Climbing Algonquin Peak

This is Via Negativa’s 400th post. I think I’ll also make it my submission for Ecotone Wiki’s bi-weekly topic, Weather and Place. I feel very fortunate that the day we picked (last Thursday) to climb Algonquin – the 2nd-highest peak in the Adirondacks – featured a mix of sun and low-hanging clouds. Views are best when not everything is revealed at once.

The approach passes through alder swamp, sugar bush, hemlock stand. Here and there the rotting hulks of beeches, killed by the blight. A couple of rumbles usher in a brief rain shower. Afterwards, the scent of balsam seems even stronger than before. Sometimes you see it first, sometimes you just smell it.

*

From the base of the mountain all the way to the timberline, the one constant theme is paper birch. All else seems mere punctuation. Yet the guidebook claims this is a modern aberration, the legacy of fires that followed the clearcuts a hundred years ago. The short-lived birches rot as readily as they burn. Someday soon the conifers will reclaim all the upper slopes, and lightning won’t be able to take any more than it can touch.

*

The trail maintenance workers have placed stepping stones through a slough of mud. I hop along awkwardly in my heavy boots. My daypack flaps against my back, canteen flops against my belly. I wouldn’t remember any of this were it not for the soundtrack provided by a winter wren, its long and liquid air. I stop, taking in whole lungfuls at time.

*

Higher, climbing into the blossoming of plants in berry down below. Water trickles from the mountain’s every pore.

*

Generations of hikers’ boots have cut this mountain to the bone. We scramble up a bare granite trough through the ever-more-compressed forest of birch and balsam and spruce. The rocks are scored with shallow scratches, too brief and random for a glacier. Very large dogs with unclipped toenails, I wonder? Just then two hikers round the bend wielding alpine hiking poles – imagine ski poles without the horizontal projections for grabbing the surface of the snow. I envy their superior footing, even as I wince at the metallic racket. On either side of the trail the moss and humus lie thick as a mattress under the tangle of krummholz.

*

The trees start to shrink at a most convenient elevation. Every pause for breath takes my breath away. I peer out over the tortured crowns at the grand sweep of lakes and mountains stretching off into the haze. My hiking companion gathers spruce needles for our noontime tea. Clouds and the shadows of clouds. The shimmering lakes. The dark mountains.

*

What’s this, a black-capped chickadee singing in a foreign language? No, a separate species: the boreal chickadee. I had forgotten such a thing existed, if I had ever known. Strange to think they’ve been here all the time, with the equally unfamiliar Bicknell’s thrushes and pine martens. And how must we appear to them, popping up out of the elfin forest in our brightly-colored gear? Like chickadees everywhere they can’t resist coming in for a closer look.

*

For the last mile, a series of signs has warned sternly against the folly of proceeding any higher without the proper gear, and has exhorted us to protect the vegetation by staying on the trail. Now on the summit, we encounter an actual plant cop, on duty here all summer. “Hi, my name’s Kristen, and I’m the summit steward today!” I resist the urge to ask for fresh ground pepper in my soup. The truth is, I’m envious of her job.

*

When the clouds roll in, one thinks: this could be the coast of Labrador. Those waxy, pointy leaves wearing thick coats of down on the side away from the sun – that’s Labrador tea. Those yellow flowers like a child’s crayon sun: alpine goldenrod. We spot three-toed cinquefoil, mountain sandwort, various branched and crustose lichens. Something very small that darts behind a pebble. Two bold juncos.

*

We find a shelf of rock facing east where we can sit and watch the clouds swirl past, ogling the iconic, landslide-scarred face of Mt. Colden whenever they clear. The lunch is as luxurious as I can manage; my only regret is the absence of a white linen tablecloth. After tea – Earl Grey steeped with spruce – I sit with my back against the stone. My companion lies supine for a while, and finally says, I can feel the whole mountain underneath me.

*

I do not need to be alone in the wilderness, though I do share King Cormac’s view that one should speak quietly in it, if at all. I like watching the tiny figures of hikers moving around slowly on other, nearby summits, and imagining all the folks congregating on Mt. Marcy, still shrouded in clouds. And I’m impressed by how many people have carried stones to the summit. This smacks a bit of carrying coal to Newcastle, and I’m not entirely convinced it’s needed, but it is a neat way to get people involved in “healing the wounds.” The summit stewards are restoring the fragile vegetation one square foot at a time. Each rescued patch must be edged in stones to ward off careless boots. People who come here want to do right, most of them. The summit steward has a kind word for each hiker who eagerly tells her they’ve carried up a rock.

*

The way back down is slow, each step studied carefully in advance. The farther we descend, the more the massed mountain above us weighs down our feet and makes our legs tremble.

*

The return along the approach trail seems endless and unfamiliar. How could we have missed it on the way in, all this sameness?

*

After supper and a brief walk to the lake, I crawl into my tent and collapse. I lie sleepless on my back for hours, feeling the mountain in every bone and muscle. I don’t remember my dreams.

Head

I can’t seem to figure out what to do with my head. It is too small to carry the right sort of luggage and dangerously prone to spills and injuries. I was thinking I might rent it out for microidea transmission, but I’m not sure how well I’d like sitting on top of a metal tower during thunderstorms. Then there’s the whole issue of bird droppings. Perhaps I could put it in a breadbox to keep it fresh. But lately it has this alarming tendency to weep, which could promote spoilage.

It is a jealous head with only a vestigial sense of humor at best. But it has eyes only for me. I rap on it with the knuckles of my right hand, never my left. I take it on road trips as well as for short walks around the farm. It never went to obedience school, but in its middle age I find it has developed very regular habits. Loyalty is the only coin it trades in.

My head has led a tragic existence – kind of like the Ugly Duckling in reverse, I sometimes say. Imagine growing up expecting to turn into a swan, only to discover that – alas – you’re really just another puddle duck.

