Middens

quarry tire tracks

I have a new, probably temporary photoblog, borne of my itch to test out the shutterchance platform, but also reflecting my interest in sharing photos that explore complex patterns and textures, which can only be appreciated full-size. In typical photoblog style, it displays one photo at a time, and clicking on a photo takes you to the previous photo.

Note that I only have the standard, free “account,” which means that shutterchance won’t archive more than 30 of my photos at a time. And if I go more than a month without posting an update, they eliminate the blog to clear up space on their servers. So even though I’m calling it “photomidden,” this won’t be like the packrat middens of the American southwest, which can persist for 40,000 years. Probably I should change the name to “water writing,” instead.

Also, for what it’s worth, I have a new post up at the Plummer’s Hollow blog: Redpolls. But really, if you’re looking for some good reading, I recommend paying a visit to qarrtsiluni. We’ve been putting up a new post every day except Christmas for a couple of weeks now, and the Insecta issue will still run through the first week in January. I’m sure it will end up with the highest word count of any issue we’ve ever done. I think the fact that insects are both ubiquitous and very alien to our experience as mammals makes them a perennial source of inspiration for writers and artists.

Matter

In the latest installment of her on-going series on writing and blogging, Beth asks, “What matters to you, and why, and how does what we do here together serve that purpose?”

witness tree
Click photos for larger views, as always.

Well, I guess bearing witness seems pretty important. I was there, I am here, I’m hearing or seeing XYZ — writing doesn’t really get much more meaningful than that.

joinery

Seeing how it all fits together is important to me, too. Writing isn’t just a matter of communicating ideas I already have; if it were, I’d have grown tired of it a long time ago. It’s about discovery.

stick and stone

Peace-making matters. In grade school, we used to respond to insults with sing-song nonsense: “Sticks and stones can break my bones, but names will never hurt me!” As if by saying it, we could make it so — which, given the incredible power of language to hurt or to heal, we sometimes could. It’s funny, though. You’d think writers, of all people, would’ve learned this lesson well, but often we’re the most careless, launching witty character-assassinations and flinging maledictions about with wild abandon. Witness the legendary bad-boy behavior of many famous writers — or the endless flame-wars of the blogosphere. It’s easy to get drunk on power, I guess, even if it’s “only” the power of a well-turned phrase. So I think those of us who cherish dialogue and conversation as an integral part of our writing practice need to work especially hard to avoid conflict and promote harmony. I’m not saying I’ve always excelled at this myself, but I have (eventually) repented of my lapses and tried to learn from them.

tango

Empathy matters to me, and both in my reading and in my writing I tend to seek out poems that take me inside the mind of another. “The world’s selves cure that short disease, myself,” as the poet Randall Jarrell once put it.* Love and joy matter. And we need a word for that quiet kind of joy — almost the opposite of passion — that comes from a mind fully engaged in what it does best. Some people find it in organizing things, or hanging drywall, or programming computers. I happen to find it in writing.

Thus, at any rate, the suggestions that arise from these latest photos: this morning’s exercise in seeing. Because the world always does come first for me. The older I get, the more I distrust abstract theorizing and language full of modular, corn-fed words like “enhance” and “utilize” and “environment”; tell me you want to improve or use the land and I’ll start paying attention. The best ideas come from contact, physical contact with the real world. Those of us who spend many hours a day staring at computer screens forget that at our peril. Matter matters!
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*A quote I used as an epigraph for the third section of Shadow Cabinet, “Masque.”

Elsewhere

I was out shopping much of the day, so I’m afraid I don’t have any energy left for a proper blog post. Instead, let me briefly call your attention to two or three new and shiny things.

  • Mike Libby’s insect sculptures at qarrtsiluni are stirring up an interesting discussion in the comments. The line between nature and artifice is extremely strong in our culture, and blurring it can feel like a violation of the most fundamental kind, it seems.
  • Anthropological Notebook is rapidly turning into one of my favorite new blogs. There are a lot of anthropologist bloggers out there, but last time I checked, most of them seemed content to talk to each other, secure in their academic ghettoes. Lye Tuck-Po is an exception. She takes amazing pictures and has been very active on Flickr (much more so than me), so I was pleased when she decided to make the jump to blogging. And even though she hasn’t been at it for very long, her blogging already displays a wide range of interests and specialties: everything from environmental degradation to street photography to boats and bridges. Check it out.
  • Finally, one of this week’s news stories at my dad’s Peaceful Societies site describes the Christmas Bird Counts among the Ohio Amish. They rack up huge numbers of birds because they do their birding on foot. And without the help of the internet, needless to say.

