The Hungry Heart

– for Nikky Finney and Jane Hirshfield

How was I to know there would be
an earthquake? I put on a soft new
black cardigan and went to work,
deciding I’d get the groceries
in the afternoon instead of
during my lunch break.

And how was I to know
he’d stop at a local bar
for drink after drink
then buy a used car, sight
unseen, squandering money
from our loan installment?

And how is anyone to know
when the month of muscled
flesh and feasting turns
into years of chemical
transfusions, of sharply
chiseled bones?

Once I witnessed a toddler
wake from the sleep induced
by a spate of seizures to say,
in a perfectly articulated
sentence, that she was
exceedingly hungry.

Once I knew a woman
who lay in a coma for half
a decade, then one day
sat up in bed, blinked
her eyes open, then asked
for a long drink of water.

Who knows when the slow
seconds catch up to the hour,
when misery decides it wants to eat
another kind of bread, when the herd
of stubborn anxieties finally
agrees to be led into the barn?

I also desire a homecoming, a waiting
bed with the familiar outline of my body,
the mat with strands of my hair and flakes
shed from my skin. And also I wish
that for such things, the price asked
of the hungry heart will not be so dear.

Filming the filmmaker

Those who enjoyed my photo-essay on Belgium from last summer might be interested in another by-product of that visit which I’ve just gotten around to finishing. Google says it’s not a good idea to re-blog full posts, so I’ll send you to the Moving Poems Forum: “Marc Neys in front of the camera: The Swoon interviews.” Despite my dodgy video and audio recording techniques, I think you’ll be inspired by Marc’s creative ethos. He’s the film-making embodiment of Ezra Pound’s dictum, “Make it new!”

Self-exile

This morning went out about my affairs, among others to put my Theorbo out to be mended, and then at noon home again, thinking to go with Sir Williams both to dinner by invitation to Sir W. Rider’s, but at home I found Mrs. Pierce, la belle, and Madam Clifford, with whom I was forced to stay, and made them the most welcome I could; and I was (God knows) very well pleased with their beautiful company, and after dinner took them to the Theatre, and shewed them “The Chances;” and so saw them both at home and back to the Fleece tavern, in Covent Garden, where Luellin and Blurton, and my old friend Frank Bagge, was to meet me, and there staid till late very merry. Frank Bagge tells me a story of Mrs. Pepys that lived with my Lady Harvy, Mr. Montagu’s sister, a good woman; that she had been very ill, and often asked for me; that she is in good condition, and that nobody could get her to make her will; but that she did still enquire for me, and that now she is well she desires to have a chamber at my house. Now I do not know whether this is a trick of Bagge’s, or a good will of hers to do something for me; but I will not trust her, but told him I should be glad to see her, and that I would be sure to do all that I could to provide a place for her. So by coach home late.

I went among others
to be mended. But
their beautiful company

showed me an old bag—
my ill condition. Nobody
could make me desire to be.

I do not know
the trick of trust.


Erasure poem derived from The Diary of Samuel Pepys, Wednesday 9 October 1661.

Desert epicure

At the office all the morning. After office done, went and eat some Colchester oysters with Sir W. Batten at his house, and there, with some company; dined and staid there talking all the afternoon; and late after dinner took Mrs. Martha out by coach, and carried her to the Theatre in a frolique, to my great expense, and there shewed her part of the “Beggar’s Bush,without much pleasure, but only for a frolique, and so home again.

We eat late, after
the heat in my
part of the bush,
with pleasure for
a home.


Erasure poem derived from The Diary of Samuel Pepys, Tuesday 8 October 1661.

Respect

I was tired
of the backhanded remark
and the subtle inflection
floating behind yet another
decorative screen—

And I remembered
a woman from Turkey I’d met
at a conference long ago,
how she turned to speak
to someone giving her

a similar issue—
I didn’t hear
their full exchange,
saw only their gestures.
Later she said,

walking away:
You can tell
by the tightening
in the gut that’s trying
so hard to keep in its poison.

 

In response to Via Negativa: Prophet without honor.