I do keep it fairly well groomed now. Just the other day, it occurred to me that some of the people I used to be friends with back when I let my head grow dreadlocks probably wouldn’t want to hang out with me now. Some people I hang out with now definitely wouldn’t want to be seen with me if my head still wore dreads. Then I started thinking: all my friends are really my head’s friends. Could that be where this loneliness comes from?

I never went to a shrink, because I figured s/he would try to convince me it’s all in my head. I refuse to stoop to that kind of sophistry: it’s not just wrong, it’s idolatrous. For the Freudians, especially, one wonders if a head can ever be anything more than a misdirected phallus, the body’s grotesque bolete.

Right now my head is tired and a little overwhelmed. I am feeding it a rare, late-morning beer as I write. It has been short on sleep in recent days and rather short-tempered as a result. I’m thinking that a little alcohol might short a few, over-sensitive circuits. And though my forehead remains an open book for those with the proper training, a slight flush always helps to hide the marks of abuse from that beast, my body.

From a distance

This is a rough, first draft . . .

God knows how many times
I have stood frozen in the hot street
with rifles pointing at my crotch

& watched myself – small
& impossibly thin – in the oil-black
mirrors of their sunglasses.

They never take them off, not even
to enter a mosque. God knows
they are easy to hate.

But after the explosion when
I ran with the others to look, suddenly
I felt shame for all the things

I had thought. One howled, the other
bled in silence, eyes naked
to the sun. I bent down.

Above the smooth cheeks
such a clear, pale blue! I felt as if
I were looking down from heaven:

Here is our sky, soldier,
here is yours. Hold on.
Help will come.

The bell tower in the blonde

You’ve heard of the blonde in the tower – think Rapunzel. This is a story about the bell tower in the blonde.

[A]n oversized portrait of German model Claudia Schiffer, promoting lipstick and shampoo from the French cosmetics company L’Oréal, wrapped the scaffolding around the 167-ft. bell tower of Germany’s best-known church.

Left intentionally in ruins after World War II, Berlin’s Kaiser Wilhelm Memorial Church stands as a testimony against war and destruction. But in 1999, cracks appeared in the bell tower of a modern church built next to the ruins. The church was on the brink of bankruptcy – so when an advertising firm offered to rent the scaffolding around the tower for the L’Oréal poster, pastor Sylvia von Kekulé agreed. Six months of the Schiffer poster financed the $298,000 bell tower restoration.

Curiously, this commercial expropriation of sacred space was necessary despite the federal government’s support of religion. And it’s becoming a trend.

Throughout Germany, churches are renting their facades for commercial messages. Supporters hail the development as an ingenious fundraising tactic. But critics argue the move dilutes the sacredness of churches.

I’m not sure “dilute” would be the word I’d use. Rather, some more fundamental paradigm shift seems to be at work here. For a parallel, I think we need look no farther than France where, five years ago, another supermodel was chosen as the new, semi-divine symbol of her country.

Laetitia Casta, of Victoria’s Secret and Guess Jeans (1994) fame, was named the symbolic representation of France’s Republic in the 21st century in a vote of the country’s more than 35,000 mayors in October 1999.

The French model became the first official Marianne, an embodiment of liberty, equality, and fraternity and other values of the Republic. The image of Marianne is everywhere in France, in patriotic artwork, and on all official documents.

The representation of Marianne most famous in other countries is that of the bare-breasted woman brandishing a flag and a bayonet in Eugene Delacroix’s “Liberty Leading the People.”

Originally, the emphasis was on this mythical figure’s virgin peasant girl status – a Joan of Arc leading her people to victory. But attention gradually shifted to her breasts, and the people hungered after a goddess of more earthly powers.

“The Republic prefers an opulent, more maternal breast, with its promise of generosity and abundance,” explains writer/historian Maurice Agulhon, who adds that a pair of identically sized and shaped breasts are “an additional symbol of the egalitarian spirit.”

But can a living person really function as a symbol? From an anthropological perspective, I think it would be more accurate to view Casta in part as a sacred power object: an icon, fetish, or idol. At one level, her image does have deep symbolic value, satisfying Victor Turner’s definition of a symbol, in which “norms and values . . . become saturated with emotion, while the gross and basic emotions become ennobled through contact with social values” (The Forest of Symbols: Aspects of Ndembu Ritual, Cornell U.P., 1967). But at another level, Casta conveys an undeniable power to her devotees: the power of limited self-transcendence through masturbation.

This may seem like a trivialization of religion, and I suppose it is. But the worship of the human body is nothing new, unfamiliar as it may seem to those with mainstream Christian or Jewish backgrounds. Body and icon can become almost interchangeable in many traditions – including in Christianity, where, at least since St. Francis, mystics male and female have attempted to realize the imitatio Christi within their own bodies, through the reception of the stigmata and other miraculous transformations.

Body can become icon, but icon can also become a supramundane body, an axis mundi, a habitation for the divine. I think that’s what’s happening, in a very rudimentary way, with the bell tower in the blonde. Imagine the parishioners being called to service through the tolling of bells appearing to emanate from the throat or chest of an idealized female image, provocatively cloaking a structure with at least subconscious phallic associations. At this moment, the icon transcends its role as symbol and focus of desire – transcends desire itself, perhaps. As the psycholinguist Walter Ong (Orality and Literacy, Routledge, 1982) reminds us, sound possesses temporality and conveys power beyond what any image can achieve.

Sight isolates, sound incorporates. Whereas sight situates the observer outside what he views, at a distance, sound pours into the hearer. . . . By contrast with vision, the dissecting sense, sound is thus a unifying sense.

