Photos – Page 64 – Via Negativa

May 16, 2006 by Dave Bonta

After the rain

The sky clears toward sunset, and the wood thrushes, which have been singing all day long in the dim light, fall silent. The raincrow peers at the sun-flooded world with red-rimmed eyes,

the trees steam,

and raindrops glisten on the matted locks of a dandelion gone to seed,

while up in the woods, pink lady’s slipper orchids stand like strippers in a spotlight,

more forlorn than seductive,

and the wings of a tiger swallowtail lie scattered among the forest litter, as if left behind in some final metamorphosis beyond the reach of sunlight or imagination.

May 10, 2006 by Dave Bonta

Though flowering dogwood (Cornus florida) is a New World tree, a widespread Appalachian legend links it with the crucifixion. The dogwood was once as tall as the oak, they say, but its wood was used to make the cross that Jesus was crucified on, and forever after it has grown small and crooked, and each of the four, white bracts surrounding the flower is stained with a drop of blood. Farther south, its blooming usually coincides with Easter.

The wood is uncommonly hard, and is still harvested to make spindles for weaving. In the past, it was favored for bearings and wagon wheels, and some people with the time to make things right still like to fashion tool handles from dogwood. One can see how the crucifixion legend got started: nothing but the best for our Lord and Savior! It didn’t hurt that the “flowers” were white and cross-shaped, and that the cluster of true flowers vaguely resembles a crown of thorns.

According to the new (and excellent) Trees of Pennsylvania: A Complete Reference Guide, by Ann Fowler Rhoads and Timothy A. Black (University of Pennsylvania Press, 2005), flowering dogwood

was used by Native Americans to treat children for worms and diarrhea, to counteract poisons, and as an antiseptic and astringent. The roots were also used as a tonic and the twigs were chewed as a sort of early toothbrush. The bark of dogwood roots was sold in apothecary shops in Philadelphia in the mid-1700s as a substitute for quinine for treating ague (malaria). […] Native Americans are reported to have relied on the appearance of the flowers of dogwood to signal the time to plant corn.

I think I like that last piece of folklore much better than crucifixion legend – for one thing, it’s much more likely to be true. Blooming times of native trees and wildflowers are excellent indicators of when to plant.

Besides, dogwood anthracnose is the real curse afflicting this species. I hear that flowering dogwoods have been virtually eliminated from many more southern forests as a result of this disease, which first appeared in North America in the early 1970s. Its origins are unknown, but chances are good that humans–not a vengeful deity–were responsible for its introduction.

Dogwood berries are sought out by many species of birds and mammals, which inadvertently spread the seeds throughout the woods. Rhoads and Black say that spring azure and red-spotted purple butterflies use dogwood as a source of nectar, but those are just two of many species one can fine on the flowers. But when I took my camera for a walk the other day, I found various species of bees, several small flower scarabs, and some kind of hemipteran (true bug), a pale-green creature that I never would have noticed if I hadn’t been intent on photographing the bower of joined bracts surrounding it.

This has been the best year for dogwood blossoms in many years. Someday, if and when the anthracnose has reduced our population to a few, widely scattered individuals as botanists predict, I’ll try and remember the spring of 2006, when clouds of dogwood blossoms dotted the hillsides, and each blossom was a revelation, distinct and irreducible.

May 9, 2006September 9, 2013 by Dave Bonta

New Enterprise Stone & Lime

The Tyrone Forge quarry, owned by New Enterprise Stone & Lime, Inc., supplies blacktop, concrete, lime and crushed stone. For us, the quarry is a bit of mixed blessing. Since it’s only a little over a mile away from our houses as the crow flies, we get noise and light pollution from it – though nothing like the folks living right next to it in the villages of Nealmont, Ironville and Tyrone Forge.

But it’s damned convenient having a source of 2RC gravel so close to the bottom of our lane. “Lane” perhaps fails to convey the reality of a mile-and-a-half-long, one-lane road up a northeast-facing, steep mountain ravine. Road maintenance has been a constant preoccupation for us in the 35 years we’ve lived here. There are always trees to be cleared, rocks to be pitched off, ditches to be dug out, cross-grates to be cleaned (picture half-culvert pipes topped with narrow versions of cattle guards), ruts to be raked out, and potholes to be filled. So they know us pretty well at the quarry. It’s a fairly friendly place, and the state Department of Economic and Community Development has listed New Enterprise as one of the 50 best companies of its size class to work for.

