Press

If what you touch
touches back, what bent
the first joint of the thumb

back so much that the pain
lingers for days after?
There, on the plane

of your upper thigh,
the long, thin shadow
of encounter with a blade;

and there, on a forearm,
the widening galaxy of a burn.
Now the tongue coated purple

says it remembers a rain of milk
that dropped from the sky before
the rafters fell, before musk

from ginger flowers
made public their wordless
interior monologue. Isn’t sugar

just another name for sorrow
in sparkly clothes? Envelopes
come in the mail almost every

day, but no one can be certain
which of them was held briefly
to the mouth before being sealed.

 

In response to an entry from the Morning Porch.

Cut rose

Up, and to White Hall to a Committee of Tangier, where, contrary to all expectation, my Lord Ashly, being vexed with Povy’s accounts, did propose it as necessary that Povy should be still continued Treasurer of Tangier till he had made up his accounts; and with such arguments as, I confess, I was not prepared to answer, but by putting off of the discourse, and so, I think, brought it right again; but it troubled me so all the day after, and night too, that I was not quiet, though I think it doubtfull whether I shall be much the worse for it or no, if it should come to be so.
Dined at home and thence to White Hall again (where I lose most of my time now-a-days to my great trouble, charge, and loss of time and benefit), and there, after the Council rose, Sir G. Carteret, my Lord Brunkard, Sir Thomas Harvy, and myself, down to my Lord Treasurer’s chamber to him and the Chancellor, and the Duke of Albemarle; and there I did give them a large account of the charge of the Navy, and want of money. But strange to see how they held up their hands crying, “What shall we do?” Says my Lord Treasurer, “Why, what means all this, Mr. Pepys? This is true, you say; but what would you have me to do? I have given all I can for my life. Why will not people lend their money? Why will they not trust the King as well as Oliver? Why do our prizes come to nothing, that yielded so much heretofore?” And this was all we could get, and went away without other answer, which is one of the saddest things that, at such a time as this, with the greatest action on foot that ever was in England, nothing should be minded, but let things go on of themselves do as well as they can.
So home, vexed, and going to my Lady Batten’s, there found a great many women with her, in her chamber merry, my Lady Pen and her daughter, among others; where my Lady Pen flung me down upon the bed, and herself and others, one after another, upon me, and very merry we were, and thence I home and called my wife with my Lady Pen to supper, and very merry as I could be, being vexed as I was.
So home to bed.

such troubled quiet
in a rose

how the held-up hands cry
what shall we do

I have given my life for nothing
to be flung down on a bed


Erasure poem derived from The Diary of Samuel Pepys, Wednesday 12 April 1665.

Woodlot

Up and betimes to Alderman Cheverton to treat with him about hempe, and so back to the office. At noon dined at the Sun, behind the ‘Change, with Sir Edward Deering and his brother and Commissioner Pett, we having made a contract with Sir Edward this day about timber. Thence to the office, where late very busy, but with some trouble have also some hopes of profit too. So home to supper and to bed.

the sun behind the timber
where I have hopes
of profit


Erasure haiku derived from The Diary of Samuel Pepys, Tuesday 11 April 1665.

Deer park

Up, and to the Duke of Albemarle’s, and thence to White Hall to a Committee for Tangier, where new disorder about Mr. Povy’s accounts, that I think I shall never be settled in my business of Treasurer for him. Here Captain Cooke met me, and did seem discontented about my boy Tom’s having no time to mind his singing nor lute, which I answered him fully in, that he desired me that I would baste his coate. So home and to the ‘Change, and thence to the “Old James” to dine with Sir W. Rider, Cutler, and Mr. Deering, upon the business of hemp, and so hence to White Hall to have attended the King and Lord Chancellor about the debts of the navy and to get some money, but the meeting failed. So my Lord Brunkard took me and Sir Thomas Harvy in his coach to the Parke, which is very troublesome with the dust; and ne’er a great beauty there to-day but Mrs. Middleton, and so home to my office, where Mr. Warren proposed my getting of 100l. to get him a protection for a ship to go out, which I think I shall do. So home to supper and to bed.

white deer
the park is troublesome
with the dust of war


Erasure haiku derived from The Diary of Samuel Pepys, Monday 10 April 1665.

Vision

(Lord’s day). To church with my wife in the morning, in her new light-coloured silk gowne, which is, with her new point, very noble. Dined at home, and in the afternoon to Fanchurch, the little church in the middle of Fanchurch Streete, where a very few people and few of any rank. Thence, after sermon, home, and in the evening walking in the garden, my Lady Pen and her daughter walked with my wife and I, and so to my house to eat with us, and very merry, and so broke up and to bed.

O my wife in her light silk gown
a little church in the middle of church
walking


Erasure poem derived from The Diary of Samuel Pepys, Sunday 9 April 1665.

