Must-see blogging: the Artlog Exhibition of Maquettes

Clive Hicks-Jenkins’ Artlog:

Welcome to the first exhibition at the Artlog. It evolved out of the interest of regular visitors in my practice of making articulated paper maquettes for use as compositional aids. A few of them felt encouraged to produce maquettes of their own, and thereafter everything just blossomed. Some contributors have submitted a single maquette, and others many.

This is simply an amazing online exhibition, now complete with the addition of Part 5. The above link takes you to all five posts in reverse chronological order.

Todd Davis on National Poetry Month

NPM Daily:

And as far as cruelty goes, I think T.S. Eliot was being a bit overly dramatic when he suggested that these 30 greening days in the fourth month of the year were the cruelest. I can think of many other months that offer far more by way of cruelty.

Perhaps as a Midwesterner transplanted to England, Eliot never had the opportunity to walk deep into a northern forest in the first days of March—snows slowly pulling their tongues back into the earth’s mouth—to see winterkill huddled beneath hemlock boughs: the carcasses of deer withered on January’s barren fruit; the corpses of porcupines who weren’t fast enough to evade the brutal teeth of fisher; or even the rare bear who trudged too soon from slumber and found nothing but the empty taste of ashes in its belly.

By April, at least here in central Pennsylvania, the entire ridge-side is burgundy with the tiny blossoms of sugar and red maples. The coltsfoot has already discarded its yellow-fringed flower, and May apple is unfurling the glossy umbrella that will hide its fruit in June and July.

Character recognition

The Storialist:

It’s getting harder to prove you’re not a robot
to the computer. You can robot-proof
your website by warping the text like wrought
iron, twisting it. The troubled youths
of the internet have robot brains. They want
to sell you pills to enhance your desire
or suffocate your appetite.

Return of the Mari Lywd

Clive Hicks-Jenkins’ Artlog:

Today, all uninvited, the beast conjured from skull and sheet and ribbons, that haunted my father and through him came to haunt me, arrived not by night in the dead of winter, as it once did with him, but in the back of a car on a bright, sunny morning. And not to do battle this time, but stepping out of the distant past to tread a stately pavane with me under the holly tree in our orchard. Jack barked and proffered his frisbee for play. The rooks called and collared doves fluttered softly about their nests. The circle has closed, at last.

Silverfish

The Marvelous in Nature:

An individual silverfish can live as long as two to eight years. Think about that. If you moved in the last few years, there might be silverfish in your house that have lived there longer than you have. Fortunately, they’re not that prolific; a female may lay fewer than 100 eggs in her lifetime. And a healthy household population of earwigs, spiders and house centipedes will also help keep their numbers down.

Wuppertal

Parmanu:

I still don’t know what form the Wuppertal experience will take, but writing this post has made me curious once more about this unusual city and my encounters during the visit. I went there to watch Kontakthof, a performance about meetings between people, but I came away with the feeling that I was in such a performance, and others were watching me.

Rat ghazal

Stoney Moss:

Could I tame the creature that steals birds’ corn, could I
cage her, set a wee wheel in motion for the rat?

Who can harm such industry, close her bright brown eyes?
I set bait, hope the lure doesn’t take my brown rat.

Attila József

George Szirtes:

I have translated only a little. That tone is hard to strike as well as keeping form. It is colloquial, romantic yet firmly rooted in realism. […]

Fat drops of rain on the roof,
          metallic pit-a-pat.
Cluck on old hen, brood me time,
          hatch me some of that.