Since the practice of religion is largely a communal affair, the production of organized sound is invaluable for its harmonizing and unifying effects. Gods do not write letters; they speak. And what Ong calls the interiority of sound suggests another characteristic of divinity: the ability to animate the inanimate and to inhabit the already living. In the sacred dramas that are at the center of so many religious services and festivals, human beings may lend their bodies to the gods to communicate power or messages to their worshippers. The human beings so inhabited may also then receive a form of homage bordering on worship, no less than more permanent images made from stone or wood.

Music without words can be an especially potent catalyst of polysemic meanings. The divinely animated female icon beside the Kaiser Wilhelm Memorial Church mediated material/commercial and social/national messages. War and sex, peace and commerce were merged into a greater, synergistic whole.

The run-away popularity of the novel The Da Vinci Code, baseless as its claims to historical authenticity may be, suggests that contemporary, post-Christian Europeans and Euro-Americans may be ready for an even more radical return to pagan roots. The public celebration of a hieros gamos or sacred wedding was once a widespread annual event, considered essential to the earth’s continuing fertility and hospitality. Today, with anxieties about global change phenomena reaching an all-time high, especially in Europe, a reinvention of this ritual could go a long way toward calming public anxieties. Modern mass media could turn a sacred wedding into a cathartic and transformative event for millions.

One could well argue that the very public wedding ceremony of Prince Charles and Lady Diana did serve this function. However, traditional, nationalistic themes still shaped the ideological framework. A new, more unified Europe could benefit from a sacred wedding celebration with international, even cosmic connotations within a framework of planetary healing and reconciliation. For example, Laetitia Casta as the avatar of France could unite with a male – or possibly even female – hypostasis of Germany. The very thought fills me with a strange tingly sensation akin to awe.

Thunder bear

The other night, toward dusk, I heard heavy footsteps coming down the walk toward my front door, and looked up from my computer just in time to see a black bear peering in.

I say “peering in,” but that’s not really accurate. What it did was, it kind of sidled up to the door and pressed its large and expressive nose against the screen for a few seconds, without looking directly in. No doubt if it had looked in, it would’ve had a hard time making sense of the jumble of right angled, brightly colored objects.

It wasn’t a large bear, just a yearling, and it didn’t stick around to visit. It was probably the same animal whose blueberry-filled scat I had discovered on the driveway that morning.

There isn’t much to say about such an encounter, really. But I was reminded of it this morning when I was awoken by a single, loud clap of thunder around 2:00. As I drifted back to sleep, I remember thinking something along the lines of, One side sings continual hosannas, the other side recites cautionary tales in a deadening drone.

What I think I meant was, every act is unique and unrepeatable – or so it seems to the angels. Against the angels I picture not devils but pedants, functionaries and technicians reminding us that the sun also riseth and vanity of vanities. But I may also have had some more private idea in mind.

I like the way black bears always seem to be grinning.

Beauty and the beast

Graceful living in itself is a noble art: slovenly and neglectful of such things as I tend to be, I am full of admiration for those who can consistently convert the spaces where they live and work into places where the mind is engaged and delighted at every turn. I think of the descriptions I have read of Neruda’s house on Isla Negra, full of charismatic objects from a lifetime of collecting, the rafters covered with inscriptions from his many visitors. Somewhere he had acquired a taxidermist’s mount of an entire horse, and he set it right in the middle of the largest room – an example of flagrantly bad taste that never failed to appall visitors from Venezuela, he said in his memoirs. But given their national obsession with so-called beauty contests, I can’t help wondering: what the hell do Venezuelans know about beauty?

“I want a city of my own,” my friend L. said yesterday. She had been dreaming of a large barn that she could clean up and convert into an artist’s workshop. The point, as I understand it, is not to aspire to some sort of static perfection a la Martha Stewart, but to discover or create a space where one’s mood might shift with the movement of light across the walls and floor, a place hospitable to the mind’s eye. To have all the tools one needs, and nothing between one’s impulse to design and build and its realization. To move alone through such a space – and thereby, perhaps, to conquer loneliness?

. . . oh rosa seperada
del tronco del rosal despedazado
que la profundidad convertió en archipiélago,
oh estralla natural, diadema verde,
sola en tu solitaria dinastía . . .
(Pablo Neruda, La Rosa Seperada)

A city of my own: I think first of William Carlos Williams’ masterpiece Paterson, in which the river, the waterfall and the city of Paterson, New Jersey are merged into one, anthropomorphic being – the poet’s alter ego. But I had been thinking of Paterson anyway, as I hiked quickly through the ravines at Rickett’s Glen yesterday, a spot famous for its 22 spectacular waterfalls among the towering hemlocks and pines of an old-growth forest. For all his repetition of the maxim “No ideas but in things,” in all of the 250-odd pages of Paterson, does Williams ever once manage to convey any concrete impression of what the falls look, sound, smell and taste like? Do they ever rise above the level of self-consciously created myth and modernist symbol? Like the unicorn in the medieval tapestry that the poet invokes toward the end of the book, the Paterson Falls seem more of an object we are meant to admire than any real presence that might engage our senses. As Lawrence Ferlinghetti noted in a recent interview, shouldn’t we really be saying “No ideas but in beings“?

The sun
winding the yellow bindweed about a
bush; worms and gnats, life under a stone.
The pitiful snake with its mosaic skin
and frantic tongue. The horse, the bull
the whole din of fracturing thought
as it falls tinnily to nothing upon the streets
and the absurd dignity of a locomotive
hauling freight —
(William Carlos Williams, Paterson)

A city of one’s own: the parallel with the title of Virginia Woolf’s famous book got me thinking about the extent to which women might be able to achieve this quintessential male fantasy of the private workshop – the garage, basement or barn converted into just such a sanctum as my friend dreams about. Aside from artists, I wonder how many women do harbor dreams of this sort? For my mother, the woods and meadows of the square mile of mountaintop land she owns jointly with my father seem to be domain enough. Her 33-year engagement with this land has been both passionate and creative, yielding a stream of essays, articles and books. She frequently laments the absence of any interest in Nature among other women her age (mid 60s); most of her friends are younger.

