Cibola 90

This entry is part 89 of 119 in the series Cibola

Reader (14)

[God] brought light out of darkness, not out of a lesser light; he can bring thy Summer out of Winter, though thou have no Spring . . . . Now God comes to thee, not as in the dawning of the day, not as in the bud of spring, but as the Sun at noon.
JOHN DONNE
Christmas sermon

Hohokam floodwater cultivators lived from the bounty of storm-driven floods but were simultaneously subject to the unpredictable consequences of uncontrolled flows. As shallow drainages flooded and shifted across alluvial fans, they buried the houses of farmers in the same rich sediments that nourished their fields. . . . Unlike their counterparts in the Old World, the Hohokam were direct gatherers and consumers of desert vegetation, without domestic animals [such as sheep, goats and cattle] as highly efficient, but ultimately destructive, harvesters . . .
SUZANNE K. FISH
“Hohokam Impacts on Sonoran Desert Environment”

Behold the Lamb of God, which taketh away the sins of the world.
JOHN THE BAPTIST
Gospel According to John 1:29

The gatekeepers

serpents_b&w_3

It’s after-hours at the reptile zoo. The last echoes from the last child’s excited shrieks have died away and the endless loop of jungle music has been switched off, along with the softly hissing fluorescent lights. Imagine what sounds must populate the stygian darkness, as Edgar Rice Burroughs would’ve called it: a slow whispering of scales against scales, the creaking and shuffling of homesick tortoises still trying to locate the bole of some coconut palm. The leaf-tailed geckoes’ suction-cup feet make faint popping noises as they climb the walls. A cricket chirps once, twice. A sudden scrambling from the cages of live mice and three dozen forked tongues crackle like static. Something small and deadly plops into a pool. An alligator takes its once-a-minute breath.

gators_b&w

“More sophisticated interpretations of Genesis regard the serpent as mediator of understanding: human beings must be expelled from the Garden, which they have enjoyed unconsciously, in order to return to it with conscious appreciation in a perfected state… It is notable that both Kundalini and Christian imagery represent the serpent as gatekeeper of extraordinary power – be that power conceived as energy or awareness. The two snakes intertwined around the caduceus, symbol of the medical profession, evoke the serpent as gateway to healing.”

Ellen Crist, “Serpentes, the Ultimate Other,” in Wild Earth special issue, “Facing the Serpent,” Summer/Fall 2003

serpents_b&w_2

“The [human] brain evolved into its present form over a period of about two million years, from the time of Homo habilis to the late Stone Age of Homo sapiens, during which people existed in hunter-gatherer bands in intimate contact with the natural environment. Snakes mattered. The smell of water, the hum of a bee, the directional bend of a stalk mattered. The naturalist’s trance was adaptive: the glimpse of one small animal hidden in the grass could make the difference between eating and going hungry in the evening. And a sweet sense of horror, the shivery fascination with monsters and creeping forms that so delights us today even in the sterile hearts of the cities, could keep you alive until the next morning. Organisms are the natural stuff of metaphor and ritual. Although the evidence is far from all in, the brain appears to have kept all its old capacities, its channeled quickness. We stay alert and alive in the vanished forests of the world.”

E.O. Wilson, “The Serpent,” in ibid.

serpents_b&w_1

“Although I’ve been taught that scientists are supposed to be dispassionate observers, I’ve had problems living up to that ideal. It is impossible for me to view nature as a collection of unfeeling objects. I’m not just interested in living organisms and curious about their lives – I really love them. I especially adore the eastern diamondback rattlesnake (Croatus adamanteus), the ‘king of rattlesnakes,’ as Manny Rubio calls it in his book, Rattlesnake. Just why I have an affinity for this creature I can’t say…

“My most memorable experience with a diamondback was a seemingly telepathic one. I was walking slowly along a transect in San Falesco Hammock, near Gainesville, conducting early morning bird surveys for my dissertation research. I was gazing up toward the treetops, listening for songs and calls, when suddenly the image of a diamondback came into my head, like a daydream. I glanced down, and right at my feet where I was about to step was a large diamondback in a resting coil. The strangest thing is that neither I not the diamondback were the slightest bit alarmed by this state of affairs. I sat down cross-legged about a foot from the snake, and for several minutes we silently communed, the snake slowly flicking its tongue and I just watching. I then stood up, stepped around the snake, and continued my survey.”

Reed F. Noss, “Another Dead Diamondback,” in ibid.

green_mambas

“Sadly, snakes are disappearing from many parts of the globe just when we are starting to understand their place in the world.”