Log

Yule log

Today is the tenth anniversary of the coining of the term “weblog.” Happy Blog Day!

I was disappointed, though, to see that the guy who coined it has such a narrow and dogmatic view of its application:

1. A true weblog is a log of all the URLs you want to save or share. (So del.icio.us is actually better for blogging than blogger.com.)

2. You can certainly include links to your original thoughts, posted elsewhere … but if you have more original posts than links, you probably need to learn some humility.

3. If you spend a little time searching before you post, you can probably find your idea well articulated elsewhere already.

But “log” sounds so much more masculine than “journal,” doesn’t it? Captains keep logs; journals are for wimpy writers. People who are arrogant and presumptuous enough to think they have something new to say, and that the world might care if they do.

As it happened, I started the day by cutting up a white pine tree that had blown down across the driveway. I was singing the log song the whole time! O.K., not really. But I did enjoy my walk back up the hollow through three and a half inches of new powder. And with close to two inches of packed sleet underneath that, the sledding was excellent, as I discovered this afternoon.

tree mouth

Coincidentally, it’s also Via Negativa’s own fourth birthday. That’s a lot of water under the, um, log.
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RSS and email subscribers: Please click through to view the Log video.

White hair

Somewhere in NJ

One day someone killed Sam the Mindreader. I found him squashed and dried up. I stayed there for a long time just looking and listening to the creek running across the rocks. Suddenly I was left with a name in the emptiness, a name I didn’t know what to do with.

The mind-reader’s name
seemed hollow after his death —
just me, rambling.

*

simply wait

That night I dreamed of my first home, of the trees outside the closet-sized room with the pink rose wallpaper where I spent my childhood, and the scent of lilac in the spring. In the next room my parents argued and loved, dreamed and worried. Our lives there, now vanished, seemed as solid and indestructible as those tall oaks and catalpas outside my window.

In a hospital bed
with a view of bare branches,
dreams of long-lost homes.

*

Feathers of Hope

This creature emerges from decomposing piles. [drawing]

Placed on a white page,
the maggot looks anything
but white.

*

frizzyLogic

It grew cold, and the cold grew on all surfaces.

Lovely white hair
that crumples in the sun:
frost on a rose hip.

*

Burning Silo

We found the remains of dead seabirds and a sea lion, along with bits and pieces of crabs, clam, oysters and fish. The Black Oystercatchers (Haematopus bachmani) and various species of gulls seemed busy as they poked between rocks and patrolled sandy beaches.

Skull of a seabird
washed up before the sea was half-
finished with it.

*

the cassandra pages

But something about these little, simple solids delights me: the way a few little flat sheets of paper become something so firm and beautiful.

Fed up with the blank page,
it’s so satisfying to make
a paper airplane!

*

tasting rhubarb

[photos of ice-skaters]

In a world of ice,
imagine how we would flock
to a walking rink!

*

Clouded Drab

Some serious lumps of beef on sale at Borough Market.

Red and gold foil,
a glistening side of beef:
Christmas at the butcher’s.

Gift economy

Qarrtsiluni, the online literary magazine I help curate, has created a cache.

Get instant street cred with a qarrtsiluni t-shirt, hoodie, or ballcap! Impress your colleagues or office-mates with a qarrtsiluni coffee mug! Barely in time for the 2007 holiday season, we’ve just opened a goods cache at CafePress.com.

Why “cache,” and not store? Everything we offer is sold at cost and printed on demand — we’re not making a penny off it. And after all, why should you pay us? You’re helping to spread our logo!

For bloggers, we also have some free sidebar bling.

Had we gotten around to this sooner, you’d be able to order stuff and get it by Christmas. But if you hurry, you can still get it by Epiphany (Jan. 6) — which is really much more in keeping with the spirit of qarrtsiluni anyway.