A wind blew, from what quarter I knew not, but it lifted the half-grown leaves so there was a flash of silver-gray in the air. It was the time between the lights when the colours undergo their intensification and purples and golds burn in windowpanes like the beat of an excitable heart; when for some reason the beauty of the world revealed and yet soon to perish (here I pushed into the garden, for, unwisely, the door was left open and no beadles seemed about), the beauty of the world which is so soon to perish, has two edges, one of laughter, one of anguish, cutting the heart asunder.
(Virginia Woolf, a Room of One’s Own)

If the behavior of small children is any guide, curiosity toward the natural world is inborn. So I can only suppose that women’s feeling of alienation from Nature is a result of internalized social norms and values, such as the perception of the outside as dirty, messy and – above all, perhaps – dangerous. But might the success of this conditioning derive in part from the very impulse to feel at home in the world? Given proper knowledge and appreciation of the natural world, there’s no reason why girls as well as boys can’t grow up with a finely honed appreciation of that which resists our attempts to neaten up and exert control.

. . . Had I lived in rural England before the nineteenth century, I might have gone out on St. John’s Eve (June 24) in search of fern seed, especially those of bracken. I would also have carried along twelve pewter plates. Under the first bracken I could find, I would have stacked the twelve plates and waited until midnight. At that time, it was believed, the invisible fern seeds would pass through the first eleven plates and land on the twelfth.

The twelfth plate’s seeds would confer magical powers on me. I, too, would be invisible. Even better, I would understand the language of wild animals.
(Marcia Bonta, Appalachian Summer)

I began by talking about “graceful living”: to me, this implies above all a sense of balance and harmony. Artists and naturalists alike can teach us how to recognize the grace that already suffuses the world without our intervention. Between the garden and the wilderness, it seems to me, we need not erect a barrier as stark as the ring of fencing that encloses the unicorn in the tapestry. But if we value our sanity, we must resist the impulse to civilize and manage every square inch of the back forty. Here’s a poem by Wendell Berry that frames the challenge as succinctly and eloquently as anything I’ve ever read.

To the Unseeable Animal

My daughter: “I hope there’s an animal
somewhere that nobody has ever seen.
And I hope nobody ever sees it.”

Being, whose flesh dissolves
at our glance, knower
of the secret sums and measures,
you are always here,
dwelling in the oldest sycamores,
visiting the faithful springs
when they are dark and the foxes
have crept to their edges.
I have come upon pools
in streams, places overgrown
with the woods’ shadow,
where I knew you had rested,
watching the little fish
hang still in the flow;
as I approached they seemed
particles of your clear mind
disappearing among the rocks.
I have walked deep in the woods
in the early morning, sure
that while I slept
your gaze passed over me.
That we do no know you
is your perfection
and our hope. The darkness
keeps us near you.

(Wendell Berry, Farming: A Handbook)

__________

I see from Google that at least one individual claims that the aforementioned Rickett’s Glen harbors just such an unseen animal: the Rickett’s Glen Sasquatch.

To see the world in a uninucleate amoeboflagellate cell, and heaven in a plasmodium

Go to the slime mold, thou sluggard.

Canst thou draw out the slime mold with a hook?

Consider the slime molds of the field, how they grow: they toil not, neither do they spin: And yet I say unto you, That even Solomon in all his glory was not arrayed like one of these.

These are just a few examples of the many poetic and proverbial uses of slime mold imagery that you won’t find in the Bible – or any other classic sacred or literary text that I’m aware of.

That’s a shame, because these organisms challenge some of our most fundamental preconceptions about how life should work. And needless to say, faulty assumptions and unconscious prejudices constitute the most serious impediments to understanding – in religion no less than in science.

In theological circles, the experience of wonder – also known as the “holy shit!” moment – is recognized as a key step in the spiritual progress of every individual. Thus, by helping to advance general knowledge and promote deeper spiritual awareness through the circulation of fascinating scientific facts about slime molds, I may become eligible for the Templeton Prize for Progress Toward Research or Discoveries About Spiritual Realities, currently valued at 795,000 pounds sterling. That’s more than $1.4 million in real money. So please be sure to link widely to this post. I need the dough.

I’m indebted to the Illustrated Guide to the Slime Molds, by Peter Katsaros, for much of the following information (though all the language and some of the spin is my own). Let’s call this . . .

SLIME MOLDS: Nature’s way of telling us we’re wrong

Slime molds are everywhere – at least in the Temperate Zone where most of you reading this probably live. They’re not microscopic (though a microscope is often necessary to tell one kind from another); some can get bigger than breadboxes. You, like me, have doubtless seen slime molds hundreds, if not thousands, of times, but either didn’t notice, or simply didn’t realize what you were looking at.

Don’t you feel chastened? I expect your mind is fairly reeling with the moral implications of this stark truth – not to mention all the obvious possibilities for metaphor and homily.

Breaking the mold

You want transformation, metamorphosis? Boy, do these suckers ever metamorphose. Forget about caterpillar into luna moth, soul into spirit, Big Mac into little Jimmy. Every species of slime mold progresses from an assimilative phase to a propagative phase: that is to say, they go from moving around and eating stuff to standing still and growing little stalks. From animal-like to plant-like – often in just a few hours if the conditions are right.

To me, this makes slime molds into potent spiritual symbols. Most sources I’ve looked at, however, employ the shopworn “Dr. Jekyll and Mr. Hyde” analogy, which doesn’t even get the order right, for cryin’ out loud.

So what the hell are they? Good question.