Chris Mattison, Snake: The Essential Visual Guide to the World of Snakes, DK Publishing, 1999

“Green, how much I want you green.
Green wind. Green branches….”

(Verde, que te quiero verde.
Verde viento. Verdes ramas….)

Federico Garcia Lorca, “Romance Sonambulo” (Sleepwalker’s Ballad)

Cibola 89

This entry is part 88 of 119 in the series Cibola

Esteban/Cibola/Shiwanna (conclusion)

The sleeper starts,
gets up, sure he felt a body
creeping under his blanket.
Reaches, finds something sticky,
stirs the fire.

A shape of horror,
the beautiful woman who took
him to bed revealed in
her true shape: a corpse
sleeping without sleep, waking
without waking up,
rising so all the rest
of the flesh drops off,
he strikes the skull from the neck
& the bones fall in a clatter. But
the voice, the girl’s voice
merely grows more shrill,
demanding love,
insisting on the faith
he almost remembers pledging,
threatening Hell in an instant as
he flees the now-
ruined house, literal
ghost town
for the ancestors
of some tribe
who live under a curse in an old story.
He almost remembers it,
how they all pack up & leave
to avoid retribution,
down in the burning land
rebuild their towns:
whole kingdoms of witches, now,
who begin to send their raiding
parties north,
their slavers south . . .

He runs.
He can hardly move.
The level plain keeps turning
into mountains. And all
the while a rumbling
as the skull rolls
after him, baying
despite its disarticulated
jaw, the grin
by now so wide
it can feed on wind,
can suck down every cloud
as it crests the horizon.
It’ll be his fault when the fields
turn to stone, it’s because of him
the corn maidens flee,
the millet beer turned sour,
the butter didn’t come.
The ancestors holler, shaking
their rattles, pounding the floor
with their fat stubby limbs.
Desperate, wild,
he whirls around

& nothing. The shrieks
come from his own throat,
regular as the cries
of a woman giving birth,
sounds without meaning.
No. Sounds too full of meaning
to reduce to words,
coming too fast, rising,
bubbling up
like the foam on beer,
congealing into one
long cry, &
ahhhhhhhhhhhhhhhhhh
sweet jesus! the newborn all
sticky with the waters
of its birth, cold.
Possessed by a single wail
that signifies No.
And at ten
days old still
anonymous, not yet
a finished being.
Plucked from its fitful sleep
& carried out
naked to show
the newly risen
round
red
sun.

Of dragons and princesses

boa_touching

My five-year-old cousin Morgan has wanted to be a princess ever since she was old enough to talk. At the wedding reception, she’s agog: the bride was right there in the bathroom! Morgan circulates among the tables telling everyone she knows in what is presumably intended to be a hushed whisper.

*

The princess may seem capricious, but her whims are predictable: If it moves, make it stop. If it doesn’t move, poke at it with a stick. Try stepping on it. Not enough to really kill it – just so it stops moving. Then give it a new identity, complete with a sanitized version of events. “You shouldn’t be trying to sting people, Mr. Wasp!”

*

At Clyde Peeling’s Reptiland we get to watch the mangrove viper eat. The keeper removes the back wall of its small green world and dangles a white corpse – a pre-killed mouse – in front of its nose. The trick rope comes alive as quick as lightning. It tries in vain to swallow the mouse tail-first, works it around in its mouth for five minutes until it ends up pointing in the right direction. Then with a sudden gulp, the mouse turns into a lump that makes the blue-black and yellow scales ripple as it moves rapidly toward the stomach. Now the viper can’t stay still: even without legs it paces, impatient for Food #2. When the keeper opens the wall this time, the snake seems ready for larger prey. The mouse does a frantic dance of death at the end of the three-foot tongs.

*

After the viper feeding, Morgan tugs on her mother’s sweatshirt. “Can I have a mouse, too?” Who’d have thought that mealtimes could ever be anything but a dull game played with fork and spoon? They go into the gift shop, and she picks out a plush purple frog with legs as long and bendable as snakes.

*

No tawdry roadside menagerie, the zoo turns out to be a real class act, dedicated to endangered species conservation and environmental education. I can’t decide whether to be pleased or disappointed. No one will ever wrestle with these alligators. We’ll never get to place bets on a match-up between the eyelash viper and the poison arrow frog. I crouch in front of the chameleon exhibit, watching crickets trying to burrow into the bark chips. The chameleon rolls its gun-turret eyes – one at me, the other at a doomed cricket.

