Bento Boxes

Tweny-five years ago I outsourced my motivation to the Japanese. I wore the Kansai humidity like a second skin and shaved my beard to get closer to the soup. I went to all kinds of extremes, even fell in love. Anything to avoid going to class.

Opening a bento was like taking the roof off a cheap apartment building, the kind where you can hear every word through the thin walls but understand nothing. I speak from experience: the woman in the next apartment had a screaming orgasm every afternoon at 3:00. My roommate took to accompanying her on the guitar.

I spent so much time in one noodle bar, an older construction worker became my official sponsor and paid for everything. It didn’t matter that we couldn’t communicate very well because we had very little to communicate other than respect on my part and kindness on his. The other people in the noodle bar schooled me in how to behave.

Their economy was booming then, and it took a lot of asking around to find where the homeless lived, over near the Osaka zoo, behind a fence: another bento box. I went there with a friend. We sat down on a bench and waited for someone to join us; it didn’t take long. He’d come down from the north 16 years before to work at the World’s Fair, he said, and never went back.

The only foreigner I met who’d completely mastered the language, modern and classical, was a drunk who went to sleep in the middle of an empty street. Flies, I heard him mutter, why do you always call on me when I’m not home?

Written for the > Language > Place blog carnival.

Weather report

pipe monster

On the weather maps, the monster storm was a sinuous creature poised to swallow half the east. We girded our loins (whatever that entails) and prepared for a power outage, but little more than an inch of pellet ice fell. But the storm hadn’t gone away; it was merely waiting until after dark to strike. Now there’s the eerie sound of water trying to flow in an ice-filled gutter and the scattered taps of rain or sleet striking the windows. The power goes out, comes on, goes out, and I sit in the darkness wondering where I put my flashlight.

I find the big Coleman battery lantern and discover it no longer works. I have a kerosene lantern but it’s too much trouble and bad smell; it’s almost bedtime anyway. The lights come back on. Better go get an armload of wood from the barn while I’m still dressed — there’s a very good chance I’ll wake to an ice-cold house.

When I turn on the outside light, the spicebush beside the front door is beautiful in its gleaming coat of frozen rain. The branches are just beginning to bow. I wonder what the woods will look like in the morning. The rain is loud and echoey as it strikes the crusted surface of the snowpack: a sound as far removed from the gentle hush of a summer shower as Metallica is from Andrés Segovia.

As I crunch up the driveway, it occurs to me that a day without power wouldn’t be so bad — it would force me to get out and take some pictures, shoot video, maybe even use my new audio recorder to capture the sound of crashing limbs. I think back to the last big ice storm, in January of 2005, and remember that it was my blogging about it at Via Negativa that prompted my cousin Matt to send me his old digital camera, my first, so that the next time I’d be able to take pictures.

Silly

On my kitchen counter, I had a jar of dark honey and a jar of light honey. The dark was wildflower, and the light, I believe, came from the beekeeper’s yard full of blueberries, or perhaps from some basswood trees on the mountain behind him. For unlike clover honey, which is also light but generic in taste, this honey was delicious — far superior to the wildflower. When it diminished to the point where my spoon couldn’t reach it, I heated and poured it into the smaller jar of dark honey. Earth, meet sky, I thought. But by the next morning, they had switched places: the light was on the bottom and the dark on top, with only a slight blurring where they met.

Without bees, how would we ever learn what flowers taste like? Without children, how would we remember the way the world looked before it grew tangled and thick? Yesterday, my five-year-old niece was flopping around on her back on the kitchen floor, trying to trip me as I plodded back and forth between stove and counter. Out of the blue, she said, “You know what, Uncle Dave? You’ll never get married to anybody because you’re too silly!” It almost made me laugh, but being a grownup, I was careful to keep my smile safely hidden behind my beard. Stepping high to avoid her, I carried a hot saucepan over to the sink, thinking of John Cleese’s most famous skit and the occasional, absolute necessity of silly walks.

How I stopped smoking

I realized the other day it’s been ten years since I stopped smoking. Notice I didn’t say quit. I never quit; I just stopped. I can have another cigarette anytime I want! I just don’t want to at the moment.

Quitting smoking: even now the thought fills me dread. Never again to open a can of loose tobacco, take a deep breath of the fragrant leaf, and lay a pencil-thick plug of it in the rolling paper! Never to roll it back and forth to pack it, then twist it up tight and seal it with a fast lick, like the peck on the cheek that devoted husbands used to give their wives on the way out the door! Never to strike a match in the dark and touch it to the paper and listen to the crackle as it catches! Never to take that first delicious lungful of smoke and blow it out through the nostrils like a dragon! Never to watch the ash grow like gray finger, pull the glowing ember close to my lips and stub it out just before contact! How utterly desolate I’d feel to think I could never again indulge in these beloved rituals. That’s the kind of desolation, my friends, that only a cigarette can heal. So it’s best never to quit, simply to stop. Besides, what kind of lily-livered coward quits something just because it might kill you?