One thing for certain is they’re not true molds. Molds are classed with fungi. The current scientific consensus (pace the introduction to the Illustrated Guide) seems to be that slime molds should be assigned their own kingdom, separate from Fungi (not to mention Plants, Animals, Protists, Monera, Archaea, Big Macs, etc.).

But that, of course, doesn’t really tell us anything. Classification systems are only really helpful if they can give us some inkling about interrelatedness, and at this point, where slime molds are concerned, inklings are in short supply. Here,if you’re curious, is the most recent attempt to make sense of slime mold phylogeny.

So you might say that slime molds break the mold. The classification of known species reveals what Professor Katsaros calls “a startling imbalance, to say the least” – which is about as much hyperbole as you’ll ever get from a trained scientist. “The common Ceratiomyxa fructilosa (and its forms) produces external spores, whereas all other slime molds discovered to date generate spores internally.”

Well, perhaps further research will uncover a few more species to join C.f., the lone extrovert. But then again, maybe it won’t.

There are slime molds in deserts, slime molds in forests, slime molds in the innermost courtyard of the Japanese imperial place. (That’s not just whimsy on my part. The former emperor was a self-taught slime mold expert who made a number of valuable contributions to the field. Unfortunately, future emperors will probably while away their considerable free time writing in their blogs. But you never know.)

Most slime molds don’t have common names, but one that does is Fuligo septica: dog vomit slime mold.

What’s weird is that “for reasons that are not yet known, slime molds are less abundant in tropical forests than in temperate forests.” Even weirder: unlike other organisms that speciate wildly from one bioregion to another, most slime mold species tend to have worldwide distribution. You’d think that would mean there’d be plenty of room for them to, you know, spread out, but no. Multiple species often crowd together during the propagative stage, with their fruiting bodies all jumbled together like college kids at a dorm room kegger. Distinct groups of species prefer different niches, but for some reason they don’t appear to be aggressively competing for those niches. How the heck is natural selection (let alone free market capitalism) supposed to function under such circumstances?

We don’t know what it is, sir. Permission to fire.

That is, assuming slime molds did evolve here, and didn’t just float in from outer space.

Yes, that’s right! Possibly the coolest single thing about slime molds is that, on the rare occasions when human beings do notice them, they are apt to trigger widespread panic and fears of an alien invasion.

The most famous such incident occurred in a Dallas, Texas suburb back in 1973. This may come as a shock to those of you accustomed to thinking of Texas as a bastion of skepticism, scientific inquiry and a welcoming, “live and let live” cosmopolitan spirit. But faced with an apparent invasion of huge, pulsating yellow blobs crawling all over their manicured lawns and even up onto their front porches, the panicky suburbanites called on the fire department to try and get rid of the things by blasting the bejeezus out them with a fire hose. (Well, I suspect that someone must’ve tried shooting them first, but surviving news reports don’t confirm this.) Then, when that futile act of resistance merely spread the invasion over a wider area, they prevailed upon the governor to call out the National Guard.

As Dave Berry would say, I swear I’m not making this up.

Fortunately, a mycologist specializing in slime molds happened to see a headline about the UGO (Unidentified Growing Object) invasion, and was able to get on TV and calm the public nerves. And that’s a good thing, because in the tense, Cold War atmosphere of the time, an escalating situation like this – especially in Texas – might easily have triggered Russian fears of a first strike, leading to an exchange of intercontinental ballistic missiles, thermonuclear Armageddon and the extinction of most multicellular life forms on earth – with the possible exception, one suspects, of the infinitely malleable and adaptable slime molds.

Plastics, son. Plastics.

Now, at some point in your education, you probably encountered the notion that Cells Are the Building Blocks of Life. This turns out to be an exceedingly poor analogy. In most organisms – including human beings – cells are far less static and less clearly differentiated in their functions than a child’s building blocks. (Ever hear of stem cells?)

But in this regard, once again, slime molds really push the envelope. Come to think of it, “pushing the envelope” isn’t a bad image for the behavior of their mobile, or plasmodium, form in general. The point is that, as our guidebook puts it,

A burgeoning plasmodium is one of the most puzzling structures known to biology. Beneath a thin outer layer it contains many nuclei but no cell walls whatsoever. Consequently, the plasmodium has been viewed as both a multicellular structure without cell walls, and a unicelled but unwalled structure possessing many nuclei.

True to (un-)form, infant slime molds – called protoplasmic motes – can form flagella seemingly at will, given sufficient moisture in the environment. Flagella, as you probably know, means “whips” – those little tails that some unicellular organisms use to move about. Of course, sperm cells have whips, too, which implies to me that sex is inherently kinky.

And speaking of sex, after a short while the plasmodium begins doing what many life forms do when they want to get bigger: it starts having sex. With itself. “The motes behave as sex cells and form paired unions (zygotes). The zygotes grow by undergoing a modified form of cell multiplication, by accretion of other zygotes, and by ingestion of bacteria and other microscopic nutrients.”

In other words, sex and eating are all sort of mixed up in one amorphous quest for survival – kind of like in an old blues song. And keep in mind that this is wholly separate from the later, plant-like reproduction by the release of so-called spores. What isn’t clear to me is whether true sex – some version of cross-pollination, the mingling of heterogeneous DNA – actually takes place. I suspect that this isn’t clear to the experts, either, which is why my sources blip over the subject.

At any rate: behold the mature plasmodium, chugging right along at about the speed of drugged slug. “Its jellied mass, frequently a bright yellow, features a conspicuous fan-shaped leading edge averaging several inches in extent, and diminishes rearward into trailing strands criss-crossed into an intricate network.”

But it’s doing more than just moving forward. It’s also doing a slow dance with itself. With the aid of a microscope, slime mold experts say, you can observe that underneath its very thin skin (“fragile integument”), the stuff inside the plasmodial mass flows back and forth “in a very slow cadence,” as Professor Katsaros puts it. Molecules are contracting in sync – something that happens every time you flex a muscle – apparently just for the sheer hell of it.