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If you’re in the habit of making charitable donations this time of year, I have a suggestion for a worthy recipient. Chris Clarke, former editor of Earth Island Journal, writes one of the best nature blogs in all blogdom, Creek Running North. But his unpaid generosity with his day-to-day writing isn’t getting him any closer to finishing his magnum opus: a book on Joshua trees, those charismatic and imperilled denizens of the Mohave desert. So he has asked his readers for help, especially with gas money, to finish the research. You’ll find not only a link to his Amazon account, but also a detailed accounting of how he plans to spend the funds. In his original post containing the plea, Chris wrote:

If you’re unfamiliar with the kind of writing I do on desert issues, you can look in the “desert” category and browse around. Of recent posts, this one on piñon-juniper forests, or this one on a bit of eccentric desert lore, or this first-person narrative provide good examples of my related writing.

I’ve been reading Chris for four years, and I feel confident not only in the quality of his workmanship, but also in his moral character — this is not some slick scheme to sucker people out of their money so he can take a vacation to Hawaii! And Creek Running North has a large, loyal, and formidably intelligent community of regular commenters whose interest and participation will help ensure that he gets the damn book written. So if you have any interest in raising public consciousness about the plight of the Joshua tree, or in supporting a genuinely great nature writer, go and give till it hurts.

Streaming

foam leaf 3

Today I came across the term lifestream — “a chronological aggregated view of your life activities both online and offline” — and decided that I like the word but dislike the concept. The idea is to blend all of one’s separate online activity streams (Twitter, Flickr, YouTube, del.icio.us, StumbleUpon, WordPress, etc.) into a single stream, often on a platform where no comments are permitted. I’m not sure I see the point of that. A blended feed might make sense, but is anyone really so into me that they don’t want to risk missing a single thing I do online? I sure hope not! I’d much rather have highly discriminating fans, who might only subscribe to my occasional satirical posts, for example, or who might visit my Flickr photostream or the Plummer’s Hollow blog and never even look at Via Negativa. So I’m tickled to be picking up a few unknown “followers” on Twitter who are presumably only interested in my daily quickies at The Morning Porch. In the pre-digital age, desperate poets resorted to megaphones in the public square; now we can infiltrate the mobile phones of strangers.

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Unity and consistency are temptations we’d probably do well to resist. A friend recently criticized qarrtsiluni for publishing too many hymenoptera in a row — my fault entirely. My poetry mentor, Jack McManis, edited a magazine called Pivot for a couple of decades, and one time he shared with me the secret of how they decided what order to print things in. “I take the whole stack of poems and throw them up in the air,” he said, “and then pick them up without looking at them. That becomes the order for the issue.”

*

“I learned long ago that writing — the outward form of my thinking — is the best means I have for discovering how the various separate and confusing threads of my life actually relate to each other, and how they weave together to form a whole cloth,” Beth writes in the latest post at the cassandra pages, entitled Change — a stirring defense of the blog medium. My own post was already three-quarters complete when I got bored, clicked on my feed reader, and saw hers. There are always other streams, aren’t there? Why obsess over unity? Just today Peter of slow reads and John of slow reading discovered each other, and it’s like they’re long-lost blogging twins.

Beth elaborates:

The blog or journal is, actually, a mirror of that movement through life that I observe in myself — neither like the geese flying across the still photograph, nor like an individual being standing motionless while life swirls around her — but rather the sense of myself as a moving, mutable being who exists in inner and outer worlds that are also in states of constant change. Seen in that way, the “self” doesn’t exist; it cannot be fixed. We humans spend much effort trying to deal with our discomfort about that dual movement, attempting to fix ourselves in time or trying to find ways of convincing ourselves that we won’t someday stop while time continues without us. So we write books, paint paintings, take photographs, build buildings; we have children and fixate on our belief that they represent a continuation of our own animation; we construct religions and place our hope on immortality.

I couldn’t have said it better. (Be sure to read the rest.)

*

Sometimes I’ll spend half an hour looking through a magazine or browsing a well-illustrated blog and find myself getting depressed, because every last picture has people in it. It’s not that I don’t like people. In fact, I believe strongly in the agora and the souk, and the ideals of conversation, hospitality and exchange that they represent. But any place where you can’t get out into the country within an hour’s walk feels very alienating to me: too much otherness, too many strangers. The streets and subways are rivers of humanity in which one can never fully relax. I find it desperately sad that, for a large percentage of the world’s population, escape from other humans and from human-dominated landscapes is nearly impossible.