So why did I stop? Mostly, just to see if I could. Oh sure, there were lots of other reasons, my personal finances chief among them. I liked to walk, and it bothered me how out-of-breath I’d become. I hated to make my parents worry. I didn’t like thinking of myself as a kind of slave. All of these made dandy rationalizations after the fact, and provided all the ingredients I’d have needed to shape the narrative of my smoking cessation into a morality tale to prove my superiority over those who still smoked, if I’d chosen to follow the typical quitter’s path.

But the fact is, I’d been smoking for 14 years, to the point where it had become deeply integrated with my lifestyle and self-image, and I was curious to see what life without it might be like. Always an idealist, I loved how smoking could create a semi-sacred space within the most quotidian stretches of time, how it both symbolized and enacted not merely relaxation but escape. No matter how bleak your circumstances — say, sleepless, cold and miserable on the third day of a backpacking trip gone wrong — hey, you could always have a smoke.

I loved that, and I’m glad it’s still an option. Once in a rare while, maybe once or twice a year, I do have a smoke, but in recent years the experience hasn’t borne much resemblance to the way I remember it. It doesn’t taste very good, for one thing, and I’m ready for it to be over before the cigarette is even half gone. Also, factory cigarettes were never very good in the first place, but that’s almost always what’s on offer. Sometimes I position myself downwind of smokers, and it smells good to me in the same way that wood smoke smells good, but other times I catch a whiff of second-hand smoke and am repelled. It depends on my mood, I guess.

I remember the dysphoria that accompanied my physical weaning from nicotine, and how — being a bit of a masochist — I managed to fool myself into thinking that it was almost like a kind of trip. I was house-sitting for my parents for two weeks while they vacationed in New Mexico, nobody was around, so I have no idea whether I would’ve been short-tempered or not. I just remember shuffling around the fields and woods looking at things through a haze and going “wow.” And since it was the latter half of October and my refrigerator was full of apples, I didn’t have to look far to find something else to put in my mouth.

I remember being curious about what I would do to punctuate those long, empty stretches — or rather, the one long empty stretch I imagined my life would become if I stopped smoking. It took two or three years for the feeling that something was missing to go away. Now I have the opposite problem: chronic contentment. This is a dangerous condition for a poet or artist, or really anyone who would like to, you know, accomplish things. But at least it’s not life-threatening.

Mr. Hitter

I’m re-posting a few of the things I originally published on my now-defunct Geocities site, from what I like to think of as Via Negativa’s 11-month gestation period. Here’s one from February 14, 2003. We were hearing every day how Carthage must be destroyed…

“Unstructured play” was the rule during recess at the New Day School, where my big brother in 1970 would’ve been a first grader, had there been any formal recognition of grade levels. And as it happened, an unstuctured variant on the game of tag grew up around an old board, some six feet long, that had a tangle of rusty nails sticking out of one end. They called this game Mr. Hitter.

The biggest six year-old in the state of Maine attended that school. His name was Joshua and he was always It.

This was a state of affairs the other kids strove valiantly to maintain, no one wanting to risk the consequences of a successful tag. No one but Joshua, in fact, was ever especially eager to play this game of his. The more precocious among them, like my brother, had plenty of opportunities to demonstrate their leadership abilities by attempting to distract him with a variety of ad hoc diversions, like seeing who could spin around the longest before falling, or if anyone could lob a brick clear over the school.

But most days Joshua would eventually remember, and grabbing the board by its good end he’d sweep it before him like a mace, staggering from the weight and momentum of the thing. With fanatic glee he’d careen around the back lawn howling Here comes Mr. Hitter! And everyone would scatter and regroup in his wake, like gulls at the town dump when the backhoe drove through.

I remember this from the half dozen times I got dropped off there after nursery school, and being the youngest and slowest I had to rely on my brother each time to dissuade Joshua from trepanning my skull: Leave him out of it — he can’t play! A delicious phrase I learned then and there never to resent.

My Life as an Astronaut

[audio:http://shadowcabinet.files.wordpress.com/2010/10/my-life-as-an-astronaut.mp3|titles=My Life as an Astronaut]

When I was small, I could shut my eyes on one world & open them on another. I could float free of the ground merely by lifting one leg, & I could fall without ever hitting bottom. The daytime moon followed me around like a lie. I took a magic marker to my wall & drew knobs & dials where I thought the spaceship controls should go. When the neighbor girl’s chest turned out to have the very same two buttons as ours did, I wasn’t surprised. We knew the earth would soon become uninhabitable. They were preparing us all for a life among the stars.

Morning Porch: the movie


Direct link to video on Vimeo.

More and more publishers are producing video trailers for new books. Perhaps it’s time to start making them for websites, too. This action-packed trailer, though, is intended less to promote The Morning Porch than simply to introduce it to new readers — something to embed on the About page.

