Elsewhere

I was out shopping much of the day, so I’m afraid I don’t have any energy left for a proper blog post. Instead, let me briefly call your attention to two or three new and shiny things.

  • Mike Libby’s insect sculptures at qarrtsiluni are stirring up an interesting discussion in the comments. The line between nature and artifice is extremely strong in our culture, and blurring it can feel like a violation of the most fundamental kind, it seems.
  • Anthropological Notebook is rapidly turning into one of my favorite new blogs. There are a lot of anthropologist bloggers out there, but last time I checked, most of them seemed content to talk to each other, secure in their academic ghettoes. Lye Tuck-Po is an exception. She takes amazing pictures and has been very active on Flickr (much more so than me), so I was pleased when she decided to make the jump to blogging. And even though she hasn’t been at it for very long, her blogging already displays a wide range of interests and specialties: everything from environmental degradation to street photography to boats and bridges. Check it out.
  • Finally, one of this week’s news stories at my dad’s Peaceful Societies site describes the Christmas Bird Counts among the Ohio Amish. They rack up huge numbers of birds because they do their birding on foot. And without the help of the internet, needless to say.

Log

Yule log

Today is the tenth anniversary of the coining of the term “weblog.” Happy Blog Day!

I was disappointed, though, to see that the guy who coined it has such a narrow and dogmatic view of its application:

1. A true weblog is a log of all the URLs you want to save or share. (So del.icio.us is actually better for blogging than blogger.com.)

2. You can certainly include links to your original thoughts, posted elsewhere … but if you have more original posts than links, you probably need to learn some humility.

3. If you spend a little time searching before you post, you can probably find your idea well articulated elsewhere already.

But “log” sounds so much more masculine than “journal,” doesn’t it? Captains keep logs; journals are for wimpy writers. People who are arrogant and presumptuous enough to think they have something new to say, and that the world might care if they do.

As it happened, I started the day by cutting up a white pine tree that had blown down across the driveway. I was singing the log song the whole time! O.K., not really. But I did enjoy my walk back up the hollow through three and a half inches of new powder. And with close to two inches of packed sleet underneath that, the sledding was excellent, as I discovered this afternoon.

tree mouth

Coincidentally, it’s also Via Negativa’s own fourth birthday. That’s a lot of water under the, um, log.
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RSS and email subscribers: Please click through to view the Log video.

White hair

Somewhere in NJ

One day someone killed Sam the Mindreader. I found him squashed and dried up. I stayed there for a long time just looking and listening to the creek running across the rocks. Suddenly I was left with a name in the emptiness, a name I didn’t know what to do with.

The mind-reader’s name
seemed hollow after his death —
just me, rambling.

*

simply wait

That night I dreamed of my first home, of the trees outside the closet-sized room with the pink rose wallpaper where I spent my childhood, and the scent of lilac in the spring. In the next room my parents argued and loved, dreamed and worried. Our lives there, now vanished, seemed as solid and indestructible as those tall oaks and catalpas outside my window.

In a hospital bed
with a view of bare branches,
dreams of long-lost homes.

*

Feathers of Hope

This creature emerges from decomposing piles. [drawing]

Placed on a white page,
the maggot looks anything
but white.

*

frizzyLogic

It grew cold, and the cold grew on all surfaces.

Lovely white hair
that crumples in the sun:
frost on a rose hip.

*

Burning Silo

We found the remains of dead seabirds and a sea lion, along with bits and pieces of crabs, clam, oysters and fish. The Black Oystercatchers (Haematopus bachmani) and various species of gulls seemed busy as they poked between rocks and patrolled sandy beaches.

Skull of a seabird
washed up before the sea was half-
finished with it.

*

the cassandra pages

But something about these little, simple solids delights me: the way a few little flat sheets of paper become something so firm and beautiful.

Fed up with the blank page,
it’s so satisfying to make
a paper airplane!

*

tasting rhubarb

[photos of ice-skaters]

In a world of ice,
imagine how we would flock
to a walking rink!

*

Clouded Drab

Some serious lumps of beef on sale at Borough Market.

Red and gold foil,
a glistening side of beef:
Christmas at the butcher’s.

Gift economy

Qarrtsiluni, the online literary magazine I help curate, has created a cache.