Wet

Up, and all the morning full of business at the office. At noon dined with Mr. Povy, and then to the getting some business looked over of his, and then I to my Lord Chancellor’s, where to have spoke with the Duke of Albemarle, but the King and Council busy, I could not; then to the Old Exchange and there of my new pretty seamstress bought four bands, and so home, where I found my house mighty neat and clean. Then to my office late, till past 12, and so home to bed.
The French Embassadors are come incognito before their train, which will hereafter be very pompous. It is thought they come to get our King to joyne with the King of France in helping him against Flanders, and they to do the like to us against Holland. We have laine a good while with a good fleete at Harwich. The Dutch not said yet to be out. We, as high as we make our shew, I am sure, are unable to set out another small fleete, if this should be worsted. Wherefore, God send us peace! I cry.

a full bus
I could be incognito
for the rain


Erasure haiku derived from The Diary of Samuel Pepys, Saturday 8 April 1665.

Call it grace

On the east-facing wall, deep dents
in aluminum siding— we’re told

the previous owners had large dogs
they kept tethered on that side

of the yard. When I take out
the trash, sometimes I wonder

at the length of the leash,
the force of the lunge.

In summer, fruit at the top
of the tree always the first

to be snatched up by the birds;
& the globes drooping close

to the earth ransacked by small
animals that creep under the fence.

In the morning, half-eaten hearts
of figs strewn on the grass.

And we: we get what we’re lucky to find
in the middle branches & call it grace.

 

In response to an entry from the Morning Porch.

Human Resources: erasure poetry meets videopoetry

still from Human Resources by Marie Craven

Changes of State. That’s the working title of my book-length manuscript of prose + micropoetry, which draws equally upon my lived experience, dreams, and nightmares. In the last category, I have a section of seven untitled found texts from the CIA’s Human Resource Exploitation Training Manual, which was used to train right-wing counter-insurgency interrogators throughout Latin America during the last and most brutal phase of the Cold War. I extract a haiku-length erasure poem or two from each text and place them below it, haibun-style. Last month, an online journal called The Other Bunny, which specializes in experimental haibun, published a selection of these under the title “Human Resources.” Then two days ago, the Australian multimedia artist Marie Craven surprised me with this damn-near perfect video version. I strongly recommend expanding it to full screen and using good headphones:

Marie describes it on Vimeo as “A video about mind control and hidden meanings.”

The original text here is sections of a CIA document from the 1980s, concerning mind control techniques. […] The video is made up substantially of this text on screen, overlaid on a delirious blend of movie images from the Prelinger Archives. I chose to ‘mash up’ two different films for this background. The first, and most visually recognisable, is ‘Duck and Cover’, a famous documentary film from the 1950s containing advice on how to take cover in the event of a nuclear blast. The second film is ‘Destination Earth’, an anti-communist animation also produced in the 1950s. Both films were ‘doubled up’, making four superimposed layers, sped up considerably, with some parts appearing in forward motion, others in reverse, and some images rotating so that they appear at odd angles throughout the piece. The rapid melee of images is designed to express the hallucinatory effect of mental confusion engendered by mind control. The music is a psychedelic piece by The Night Programme (aka Paul Foster), with whom I’ve collaborated musically for over a decade, all via the net (he’s in Wales, I’m in Australia). The track is entitled ‘Cxx2’, from his album, ‘Backup 010318’. In a contemporary sense, the poem and video seem timely in this era of rampant fake news and unabashed propaganda.

Human Resources is Marie’s fifth videopoem based on my poetry. This is the sort of collaboration the web was built for, I think, and it’s always deeply gratifying to me as a writer to have been able to inspire an artist of Marie’s caliber.

Crackdown

Up betimes to the Duke of Albemarle about money to be got for the Navy, or else we must shut up shop. Thence to Westminster Hall and up and down, doing not much; then to London, but to prevent Povy’s dining with me (who I see is at the ‘Change) I went back again and to Herbert’s at Westminster, there sent for a bit of meat and dined, and then to my Lord Treasurer’s, and there with Sir Philip Warwicke, and thence to White Hall in my Lord Treasurer’s chamber with Sir Philip Warwicke till dark night, about fower hours talking of the business of the Navy Charge, and how Sir G. Carteret do order business, keeping us in ignorance what he do with his money, and also Sir Philip did shew me nakedly the King’s condition for money for the Navy; and he do assure me, unless the King can get some noblemen or rich money-gentlemen to lend him money, or to get the City to do it, it is impossible to find money: we having already, as he says, spent one year’s share of the three-years’ tax, which comes to 2,500,000l.. Being very glad of this day’s discourse in all but that I fear I shall quite lose Sir G. Carteret, who knows that I have been privately here all this day with Sir Ph. Warwicke. However, I will order it so as to give him as little offence as I can. So home to my office, and then to supper and to bed.

we must shut up shop
on a meat-dark night

business keeping us naked
in a rich city

having already spent
one year’s share of our fear


Erasure poem derived from The Diary of Samuel Pepys, Friday 7 April 1665.