As alluded to earlier in the account of the Great Texan Unidentified Growing Object Incident, slime molds make hash of the mental categories One vs. Many. (In that respect – as, perhaps, in a few others – they remind me of God(s). But never mind.) A plasmodium quite commonly separates into multiple, discrete units and re-forms as it moves aimlessly about. So internal plasticity of function is mirrored by external plasticity of form.

According to a recent article from Smithsonian magazine available online, slime molds even “show a quality that could be called intelligence: chopped up and dropped into a labyrinth, they will put themselves back together and start to move, avoiding dead ends and heading unerringly for the prize–more food.”

At this point, those Texans start to seem a little less ignorant, don’t they? By all that is holy – a pretty large yardstick, really – slime molds just shouldn’t exist.

What else would you feed a pet slime mold than a mess o’ oatmeal?

But exist they do, and with a great deal of style – at least in their latter incarnation as plant-like sporophores. A stunningly illustrated article from my mother’s files, evidently ripped out of an older issue of Smithsonian (unfortunately undated), rightly calls these structures “spectacularly beautiful.”

They are prizes worth searching for, no matter how silly you might feel inspecting a rotten log, scrutinizing fallen leaves or carefully examining all the dead twigs around the melting edges of a mountain snowbank. . . . Your reward may be a three-inch cluster of iridescent purple balls, each smaller than the head of a pin, or a patch of diminutive red cotton candy on tiny stalks. Other fruiting bodies resemble miniature leather buttons or golf balls for Lilliputians. (Sylvia Duran Sharnoff, “Beauties from a beast: woodland Jekyll and Hydes”)

Some good color photos may be found online, such as at this page from the All Taxa Biodiversity Inventory at the Great Smoky Mountains National Park.

Keep in mind, however, that slime molds are as plastic in their approach to coloration as in anything else. As the Illustrated Guide puts it,

Spore color in the slime molds ranges from colorless (technically: hyaline) to black. This feature has its value, but spore color is much the same in some widely separated genera, so it is usually of secondary importance in identification. Sporophore color is a much more useful feature, most often at maturity. For example, the frothy mass of white bubbles constituting an emerging Stemonitis plasmodium produces dark brown sporangia [globe-shaped structures]. What happens in between these light and dark extremes? The developing sporophores exhibit a series of short-lived tints on their way to mature coloration. These fleeting colors are attractive but not used in identification because of the many gradations involved. Many species show these fleeting colors.

So, if you notice some weird-looking stuff out in the woods and you want to try to identify it, you have two options.

A) Camp out beside it until it becomes immobile, sends up little stalks, grows balls, or what have you. Wait until it stops going through color changes. Then crack out Katsaros and hope for the best. “Many plasmodia remain completely unknown,” he warns. But he adds this helpful note: “The study of slime molds at the amateur level affords many opportunities for exploring new ground.”

B) If you’re serious, you’ll need to raise them and keep them as pets. The older Smithsonian article describes one enthusiastic amateur of decades past, Ruth Nauss, who maintained a slime mold menagerie for years.

She fed them ground oatmeal flakes, their usual diet in laboratories. When she went on vacation, she took the most delicate along with her, tucking them in with a ‘warm water bottle’ on cold nights. She withheld moisture from the hardier ones for several weeks before a vacation to induce them to harden into sclerotia, so she could leave them unattended. At the time she wrote about them, her oldest plasmodium had been crawling around in its dish for more than nine years.

And what is time, one wonders, to a creature of such amorphous identity? What kind of consciousness might attend a being for which forms and functions, shapes and colors, habits and habitats are so fluid? (I’m assuming for all living things at least minimal awareness, defined as the ability to resist entropy and respond to stimuli in a non-random way. I think the scientific evidence is pretty strong that consciousness exists along a continuum.) What is time or even life to a creature that, in its “spore” form, might exist for centuries?

Holy in the wrong

In comparing older sources, such as Katsaros, with some of the newer descriptions available online, I get the distinct impression that the focus has shifted from sporophore to spores. These “spores” are now viewed less as seeds whose purpose is to reproduce slow-motion blobs, as “uninucleate amoeboflagellate cells”: the original and archetypal form. According to this paradigm, slime molds only go through the whole plasmodia-and-sporophore rigmarole when they need to obey a divine injunction to be fruitful and multiply, or whatever.

But then, if you could ask sperm and egg cells how they feel about turning into human beings, they might be equally dismissive of that latter, derivative stage of their existence.

The Heavy Thought I seem to be groping toward here is something along the lines of “seed consciousness,” possibly to be understood by analogy with the Kabbalistic image of divine sparks scattered throughout the world as a by-product of original Creation. But I have the feeling we’ve already covered too much ground and played with too many weak analogies, not to mention bad jokes, for one blog post. My plasmodial crawl toward the rich foodstuff of the Templeton Prize will just have to wait.

Malinche, A.D. 1522

No rain of flowers marked my entry into the world.
I wasn’t born onto a shield or draped
in a robe of feathers. My own mother
sold me in secret & celebrated my funeral
with the substituted corpse of a slave.
I ended up serving the lords of Yucatán,
on the eastern shore.

Four years ago, when Hernán Cortez came back
from setting fire to his ships, slipping
like a thief into camp, I was waiting in
his tent. We understood each other
from the first, before I could speak
one phrase of Castillian. We had
the same hungers.

He is the blonde lightning, I am the thunderhead.
The eagle dives, the jaguar screams — or so
the lying poets like to say. I hear
only the cries of men sliding
in their own gore, moaning for
their mothers. A thousand times
the fate of empires rode on almost nothing
but my supple tongue.