Get instant street cred with a qarrtsiluni t-shirt, hoodie, or ballcap! Impress your colleagues or office-mates with a qarrtsiluni coffee mug! Barely in time for the 2007 holiday season, we’ve just opened a goods cache at CafePress.com.

Why “cache,” and not store? Everything we offer is sold at cost and printed on demand — we’re not making a penny off it. And after all, why should you pay us? You’re helping to spread our logo!

For bloggers, we also have some free sidebar bling.

Had we gotten around to this sooner, you’d be able to order stuff and get it by Christmas. But if you hurry, you can still get it by Epiphany (Jan. 6) — which is really much more in keeping with the spirit of qarrtsiluni anyway.

*

If you’re in the habit of making charitable donations this time of year, I have a suggestion for a worthy recipient. Chris Clarke, former editor of Earth Island Journal, writes one of the best nature blogs in all blogdom, Creek Running North. But his unpaid generosity with his day-to-day writing isn’t getting him any closer to finishing his magnum opus: a book on Joshua trees, those charismatic and imperilled denizens of the Mohave desert. So he has asked his readers for help, especially with gas money, to finish the research. You’ll find not only a link to his Amazon account, but also a detailed accounting of how he plans to spend the funds. In his original post containing the plea, Chris wrote:

If you’re unfamiliar with the kind of writing I do on desert issues, you can look in the “desert” category and browse around. Of recent posts, this one on piñon-juniper forests, or this one on a bit of eccentric desert lore, or this first-person narrative provide good examples of my related writing.

I’ve been reading Chris for four years, and I feel confident not only in the quality of his workmanship, but also in his moral character — this is not some slick scheme to sucker people out of their money so he can take a vacation to Hawaii! And Creek Running North has a large, loyal, and formidably intelligent community of regular commenters whose interest and participation will help ensure that he gets the damn book written. So if you have any interest in raising public consciousness about the plight of the Joshua tree, or in supporting a genuinely great nature writer, go and give till it hurts.

Streaming

foam leaf 3

Today I came across the term lifestream — “a chronological aggregated view of your life activities both online and offline” — and decided that I like the word but dislike the concept. The idea is to blend all of one’s separate online activity streams (Twitter, Flickr, YouTube, del.icio.us, StumbleUpon, WordPress, etc.) into a single stream, often on a platform where no comments are permitted. I’m not sure I see the point of that. A blended feed might make sense, but is anyone really so into me that they don’t want to risk missing a single thing I do online? I sure hope not! I’d much rather have highly discriminating fans, who might only subscribe to my occasional satirical posts, for example, or who might visit my Flickr photostream or the Plummer’s Hollow blog and never even look at Via Negativa. So I’m tickled to be picking up a few unknown “followers” on Twitter who are presumably only interested in my daily quickies at The Morning Porch. In the pre-digital age, desperate poets resorted to megaphones in the public square; now we can infiltrate the mobile phones of strangers.

*

Unity and consistency are temptations we’d probably do well to resist. A friend recently criticized qarrtsiluni for publishing too many hymenoptera in a row — my fault entirely. My poetry mentor, Jack McManis, edited a magazine called Pivot for a couple of decades, and one time he shared with me the secret of how they decided what order to print things in. “I take the whole stack of poems and throw them up in the air,” he said, “and then pick them up without looking at them. That becomes the order for the issue.”

*

“I learned long ago that writing — the outward form of my thinking — is the best means I have for discovering how the various separate and confusing threads of my life actually relate to each other, and how they weave together to form a whole cloth,” Beth writes in the latest post at the cassandra pages, entitled Change — a stirring defense of the blog medium. My own post was already three-quarters complete when I got bored, clicked on my feed reader, and saw hers. There are always other streams, aren’t there? Why obsess over unity? Just today Peter of slow reads and John of slow reading discovered each other, and it’s like they’re long-lost blogging twins.

Beth elaborates:

The blog or journal is, actually, a mirror of that movement through life that I observe in myself — neither like the geese flying across the still photograph, nor like an individual being standing motionless while life swirls around her — but rather the sense of myself as a moving, mutable being who exists in inner and outer worlds that are also in states of constant change. Seen in that way, the “self” doesn’t exist; it cannot be fixed. We humans spend much effort trying to deal with our discomfort about that dual movement, attempting to fix ourselves in time or trying to find ways of convincing ourselves that we won’t someday stop while time continues without us. So we write books, paint paintings, take photographs, build buildings; we have children and fixate on our belief that they represent a continuation of our own animation; we construct religions and place our hope on immortality.