*

During the last half-dozen years my dad worked as an Arts and Humanities librarian at Penn State’s Pattee Library, he had the unpleasant duty of finding a certain number of subscriptions to cancel each year in order to save the library money. Librarians refer to any regularly issued publication — a journal, magazine, newspaper, newsletter, almanac, annual report, or numbered monograph — as a serial. So my dad was a serial killer. Streams do run dry.
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Speaking of the Morning Porch, I’m looking for an artist willing to colloborate on the tumblelog version, with an eye to eventual tree-flesh publication of some sort. Drop me a line if you’re interested.

Windshield frost

frizzyLogic

We crawled cautiously, semi-sighted, across junctions and around corners until, on the slope by the park, we turned head on toward the sun. That first lick of low light was enough to temper the ice which now slid softly sideways under the rhythm of the blades.

The first touch of sun
and the windshield frost is gone —
so clear a view!

*

Light Verse for a Heavy Universe

Most of the numbers in the world are wrong and always have been. Government agencies ceaselessly and shamelessly revise their figures. Scientists and engineers “refine” theirs. Economists “massage” their data and finally turn the charts upside-down or sideways to make the numbers match reality.

Counting to 10 can help prevent a row —
is having a number better than having a cow?
Our days are numbered, we think, but we don’t know how.
Clocks make us forget that every moment is now.

*

Twitter [note on login page, 11/16]

You’ll be able to access Twitter again in just a second. We’re just shuffling a few things around. Just hang tight… [emphasis added]

Just
an adjustment, but so un-
just!

*

One Word

I didn’t write today. I cleaned.

Last week sucked mightily.

I have the next three days off.

This is not a poem. This is how my brain is working now.

I want D to be happy. I want Moby to be happy.

Moby is easier. He got to lie in the sun on a curl of red wool today.

This is not a poem.
This is how my brain is working now.
I want D to be happy.

*

bird by bird

Here’s the Cordelia resident snowy egret, which perches on pens and pools and knows how to get free food…

At feeding time
for the de-oiled waterfowl,
a snowy egret.

*

Watermark

I am twenty, walking home from work in Billings. A man in a car calls me over to ask directions. When I get to the car, I see that he is exposed, masturbating. I turn away, thinking this did not happen. I hear the words: this did not happen. I even see the words pass by my eyes, like the ticker on the bottom of the CNN screen (cable news, which hasn’t yet been invented): THIS … DID … NOT … HAPPEN.

Penis in hand,
he calls a woman over
to ask directions.

*

box elder

…and, of course, button-eyed frogs. I say of course, because, in truth, my sister is a frog phobic (and I will leave it to you to find out the correct Greek-rooted word for that), and as so often happens with phobias, the object has become something of a motif in her life and work!

Buttons for eyes
on the bestiary quilt —
you’ll find them at night.

*

{ Never Neutral }

I spend long hours staring at the computer. Autism redefined. Suddenly, an eyelid starts to twitch, then the biceps, or the triceps sometimes, starts to pulse, like a heart, like a rabbit inside a magician’s hat, like saying, take me out of here, “remember me”. The ghost is not in the machine, but in the body enslaved by the machine.

There on the glass
when the monitor goes dark,
my own sad face.

Stick figures

red maple tree in snow

It snowed most of yesterday, small, wet flakes that stuck to everything, and this morning the water from my too-shallow well was faintly pink. On my way up to my parents’ house, a pair of small insects — caddisflies, or something similar — somehow found their way onto the toe of my right boot. They must have been mating in the snow when I picked them up. They were joined back to back, and walked in either direction quite ably, like the pushmi-pullyu in Doctor Doolittle.

snowroad 2

I’ve written a couple new posts for the Plummer’s Hollow blog: Clash of the seasons today, and First snow two days ago.

I’ve also started a new writing exercise using the micro-blogging tool Twitter, which is designed mostly for people with mobile phones or Blackberries (I have neither) to post periodic updates on their activities. I won’t be doing that. Instead, I’m taking advantage of Twitter’s strict, 140-character limit, challenging myself once a day to answer the question, “What can I see or hear from my front porch while I drink my morning coffee?”

The results appear on my Twitter page, Morning Porch; in a feed that you can subscribe to, if you wish (you don’t have to join Twitter); and in the sidebar of Via Negativa’s home page, down below the blogroll feed, where I’ll limit the display to the ten most recent of these tweets, as they’re called.