*

Adults don’t come to Reptiland, it seems, unless accompanied by children. School groups thunder through like wildebeests. So important to set a good example for the children, we tell ourselves as the handler holds the boa constrictor for everyone to pet. Morgan is delighted. Only one child refuses to touch, mute with terror or intransigence. While everyone around her admires the silky-smooth scales, she stares at the hand clamped over its mouth and keeps her fingers coiled tight against her chest.

*

An outdoor pen contains the only token birds at Reptiland: five emus, to illustrate the link with the dinosaurs. Victorian feather dusters never looked quite so vengeful, but still… “We are not emus!” I say severely as they eye us up.

*

That evening we watch two cartoon movies, the world twice saved from certain cataclysm. Morgan seems bored, starts to wander off. “Sit down, watch the movie, and be good!” her father commands. During the intermission, she finds a dead ladybug in the corner of the living room, sets it on top of a block of wood and pushes it back and forth with her index finger. “Be good, ladybug!” I hear her whispering.

viper_mouse_hands

Cibola 88

This entry is part 87 of 119 in the series Cibola

Esteban/Cibola/Shiwanna

Night falls
& falls: a rain
of obsidian blades,
scalpel & lancet. Black
jaguar’s cough like
a hollow footfall, yawning
harlequin face, tongue curled
to strike: a blood-colored snake.
Orchids’ quicksand throats
overflowing with flies.

The sleeper
forgets to breathe.
The sleeper wakes up
in someone else’s dream,
bending over the dusk-dark
narcoleptic body,
tracing hidden trails
of sickness: sorcerer’s spoor
in the form of aches
& stabbing ulcers, bugs
& bullets of filth.
And the supine figure
slowly reveals
its true dimensions,
boundless–looming up
or abiding as the chest swells,
subsides–& the tobacco
smoke drifts in & out
like a mist, eddies,
spawns a whirlwind.
Spinning over
the darkening desert
the dreamer flies,
circles the highest sierra’s
rain-filled cap,
breaks through
to a hidden glen where
the darkness emits
its own illumination.

A wren
shows him the way
upcanyon
to the spring that leads
(she says) to the seven caves.
The water parts for them,
they trade their feather robes
for the shells
of small brown turtles
at home in the veins
of the earth.
When they mate, they strip
back down to
their human skins–copulate
face to face–but even still
she lays
a clutch of eggs
that hatch into a million
sightless minnows:
a kingdom of the blind
that has no use for a king
or his crystal cup,
his philosopher’s stone.
He grinds it to meal
in a mortar, gives it
his best diviner’s cast
& watches
where it goes,
follows its trail.
A short century later

he comes out on
the bottom of a lake
where two rivers join. And
at last, he rejoices, hearing
flutes & drums,
glimpsing domes
& shimmering towers.

He wanders through fragrant groves,
splashes his face with a fountain’s
astonishing liquor.
Everything is jade
or turquoise, white shell
or cowry, silver, gold,
every house is a palace
in this village of the Jinns.
He finds the dance &
they pause just long enough
to let him join the circle . . .

(To be continued.)

Vireo solitarius

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Sonogram image adapted from the Royal BC Museum.

The blue-headed vireo chants endless variations on a few, key ideas. The bird guides all speak of a kind of deliberation – one could just as well say thoughtfulness – in his delivery of short, robin-like phrases designed to carry a couple hundred yards through deep forest. His repertoire includes no more than twenty distinct phrases, but he seldom repeats a given sequence. Whether you choose to call this improvisation or shuffle play says more about you than it does about the vireo, who doesn’t care whether you view him as an artist or a machine.

The variations aren’t random, though: he consistently prefers some phrases to others. Some are drawn from a shared stock of blue-headed vireo folk material, so to speak, which varies from region to region. But each bird also has a few phrases that are unique to him. This vireo calling from a witch hazel branch on the first of May in a maturing chestnut oak-heath understory forest in central Pennsylvania sings a song never before heard in the three and a half billion years of life on earth. When he dies, it will die with him. Listen well.

*

“Some males sing slowly when foraging between incubation bouts… Near nest with eggs, song often reduced to repetition of only 1-2 phrases,” says the most authoritative source (Ross D. James, “Blue-Headed Vireo,” in A. Poole and F. Gill, eds., The Birds of North America: Life Histories for the 21st Century, Cornell Laboratory of Ornithology and the Academy of Natural Sciences, No. 379 [1998]). This one chants four phrases, fixes his beady eye on me, then hops right into a beautiful little nest suspended from the branch of a mountain laurel bush some six and a half feet off the ground. It’s about the size of a teacup, the outer layer woven from what appear to be short pieces of bark from wild grapevine; dead leaves; white paper, presumably from some scrap of wind-blown litter; and gray paper from a hornet nest – probably that one over near the edge of the field that blew out of its tree during the high winds of March. Finer material used in the lining – dry grasses, rootlets, fungal mycelia and the like – protrudes slightly above the rim of the cup.