I couldn’t have said it better. (Be sure to read the rest.)

*

Sometimes I’ll spend half an hour looking through a magazine or browsing a well-illustrated blog and find myself getting depressed, because every last picture has people in it. It’s not that I don’t like people. In fact, I believe strongly in the agora and the souk, and the ideals of conversation, hospitality and exchange that they represent. But any place where you can’t get out into the country within an hour’s walk feels very alienating to me: too much otherness, too many strangers. The streets and subways are rivers of humanity in which one can never fully relax. I find it desperately sad that, for a large percentage of the world’s population, escape from other humans and from human-dominated landscapes is nearly impossible.

*

During the last half-dozen years my dad worked as an Arts and Humanities librarian at Penn State’s Pattee Library, he had the unpleasant duty of finding a certain number of subscriptions to cancel each year in order to save the library money. Librarians refer to any regularly issued publication — a journal, magazine, newspaper, newsletter, almanac, annual report, or numbered monograph — as a serial. So my dad was a serial killer. Streams do run dry.
__________

Speaking of the Morning Porch, I’m looking for an artist willing to colloborate on the tumblelog version, with an eye to eventual tree-flesh publication of some sort. Drop me a line if you’re interested.

Windshield frost

frizzyLogic

We crawled cautiously, semi-sighted, across junctions and around corners until, on the slope by the park, we turned head on toward the sun. That first lick of low light was enough to temper the ice which now slid softly sideways under the rhythm of the blades.

The first touch of sun
and the windshield frost is gone —
so clear a view!

*

Light Verse for a Heavy Universe

Most of the numbers in the world are wrong and always have been. Government agencies ceaselessly and shamelessly revise their figures. Scientists and engineers “refine” theirs. Economists “massage” their data and finally turn the charts upside-down or sideways to make the numbers match reality.

Counting to 10 can help prevent a row —
is having a number better than having a cow?
Our days are numbered, we think, but we don’t know how.
Clocks make us forget that every moment is now.

*

Twitter [note on login page, 11/16]

You’ll be able to access Twitter again in just a second. We’re just shuffling a few things around. Just hang tight… [emphasis added]

Just
an adjustment, but so un-
just!

*

One Word

I didn’t write today. I cleaned.

Last week sucked mightily.

I have the next three days off.

This is not a poem. This is how my brain is working now.

I want D to be happy. I want Moby to be happy.

Moby is easier. He got to lie in the sun on a curl of red wool today.

This is not a poem.
This is how my brain is working now.
I want D to be happy.

*

bird by bird

Here’s the Cordelia resident snowy egret, which perches on pens and pools and knows how to get free food…

At feeding time
for the de-oiled waterfowl,
a snowy egret.

*

Watermark

I am twenty, walking home from work in Billings. A man in a car calls me over to ask directions. When I get to the car, I see that he is exposed, masturbating. I turn away, thinking this did not happen. I hear the words: this did not happen. I even see the words pass by my eyes, like the ticker on the bottom of the CNN screen (cable news, which hasn’t yet been invented): THIS … DID … NOT … HAPPEN.

Penis in hand,
he calls a woman over
to ask directions.

*

box elder

…and, of course, button-eyed frogs. I say of course, because, in truth, my sister is a frog phobic (and I will leave it to you to find out the correct Greek-rooted word for that), and as so often happens with phobias, the object has become something of a motif in her life and work!

Buttons for eyes
on the bestiary quilt —
you’ll find them at night.

*

{ Never Neutral }

I spend long hours staring at the computer. Autism redefined. Suddenly, an eyelid starts to twitch, then the biceps, or the triceps sometimes, starts to pulse, like a heart, like a rabbit inside a magician’s hat, like saying, take me out of here, “remember me”. The ghost is not in the machine, but in the body enslaved by the machine.

There on the glass
when the monitor goes dark,
my own sad face.

Stick figures

red maple tree in snow

It snowed most of yesterday, small, wet flakes that stuck to everything, and this morning the water from my too-shallow well was faintly pink. On my way up to my parents’ house, a pair of small insects — caddisflies, or something similar — somehow found their way onto the toe of my right boot. They must have been mating in the snow when I picked them up. They were joined back to back, and walked in either direction quite ably, like the pushmi-pullyu in Doctor Doolittle.

snowroad 2

I’ve written a couple new posts for the Plummer’s Hollow blog: Clash of the seasons today, and First snow two days ago.