Yeah, I know, the terminology is a little silly, but trust me: tweets and twitters make up the bulk of what I hear each morning.

It’s surprisingly difficult to condense a half-hour of observation into just 140 characters. My inspiration in this effort is Tom Montag, who kept a Morning Drive Journal about his daily commute for many years, though he was never quite that brief. Long-time readers might also remember that back in November 2004 I blogged the results of a front-porch journal I’d kept five years earlier. That effort ran out of inspiration after only a few weeks; I’m hoping to keep this up for a year.

*

My Gorgeous Somewhere

My magnetic poetry set promises lots of boring poems.

(and)

Guy on the elevator tells me to have a nice day, so I do.

Not enough options
among the magnetic words,
I have a nice day.

*

under the fire star

You can buy firecracker chains of 10,000 crackers — you unroll them down the length of the street, and they seem to go on exploding forever. I have been told that chains of 100,000 crackers are available too, but fortunately we’ve missed out on them so far. Big bangs and flowers of light rise above the popping crackers.

Lights can only be
so bright: hence the too-many bangs,
the too-sweet sweets.

*

bird by bird

This is what a surf scoter looks like, oiled. It doesn’t smell good either. This female is waiting in a warm pen till she’s stable enough to wash, probably tomorrow.

The thing with feathers
barely recognizable
under the oil.

*

Ah, to be stick figures
so nothing could cling for long,
neither snow nor tar.

Some good news, ending in cat vomit

That new anthology of poet-bloggers I mentioned two weeks ago is out, from the new, Montreal-based Phoenicia Publishing.

Writers and artists have always formed groups for mutual support, commentary, and encouragement, sometimes collaborating on public projects from group shows to hand-printed literary magazines. But while one tends to think of local writers hanging out in Paris cafés in the 1930s, or on the lower East side of New York in the 1950s, how does that desire for communication and creative inspiration translate into today’s online world?

You can browse the Table of Contents and read sample poems (including two of mine that you might recognize) at the Phoenicia site, then follow the link to order a copy or two. It’s a beautifully designed book, and should make a classy (and very affordable) Christmas, Hanukkah, or Solstice present.

UPDATE: Rachel Barenblat, one of the two co-editors, does a much better job of describing the book.

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I’m guest-blogging at Blogging Blog (say that three times fast!) on Blogs as a medium for online literary magazines: lessons from qarrtsiluni. And yes, I committed what I always thought was a cardinal sin for bloggers: using a colon in a title. Ack!

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Last night, I got some very exciting news from a blogging friend of mine, the multi-talented Natalie d’Arbeloff (also included in the aforementioned anthology, by the way) whose Blaugustine I have linked to so many times. Natalie was one of six finalists in a huge competition sponsored by the Guardian newspaper to win the right to edit their women’s pages for a week. Natalie didn’t learn until she attended the party last night that she had won! Be sure to stop by (November 8 entry – no permalink) and congratulate her.

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If I were serious about getting more readers and links for Via Negativa, I guess I’d be leaving these comment haiku far and wide. But that’s not the point of the exercise; I simply want to respond more thoughtfully to the blogs I already read. Sometimes I can’t think of a haiku, but the effort translates into a more substantial prose comment than I might’ve come up with otherwise. And lots of times, still, I nod in silent appreciation and move on.

Marja-Leena

stained glass of
rusty red and yellow
birch leaves on wet skylight

Leaves on wet skylight:
this must be what a snail sees
from inside its shell.

*

Dr. Omed

In this series of nude photographs of the frankly obese-and-proud-of-it women of the Big Burlesque and Big Bottom Revue, he fights the good fight against the ‘tyranny of slenderness.’

The yin-yang tattoo
on the fat woman’s back has grown
as big as an apple.

*

Theriomorph

cold walk in the dark
dog in circle of flashlight
home a distant light

First snowfall melts
on contact with the ground. Only
the fallen leaves turn white.

*

frizzyLogic

It’s always been difficult to describe the colour of the carpet that runs along the corridor, up the stairs and along the upper corridor of this house. Not mustard, not buttercup. Sunrise? no. Baby-shit comes close. But now, thanks to Cat, I know the exact hue. It is cat-sick-bile coloured.

A mixed blessing:
the color of the cat’s vomit
matches the carpet.