When we fled Tenochtitlan the first time
& our portable bridge failed, the drowned bodies
of soldiers weighed down with plundered gold
filled that last, terrible gap in
the great causeway. Over such fords
have these legions of freed slaves wallowed,
swum, returned.

Freely I chose to serve the foreign occupiers
& their three-faced God Who is Father,
Mirror, Smoke. He bleeds Himself so
the rest of us might be spared, redeems
all captives. For the sake of faith
His double-edged words sever children
from parents, wives from husbands,
a people from their blood-soaked earth.
For love!

Here, Mother. Take the jewelry from around
my neck. All’s well that ends.
I am called Marina now: the fleet
burning in the harbor. That watchword.
That perilous crossing.

Our booty, ourselves

When you speak, let your whole body stand as collateral, I said. When you sing, make the hearts of all that hear keep time like furious tambourines. The dance and the lyrics should rise together like a cobra from the snake charmer’s basket, like Miriam on the banks of the sea, I said.

Some stayed in their seats and swayed, others filed into the aisles and shook their fit or flabby hindquarters with what passed for wild abandon. It’s possible to be simultaneously fit and fat, I thought, looking with my shopkeeper’s eye. But what I love most is the idea of ass as self, as faithful or recalcitrant beast of burden for our five shameless senses. Ego? Id? Libido? I dunno. We all gots donkey ears, ya know? Like King Midas. Everything we touch turns tragically to gold – or perhaps to compost, if we’re lucky.

Shake it, don’t break it. My jelly, my roll, my pigmeat mama. Baby got back. Haunch. Rump. Booty! How this region extends its merry dominion! The waist or navel may well contain the body’s center of gravity, but the butt – which is pure superfluity, really – seems more essential. Waists can go to waste, after all, and in iconography, at least, the navel too can disappear: our archetypal ancestors made do without them. Humanity’s subsequent loss of innocence seems somehow linked to our acquisition of navels, for the umbilicus is a bit of a doppelganger. It must be given its own, secret burial as soon after birth as possible, and thereafter (we suspect) grows gradually younger, even as its former owner grows long in tooth.

But the ass, ah! The ass remains more or less innocent: not in the sense of naive lack of experience, of course, but in remaining immune to all criminal charges. Whatever we think of a scoundrel, the horse he rode in on is almost invariably spared. I realize some men prefer those other superfluities, the breasts, as the main recipients of their devotion. But I can’t help thinking they’re just little boys who never grew up. The breast man is an idolater, a mere magician. He knows his tender acts of worship can compel his beloved to answer his prayers. Only the ass-kisser can enjoy the fully abject position of a true believer.

Everything I need to know I learned from studying buttocks. Muslims and Tibetan Buddhists take note: your prostrations will never be complete as long as you have a single ounce of fat attached to the extremity of your torso. Even as we touch our foreheads to the ground, even as we press our ears to the earth to hear whatever the reeds might be whispering, our recalcitrant rumps stand upright, as proud and humorous as the humps of camels. If the heart is the seat of the soul, the seat is the heart of the body – or better, its crossroads. The rhyming halves of the ass suggest the possibilities of completion, of harmony, of pleroma. We are our own twins – we can own such luck! Our natural wealth should suffice us: this booty goes wherever we do, and no will and testament can bequeath it to another. We may well covet our neighbor’s wife’s ass, we might even get a piece of it, as they say, but ultimately it remains her own – though she may, of course, take out insurance on it, as the high priestess of Bootianity, Jennifer Lopez, is reputed to have done.

So swing low, sweet chariot! Free your ass, and your mind will follow. Your ass may be grass in the long run, but watch the way the tall grass moves in the wind and tell me that’s a bad thing! One could do a lot worse, I’m thinking, than to shake and sway with such hushed fluidity, such unselfconscious grace.

The fireflies

Last year right about this time, as I was sitting out on my front porch before bed one evening, I opened my mouth to yawn and a firefly flew in. I tried to spit it out but it was too late. It dove down my windpipe as fast as a spark struck from an anvil and lodged somewhere in my left lung. Naturally, I felt nothing after that: the firefly’s lamp has the unique ability to produce light in the absence of heat. I would’ve forgotten about the incident altogether, except that when I went to the bathroom at 4:30 in the morning, I caught a flash in the mirror.

Now, granted, I used to have what’s known as a hollow chest. But in the last few years, thanks to a slowing, middle-aged metabolism, I’ve filled out quite a bit – and not all of it in the lower abdominal region. So I was more than a little peeved by the fact that this errant firefly’s signal remained visible, at least in the moonless dark of my bathroom mirror. I put my hand over the spot. Good lord – I could actually feel each pulse of its light!

It was with some relief that I realized I was merely feeling my heartbeat. I pulled my hand away. Yep, no doubt about it: the goddamned insect was pulsing in time with my ticker!

You’re probably thinking I’m ungrateful, I should’ve been filled with awe and wonder and gratitude at this gift, this mystery of nature, blah blah blah. Bullshit! I was pissed. That’s my heart, buddy! I’m gonna catch pneumonia and die, like my poor grandfather whose lungs filled up with fluid because of a protrusion on his spinal cord that kept growing into his throat until he could barely swallow. I went back to bed and pulled a thick blanket over myself, despite the heat. My dreams, when I finally slipped back into sleep, are better left undescribed.

The next time I woke up, the sun was shining. I went about my morning rituals and didn’t even remember about the firefly until halfway through my shower, which is when I usually find myself going over whatever I can recall of my dreams. I started chuckling to myself. That one sure had been realistic! But I admit, the whole time I was shaving, my glance kept straying down across the left side of my chest.

That evening, I again sat out on the porch to unwind before going to bed. This was the time of year when the screech owls start trilling pretty regularly; I think that means that their young are just about ready to leave the nest. Only two crickets were calling – nothing like the throbbing chorus we’ll be hearing a month from now. But the number of fireflies seemed to be at an all-time peak.

