Fallow

fallow ground risen
on stilts of ice

how fun to crunch
in new winter boots

through a snow squall
the sun’s inflorescent glow

drawing me on with its
mirage of comfort

to find that fabled spot
out of the wind

The Idea of Wallace Stevens in Plummer’s Hollow

river in November light between bare woods and mountain

reading in the woods
book open to the sky

wandering snowflakes
vanish into the text

which is after all
mostly white space

something like a cloud
downloading more cloud

a woodpecker taps
a dead tree creaks in the wind

a hunter’s trail camera
wears a cap of snow

i practice solitude
one day at a time

for how in the holy
hell of other people

could grief still surface
its ancient ice

where in the limbo
of this floating world

could a bear blank as death
still find footing

how in god’s name
is anyone not yet numb

i close the book to preserve
its idea of order

from all these freelance
asterisks and daggers

untamed annotation leading
nowhere but here

Our Lady of the Alleghenies

so often the sky looks more
maternal than the earth

i am listening to the traffic
of wind through bare trees

snow on the cliffs growing
roots of ice

from the drained lake
a mechanical thumping

I recall a feeder stream
in lurid unrhyming orange

what’s behind the allegheny front
but played-out coal

the late afternoon light
gains a hint of sunset

warm air dancing with cold air
the clouds turn voluptuous

and the distance even bluer
my own mountain included

on the way home
the apparition of an old man

bent nearly double beside the road
dragging a full bin of trash

the next day snow falls
soft and heavy even in the valleys

with winds off the front
molehills become mountains again

trees are striped white
on the weather side

down in the hollow i spot
the first winter wren in weeks

bobbing with excitement
at the end of a snowy limb

Les fleurs de l’hiver

in a brown study of a winter
anything bright draws the eye

one snowflake
wandering through the forest

the scarlet crest
of a pileated woodpecker

her knocks inaudible
above the ridgetop wind

working her snag all the while
i sip my afternoon tea

under a table mountain pine
whose sighs are endless

the sun almost comes out
but then it doesn’t

graupel ticking in the leaves
leads me to witch’s butter

a yellow rose turned
to enchanted flesh

feeding on the fungi they say
that feed on the dead

orange ellipses
on black birch

when bees are imaginary
any brightness can bloom

even green rocks held aloft
by upturned roots

or corrugated steel
chthonic with rust

below the ruin of a pine
sky filling the round holes

where limbs once stretched
toward the sun

Sacerdotal

the maple with a double helix
of poison ivy succubi

its branches that are not its branches
just as naked now

the beech with a hidden hollow
hoarding meltwater

skinny stalks in the meadow
fern tangles reduced to ribs

winter makes it easy to see
and miss the missing

*

but trees can shine
in an icy blue depth of sky

and church bells from town
remind me it’s sunday

so i walk among ridgetop oaks
as if through a cathedral

who can resist a bit
of sabbath-day LARPing

to my usual seat
on a stack of flat rocks

cue a coyote trotting in
from the other direction

who stops 50 feet away
and gazes past me

flag of breath curling up
into the sunlight

and takes a few more steps
as i reach for my phone

a flash of sun from
the reflective case

and coyote is disappearing down-ridge
tail streaming behind

a lapse in faith
i instantly regret

my consumer’s impulse to capture
to have and to hold

whatever sacrament may exist
apart from the encounter itself

i think of those who will never
see a carnivore in the wild

or walk in a true forest
or visit the ocean

too poor or too much
in the middle of things

either way a poverty
that should appall us

*

i finish my tea
begin to feel a kind of warmth

a split in the heartwood
of an old black cherry tree

opens with a ratchety cry
wound like a sideways mouth

taking all
the wind’s calls

no room for piety in this hymnal
the earth has teeth

Weather Report

it’s january just by the light
and the emptiness of the forest

with so few birds or insects
what’s left to hum or buzz

unfrozen earth under my boots
still has a bit of give

one day i’m in the fog
translucent and vague

the next day it’s wind
obsessively turning pages

fog lends the moss
a certain radiance

i step on it as if sinking
into the lushest life

wind brings percussion
to the treetops

creaking and clacking except
in the heart of the spruce grove

where a woodpecker taps
to the end of a limb and flies off

fog may make me
a better listener

but the wind shows me
how to breathe

from that still and empty place
deep within

Ground Control

all day my left hand has been
so much colder than my right

the sun barely rises
a plane circles as if lost

it feels like a mirage
this snowlessness in january

leafless treetops intricate
against the clouds