I’ve also started a new writing exercise using the micro-blogging tool Twitter, which is designed mostly for people with mobile phones or Blackberries (I have neither) to post periodic updates on their activities. I won’t be doing that. Instead, I’m taking advantage of Twitter’s strict, 140-character limit, challenging myself once a day to answer the question, “What can I see or hear from my front porch while I drink my morning coffee?”

The results appear on my Twitter page, Morning Porch; in a feed that you can subscribe to, if you wish (you don’t have to join Twitter); and in the sidebar of Via Negativa’s home page, down below the blogroll feed, where I’ll limit the display to the ten most recent of these tweets, as they’re called.

Yeah, I know, the terminology is a little silly, but trust me: tweets and twitters make up the bulk of what I hear each morning.

It’s surprisingly difficult to condense a half-hour of observation into just 140 characters. My inspiration in this effort is Tom Montag, who kept a Morning Drive Journal about his daily commute for many years, though he was never quite that brief. Long-time readers might also remember that back in November 2004 I blogged the results of a front-porch journal I’d kept five years earlier. That effort ran out of inspiration after only a few weeks; I’m hoping to keep this up for a year.

*

My Gorgeous Somewhere

My magnetic poetry set promises lots of boring poems.

(and)

Guy on the elevator tells me to have a nice day, so I do.

Not enough options
among the magnetic words,
I have a nice day.

*

under the fire star

You can buy firecracker chains of 10,000 crackers — you unroll them down the length of the street, and they seem to go on exploding forever. I have been told that chains of 100,000 crackers are available too, but fortunately we’ve missed out on them so far. Big bangs and flowers of light rise above the popping crackers.

Lights can only be
so bright: hence the too-many bangs,
the too-sweet sweets.

*

bird by bird

This is what a surf scoter looks like, oiled. It doesn’t smell good either. This female is waiting in a warm pen till she’s stable enough to wash, probably tomorrow.

The thing with feathers
barely recognizable
under the oil.

*

Ah, to be stick figures
so nothing could cling for long,
neither snow nor tar.

Some good news, ending in cat vomit

That new anthology of poet-bloggers I mentioned two weeks ago is out, from the new, Montreal-based Phoenicia Publishing.

Writers and artists have always formed groups for mutual support, commentary, and encouragement, sometimes collaborating on public projects from group shows to hand-printed literary magazines. But while one tends to think of local writers hanging out in Paris cafés in the 1930s, or on the lower East side of New York in the 1950s, how does that desire for communication and creative inspiration translate into today’s online world?

You can browse the Table of Contents and read sample poems (including two of mine that you might recognize) at the Phoenicia site, then follow the link to order a copy or two. It’s a beautifully designed book, and should make a classy (and very affordable) Christmas, Hanukkah, or Solstice present.

UPDATE: Rachel Barenblat, one of the two co-editors, does a much better job of describing the book.

*

I’m guest-blogging at Blogging Blog (say that three times fast!) on Blogs as a medium for online literary magazines: lessons from qarrtsiluni. And yes, I committed what I always thought was a cardinal sin for bloggers: using a colon in a title. Ack!

*

Last night, I got some very exciting news from a blogging friend of mine, the multi-talented Natalie d’Arbeloff (also included in the aforementioned anthology, by the way) whose Blaugustine I have linked to so many times. Natalie was one of six finalists in a huge competition sponsored by the Guardian newspaper to win the right to edit their women’s pages for a week. Natalie didn’t learn until she attended the party last night that she had won! Be sure to stop by (November 8 entry – no permalink) and congratulate her.

*

If I were serious about getting more readers and links for Via Negativa, I guess I’d be leaving these comment haiku far and wide. But that’s not the point of the exercise; I simply want to respond more thoughtfully to the blogs I already read. Sometimes I can’t think of a haiku, but the effort translates into a more substantial prose comment than I might’ve come up with otherwise. And lots of times, still, I nod in silent appreciation and move on.

Marja-Leena

stained glass of
rusty red and yellow
birch leaves on wet skylight

Leaves on wet skylight:
this must be what a snail sees
from inside its shell.

