Better Angels

The section of the woods I call the moss garden was full of death angels today. The camera in my phone doesn’t quite know what to do with them, too deathly pale against the rain-darkened moss — they throw the white balance completely off.

I pass a porcupine just as she’s emerging from her door at the base of an oak. She must’ve heard me coming — her bristles are up. I stop and say Hi in a friendly voice. She gazes back, her beady eyes unreadable, retreating into the tree as I continue past.

I used to say that the porcupine was my totem animal but I don’t make that joke anymore. I let the boutique left convince me that this represented a heinous appropriation of indigenous culture. It’s true that more than once in my life porcupines have appeared like omens or indeed guides precisely when I most needed them. But I am not enough of a narcissist to believe they actually bother about me at all. Occam’s Razor suggests instead that they are simply wild creatures going about their lives, which randomly intersect with our own.

Which is part of the attraction, of course. The ideal guide would ignore me altogether! How dreary to be somebody, as one of my dead role models once said. I just want to vanish like a needle into the world’s haystack.

I should add somewhat parenthetically though that as a poet, one gets used to ascribing meaning to events in nature in a largely playful way, which preserves the autonomy of its actors apart from our narrative webs. This is the power of the lyric mode to elevate meaning without abstracting it from all context in the ummwelt. It’s why I believe everyone should practice poetry. It softens the hard lines between things. Its highest truths always take the form of a paradox.

For twenty minutes after the rain stops, the tree I’m sitting against keeps dripping on my boot. Arching my neck back, I can watch the drop gathering to fall, then feel it on my toes two seconds later: the sort of simple, synesthetic pleasure money can’t buy.

The same tree is dropping acorns, and that too is a pleasure: the minor thrill each time of having been passed over by the angel of hard knocks. Until I’m not, and a lump sprouts atop my head like a lizard’s third eye. I’ll open it every full moon.

Collector

Sam Pepys and me

At the office all the morning, so dined at home, and then abroad with my wife by coach to the Theatre to shew her “King and no King,” it being very well done. And so by coach, though hard to get it, being rainy, home. So to my chamber to write letters and the journal for these six last days past.

into the well a hard rain

am I an urn for the past


Erasure poem derived from The Diary of Samuel Pepys, Thursday 26 September 1661.

Comeback Spell

river in November light between bare woods and mountain
When I die will I be transformed into 
a falcon of gold, into a dusty blue-tailed
swallow, into a heron standing sentinel
at the edge of the marsh? I look through
the Egyptian Book of the Dead for a spell
to help me remember not only my name
but each thing of delight I have tried to make
in this world, and the shape and pulse of this
flawed but beating heart. The indentations
left by all I love pock its ruddy surface—
I feel the sting of every moment that leaves
its mark, careens from high to low, stuns
itself against a pane of window glass,
before staggering back up again.

Madding

Sam Pepys and me

By coach with Sir W. Pen to Covent Garden. By the way, upon my desire, he told me that I need not fear any reflection upon my Lord for their ill success at Argier, for more could not be done than was done. I went to my cozen, Thos. Pepys, there, and talked with him a good while about our country business, who is troubled at my uncle Thomas his folly, and so we parted; and then meeting Sir R. Slingsby in St. Martin’s Lane, he and I in his coach through the Mewes, which is the way that now all coaches are forced to go, because of a stop at Charing Cross, by reason of a drain there to clear the streets. To Whitehall, and there to Mr. Coventry, and talked with him, and thence to my Lord Crew’s and dined with him, where I was used with all imaginable kindness both from him and her. And I see that he is afraid that my Lord’s reputacon will a little suffer in common talk by this late success; but there is no help for it now.
The Queen of England (as she is now owned and called) I hear doth keep open Court, and distinct at Lisbon.
Hence, much against my nature and will, yet such is the power of the Devil over me I could not refuse it, to the Theatre, and saw “The Merry Wives of Windsor,” ill done. And that ended, with Sir W. Pen and Sir G. More to the tavern, and so home with him by coach, and after supper to prayers and to bed. In full quiet of mind as to thought, though full of business, blessed be God.

I need reflection
ache for rain
to clear the streets

the Lord and I
suffer in common
yet the Devil winds me up


Erasure poem derived from The Diary of Samuel Pepys, Wednesday 25 September 1661.

Roadhouse

Sam Pepys and me

We rose, and set forth, but found a most sad alteration in the road by reason of last night’s rains, they being now all dirty and washy, though not deep. So we rode easily through, and only drinking at Holloway, at the sign of a woman with cakes in one hand and a pot of ale in the other, which did give good occasion of mirth, resembling her to the maid that served us, we got home very timely and well, and finding there all well, and letters from sea, that speak of my Lord’s being well, and his action, though not considerable of any side, at Argier. I went straight to my Lady, and there sat and talked with her, and so home again, and after supper we to bed somewhat weary, hearing of nothing ill since my absence but my brother Tom, who is pretty well though again.

an alteration in the road we rode
through drink

a hollow in one hand
and ale in the other

after supper we wear
absence well


Erasure poem derived from The Diary of Samuel Pepys, Tuesday 24 September 1661.