Up through the 1970s, the quarry was a small, family-owned operation. But when it was bought up by New Enterprise, it began to expand almost overnight, gobbling up hundreds of acres of valuable farmland. Though limestone quarries don’t produce anywhere near the kind of pollution that other forms of mining do, they can still produce a lot of silt runoff, which can have a devastating effect on aquatic life. And the Tyrone Forge quarry sits right on the banks of the Little Juniata River, a high-quality trout stream. According to FlyFishingConnection.com,

Little Juniata River, located in the Southern region of Central Pennsylvania, is a river that’s making a comeback with help from the Pennsylvania Fish and Boat Commission and environmental awareness. Throughout the 1960s, raw sewage and pollutants from local mills ran into the Little Juniata from towns above. Cleanup started in the early ’70s and today, the Little Juniata is a large river with large deep pools, moderate water, and prolific hatches supporting the thousands of fingerlings stocked by the Pennsylvania Fish and Boat Commission each year. This river is one of the finest in the State of Pennsylvania, running through two counties (Blair and Huntington).

In March, New Enterprise applied for a permit to expand further–

to deepen the quarry, add additional mining and support area, add an additional sediment pond, add a NPDES discharge point, and change the postmining land use on New Enterprise Stone & Lime Company’s property from forest and cropland to unmanaged natural habitat (251.4 acres) and permanent water impoundment (137.4 acres).

So if this is approved, they will become stewards of a small lake and over 250 acres of “natural” habitat.

Meanwhile, the parent company continues its active involvement in the permanent destruction and fragmentation of habitat through highway construction. In 2000, New Enterprise was the successful bidder for the construction of a ten-mile stretch of the newly christened Interstate 99 just north of here. Thus, it became the official executioner of a once-beautiful section of Bald Eagle Mountain – the very same ridge we live on – tearing a gash out of its wooded flank that in some places reaches all the way to the ridge crest. The quarry roars through the night to supply the stone and concrete for former Congressman Elmer Greinert “Bud” Shuster’s “Highway to Nowhere.” By sheer coincidence, New Enterprise was always a heavy contributor to Shuster’s campaign chest. (It has continued that pattern with Bud’s son and dynastic successor, Bill Shuster. In the current election cycle, Son of Bud is the second-largest recipient of campaign donations from the building materials industry in the U.S. Congress.)

Bud Shuster was no stranger to such amazing coincidences during his tenure in power. His highway-building zeal found its fullest expression in his chairmanship of the powerful Congressional Transportation and Infrastructure Committee, during which time he aided and abetted the most expensive road construction boondoggle in U.S. history, Boston’s Big Dig. If you live in Boston and have learned to appreciate the convenience and fine workmanship of this engineering marvel, you can thank his stalwart supporters at New Enterprise Stone & Lime – and you can thank us, the residents of Plummer’s Hollow, for helping to keep them in business. Have a nice day.

May 8, 2006 by Dave Bonta

Band of gypsies

Eu amava o amor, essa lepra.
I was in love with love, that leprosy.
–Eugénio de Andrade, Matéria Solar

Thanks to your lightfoot genius
no Eighth Route Army
kept its lines more fluid,
traveled with less baggage,
so nibbled the advantage.
Even with your small bad heart
you made a dance of departures.

–Stanley Kunitz, “After the Last Dynasty”

The gypsy musician tells the interviewer that his favorite album growing up was by Jimi Hendrix, Band of Gypsies. He had a cassette copy that he listened to thousands of times. He liked it because it was so different from the traditional music his father played. He didn’t speak a word of English then, and had no idea what the title meant.

I don’t have a car. Lately, in my dreams, I have been running across train stations in the oddest places, all lit up and waiting for the railroads to come back. Some people are already buying tickets at the window. Homeless people are already moving in.

