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Posted on by Dave Bonta

Fulgurite

This entry is part 14 of 34 in the series Small World

Lightning roots deep into the sand,
donning an instant sheath of glass:
a seemingly pointless exercise in self-glove.
Clap of thunder.

Could it be, though, that radiance tires of itself?
Nowhere in the alleged blackness of space
is there any relief from the ticking,
pulsing, clusterfucks of stars
except on cold planets.
Who can blame lightning
for burrowing in like a tick?
Even we humans, full of darkness as we are,
go on pilgrimage to the ocean,
dream of girls with gills,
get buried up to our necks in sand
or swim with porpoises, whose
capacity for joy we suspect
of exceeding our own.
We go back to the sea like adopted children
paying a visit to our birth mother,
hoping that she’ll show some sign
she regrets giving us up:
some whelk, some dead star.
We tell prospective partners how
we love long walks on the beach
because it’s the deepest thing
we can think to say.

But only someone who knows the shore
well enough to recognize what she doesn’t know
will stop to pick up an odd
sandstone lump, & find
that it hides black glass.
She’ll sight through the short smooth tube,
hold it up to the sun like a sextant.

Posted on by Luisa A. Igloria

Reversed Alphabet of Rain

This entry is part 33 of 47 in the series Morning Porch Poems: Summer 2012

Zero buyers till now, for our old home in the middle of the city—
You wrote, too, how in the last monsoon, there was hardly a dry spot:
xerox copies of leaks in every room, even inside the closets.
When we first moved there in ’63, you said there was a frame of
varnished mahogany hanging in the foyer; a portrait,
unexpected— the former president of the Commonwealth,
tints brightening on dull canvas after dusting and
scrubbing lightly with a cloth. Where is it now? In those days,
rain also fell for months on end. The neighborhood below Rock
Quarry always flooded every year. Lining up for relief goods,
people shivered in queue at the barangay health center:
oil, rice, sardines, powdered or evaporated milk for babies.
No one knows when the area first came to be known as The Lagoon.
Mostly “squatters” there— meaning, people setting up homes on
land they did not own; they reasoned, who else would build there,
knowing how flood-prone and inhospitable it was each season?
Just think of that kind of transience, living in a danger zone.
I remember how we used to pull our mattresses into the living room,
huddle in the dark of power outages. Sans batteries, candles threw
garish shapes on walls as our hands put on puppet plays—
fanned-out butterfly wings, a bird, a dog’s barking head.
Evening stretched into the long uncertainty of night.
Do you remember how every sound was magnified?
Candle wax pooled on the floor and hardened.
Bright sweeps of sudden light from trucks on the road;
arcs of memory on a more interior windshield.

 

In response to an entry from the Morning Porch.

Posted on by Dave Bonta

Marly Youmans on why she left academia

The Palace at 2:00 a.m.:

Ten books and three forthcoming books later—poetry, novels, and several fantasies for children—I can say that I do not regret my decision. I lost a good deal of security and salary, and I fell from the academic realm of writers, but I gained freedom to do exactly as I liked in words. No book I wrote would be needed for promotion or merit pay. I could strive as I liked, and could spend months in a way that might seem wasteful to others but was the path forward for me. I had no need to throw myself into print. As a young poet, and later as a poet and writer of stories and novels, I had no need to think better of my work than it deserved at the time.

Posted on by Dave Bonta

Goodbye to the Netscape sky

This entry is part 19 of 20 in the series Poetics and technology

Netscape Browser UninstallThis morning I decided it was time to remove Netscape from my PC. I hadn’t used it since 2006, but it was still patiently sitting there in my hard drive, all 29 megabytes of it, like a faithful hound that’s grown much too old to hunt. When I clicked “remove” on the Windows XP Add or Remove Programs utility, it generated its own sad screen, with “Netscape Browser Uninstall” in generic serif italics in the upper left corner, white on blue, as if it were trying to remind me of the good old days of WordPerfect 5.0, acoustic couplers and AOL. “Don’t you want to go for one more run around the field?” Sorry, old boy. It’s time for you to go to sleep and hunt rabbits in the blue screens of heaven.

Truth to tell, I never used Netscape very much, because I didn’t spend much time online before 1997, by which time Internet Explorer already seemed like a better option. But it mediated my first introduction to the World Wide Web: on a monitor in my brother’s basement office at Cornell back in 1995 or 96. As we waited for the page to load, the little animated icon of comets passing a rapidly spinning planet caught my eye, as it was meant to — something to stare at while data slowly crawled in over the telephone line, with the not-so-subtle message that this is the future, we’ve arrived. From Mountain View, California to the outermost reaches of the atmosphere, it was nothing but blue-black skies from now on.