Poem with the Ghosts of Loquat Flowers

river in November light between bare woods and mountain
(Eriobotrya japonica, Japanese or Chinese plum)


Is it still true that there are more trees
than stars in the Milky Way? When the neighbor
with a garden full of brown-eyed-Susans, bluebells,
and a giant loquat was transfered to an assisted
living facility in Richmond, the people who bought
her house lost no time changing the "landscaping."
They cut down the loquat tree, whose boughs
had bent low with sweet yellow fruit from late spring
to early summer, then cleared all the roses to build
a driveway. As he worked with his cultivator and
clippers, the man liked to sing at the top of his lungs
as though he was rehearsing for an opera part
he would not get; we could hear him through closed
windows. His wife, her ponytail sticking out the backstrap
of a baseball cap, collected the plant debris in her arms.
Loquat flowers are small, less than an inch in diameter,
with five creamy petals like the arms of a star.
When they begin to bloom in clusters, even in late
winter, they exude a sweet, mellow fragrance.
Think of a sky full of them, a whole canopy of scent,
their faint flickering enough to make you swoon.

Poetry Blog Digest 2024, Week 38

Poetry Blogging Network

A personal selection of posts from the Poetry Blogging Network and beyond. Although I tend to quote my favorite bits, please do click through and read the whole posts. You can also browse the blog digest archive at Via Negativa or, if you’d like it in your inbox, subscribe on Substack (where the posts might be truncated by some email providers).

This week: summer’s last tiny plum, the veins of the rational world, silences as important as words, horses married to the wind, a cricket orchestra, and much more. Enjoy!

Continue reading “Poetry Blog Digest 2024, Week 38”

Autumn rain

Sam Pepys and me

Up, and sad to hear my father and mother wrangle as they used to do in London, of which I took notice to both, and told them that I should give over care for anything unless they would spend what they have with more love and quiet. So (John Bowles coming to see us before we go) we took horse and got early to Baldwick; where there was a fair, and we put in and eat a mouthfull of pork, which they made us pay 14d. for, which vexed us much. And so away to Stevenage, and staid till a showre was over, and so rode easily to Welling, where we supped well, and had two beds in the room and so lay single, and still remember it that of all the nights that ever I slept in my life I never did pass a night with more epicurism of sleep; there being now and then a noise of people stirring that waked me, and then it was a very rainy night, and then I was a little weary, that what between waking and then sleeping again, one after another, I never had so much content in all my life, and so my wife says it was with her.

for love and quiet
early to bed

I slept with the noise of rain
waking in another life


Erasure poem derived from The Diary of Samuel Pepys, Monday 23 September 1661.

Monopoly, Prosperity

river in November light between bare woods and mountain
Two schoolgirls are looking at board games 
in the resale and creative reuse shop,
and one of them asks: Do you know how to play
this one, Monopoly? She says it like roly poly,
that bug in the family of woodlice which looks
like a tiny armadillo with the ability to roll itself
into a ball. It's further classified as a terrestrial
crustacean, so I guess that means it's related
to crawfish, and to sidewise-walking crabs
which you can find under the boardwalk
though I don't recall if there are any properties
in the Monopoly universe named after either
bugs or shrimp. Lizzie Magie invented the game,
originally called The Landlord's Game, to show
the harmfulness of monopolies. She got a patent
for it in 1904 before women were even allowed
to vote. The Parker Brothers company altered it
and sold it as Monopoly; and thirty years later,
a man (so on-brand) named Charles Darrow
claimed it was he who invented the game in his
basement. Magie was not the type to roll up into
a ball without a fight, but she received only post-
humous recognition for her genius. She had one
other version of her game, which she called
Prosperity: players made things and found
ways to interact productively with their opponents.
She would have loved this kind of place and how
it functions. Bins overflow with discarded items
donated by the public: yes, used board games,
but also crayons and paint, yarn and thread,
scraps of fabric, buttons, stamps, modeling clay,
children's toys, wood, metal, plastic—diverted
momentarily from landfills. So much surplus,
even here competing for another lease on life.

Totality

Sam Pepys and me

(Lord’s day). Before church time walking with my father in the garden contriving. So to church, where we had common prayer, and a dull sermon by one Mr. Case, who yet I heard sing very well. So to dinner, and busy with my father about his accounts all the afternoon, and people came to speak with us about business.
Mr. Barnwell at night came and supped with us. So after setting matters even with my father and I, to bed.

a church where prayer
is all people speak

without sin
a well
a night within


Erasure poem derived from The Diary of Samuel Pepys, Sunday 22 September 1661.