I shot the video yesterday for my one-minute movies project, and I suppose I’ll still class it as such even though it goes five seconds over with the addition of the Paul Eluard quote (which I stole from a friend’s pseudonymous Facebook profile a while back). This one is definitely more documentary than videopoem. I could probably make it more exciting with a few, brief inserts of other images: you know, close-ups of things glimpsed from the porch. But that might clash with the message of the text, I don’t know. Here’s what I wrote for it:

I sometimes wonder what it would be like to be a prisoner, condemned to the same round every day, compelled to do things I had little appetite for, surrounded by others in the same situation, all of us desperate with loneliness and the desire to be somewhere, anywhere else. What would I do? I’m a writer, so I suppose I would write. It would be an almost enviable situation: all that free time. I would take note of everything I saw, immerse myself in the moment no matter how bleak, because daydreaming would only lead to despair. I would write small, spare things 140 characters in length that some would call poems, but that I would see as clauses of one long sentence. I’d be in for life.

To the Unknown Tourist

Dear Blue, they shouldn’t arrest you now if you try to return. As long as Franco was alive, and for a while afterward, all the policemen wore black. Widows, too — and they were everywhere. Black symbolized the patriotic Moros, who invaded, they said, to defend the black-robed priests against the black-clad anarchists. Which was the black of conquest, and which the black of insurrection? Whose black was the right black? Which black colored the night with moans?

We arrive two years after the death of Franco, following the pilgrim road to Compostela. One day, our car is waved over by the Guardia Civil. What was our offense? we wonder, unable to speak Spanish well enough to ask. But then we notice the thin crowd of spectators, some with drinks in hand. “Bicicletas,” they explain, and somebody mimes riding a bicycle. A few minutes later the lead pack of riders flashes by, bright as a bird of paradise.

Two months after we return to the States, my dad gets a speeding ticket from Spain. At least, the post office assumes it’s for us, since we’re the only local residents who were just over there. Dad’s name is Bruce, but it’s addressed to a Blue Bowta, with nothing further to identify him aside from the name of the town.

Blue, whoever you may be: We paid your ticket.

Compost

A friend sends me an email with the subject line Beauty and a photo showing a pile of rotting tomatoes, watermelon rinds and sweet-corn shuckings. “Except for a June bride, there is nothing more beautiful than an August compost pile,” he writes.

A bunch of other friends in a private listserv are having an intense discussion replete with highly personal confessions. Because I have nothing to confess, I eat half a jar of pickled jalapeño slices, which makes me sweat profusely and blow my nose five times, like summer and winter in the same jar. Afterwards, I feel wonderfully purged.

I pass the compost pile on a moonlit walk — that too-sweet smell of fermentation. A mid-sized animal goes crashing off into the weeds. We are not doing compost right; I know that. But there are just too many rewards for doing it wrong.

Going for blueberries

mannequinsWatching a video shot in Manhattan after spending much of the day alone in a high mountain bog, I feel suddenly claustrophobic. People everywhere! The heat, the noise, the lack of escape — something close to panic sets my heart racing, and I start to itch all over.

Actually, it’s not quite true that I was alone. The young woman wandering through the city in the video looks alone, yes, but I spent the day in the company of ravens, crows, cedar waxwings, pileated woodpeckers, deerflies, crickets, goldfinches, catbirds, tree swallows, bluebirds, towhees and swamp sparrows. Once I heard a small group of humans pass by on foot about a quarter mile away. And somewhere off by herself my mother also picked blueberries in her own favorite spots.

This is our yearly ritual: pack a picnic lunch, drive to the blueberry bog on a beautiful, mid-week day, and pick several gallons of berries — enough for another year’s worth of blueberry muffins, pancakes, and fruit mixtures. For the first two or three hours, I am in explorer mode, striking out for the far end of the bog — which I have yet to reach — in search of the ultimate blueberry bonanza. Sometime in early to mid-afternoon, I turn around and start back — and almost invariably, find the most loaded bushes of the day.

I always tuck my pocket notebook and a camera into my pack, but rarely use either, in part because the mental space required to photograph or write is, for me, virtually incompatible with the hunting-gathering mind. I tend to pick in a dreamy, abstracted state, focusing mostly on the berries and on the bushes that need to be stripped. How they slowly straighten up after having been relieved of all that blue. The squelch of sphagnum under my feet. The few trees offering shade.

But there’s also no doubt that I write best here at home, seated in my familiar chair, staring at the monitor of my old desktop computer. This more than anything might be why I remain such a homebody, despite the fact that I enjoy seeing other places. Bear Meadows Natural Area, in Pennsylvania’s Rothrock State Forest, is one of the most unique and poetic places you’ll ever see, home to rare species, fringed by old growth, and as free of anthropogenic noise as you can get in this part of the state. Bear Meadows blueberriesThe fact that I can spend half the day there and not feel inspired to jot down a single word makes me feel like a failure as a poet.

On the other hand, though, one handful of wild highbush blueberries seems about equal to one good line of verse, and today I ate many, many handfuls in addition to those that went into the bucket. As with writing, picking blueberries is as much about taking pleasure in the moment as collecting something to savor later on. And growing in such a tannin-rich tea, they are acid enough to cure almost anything, these blues.