Cibola 75

This entry is part 74 of 119 in the series Cibola

Esteban (4) (cont’d)

In the fading light
he finds footprints across the dry
streambed, traces their contours
with an index finger: young, female,
unburdened. One way out.
From somewhere on the rim
a jackal’s laughter, ricocheting up
& down the canyon.
Coyotl, he corrects himself.

A few minutes later he rounds a bend
& stops short: a small campsite
in the cave formed by an over-hanging
lip of rock
where a woman stands smiling
behind a fatwood fire.

He hadn’t realized until now, with
an almost painful jolt
in his chest, how lonely
the lack of this very smile had made him.
It’s never been a question
of hunger alone–
thirst perhaps? he wonders briefly
as she lets her cloth dress fall.
No, not that simple, he decides
as they stand fully naked,
the shadows from the fire
playing across their lean forms,
making their skins shimmer & ripple
like obsidian mirrors, he thinks,
remembering a hidden idol
wreathed in incense.
Like the surfaces of two
flood-swollen rivers about to join.
This has so little to do
with the merely animal.

Moving like dancers, both of them
trying to minimize awkwardness,
they glide on contrapuntal feet,
touch toes as
his arms pivot at his sides,
bending slightly so the palms
face up, & in the long moment
before she moves in against him

it’s as if–yes–as if his whole
body is united in
this gesture,
a response to hers–the gift
her own body presents.
And the voice of disembodied Reason
once more proclaims in its tinny voice
This is it, the one thing

worth seeking, this
Word: original sign
freed from all symbolism, the body
now & always as it was
in the beginning–pure Will . . .

Life: sentences

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1.
She had stood too still for too long in the clothing store window, and found that now she couldn’t even shift her weight to the other foot without frightening the customers, who weren’t necessarily paying close attention but who did know the difference between art, which is immobile, and its pale imitators that insist on moving, bulging, sagging, wrinkling – looking for life, so to speak, in all the wrong places.

2.
It was always the same April that came around to raise up the same clumps of daffodils and pry their petals open for the same refreshing breeze, I figured the old dog statue might be thinking, ignoring for a moment the new hairline cracks the winter left behind and the fresh flakes of paint furring his haunches.

3.
An amazing coincidence, really, she said, that in Spanish el bis, the encore, and Elvis, the singer, are homonyms – not to mention that in English you can rearrange the letters of the King’s name to get lives, Levis – which he sometimes wore – and evils, which he battled in his own bloated way, enthroned on a golden crapper.

4.
After a while, even sunflowers grow tired of craning their necks, and that entire motley field ended up with heads bowed, facing the dark and unremarkable earth, so that they did not see the bear come out of the woods to eat and smash and roll on his back for delight among the stripped stalks.

5.
With the clumsy puzzlement of a minor prophet carrying two smooth pebbles in his mouth, he was unable to explain those spectacular failures of the eyebrow to rise in the east and the toenail to metamorphose into something with an insatiable hunger for tunnels.

6.
But what faith hasn’t taken its cues from the living body, I wonder, thinking of bell tower and stupa, grotto and lingam, remembering labyrinths engraved on the pads of fingers, twin doves in the thighs, the spine’s vertiginous ladder: smiling now at the scandal of it, how all roads led to a rose tattoo just below the navel, that stingless bee.

7.
A herd of goats stood in the branches of a thorn tree as if to take the place of leaves they had eaten, the shade they had banished to their tough stomachs, the perpendicular light that must have tasted a bit like dust blown from the cover of a book too large to fit in the shelf with all the paperbacks, a book of photos meant to be paged through and nibbled at rather than actually read – a book specifically designed for guests such as I am now, sipping my coffee, stroking the hairs on my chin.

8.
What all these hip bohemian kids are too young to remember, he told us, is the way one used to see black shawls and dresses in every square, black in the long coats of the police, black ties and belts and suspenders on men in ordinary restaurants, black rooks and lines of ants that came to pick everything clean and carry off the sugar, black even in your one maybe glimpse of garters against, you know – the very word, let alone the stark sight, remained off-limits still, I think, for two or three years beyond the death of that son of a whore, the president-for-life.

