs of the kidnapped
and bury them like magic stones
to make gold grow.

The crow flies over trails, following
a running stitch of red.

Luisa A. Igloria
02 23 2011

In response to today’s Morning Porch entry.

Poet Luisa A. Igloria (Poetry Foundation web page, author webpage ) is the winner of the 2015 Resurgence Prize (UK), the world’s first major award for ecopoetry, selected by former UK poet laureate Sir Andrew Motion, Alice Oswald, and Jo Shapcott. She is the author of What is Left of Wings, I Ask (2018 Center for the Book Arts Letterpress Chapbook Prize, selected by Natasha Trethewey); Bright as Mirrors Left in the Grass (Kudzu House Press eChapbook selection for Spring 2015), Ode to the Heart Smaller than a Pencil Eraser (Utah State University Press, 2014 May Swenson Prize), Night Willow (Phoenicia Publishing, 2014), The Saints of Streets (University of Santo Tomas Publishing House, 2013), Juan Luna’s Revolver (2009 Ernest Sandeen Prize, University of Notre Dame Press), and nine other books. She is a member of the core faculty of the MFA Creative Writing Program at Old Dominion University which she directed from 2009-2015. In 2018, she was the inaugural Glasgow Distinguished Writer in Residence at Washington and Lee University. When she isn’t writing, reading, or teaching, she cooks with her family, knits, hand-binds books, and listens to tango music.