Listening dreamily to the sounds of the night, mesmerized by the random patterns of flashing yellow lights, I was startled by a sudden flash mere inches from my face. I shooed the firefly away with both hands, but in less than half a minute it was back – just like a damn mosquito! Get away! I yelled, standing up and turning all about, arms waving like blades on a windmill. Then I glimpsed my reflection in the window and stopped short. There was a fuzzy yellow spot in my chest, visible through my t-shirt.

So it hadn’t been a dream! The firefly was still in there, still somehow alive – and blinking out its goddamn Morse code!

I felt like a circus freak: Come See the Human Lighthouse! I went inside and got on the Internet, searching for any reports of similar experiences. I came across several fascinating papers on bioluminescence and the courtship behavior of fireflies. It turns out that we have probably half a dozen different species here, each with its own distinct signal pattern. What I had assumed were individual variations actually reflected distinct genetic differences.

But evidently some considerable range of individual variation must exist, because the evolution of firefly signal patterns appears to be unusually rapid. Females learn to mimic the signals of other species so they can lure in horny, unsuspecting males to ambush and eat while they wait for a proper suitor from their own species. To compete, the females of the other species have to alter their signals in turn. Then members of a third species begin to mimic the new pattern, and are mimicked in turn by another – it was all very complex.

Since it was broadcasting from a stationary position, the firefly in my chest might be a female, I thought. Was it trying to signal for a mate – or a meal?

I combed the medical literature for reports of accidental firefly inhalation, but nothing turned up. I did read plenty of scary articles about the consequences of getting large, particulate matter in the lungs, however. But what could I do? Surgical extraction seemed the only recourse, but I didn’t have any health insurance and didn’t feel like going $20,000 into debt for a stupid firefly. There had to be a better way!

Maybe I could starve it out, I thought. It might fly out on its own. But what if it died in there? If I had something actually decomposing in my lungs, that could be really bad news.

With these kinds of worries flitting around in my head, I spent a mostly sleepless night hatching one plan after another. I finally dozed off an hour or two before dawn and slept in until close to noon, missing an important job interview I had scheduled weeks before.

That evening, as the sun sank low, I found I couldn’t face the thought of another night alone with the goddamn lightning bugs. Besides, I really needed a drink. But I’d have to bundle up if I were going out, and that might look funny if I went to any of my regular haunts – sweltering dives where anything heavier than a t-shirt would attract attention. I needed something air-conditioned, where no one would know me. I looked in the phone book and found a place with a suitably snooty name: Whispers Lounge at the Clareton Hotel. Given proper shoes and slacks, I figured my black turtleneck wouldn’t look too out of place. The fashionable bohemian look. Who knows, I might even get lucky.

So it was that an hour later I found myself with not one, but two women, sitting in a little upholstered booth across from the bar, which we had recently vacated when it began to fill up. My companions, June and Michelle, were here attending an academic conference at the adjacent university: “Ethics, Psychologies and Epistemologies of Possession,” a three-day, multi-disciplinary event with the usual mishmash of the sublime and the ridiculous. This is actually a topic about which I’ve done some reading and thinking on my own, much to the surprise of my companions, who seemed to regard their own attendance and presentations as necessary evils. When I admitted reluctantly that I was an unemployed writer, they insisted on paying for my drinks – “It’s all paid for anyway,” said June, the older and better looking of the two.

After the fourth round of margaritas (not my choice, but whatever), we were all feeling pretty good. June’s casual contacts – touching my hand to emphasize a point, grabbing my arm when I said something funny – became more frequent and lingering, and I noticed her friend flashing her Significant Looks from across the table. I was just beginning to calculate how much longer I would have to act dumb when the power went out.

Oddly enough, everyone remained quite calm. After a couple seconds of surprised silence, we heard the bartender’s voice: “Please just remained seated, folks. I’ve got one flashlight here, and I’ll send the doorman out to look for more. The hotel does have a generator, so we should have the lights back on in half a jiffy!”

Half a jiffy, I thought – what an idiotic phrase. But June wasn’t wasting any time. Her involuntary grip when the lights went out evolved quickly into full side-to-side contact, her right hand rubbing my chest, etc. “You made this happen, didn’t you?” she whispered teasingly in my ear – or perhaps it was me whispering in her ear, I forget.

Suffice it to say that by the time she withdrew her lips and sat up I was feeling pleasantly numb and tingly, like a stunned beef cow. Then I saw it. In the upper right side of her torso, which was now dimly visible in outline. A yellow light glimmering on, glowing brightly for a second, and winking off.

I must’ve stiffened. She fell back against me heavily, wrapped both arms around me perhaps a little more tightly than necessary. “Why won’t the lights come on? I’m getting worried!” “Shhh,” I murmured, “Listen, I have a penlight in my wallet. You have a room here? Let’s go.”

The lights came on before we were halfway there. I’ll spare you the sordid details. June insisted on keeping the bedside lamp burning the whole time – “You have the most dreamy eyes,” she said, but I knew what the problem was. Some time later she pulled away, gasping. “My god, let me breathe! I never met anyone whose kisses were quite so . . . prolonged.”

Hours later I stumbled into the bathroom, pulled the door shut and waited for my eyes to adjust to the darkness. Nothing! I stood there for ten minutes, my bare chest a foot away from the mirror, waiting, but still nothing. The firefly was gone!

I eased the door open, crept back into the room and switched off the light. As gently as I could I pulled back the quilt and bent down low over June’s chest.

I must’ve woken her; I heard her breath catch. “Dave – look!” At the far side of the room, just below the ceiling, two pulsing yellow lights bobbed and danced, intricate arabesques forming and dissolving in the darkness.