Cibola 74

This entry is part 73 of 119 in the series Cibola

Esteban (4)

Right at dusk–his quick meal over,
the men settling into a game
of dice played with bones
(whose original owner he decides
not to inquire about) the African hears
what sounds like flute music
trickling down a side canyon
a quarter mile off. A brief phrase
ending in a question mark.
Again.
Once more.
Each separated by a slightly longer pause.
The exact blend of exaltation
& sorrow, he thinks–someone
like me.

And no one else pays it
any mind–no one looks up,
there’s not even a twitch
from the dogs’ ears.
They raise their heads only
when he gets to his feet:
Stay. I’m just going to take a leak.

Which might have been true,
had he not caught a glimpse
of a figure darting between shadows
up by the first bend of what,
he guessed, would turn out to be
a cul-de-sac, a box canyon.

(To be continued.)

Anti-Byzantium

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The old barn is no ersatz cathedral, no skyscraper struggling to free itself from all ties to the earth. Built near the low point of this farm at the head of the hollow, it replaced an older structure that had been destroyed by arson. Its design came from drawings made by the wife of the then-owner; a master builder on work-release from a near-by prison oversaw its assembly. Many of its timbers are clearly recycled, bearing the mark of an adze and sporting square holes at odd places where a mortised joint had fit in a previous life. Others were clearly milled afresh. Some even retain their bark, a pattern unfamiliar to me: American chestnut, perhaps? The barn is full of ghosts.

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It’s a classic Pennsylvania barn with a projecting forebay on the side away from the weather and an earthen bank entrance to the second floor. Like all barns, it was built to keep rain out but let the air flow through. A legend of the former owners said that unless both haymows were kept filled to the rafters, the wind would lift the roof right off. So several generations of tenant formers mowed and raked and hauled grass in from the orchard, sweaty work. The owners showed up for a couple months of the year to play farmer as only nouveaux riches can do. One year they brought a circus elephant back from Chicago by train, led it up the hollow and kept it penned on the threshing floor all summer. The gardens must have flourished for years on elephant dung.

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All we ever kept were hogs – a pair a year for three years running – and Muscovy ducks. A few feral cats still drift in and out – barn cats from the valley – but without livestock now there are no rats and probably too few mice. The winter before last a cat died in one of the old stalls; I found its mummified corpse sometime in May. A gray squirrel makes his nest in an old pipe, runs along the beams and up and down the walls as if the barn were still a forest. Phoebes sometimes nest in the basement and barn swallows in mud nests plastered against the roof beams. We have never had a barn owl.

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My parents would like to have the barn painted, but I love it as it is, every year a little more weathered. In some places the original red paint still hangs on; elsewhere, the later white gives way to golden brown knots and amber waves of grain. And while we’ll never know how much if any of it was milled from trees felled here on the mountain, there’s no question that the foundation stones are autochthonous, hauled down from the ridges.

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The barn faces southeast rather than due south because that’s the orientation of the whole farmstead: parallel to the ridges. On early autumn mornings we look to the barn roof for the first signs of frost, as if it were some high Alpine peak. Replacing this roof was one of the first things my dad did after my parents bought the place in the early 1970s. Our then-neighbor Margaret later told us that one of her hunter friends had watched from the woods as Dad wrestled rolls of tarpaper up the extension ladder and nailed the roofing down from a jerry-rigged scaffold. That’s when she realized we were here to stay.

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Unlike so many other refugees, we didn’t bring the city with us. But like nearly everyone, our stock of possessions expands to fill every available space. This barn built for hay and livestock now harbors machinery and junk, piles of scrap wood, a graveyard of lawnmowers, bottles of DDT. Forty-year-old sacks of lime have dissolved into a gray mountain looming at the back of the basement. I’m reminded of a train station somewhere where the trains have stopped running, leaving the last travelers stranded at the end of the line. A place to sit and watch thin fingers of sunlight playing with the dust, wait for empty mangers to once again cradle some infinitesimal portion of the sky.

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Cibola 73

This entry is part 72 of 119 in the series Cibola

Reader (11)

If silly men pursue me and make songs
About me, it may be because they’ve heard
Some legend that I’m strange. I am not strange–
Not half so strange as you are.
EDWIN ARLINGTON ROBINSON
Tristram

[T]hese women are to proper females as devils are to proper males. They
live in the wild, are active at night, and stand for something “bad” about their
sex.
DONALD BAHR et al.
“Piman Songs on Hunting”

Dorris, flushed, looks quick at John. His whole face is in shadow. She seeks
for her dance in it. She finds it a dead thing in the shadow which is his dream.
She rushes from the stage. Falls down the steps into her dressing room. Pulls
her hair.
JEAN TOOMER
Cane

Lint

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Someone in an e-mail list raises an interesting question: What do you call belly-button lint?