There were lilacs in the above photo, but I cropped them out. If you can’t smell them, what good does it do to see their image? The white in the background is the side of my parents’ house. If it weren’t out-of-focus, you’d see clapboard: about six inches wide near the ground, tapering to less than five near the roof – a trompe l’oiel effect designed to make the house look taller than it is.

You are all homeless – says the one god – with me. The thin whisper of a voice is lost in traffic.

May 5, 2006 by Dave Bonta

Becoming animal

chipmunk among Canada mayflower leaves

The other evening, my fifteen-month-old niece Elanor gave utterance to her first distinct, undeniable series of English words. They were animal sounds.

I had already gone down to my own house, worn out from a day of visiting, so what follows is based on my parents’ account. Elanor loves books – all books, even the ones without pictures – and as the adults talked, it seemed nothing out of the ordinary for her to sit on the couch with one of her favorite books on her lap, slowly turning the pages. It was a picture book for small children called Animal Sounds, which has foldout, cardboard pages, and for novelty’s sake, apparently, she was looking at it upside-down. Her grandpa was the first to notice that Elanor was imitating his pronunciations of the onomatopoeia in a low voice. “Ribbet! Ribbet!” she said as she looked at the upside-down frog. Then she turned the page to the lion cub. “GrrrrrrOWL!”

Dad signaled Mom and Steve to shut up and watch. It was no fluke. “Squawk! Squawk!” said the parrot. Another turn and unfolding of the complicated pages, and the baby elephant was clearly saying “Baroooo!”

tent caterpillars on a wild sweet cherry

And God said, “Let the earth bring forth living creatures of each kind, cattle and crawling things and wild beasts of each kind.” And so it was. And God made wild beasts of each kind and cattle of each kind and all crawling things on the ground of each kind, and God saw that it was good. And God said, “Let us make a human in our image, by our likeness, to hold sway over the fish of the sea and the fowl of the heavens and the cattle and the wild beasts and all the crawling things that crawl upon the earth.”

And God created the human in his image,
in the image of God he created him,
male and female he created them.

(Robert Alter, trans.)

This is the notorious passage in Genesis leading up to God’s first commands: be fruitful and multiply, fill the earth and conquer it, hold sway (radah). About this last verb, Alter notes that it is “not the normal Hebrew word for ‘rule’ […] and in most of the contexts in which it occurs it seems to suggest an absolute or even fierce exercise of mastery.”

Could we ask for a more explicit expression of the kind of anthropocentrism that has fueled our current environmental malaise? And yet the passage is not without redeeming qualities. Notice, for example, that wild animals and creepy-crawlies are given equal standing with livestock. This is consistent with other parts of the Bible, such as the 104th Psalm and the last chapters of Job, which explicitly recognize the claims of untrammeled nature. One can also see some irony in the account of humanity’s separate creation. While all other earthly inhabitants were brought into being through the utterance of spells – or prayers, if you like – the human is fashioned by reference to an image, as idols are made. This is brought home by the parallel Creation myth that begins a few verses later, in which God literally fashions the man out of clay, and simultaneously gives birth to the world’s first bad pun (“‘adam, ‘human,’ from the soil, ‘adamah,” as Alter puts it).

yellow mandarin

These thoughts were sparked by an entry in a new (to me) blog called everydayandeverynight.com, by Rabbi Shai Gluskin. According to Rabbi Gluskin’s post Shade Under Sun, the word tzelim, “image” or “idol,” derives from the word for shade or shadow, tzel.

We are idols made of flesh and bone, mere shadows of God. Certainly we shouldn’t be worshiped. Though not the real thing, we do share some of God’s qualities.

Taking refuge in the shade, safe from God’s blinding light we can look up and see the canopy illuminated. This illumination is akin to our inspiration.

We can, however, forget to look up. We may, like Adam, delude ourselves into thinking we can hide from God. The shadow then is no longer a protector from God’s blinding light, but a vice to run away [into].