The architects of the first mass-market web browser were very conscious of metaphor. The Wikipedia quotes an article from Macworld, May 1995:

Netscape Communications wants you to forget all the highway metaphors you’ve ever heard about the Internet. Instead, think about an encyclopedia — one with unlimited, graphically rich pages, connections to E-mail and files, and access to Internet newsgroups and online shopping.

But who would write those pages? Who would build that wondrous new netscape? Microsoft won the first browser war (as geeks sententiously call it) by giving their product away, a foretaste of much to come. What they couldn’t have known was that users would not be content to merely explore the internet, and that profits would not be the main motivator of those who would go on to create not only most of the best and most useful content on the web, but also the open-source code that now runs a great deal of it: Linux, Apache, MySQL, PHP, WordPress, and of course Firefox, which is my main browser these days. That much neither Microsoft nor Netscape could have foreseen. But every time I upload files to Dropbox, Vimeo, Flickr or Google Docs, I am in a way indebted to Netscape’s starry-eyed vision:

Netscape advertised that “the web is for everyone” and stated one of its goals was to “level the playing field” among operating systems by providing a consistent web browsing experience across them. The Netscape web browser interface was identical on any computer. Netscape later experimented with prototypes of a web-based system which would enable users to access and edit their files anywhere across a network, no matter what computer or operating system they happened to be using.

These days we have a new metaphor for that. We call it the cloud.

Posted on by Dave Bonta

Love After 50

Love after 50 doesn’t make the pop charts.
It’s too absurd.
Absurd as ice cubes settling in a glass
when one pours hot coffee over them,
shedding their sharp edges.
Absurd as the day-time ghost
of one’s breath on a cold morning.
Absurd as the smell of soil after a rain—
why should mere dirt outdo all other odors?
Absurd as grinding steel on
a wobbly bench grinder with a corroding belt,
that hair of sparks,
the pleasant way they prickle against the skin.

*

25 August 2012: Changed title from “Love After 40,” “50” seeming more resonant.

Posted on by Luisa A. Igloria

Etymology::

to take heart, invigorate, freshen, turn (a sail) by means of a brace:: to make stronger, reinforce, fasten tightly, bind against the wind; to fathom— against the nervous trees and their supply of questions— the lifting fog, the grace of a few thistles by the road. What is the length of a day? Two arms can measure only so much. But obey:: lift your head against the haze of cool blue clouds. Here’s the scope of what might be achieved:: perhaps not so much to bend ends back to their beginnings, as to stroke repeatedly until the needle points back to steady.

 

In response to Morning Porch and small stone (134).

Posted on by Dave Bonta

Charles Simic on poets and money

NYRblog:

In a country that now regards money as the highest good, doing something for the love of it is not just odd, but downright perverse. Imagine the horror and anger felt by parents of a son or daughter who was destined for the Harvard Business School and a career in finance but discovered an interest in poetry instead. Imagine their enticing descriptions of the future riches and power awaiting their child while trying to make him or her reconsider the decision. “Who has recognized you as a poet? Who has enrolled you in the ranks of poets?,” the trial judge shouted at the Russian poet Josef Brodsky, before sentencing him to five years of hard labor. “No one,” Brodsky replied. He could have been speaking for all the sons and daughters who had to face their parents’ wrath.

Posted on by Dave Bonta

Knob

This entry is part 13 of 34 in the series Small World

Finite snail evolved from a peg,
all twist & no spiral, turning
neither inward nor upward: here’s
a key to our egalitarian metaphysics.
The knob involves us in the machine’s
unfinished business, it turns us
into connoisseurs of the abstract.
And hell, it’s fun to roll things
between the fingers—
they were made for this.
The caveman in me says
smash it & suck out the marrow.
The Medieval peasant says
splash it with holy water
to drive out the small devil
whose millstone it must be.
But I say alas that our machines
are surrendering their squat manhood
to a remote.

Posted on by Luisa A. Igloria

The Trials

May all beings be free from suffering and the causes of suffering.
~ from The Four Immeasurables

 

And in that tale, like bits of broken teeth,
like gems or brittle tears, a thousand grains

are spilled upon dark ground. Because the soul
looked full upon love’s face, it now must count

and gather, harvest shredded wool among the bramble,
stitch its craft of mortal longings to the impossible.

The stars, as always, withhold commentary.
Only the blossoms along the fence offer

sweet worth, stubborn hope; the thorns,
their pointed epistle: I wound to heal.

 

In response to thus: Night prayer.