Current resident

Sam Pepys and me

To my Lord’s with Mr. Creed (who was come to me this morning to get a bill of imprest signed), and my Lord being gone out he and I to the Rhenish wine-house with Mr. Blackburne. To whom I did make known my fears of Will’s losing of his time, which he will take care to give him good advice about.
Afterwards to my Lord’s and Mr. Shepley and I did make even his accounts and mine. And then with Mr. Creed and two friends of his (my late lord Jones’ son one of them), to an ordinary to dinner, and then Creed and I to Whitefriars’ to the Play-house, and saw “The Mad Lover,” the first time I ever saw it acted, which I like pretty well, and home.

how is the wine
to know my fear
of losing time and friends

o Lord of the ordinary
I use time
like a home


Erasure poem derived from The Diary of Samuel Pepys, Saturday 9 February 1660/61.

Tell me about the future

river in November light between bare woods and mountain
without telling me it's impossible—

Tell me about soft green that emerges
in between burned roots and branches,

and of the slow sorting of stones, 
the choosing of what withstood the worst.

Tell of the even slower: return of movement
in the outer reaches of air,  in hollows

opening again to rainwater. Patient schools
of dinosaur shrimp, harboring their cysts. 

Red bark beetles flat as guitar picks 
coming out of dehyrdation. At the very 

bottom of the Antarctic sea, glass 
sponges undulate, though they 

might not even remember when 
they last ate, 15.000 years ago. 

Fugitives

Sam Pepys and me

At the office all the morning. At noon to the Exchange to meet Mr. Warren the timber merchant, but could not meet with him. Here I met with many sea commanders, and among others Captain Cuttle, and Curtis, and Mootham, and I, went to the Fleece Tavern to drink; and there we spent till four o’clock, telling stories of Algiers, and the manner of the life of slaves there! And truly Captn. Mootham and Mr. Dawes (who have been both slaves there) did make me fully acquainted with their condition there: as, how they eat nothing but bread and water. At their redemption they pay so much for the water they drink at the public fountaynes, during their being slaves. How they are beat upon the soles of their feet and bellies at the liberty of their padron. How they are all, at night, called into their master’s Bagnard; and there they lie. How the poorest men do use their slaves best. How some rogues do live well, if they do invent to bring their masters in so much a week by their industry or theft; and then they are put to no other work at all. And theft there is counted no great crime at all.
Thence to Mr. Rawlinson’s, having met my old friend Dick Scobell, and there I drank a great deal with him, and so home and to bed betimes, my head aching.

into the timber we flee
a life of slaves

we who have
been nothing
but water for the water

soles of the feet
at liberty
call to the dust


Erasure poem derived from The Diary of Samuel Pepys, Friday 8 February 1660/61.

Worship Services

blogging as if it’s 2003 again

Imagine venerating something you don’t understand.

Imagine venerating anything you do understand.

*

Nothing and nobody needs or deserves veneration. Every living being deserves the care and respect you’d extend to your own kin.

*

What’s the difference between respect and veneration? Showing respect is part of a social dance; the consideration you show to another mirrors the consideration you hope they show to you. This is essential to the harmonious functioning of society. Veneration is tantamount to worship. It presumes a lowering of the head and a bending of the knee. Of course there are powers unimaginably greater than us that may inspire fear or awe. Groveling in the dirt does nothing to help our understanding, not to mention being a terrible basis for a relationship.

*

We do need sacred places—and by sacred, I mean inviolate. Sovereign. Wild. Such places are essential checks on human pride, reminders that reality itself is beyond our everyday knowing, and that only through meditation, prayer, or absorption into the flow of creation (e.g. by sketching or composing poems), can we have any hope of reintegrating with the cosmos.

***

Any contemporary theological system must take into account new findings about genes and cells and the microbiome. It might for example stress that we have inherited things via gene transfer from beings other than our ancestors; that symbiosis more than competition tends to be how disparate creatures interact; and that we each contain a wilderness vital to our health. I mean, for starters.