I like the way Rabbi Gluskin grounds his interpretation in the arboreal imagery of spring. Elsewhere in the Hebrew Bible, trees are explicitly recognized as a potential focus of idolatry, reflecting the historical competition of the Yahwist cult with the cult of the Asherim. In fact, in the second chapter of Genesis, the humans’ first openly idolatrous behavior is toward a tree.

a Baltimore oriole harvesting insects from young black walnut leaves

Let’s step back a few verses, though. In the first Creation account, as I mentioned, non-human animals are not shaped, but merely spoken into being. Given the primacy accorded to mindful prayer in Jewish tradition, wouldn’t this actually threaten to raise their ontological status above that of humans? Perhaps the original compilers of the Bible thought so, too, because in the second story, we see the order of (male) human and animal creation reversed – and this time, God fashions all creatures from the soil, and subcontracts out to Adam the job of giving them names.

But were these creatures, too, fashioned after pre-existing prototypes – are they “made in the image of God”? If God works the way a sculptor does, shouldn’t we expect him to project some element of his own identity into his work, like any artist?

gaywings, or fringed polygala

Of course, it would be absurd to accuse God Himself of idolatry. But he does seem to be actively encouraging Adam’s own tendencies in that direction, fashioning the animals one by one not only “to see what he would call it,” but also to see if any of them would appeal to him as a “sustainer.” When none seem to fit the bill, the female human is created while the male sleeps, almost like a sexual fantasy given flesh. The stage is set for idolatry, loss of innocence, fear and exile. Alter says,

The Hebrew ‘ezer kenegdo (King James Version “help meet”) is notoriously difficult to translate. The second term means “alongside him,” “a counterpart to him.” “Help” is too weak because it suggests a merely auxiliary function, whereas ‘ezer elsewhere connotes active intervention on behalf of someone, especially in military contexts, as often in Psalms.

But the Psalms are directed toward God, are they not? Did the authors of this myth mean to suggest that in his yearning for a flesh-and-bone sustainer, Adam was already drawing away from God? His first recorded utterance is no psalm, but an impassioned poem to the woman – a naming-poem, a spell.

The language used for Eve’s creation, says Alter, is architectural rather than sculptural: the verb means “to build” rather than “to shape,” and “the Hebrew for ‘rib,’ tsela’, is also used elsewhere to designate an architectural element.” (This imagery helps set the stage for the Tower of Babel story, perhaps. Or at least suggests that we should see the Tower as anthropomorphic, if not theomorphic.) The idolatrous impulse here is quickly realized with the entrance of the first non-human animal a few verses later. No sooner have we been told that the man and woman “become one flesh” and that “the two of them were naked … and they were not ashamed,” then the serpent appears to set them against each other. And the main descriptor used for the serpent, ‘arum, “cunning,” is a play on ‘arumim, “naked.”

Thus, guided by the active intervention of one of the animals Adam named, Eve “saw that the tree was good for eating and that it was lust to the eyes and the tree was lovely to look at, and she took of its fruit and ate, and she also gave to her man, and he ate.” The word translated as “lust” will appear often in the exhortations of the prophets, for whom lust and idolatry seem to have been closely linked.

blue-gray gnatcatcher on scarlet oak sapling

Eve’s first act is to look for her own ‘ezer kenegdo, it seems. Forget for a moment the millennia of moralistic and sexist interpretations based on the premise that the rightful place for righteous humans is back in some otherworldly version of that paradise. Forget the quintessentially priestly assumption that ignorance – unthinking obedience – is bliss. What the Genesis Creation stories really suggest is that rebellion is somehow intrinsic to created beings. A thing is no sooner named, fashioned, or dreamed up – a child is no sooner birthed – than it acquires its own personality, as every artist or parent knows. Self becomes Other, and Other then returns to open the eyes of the Self. The pivotal importance of the serpent in the Genesis story (the devil is nowhere in sight) almost bridges the gap between this and other tribal Creation myths, where animal tricksters also play central roles. By the time we get to Abraham and Sarah – let alone Jacob, Job and the Prophets – we find human beings capable of telling God a thing or two.

What could we possibly know that an omniscient God does not? Humility: the dawning recognition that we are not, in fact, the center of the universe. A sense of wonder. Without some measure of selflessness, is true empathy possible? The infant, godlike in her egotism, can hardly begin to imagine herself as another being; her squawks and chirps and cries are solely her own. Only with the growth of other-consciousness can she become capable of the imagination necessary for anthropomorphizing empathy. If – as eco-philosopher Paul Shepard asserted – it is the animals that made us human, could we not also say without any impiety that it is humans who taught a violent and amoral god how to be Good?