Like many nest builders, vireos are gifted at improvising with materials at hand. Spider web or the silk from last year’s caterpillars supplies the mortar that holds the whole construction together and fixes it to the branch. We tend to forget just how much silk persists in field and forest over winter. Several times this past winter and early spring I’ve been out when low sun was at just the right angle and was amazed by how many gleaming strands of gossamer still stretched between twigs and along the ground, even after the snow had melted.

These vireos have only been back from their winter sojourn in Central America or the Caribbean for three weeks, at most. They’ve wasted no time in pairing off, setting up house and, from all appearances, laying eggs and beginning to incubate. Like many neotropical migrant songbird species, they raise a single brood each season, though their early return gives them enough time to try re-nesting if a predator wipes out their first clutch. This is much more the exception than the rule, however, especially for the northern subspecies Vireo solitarius solitarius, which migrates the farthest.

And there are plenty of predators: crows, snakes, raccoons, gray squirrels – even normally vegetarian white-tailed deer have been observed eating songbird nestlings. This nest seems high enough to avoid the deer, and squirrel numbers are down following a couple of harsh winters and poor acorn crops. Then, too, the blue-headed vireo often nests “near small openings or edges of wetlands and lakes,” says Ross D. James, so it may have evolved more defenses toward edge-dwelling predators than other forest-interior specialists such as wood thrushes and scarlet tanagers, whose numbers are in decline throughout their range.

But the blue-headed vireo, too, likes large tracts of mostly unbroken, mature forest. This makes sense, because it’s the environment in which most of these neotropical migrant songbirds have evolved: “areas where extensive forest predominates . . . with trees that are middle-aged to mature, with high percent canopy closure (usually >75%), and where there is some (but not dense) understory of shrubs and saplings.” The blue-headed vireo displays more flexibility in habitat selection than some of the more specialized passerines, nesting in everything from northern conifer forests to dry oak forests like ours to the mixed mesophytic forests of the southern Appalachians. But the monograph warns that “Extensive clear-cutting is detrimental. Even partial clearing may be serious…”

The recent rediscovery of the ivory-billed woodpecker suggests that some species may be more resilient than we once supposed. But the rapid regeneration of southern swamp forests that were never completely denuded of all their oldest stands of bald cypress in the first place should not allow us to become lured into a false sense of security about the long-term survival of interior-forest specialists in the east. Around here, most forests were clearcut twice in the 19th century, back in the charcoal iron era, and at least once more in the early 20th century during the chemical wood era, before the petrochemical revolution gave the woods a break (while of course accelerating the degradation of nearly all ecosystems worldwide). But the reprieve thus granted forest-dwelling species is probably over. In the last couple of decades, economic and cultural forces have pushed the frontiers of year-round human settlement farther and farther into areas that were once thinly dotted with poor farms like ours or with hunting cabins. Deep woods habitats are disappearing.

A number of morbidly fascinating things happen when once-intact forests are fragmented by roads or subdivisions. As the proportion of edge to volume increases, secure refuges from artificially numerous habitat-generalist predators and barriers to the spread of non-native invasive species dwindle and disappear. While habitat edges or ecotones are often areas of concentrated biodiversity, they are very much a double-edged sword. The Great Eastern Forest once accounted for at least ninety percent of the land cover east of the tallgrass prairie; openings were small and temporary. The loss of naturally occurring forest openings in over-managed or too-young forests cannot fail to have negative impacts on species specializing in those kinds of environments. And the establishment of unnaturally long-term or permanent edges is thought to compromise essential functions of forest ecosystems through (for example) increased light and wind levels, which conspire to degrade the depth and quality of humus for hundreds of feet in from the edge. Keep in mind that the humus layer, where the base of the food chain is concentrated, contains the keys to the whole ecosystem. Air and water pollution – also greater along edges – can wreak havoc on soil chemistry, with probably dire consequences for the delicate balance of mostly unclassified microbial life.