Once upon

This entry is part 5 of 27 in the series Morning Porch Poems: Autumn 2014

a blue moon, blood moon, I wanted

to see: but either I woke up too late
or the moon had by then finished

its brief shadow play—
And I wondered about those lovers,

the ones whose paths cross in the sky
only once a year because in the story

they are cursed, or their love
is forbidden, or someone decided

a story acquires pathos if cruel fate
is written into it— What happens

if they miss the great once a year
rendezvous because the train is late

or the alarm is set wrong or the same
old, same old ritual doesn’t quite

cut it the same as before? What if either
one starts to wonder whether it might be

better to announce Hey I’ve decided
to throw my name into match.com?

Only a saint could have that much
patience; no one could be that much a fool—

In other words, what is the nature
of a true, great love? No one’s

been able to figure it out yet,
here below as above.

 

In response to an entry from the Morning Porch.

Cure for neuroses

Up in the morning and to my uncle Fenner’s, thinking to have met Peg Kite about her business but she comes not, so I went to Dr. Williams, where I found him sick in bed and was sorry for it. So about business all day, troubled in my mind till I can hear from Brampton, how things go on at Sturtlow, at the Court, which I was cleared in at night by a letter, which tells me that my cozen Tom was there to be admitted, in his father’s name, as heir-at-law, but that he was opposed, and I was admitted by proxy, which put me out of great trouble of mind.

My thinking, sick
and sorry all day,
cleared at night.

Tell me my name
and put me
out of mind.


Erasure poem derived from The Diary of Samuel Pepys, Monday 7 October 1661.

Claims

The man who patrols the sidewalk
in front of his house turns on his sprinklers
so the spray is sure to deter pedestrian traffic
especially around the time that school lets out.
Also, he sets his trash and recycling bins
not on the grass bank like everyone else,
but at least a good six inches from the curb.
Once, I made the mistake of getting out of my car
to push them closer in, so I could have
a bit more room to park. He came charging
onto his driveway, glared hard, clearly
territorial. I held his gaze
but also looked beyond, steadfast
in my own right to be here,
the space I take up public
as the unsequestered air.

Prophet without honor

(Lord’s day). To church in the morning; Mr. Mills preached, who, I expect, should take in snuffe that my wife not come to his child’s christening the other day. The winter coming on, many of parish ladies are come home and appear at church again; among others, the three sisters the Thornbury’s, a very fine, and the most zealous people that ever I saw in my life, even to admiration, if it were true zeal. There was also my pretty black girl, Mrs. Dekins, and Mrs. Margaret Pen, this day come to church in a new flowered satin suit that my wife helped to buy her the other day.
So home to dinner, and to church in the afternoon to St. Gregory’s, by Paul’s, where I saw Mr. Moore in the gallery and went up to him and heard a good sermon of Dr. Buck’s, one I never heard before, a very able man. So home, and in the evening I went to my Valentine, her father and mother being out of town, to fetch her to supper to my house, and then came Sir W. Pen and would have her to his, so with much sport I got them all to mine, and we were merry, and so broke up and to bed.

I preach the winter
coming on, the thorn in life.
A black flower went to
my Valentine—
we were merry and broke.


Erasure poem derived from The Diary of Samuel Pepys, Sunday 6 October 1661.

Unseen

This entry is part 4 of 27 in the series Morning Porch Poems: Autumn 2014

Coming home from school, I ran
my fingers through fronds that bordered

one stretch of road: guileless green;
and lightly etched in the distance,

clotheslines sagging with the weight
of sheets and clothes that fluttered

like flags of one domestic territory
whose floors were scrubbed and waxed,

whose kitchen sinks and stoves
were tended, where fish and fowl

were gutted and scaled by women’s hands.
And once, when I was just a little older,

in the crowded darkness of a movie house
I felt the blind, insistent fumbling

of unknown fingers around the back
buttons of my blouse. I squirmed

and tried to inch away but could not see
from where this invasive spider

had climbed down from its sticky web…
Out in the tremble of latticed daylight,

I did not know the words to speak for what
just happened: just as when I held up my hand

to my face and saw rather than felt
the crimson gash from the unseen stroke.

 

In response to an entry from the Morning Porch.