Photo from last year’s trip to the reptile zoo. See here and here.

__________

UPDATE: Steve tells me that Elanor had actually been saying “Woof, woof!” now and then for a month or so, and that the evening before her “reading” of the animal sounds book, she had added a second element to her vocabulary: “Tickle, tickle!” Make of that what you will.

May 3, 2006September 23, 2012 by Dave Bonta

Stalking the horned fungus beast

Last Thursday, after I re-found the blister beetles for my brother Steve, we walked back through the flowering oak woods. It was a sunny day, and the woods were filled with butterflies.

Juvenal’s duskywing (Erynnis juvenalis) – not to be confused with the very similar Horace’s duskywing, which emerges later on in the summer – almost disappears when it lands on the forest floor. It’s strongly associated with dry, upland oak habitat, emerging from the chrysalis just as the oaks are bursting their buds. We were probably seeing males patrolling for females; each seemed to circle a fairly small area.

After mating, the female duskywing will lay her eggs singly on scattered oak leaves. The caterpillar will munch away on its oak leaf in splendid isolation – unlike, say, tent caterpillars – and will roll the leaf around itself like a sleeping bag whenever it rests. To each his own method of camping out, I guess. The adults feed on nectar from a number of species, including blueberry, which is the main ground cover here. They are said to sleep “with wings folded rooflike over the back, in the manner of a moth.”

A brilliant green six-spotted tiger beetle lands on the trail in front of me, and I go into the photographer’s crouch (see the photo in Friday’s post). This is quite possibly the most-photographed beetle species in the world, Steve says. He adds that when he was a kid, he used to have to go to the Scotia Barrens near State College to find any tiger beetles, but thirty years later, Cicindela sexguttata has become a common resident here on the mountain. I wonder if that might not be due to an increase in available prey. As a forest matures, it becomes structurally more diverse, with more forest openings and fallen woody debris, and insect numbers and diversity increase correspondingly.

Tiger beetles are famous for their ferocity, but there’s more to them than that. After six-spotted tiger beetles mate, the male rides around on the female’s back for a while to make sure nobody else gets a chance at her. Or at least, that’s how the scientists explain it. I suppose it might just be a prolonged afterglow.

We pass a fallen scarlet oak log, and Steve gets his knife out. “Oak logs like this are a gold mine – you never know what you’re going to find,” he says happily as he begins ripping off pieces of bark. Grubs and spiders go scurrying.

Daylight crashes rudely in on a scarab beetle larva, which squirms and burrows deeper into the rot as I snap its picture. It somehow manages to be both beautiful and repulsive at the same time.

A brilliant green halictid bee pauses in front of a slug. Perhaps we’ve just interrupted something important; we’ll never know. “Halictid” means “salt-loving,” Steve informs me. “There are a huge number of species, including those little sweat bees that like to sting after they’re finished drinking your sweat. But most of them are harmless, like this one.”

We spot two tiny snails, barely a millimeter across. Snails were one of the earliest animals to colonize land, and they’ve been doing quite well in the 350 million years since. By some estimates, one acre of moist temperate woods might harbor 1.5 million snails; a montane forest in Panama was estimated to hold 7.5 million snails. I guess if you know what you’re doing, you’d never have to go hungry. But one can only eat so much escargot.

Our most spectacular find was an orange-red larva of an elaterid, or click beetle. Some click beetle larvae – smaller than this one – are known as wireworms, and arouse fear and loathing in many gardeners. But adult click beetles are every kid’s favorite insect, especially the huge eyed elators with false eye spots on the back of the thorax. Click beetles are so called because of their unique, two-step defensive strategy. First, they roll over on their backs and play possum, without the grin. If that doesn’t work and the predator – or a finger – actually makes contact, they flex the head and thorax backward, then suddenly straighten out with an audible click that fires their bodies several inches into the air.