The ripple effects from damage to the base of the food chain can take decades to register in the loss of what conservationists call “charismatic megafauna” – the mammals, birds, and occasionally reptiles and amphibians around which conservation campaigns tend to be built. DDT is still found in the tissues of many North American songbirds, and contrary to what one might suppose, levels are highest among non-migratory species in the United States, where use of the chemical was ubiquitous up until forty years ago. Who knows what its effects on songbird reproductive success might be? Acid precipitation leaches calcium from the soil, with negative consequences for land snails – one of our most numerous and biodiverse families of forest invertebrates. Ground-foraging bird species such as wood thrushes and ovenbirds eat a lot of snails, especially when they’re laying eggs and need the calcium. An on-going study in upstate New York has found a correlation between acid precipitation and nest failure among wood thrushes. Acid precipation is most severe and its effects most deleterious in ridgetop forests with unbuffered soils – which describes well over half of the intact forests in central Pennsylvania. And snails are also among the forest litter-dwelling organisms most likely to impacted by edge effects.

Some birds and mammals are highly adaptable to sudden change; many other organisms are not. The effects of habitat fragmentation can take a while to show up, because local and regional population collapses as a consequence of inbreeding depression don’t happen overnight. And how much time has to go by before anyone even notices and documents the change? The vast majority of scientific studies go on only as long as it takes a graduate student to earn a degree; institutional support is rarely forthcoming for the kind of long-range studies needed to compile comprehensive life histories of single species, let alone to disentangle ecosystem functions – a matter of guesswork for virtually every natural ecosystem on the planet. My mother recently told me about an expert on chickadees who once said that if she had halted her study after only two years, she would have ended up with different and in some cases directly opposite conclusions from those she arrived at after several decades of field observations and experiments.

*

This kind of conservation message may seem a bit removed from the ordinary fodder here at Via Negativa, but it’s very close to my core motivation in launching this blog a year and a half ago. More than once I’ve quoted the ecologist’s mantra, attributed to Frank Engler: “Nature is not only more complex than we know, it’s more complex than we can know.” Knowing that we don’t know has always struck me as an extremely valuable insight, central to ancient and indigenous belief systems the world over. Shouldn’t the recognition of existential ignorance foster humility and reverence toward the objects of our unknowing? Indeed, as the epigraph from Rene Char says, “How can we live without the unknown before us?”

But as I said the other week in my post about the black snake, the most important mysteries are those that lurk within the scrim of the allegedly ordinary, the unique and unrepeatable details of particular beings and events. Hence the poetry, the ruminations, the daily cartoon, the attempts at fiction and photography; hence my fascination with the scatological and the bizarre. I refuse to leave anything out.

Now the digital camera gives me one more way to pile up evidence for what is, to me, a self-evident truth. This camera isn’t very good at close-ups or depth of field. A still photo tells you little about context and motion and nothing at all about sound or odor. The wind rocked the branch; a ten-second rain shower pattered down. When the sun came out, the vireo’s white-ringed black eye seemed more beady than ever as his head stretched and swiveled in all directions. I walked slowly within flash range, then even closer, snapping away. He never left the nest. Hours later, when I returned with my mother, we stopped short some fifteen feet away, concerned that our scent trail could lead predators to the nest.

We felt privileged to have seen this much, the male bird having seemingly showed me his nest for reasons that are difficult to imagine. The Birds of North America monograph claims that the species is “very sensitive to close human attention at time of pairing and early nest-building; female readily abandons nest and even [her] mate. However, may nest in or near campground with unobservant traffic. Much more tolerant once eggs are laid. Sensitive again when large young are in nest…” “Tolerant” hardly begins to describe that male’s behavior. Mom says a hooded warbler did the same thing to her last year, in another part of the property: sang until she noticed him, then hopped into his nearby nest.

I tied a few ribbons of surveyor’s tape on the way back to the old woods road we use for a walking trail, one of several such – relics from the original clearcutting of the mountain circa 1815. I’ll leave it to the resident naturalist’s discretion whether and how often she wants to revisit this nest. For my part, I’ve seen enough. If before I was still a bit fuzzy on the difference between the blue-headed and red-eyed vireo songs, now I wonder how I ever could have confused them. Minimal as it may be, the importance of this kind of knowledge should not be underestimated: it’s what makes us feel at home in a place, knowing the names of our neighbors and some of their habits.

Later in the afternoon I sat out on my porch for a few minutes and listened to another blue-headed vireo singing up in the woods, probably defending the next territory down from the one that I’d watched. Maybe by the end of the summer I’ll learn to tell them apart, these two singers. And maybe I’ll learn something from the effort. A few ideas, endlessly repeated in endlessly novel ways: it’s no more or less than what I’ve always strived for in my own attempts to tell the world what’s what.

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