frozen bubbles in an old pond
where frogs sleep

i have been playing scholar
reading commentaries on commentaries

now i walk a trail that doesn’t bend
for more than a mile

as if i needed to know
what solitude looked like

beside the unflagging river
somehow older than the hills

yellow trucks lined up beside
a blue-gray mountain of gravel

where highways meet
under a clearing sky

hemlock trees have found footholds
in crumbling shale cliffs

at the trailhead an inverted canoe
shelters three shelves of books

i read the titles: a time to kill
to love again

i only know who i am when
i am somebody else

which could be a commentary
on writers of commentaries

but the sky seems like
a good place for canoes

all this walking i do
has led me to a delusion

that there’s such a thing
as solid ground

when it’s just my feet
learning how to take root

Burlesque

In a forest of headless trees, the one tree with a burl is Pope of Fools.

It’s no accident that burl rhymes with pearl. I mean, it is an accident, but one that makes you think.

If you’re ever in the woods and feel as if you’re being watched, that may be due to the presence of burls. Though to me they have more of a listening air about them.

Brain surgeons could train on them but don’t, as far as I know. Woodworkers could turn them into bowls, and some do.

Such a bowl wouldn’t do for an ordinary salad. It would have few if any practical applications. You’d just want to have it out on display where you and your friends can gather around, standing very still and whispering whenever there’s a wind.

On the Ownership of Mountains

river in November light between bare woods and mountain

We have our own private mountains, but are they already too tired from waiting for us?
Etel Adnan

a break in the rain
itself a break in the snow

i take a chance on a walk
on my own mountain

the one i live on but also
the one that lives in my head

without their leaves
and most of their birds

the moss-footed trees
couldn’t be quieter

where snow lay until yesterday
the forest floor glistens

the sun is a bright wound
that soon heals over

two ravens converse
from the tops of adjacent trees

croaking high and low
they fly off into the clouds

then the fluting of a goose
with 27 followers

so low over the trees i swear
i feel the breeze from their wings

the tiredness drains
from my legs as i walk

i’m stopped by gnarled
skeletons of mountain laurel

one still clinging
to a fallen oak leaf

what is this blight
where are the snows of yesteryear

i pass a hollow tree just in time
to see its resident porcupine

tail like a spiny piñata
disappearing up inside

below on the road a fresh litter
of chewed-off hemlock twigs

the creek is high but clear
boisterous but well-behaved

yesterday’s ice already seems
as far-fetched as a dream

but how is it that even in winter
a mountain can give clean water

to the mink and muskrats downstream
the heron and trout

a forest grows fitter as it ages
better at filtering water

better at storing carbon
even in steep mountain soil

so the oaks as they sleep
are making fresh compost

growing the mountain
they grow on

attentive in a way that i
alleged part owner could never be

whose woods these really are
i think i know

a land trust oversees their right
not to be destroyed

but the mountain belongs
as all mountains do to the moon

earth’s own private mountain
alive only in our oceanic bodies

which are made for walking
for circling like pilgrims or scavengers

for going from full to dark
to full again

January Thaw Walk

Bell Gap again

raindrops land with a random
industrial rhythm

on the metal roof of a trail shelter
wrapped in fog

a flash of white from a woodpecker’s wings
as i set out again

feeling parenthetical
under a black umbrella

at the two mile marker
a greenbriar vine’s final leaf

fog retreating up the mountain
doesn’t use the trail

the wet cliffs seem to glow
i page through shelves of blue shale

looking for fossils i find
hibernating lady beetles

and snow hiding below the rocks
protected by rhododendron leaves

that must’ve been stripped off
by high winds

in the place of white birches
i remember my former life

in a distant city
my own tongue gone strange

i walk through a river of cold air
flowing down the gorge

at the by-gone railroad’s
horseshoe bend up the mountain

entering the cloud
i pull on my poncho

to the accelerating pulse
of a ruffed grouse drumming

i’m agog at the beadwork
of rain on every twig

ridge lines begin to emerge
above the clouds

an erasure as selective as
a song dynasty landscape

hiding a highway
and half the sounds of traffic

four chickadees forage
in the trailside sumacs

a white birch appears
through a hole in the clouds

on the side of the next mountain
but i’m turning back

on the slope below me
stark naked branches

where a porcupine has been
exercising his teeth

feeling peckish myself
i pick up a bunch of wild grapes

that old taste of wine
left out too long