“Not too much is known about beetle larvae in general – they’ve hardly been studied at all,” Steve notes. Most of what we think we know is based on what we can most easily see, so even for relatively charismatic insect species like tiger beetles and click beetles, we have few notions about their behavior during the 90-some percent of their lives spent in the juvenile form.

The limitations of our current method of investigation – rapid roof removal – for learning anything about insect behavior are obvious. In one crevasse, we surprise a pair of cave crickets, side by side but not mating. They sweep their amazingly long and sensitive antennae back and forth like a blind person feeling for the curb. I can’t resist quoting from a Japanese website:

Many of cave crickets have the round back, it has the form of having been the thickset, and there is no wing. Hind legs and an antenna are very long and detect existence of a surrounding situation and a foreign enemy in darkness by shaking and moving this antenna from back to a front. In the color of the body, it is brown, an eye degenerates, and, as for gray or the thing which was adapted for the cave, the body is soft. It lives by preference under the damp places in a cave etc., and a stone and the fallen tree.

Cave crickets are omnivorous, and can go for a long time without food. To stave off starvation, they will eat their own legs, one by one.

“Oak logs are the best,” Steve says as we make our way down to the stream. “You won’t find anywhere near the same level of biodiversity under the bark of a pine log, for example.” I feel another piece of the ecological puzzle snapping into place. I knew that oaks were keystone species in the Appalachian forest, but I had always thought in terms of acorns and den trees – the scale I’m familiar with. From what Steve is saying, it sounds as if, prior to the death of an oak, its contribution to the food web has barely begun. And doubtless a wood so prized by invertebrates must furnish more than its fair share of nutrients for soil microorganisms, as well.

We pass a beech log, and Steve pulls back a strip of bark to show me a smooth, unpopulated surface. But then he spots an old bracket fungus, A.K.A. artist’s conk. “This is where you find stuff on a beech log,” he says. He pulls it off and shows me the underside, which is pocked with small craters.

“These are the exit holes of Bolitotherus cornutus, whose name translates as ‘horned fungus beast’! Here, let’s find one so you can get a picture of it.” He starts digging into the rotten conk with his fingers. “A-ha!”

“That’s an insect?”

“Yup. I’ll put it on my hand so you can get a better look.”

“It’s a type of tenebrionid, or darkling beetle,” Steve explains. Most tenebrionids are desert dwellers, but this species has adapted to life inside rotten shelf fungi. It isn’t so much camouflaged as thoroughly imbued with its environment, which is caked between the ridges of blunt, tuber-shaped projections on its back. A much better picture of a clean female fungus beast can be seen here. The accompanying photo of a male shows the horns for which it was named. It looks like nothing so much as a miniature Triceratops.

According an abstract of a paper I found online, B. cornutus has well-developed wings, but has never been observed to actually use them, preferring, apparently, to walk. In a mark-and-recapture study, a few individuals were found at distances greater than those predicted from observations of its regular style of locomotion. Perhaps they did short sprints when no one was watching.

April 28, 2006 by Dave Bonta

The way things are

It’s right there in front of you, that Shangri-La, that eternal spring.

I mean, how else would it keep finding its way into your camera? You click the shutter thinking that you’re taking a picture of one thing, and hours later when you look at the results, you see something more, like those double-exposed pictures that the Victorians tried to pass off as photographs of ghosts.

“I have a similar train of thought at peak of each season,” says the sylph, “a desire to stop the world for a geologic minute, a general sadness that it will pass.” Me too.

But the passage itself is so beautiful: that way-making, that semi-conscious inscription of memories in nerve-map and neural net, in slowly fraying muscle, in thinning bone. Heraclitus’ river, the one you can’t step into twice? Why not say that it is reborn each moment, like any stream or spring? The Indians of La Florida – the flowering land – didn’t lie when they told Ponce de Leon about a fountain of eternal youth. They couldn’t know that he would put a self-centered spin on it.

six-spotted tiger beetle

In my camera’s Shangri-La, green tigers stalk the numerous descendents of those wasps who long ago fell to earth and lost their wings. Birth alternates with death and joy with suffering, as in any divine comedy; only those for whom all distinction between individual and tribal existence is meaningless can escape death. And these immortals – too small to be glimpsed except through the finest optics – are running the show.