*

Dr. Omed

In this series of nude photographs of the frankly obese-and-proud-of-it women of the Big Burlesque and Big Bottom Revue, he fights the good fight against the ‘tyranny of slenderness.’

The yin-yang tattoo
on the fat woman’s back has grown
as big as an apple.

*

Theriomorph

cold walk in the dark
dog in circle of flashlight
home a distant light

First snowfall melts
on contact with the ground. Only
the fallen leaves turn white.

*

frizzyLogic

It’s always been difficult to describe the colour of the carpet that runs along the corridor, up the stairs and along the upper corridor of this house. Not mustard, not buttercup. Sunrise? no. Baby-shit comes close. But now, thanks to Cat, I know the exact hue. It is cat-sick-bile coloured.

A mixed blessing:
the color of the cat’s vomit
matches the carpet.

New wrinkles

Haiku comment week continues after a two-day pause. Actually, I might make have made this a permanent part of my blogging, and retire have retired the Smorgasblog. We’ll see.

My theory of why haiku in English work: it’s the three lines, and the fact that the middle one usually has one more stress than the other two. That, and the lack of direct metaphor — that reticence. The spaces at the end of each line prepare us for the space afterwards, which is needed to do the extra work that haiku require of a reader, if they’re any good (and some of mine aren’t, I realize).

*

chatoyance

[photo]

Slipping through a crack
in the shed wall, the sun finds
the one round thing.

*

Light Verse for a Heavy Universe

What isn’t wrinkled? Plastic. Glass. Chrome.
Unless, through a microscope, you discover
the scandalous truth.

A verse must be light
to traverse the hidden depths
in every surface.

*

the cassandra pages

Tonight, the priest on his right listened, raised his eyebrows, smiled, and didn’t say anything; B. smiled a bit more broadly, enjoying ruffling the feathers. The question is actually timely: while traditional Catholic and Anglican parishes all the province are emptying, groups of young people are forming their own house churches, sharing bread and fellowship, prayer, meditation, and community.

Steady presences:
a friend, a journal, the smile
of a silent priest.

*

Blaugustine (Nov. 2)

The transition from canvas to camera to computer to website to internet doesn’t allow for accurate reproduction. Never mind, at least you can follow the changes. I don’t know if any more apples are going to appear.

Even the vase
on the windowsill wants
to be an apple.

*

Riverside Rambles

Tucker and I walked over to Dogbane Corner, one of my favorite neglected patches of weedy vegetation. The dogbane pods have burst and I took these shots.

On the weedy lot
near the new jail, dogbane seeds
loosen in the wind.

*

The House & other Arctic musings

What? One hundred and thirty-seven Nunavut bloggers?

Bloggers vanish
in the long Nunavut winter
as their fingers go numb.

*

Marja-Leena Rathje

I also learned, to my great surprise, that ‘marraskuu’, the Finnish name for this month, means ‘month of the dead’. But wait, it may not be like Dí­a de los Muertos, or Day of the Dead as celebrated in Mexico. It’s thought to come from the earth being ‘martaana’ or in a state of death.

All Souls Day:
the dead hortensia speaks
in a thin whisper.

*

bird by bird

Red-legged partridges are not native to the Americas. This one obviously belongs to someone. We tried to catch it but it flew onto the roof. If it isn’t careful, it’s going to belong to the red-tailed hawk that’s been flying around all day, calling…

Christmas already?
A red-legged partridge on the roof,
a red-tailed hawk.

Insecta

ebony jewelwing female 2

Over at qarrtsiluni, the literary e-zine I help curate, we’ve just lauched a new issue: Insecta. The editors are Ivy Alvarez and Marly Youmans, both writers I got to know by reading their blogs. Their call for submissions welcomes both writing about insects and writing inspired by insects, so I hope the issue will blend straight-up nature writing with some wilder and woolier explorations: J. Henri Fabre meets Karel Capek.

The issue just completed, Making Sense, features some outstanding work. As the editors wrote in their summary,

We got… scales, petals, cloves. The wet insides of living creatures. Jackknives, fishhooks, claws. Days and nights, in one way or another aware and present. People large and immediate; people small in a wide, living space. A sense of beginning and ending and putting to bed…

Rob also wrote about the experience of editing an issue of qarrtsiluni in a recent blog post.

UPDATE: Speaking of insects, be sure to check out the latest issue of the invertebrate blog carnival, Circus of the Spineless, at The Other 95%.