Contest

Sam Pepys and me

With Sir W. Batten and Pen to Whitehall to Mr. Coventry’s chamber, to debate upon the business we were upon the other day morning, and thence to Westminster Hall. And after a walk to my Lord’s; where, while I and my Lady were in her chamber in talk, in comes my Lord from sea, to our great wonder. He had dined at Havre de Grace on Monday last, and came to the Downs the next day, and lay at Canterbury that night; and so to Dartford, and thence this morning to White Hall. All my friends his servants well. Among others, Mr. Creed and Captain Ferrers tell me the stories of my Lord Duke of Buckingham’s and my Lord’s falling out at Havre de Grace, at cards; they two and my Lord St. Alban’s playing.
The Duke did, to my Lord’s dishonour, often say that he did in his conscience know the contrary to what he then said, about the difference at cards; and so did take up the money that he should have lost to my Lord. Which my Lord resenting, said nothing then, but that he doubted not but there were ways enough to get his money of him. So they parted that night; and my Lord sent for Sir R. Stayner and sent him the next morning to the Duke, to know whether he did remember what he said last night, and whether he would own it with his sword and a second; which he said he would, and so both sides agreed. But my Lord St. Alban’s, and the Queen and Ambassador Montagu, did waylay them at their lodgings till the difference was made up, to my Lord’s honour; who hath got great reputation thereby.
I dined with my Lord, and then with Mr. Shepley and Creed (who talked very high of France for a fine country) to the tavern, and then I home. To the office, where the two Sir Williams had staid for me, and then we drew up a letter to the Commissioners of Parliament again, and so to Sir W. Batten, where I staid late in talk, and so home, and after writing the letter fair then I went to bed.

I come from wonder
bury me in playing cards

I have lost
nothing but the way

down with both sides
and their high country


Erasure poem derived from The Diary of Samuel Pepys, Thursday 7 February 1660/61.

Tell me what breaks your heart

river in November light between bare woods and mountain
without telling me 
what breaks your heart— 

The mangos that will never
again ripen because of rot. 

The box carrying the urn 
carrying the ashes of your 

beloved, stolen by a porch 
pirate.  That recurring dream 

in which trash bins
overflow inside each other

and you stand at the sink,
scrubbing dishes with salt.

Dinner date

Sam Pepys and me

Called up by my Cozen Snow, who sat by me while I was trimmed, and then I drank with him, he desiring a courtesy for a friend, which I have done for him. Then to the office, and there sat long, then to dinner, Captain Murford with me. I had a dish of fish and a good hare, which was sent me the other day by Goodenough the plasterer.
So to the office again, where Sir W. Pen and I sat all alone, answering of petitions and nothing else, and so to Sir W. Batten’s, where comes Mr. Jessop (one whom I could not formerly have looked upon, and now he comes cap in hand to us from the Commissioners of the Navy, though indeed he is a man of a great estate and of good report), about some business from them to us, which we answered by letter.
Here I sat long with Sir W., who is not well, and then home and to my chamber, and some little music, and so to bed.

snow and ice at dinner
a dish of fish

and enough nothing
to come out
in chamber music


Erasure poem derived from The Diary of Samuel Pepys, Wednesday 6 February 1660/61.

Little Cento,* Looking for Birds and Stars

river in November light between bare woods and mountain
No bird builds a wall.  
 
Outside, in a country with no word
for outside, they cluster on trees.  

The war brought the dead, the mothers the cries
of newborns. 

Time is a scarecrow 
And finally as little as nothing.  

or a song I chant to the chirping birds in our backyard.  

I'll be a fig or a sycamore tree  

The bees dead someday, just like us.  

I learned how to find the new moon by looking for the circular absence
of stars. 

 


 [*Source texts: Naomi Shihab Nye, Philip Metres, Zeina Hashem Beck, 
Najwan Darwish, Wisława Szymborska, Mosab Abu Toha, Fady 
Joudah, Tarik Dobbs, Kazim Ali]

Ablutions

river in November light between bare woods and mountain
Walk through the house,
stepping only on floorboards
that don't whine in protest.


It must be almost spring—
brown arms unfold 
along the streets.


You don't want to be that 
kind of voice—not authority,
but a collaboration.  
 

The river curls into its own 
mystery—a velvet coat flecked
with many kinds of green. 
 

Poetry Blog Digest 2024, Week 5

river in November light between bare woods and mountain

A personal selection of posts from the Poetry Blogging Network and beyond. Although I tend to quote my favorite bits, please do click through and read the whole posts. You can also browse the blog digest archive, subscribe to its RSS feed in your favorite feed reader, or, if you’d like it in your inbox, subscribe on Substack.

This week: a journey to the underworld, an allotted plot, becoming your own god, finding joy as a writer, and much more. Enjoy.

Continue reading “Poetry Blog Digest 2024, Week 5”