Welcome to planet Earth.

April 27, 2006September 23, 2012 by Dave Bonta

Anti-spring

black-and-white warbler

“The descent beckons,” wrote Dr. Williams in his great poem about the Paterson Falls. Why do I think of this now, in spring – the very name of which conjures up such images of upwelling and resurrection? Persephone has returned from the underworld, and in spring the young man’s fancy turns lightly, they say, to thoughts of love. But then why do we hear about so many boys with guns and bombs, their resentments turned to rage? As the earth thaws, it gaps open, and many find their gaze drawn downward.

Solomon’s seal

Many of the most emblematic wildflowers open toward the ground, a posture presumably intended to attract insect pollinators. Solomon’s seal is famous for its dangling row of blossoms, but even the first sprouts have a certain air of ascetic contemplation – a kind of inwardness. One of my favorite wildflowers – which unfortunately doesn’t grow here in the hollow – is wild ginger, which buries its reddish-brown flower in the leaf duff. I’ve come to prize the spicy flavor of its dried roots even more than Asian ginger for flavoring homebrewed ale and mead.

wild oats

With the onset of summer, rayed and umbeliferous flowers will abound. But in the light-drenched woods of spring, flowers nod sleepily. If – as the botanical term campanulate suggests – they resemble bells, they are bells without clappers. Others hide their sexual faces inside tubes, under hoods, or in mute trumpets.

Sit near a patch of blossoming lowbush blueberries, and you’ll soon see the attraction they have for wasps and bees, which swarm in to drink from their over-turned cups. These bells may not ring, but they certainly can buzz!

The blueberries grow in a small powerline right-of-way that’s almost a hundred years old. The human-maintained scrub oak barren there is a unique habitat for our end of the mountain, and we often wonder whether it harbors any rare species. I was busy snapping pictures of the rasta-like flowers of scrub oak the other day when I spotted this meloid, or blister beetle. I showed the picture to my brother Steve, and he immediately got excited. In over thirty years of collecting beetles on the mountain, he said, he’d never seen this species.

Of course, that may simply be because he doesn’t tend to do a lot of collecting this time of year; the real insect biodiversity bonanza doesn’t begin for at least another month. It may also be that these beetles are common in the canopies of other oaks also flowering now, 80-100 feet off the ground. But this morning, we combed the scrub oaks on the powerline and only found two individuals from this species. Even more surprising, Steve couldn’t find it in his favorite beetle guide. Sure, beetle species are much too numerous to include more than a representative sample in any given book, but it seems odd that something so large and showy wouldn’t have made the cut.

As I watched, this one eventually turned head-down to match the inflorescence. Steve told me that many meloids are naturally uncommon, and some are quite interesting. As is often the case with brightly colored critters, blister beetles can be quite toxic. They secrete an oily substance from their joints called catharidin, which does cause blisters for some people. Nevertheless, when disturbed, this beetle’s reaction was to drop like a stone and disappear into the leaf litter. “That’s not an uncommon reaction among pollinating beetles,” Steve said.

So clearly, there are all kinds of practical reasons to be geotropic. The danger with spring, as I mentioned the day before yesterday, is that the real heart of it will be overlooked in our feverish anticipation of more sun. “The descent / made up of despairs / and without accomplishment / realizes a new awakening : / which is a reversal / of despair,” wrote Williams. “For what we cannot accomplish, what / is denied to love, / what we have lost in the anticipation – / a descent follows, endless and indestructible .”

April 25, 2006 by Dave Bonta

High spring

New growth sprouts from an old nest, signaling as well as anything can that we’ve entered that magic time I call high spring. The daffodils are fading, the banks of forsythia are in the last throes of blooming, and the first cohort of wild blossoms – shadbush, spicebush, coltsfoot, hepatica – are shedding their petals. The leaves of birches and black cherries are just beginning to open, turning the ridge to the west a pale green, while the oaks are in blossom all up and down the ridge above my house, giving it a yellow-green wash. Red maples, sugar maples and tulip poplars provide pastel splashes of red and green.