“We always called it flint,” someone else offers. “I was never sure why.”

Indeed. Where did that “f” come from?

*

When I was a wee lad of ten or twelve, my dad managed to convince me that belly-button lint was produced by a special lint gland located right under the skin above the navel. “What’s it for?” I asked. “I don’t know. What do you have tonsils for? What’s the purpose of the tailbone?” he asked rhetorically.

This was my introduction to a radically new conception of the human body as a work-in-progress. Among the many profound and beautiful insights generated by the theory of evolution by natural selection is the importance of imperfection to life. Vestigial organs serve to remind us of our origins, while mutations make it possible for a population to adapt to sudden changes that might otherwise spell its doom. In this light, there’s really no such thing as a perfect fit of organism to matrix. The distinction itself is more than a little artificial, given co-evolution and ecological feedback loops. Exquisitely specialized organisms may almost satisfy human definitions of static perfection, but they are far less likely to persist over time – not that that’s necessarily the best measure of success.

As I would learn in a few years when we studied evolution in my ninth-grade biology class, this notion of perfection versus imperfection lies very close to the core of concerns religious people have with the theory. What may strike me as beautiful because it demonstrates the unimaginable complexity of the dance of life seems to frighten or alienate people with a more hierarchical worldview.

My biology teacher encouraged class discussions; the year I took it, we even held a formal debate to which the whole school was invited. I was on the Evolution team. It was a reasonably amicable affair; I genuinely liked several of the members of the Creationism team, which included the girl who would’ve been the valedictorian of our class had she not accepted early placement at Penn State beginning her senior year.

The guy who became valedictorian instead, my friend Jim, was the leader of our team. He wanted to begin our presentation with a short speech about non-literal hermeneutic approaches to the Bible, but the teacher nixed it. Instead, we were encouraged to zero in on all the inconsistencies between the two, rival accounts at the beginning of Genesis. It was like shooting fish in a barrel. Our own fish grew legs and headed for high ground.

I’ve never enjoyed debating, and only agreed to participate to support Jim. I agreed with him that we should’ve taken a more conciliatory approach. But it was, without a doubt, a learning experience. I found out just how cheap a cheap shot can make you feel, for example, when during one exchange I demanded to know how light could exist before the creation of the sun. My opponent gestured toward the ceiling and said, “Electricity!” and the audience jeered. I felt sorry and exultant at the same time. Score!

Does losing make you wrong? In an evolutionary sense, what does it mean to lose? Are the distinctions between species real, or do they simply cater to the limitations of the human intellect? Wasn’t it possible that the Creationists had some valid insights, at least in their guiding intuition about the rightness of the universe, the emptiness of the notion of random chance, and the biases of a reductionist scientific view? But weren’t they just as guilty of a reductionism of their own?

In fact, doesn’t turning a conversation into a debate pretty much guarantee that only the most reductionist arguments will be heard? “An eye for an eye makes the whole world blind,” said Gandhi. This seems true of competition in general: as soon as contestants forget that it’s only a game, imagination and critical thinking both go out the window.

*

I don’t know how old I was when it finally occurred to me that my old man had been pulling my leg about the navel lint gland. It’s a good example of the educational importance of imagination-testing lies. Just as a certain number of mutations are needed to preserve a population’s genetic health, fictions are essential to the survival of a culture.

So in that spirit, I’d like to hear readers’ suggestions about what we should call belly button lint. And if it doesn’t come from a gland, where the heck does it come from? What are its properties? How many different kinds of belly button lint are out there, and what are their various habitat requirements? Can we construct a taxonomy, a family tree? Does lint ontogeny recapitulate lint phylogeny – or did all lint come into the world together, by divine fiat?

*

It’s turned into a nicer day today than the weather folks had predicted. I guess I’ll be able to hang my laundry out in the ol’ solar clothes dryer. It may make a little more work, but that’s a small price to pay for fresher smelling clothes – and no brutal lint trap to clean and re-set. Save the lint!