Wild sweet cherry trees – legacy of a long-gone orchard – glow white along the edge of the field in the early morning sun. Down in the hollow, purple trillium (A.K.A. wake robin) is in bloom, and Solomon’s seal and yellow mandarin are just at the point of flowering. Black cohosh, wild sarsaparilla, and a host of ferns unclench their insurrectionary green fists.

wild sarsaparilla

Almost every day brings a new birdsong: last Thursday, the black-throated green warblers were back in force. Friday afternoon, I heard weeza-weeza-weeza from inside at my writing desk and bounded out the door with my camera, but was too slow with the focus to get a shot of the first black-and-white warbler calling among the last blossoms of the ornamental cherry next to my porch. Yesterday morning, at around quarter to six, I heard a whippoorwill sing a few phrases of its namesake song from about a quarter-mile away (which is just about the distance and duration I prefer, actually). Later in the day, I watched a pair of Louisiana waterthrushes courting in the branches of a black birch above the now-roaring Plummer’s Hollow Run.

rue anemone

A weekend of hard rain has eased the fire danger I alluded to last week. Water streams from the mountain’s every pore, and it’s a real pleasure to sit outside at first light and listen to the birds tune up against a background of running water. This morning, one of those songs made my heart leap: wood thrush! But not, I’m sorry to say, an especially gifted member of the tribe. I don’t know if he grew up next to a busy highway, and thus was unable to learn the full nuances of his species’ song (a documented phenomenon, by the way), or was simply too tired from the migration to give it his all, but this was a bare-bones version of that famous thrush call.

But I’m sure there will be more thrushes – possibly as early as this evening. And it served as a reminder to me to get out more often and listen for the other thrush species, which sometimes sing on migration. In past years, I’ve been lucky enough to hear both veerys and hermit thrushes, and once, about five years ago, a Swainson’s thrush – far outside its normal breeding range – sang through most of June at one spot down in the hollow.

rattlesnake fern

I was happy when temperatures got cooler over the weekend. To my mind, spring is best when it is long and slow, though I know a lot of people who seem to regard the season primarily as foreplay to summer. Some years, it stays cold through late April, and then an early heat wave makes the flowers leap into bloom, the trees leaf out and the songbirds return from the tropics all in a rush – a southern spring. My parents traveled to Arkansas last month, and were confounded to see hepaticas blooming alongside wild geraniums. I’m sure it’s all in what you’re used to, but to them, it just didn’t seem right. Spring should come gradually, almost imperceptibly at first. Not for nothing did Aaron Copland set his ballet Appalachian Spring in Western Pennsylvania; there’s a kind of choreography to spring arrivals and blooming dates here in the north, a certain order and cadence that’s practically synonymous with spring in the minds of most northeasterners. As in any dance composition, there are many high points along the way, as buds burst in mid-air and flowers relax into nascent fruit. High spring, as I conceive of it, climaxes in mid to late May, when the pink and yellow lady’s-slippers bloom. By then, all the trees except for walnuts and locusts have fully leafed out, but insects and air pollution have yet to diminish that first, fresh, startling green.

April 20, 2006 by Dave Bonta

Fire danger

Spring azure butterflies mate among the dry leaves on the forest floor. With the fire danger so high, the faintest rustle calls for a closer look.

The red-tailed hawk lies headless in the woods. Think of it, that hooked beak passing harmlessly through some scavenger’s belly…

All the while we eat our picnic lunch, shadows of water striders glide over the bottom of the creek like six-spotted dice. Just as we finish, fifty feet away, a limb crashes down.

Sunlight floods the forest in April as at no other time of year. The sun arcs as high above the horizon as in August, but almost nothing is in leaf. So each blossoming shadbush stands just within view of the next – a situation no doubt intended more for the benefit of insects than for us.
*

Spicebush stands in wet clay, opening miniature replicas of the sun.

The blush on the ridgeside deepens as the red maples set their winged seed.

Though poised for fight rather than flight, the buck’s antlers were wings of a sort, too. Warm temperatures and a shrinking creek draw vultures, and one lifts off at our approach. Did I really hear, or merely imagine, a momentary clash of tines and pinions?