At Angie’s

river in November light between bare woods and mountain
My tongue is often awkward. It trips over both consonants 
and vowels, pulls words that should be simple into sounds that suddenly 

perform an alienness even I don't understand. We may be fluent in certain 
languages but clueless in others, though they create a reassuring ripple 

around us. At the bakery where the breads and rice cakes of my childhood  
are heaped in neat rows behind glass, I hear words in Bisaya (which I don’t 

know except for the lilt) and Ilocano (which I do speak), threaded through 
more ubiquitous Tagalog. And of course, American. I can tell the excitement 

on the faces of children pointing out sweets, the pretend pain of the auntie 
paying for two full bags at the register presided over by a miniature Santo 

Niño. So many coins offered at the feet of God, who in this incarnation 
is a child himself. Centuries ago he would have been one of 14,000 

innocents slaughtered, whose mothers mourned them in a carol: Lully, 
lullah, / thou little tiny child/ Bye bye,  lully, lullay/ Thou little tiny child.

Chewing the fat

Sam Pepys and me

At noon I went and dined with my Lady at Whitehall, and so back again to the office, and after that home to my workmen. This night Mr. Gauden sent me a great chine of beef and half a dozen of tongues.

at noon in a white
land of ice

work is meagre beef
and a dozen tongues


Erasure poem derived from The Diary of Samuel Pepys, Wednesday 19 December 1660.

Ode to the Carnation

river in November light between bare woods and mountain
(Dianthus caryophyllus)


Flower of Jove or heavenly flower, dianthus
as coveted shade of creamy lipstick— 

your name means flesh, which is the wrapping 
that garlands us upon entry into this world. 

Spike-headed, ruff-collared, faintly spicy like clove 
or nutmeg, your small bursts of radial symmetry 

please the makers of bouquets, except when they need 
blue and must dye you. You've been the emblem of mothers 

and assassinated presidents, uprisings and revolutions. 
After we're done laying our breasts on glass plates 

and they're pressed flat as we can bear, unwieldy 
blossoms between the pages of a book, the Women's 

Breast Center I go to every year hands out long-stemmed 
pink ones: kindness or apology, while we wait for clear results.

Poetry Blog Digest 2023, Week 50

Poetry Blogging Network

A personal selection of posts from the Poetry Blogging Network and beyond. Although I tend to quote my favorite bits, please do click through and read the whole posts. You can also browse the blog digest archive, subscribe to its RSS feed in your favorite feed reader, or, if you’d like it in your inbox, subscribe on Substack. This week, the season of lights was in full effect, along with that other holiday favorite, the year-end book list. Plus many other things. Enjoy.

I’ll probably skip next week and be back on New Year’s (Eve or Day) for the final edition of 2023. See you then.

Continue reading “Poetry Blog Digest 2023, Week 50”

Nearing Solstice

river in November light between bare woods and mountain
Near the end of the year, I remember the poet
who looked out over withered fields and saw 

his dreams stlil wandering. Which is perhaps
to say he was not done with dreaming 

or with every difficult relationship marked 
like bruised hills and copper sunsets, branching 

trees, a thousand reiterations of rain. 
I want to ask him how to hold hands 

with the ghosts of our undoing even while 
everything we love lies down in the dirt.

Parable

river in November light between bare woods and mountain
They touch down and clatter on the roof at night—
the bird of fretfulness and the bird of despair,

the bird of remorse. The bird of still-trying
flaps its wings vigorously and makes all 

the windows rattle. The bird of let's-begin-
again perches on the far end like a tiny plane 

about to take off. The bird of marshalling hope
waves illuminated wands somewhere in the fog.

Now we are twenty

A war of imperialist aggression, sold to a credulous and bloodthirsty public as just desserts for their attack on us, prompts feelings of helplessness and despair in everyone who sees through the lies — the mainstream media has been so captured or bought off. Fortunately, a new independent media seems to be emerging online. Perhaps there we can make some kind of difference.

That was the state of affairs in 2003, when Via Negativa was born—20 years ago today! I had started posting things to a static website at the beginning of the year, but soon tired of having to email a list of friends every time I published something new. And rather than start yet another contentious political web log, I was determined to go against the flow and blog quietly and briefly, and possibly not about politics at all, because what do I really have to add to that conversation? In a post titled Caveat emptor, I said

I’m hoping this format, which favors shorter expressions, will encourage precision. Unbloggerlike, I want to write not the way I talk but in a slightly more controlled fashion. Most important, to write in anticipation of response, and therefore to leave quite a bit unsaid.

It took a few years to figure out that Via Negativa would mainly feature poetry. I was determined not to get drawn into the kind of poetry blogging that animated people like Ron Silliman, whose comment threads were nasty slugfests about things I had zero interest in. Life is too short for arguments about matters of taste, in my view. Though I always enjoyed Ron’s tilting at the windmills of mainstream mediocrity. Silliman regularly pilloried the fundamental silliness of academic poetry fashions in a way any outsider could appreciate.

But as a ‘poet of quietude’ myself, it’s not really fair to call me an outsider. More like an inside-outer. Not unlike my co-blogger here since 2010, Luisa Igloria, who’s paid her dues in a way I never have with public roles as a teacher, mentor, department head, etc., despite being I think an even more private person than me.

Of course, few if any poets are true insiders in American society. I for one am grateful for our cultural insignificance, as I watch poets being jailed or assassinated abroad. Besides, ‘How dreary to be somebody…’

But the most unconventional thing we both do, as American poets, is insist upon blogging our first drafts for all to see, rather than hiding them away so they won’t lose their publication virginity and become ineligible for publishing anywhere else. Literary critics appear to go out of their way to avoid acknowledging that writers’ blogs even exist, which is a bit bizarre, considering the prominent place of epistolary literature in the canon. Somehow despite this stain, Luisa has continued to place manuscripts with publishers, and even got selected as poet laureate for the state of Virginia, which I like to joke is all down to Via Negativa and our legions of loyal readers. And online publishing is central to the very existence of my Pepys Diary erasure project, drawing as it does on a popular site from the first wave of blogging, now in its third cycle.

I asked Luisa if she had any thoughts. Here’s what she wrote:

There’s something about the idea of “negative capability” which I equate with “via negativa,” or the process of figuring out something through an exploration of what it’s not. Poetry works in the same register of mystery and the unknown, kind of like how reading Via Negativa often provides the spark of an idea for writing toward what I didn’t think I even knew a moment ago. Congratulations on the 20th year of Via Negativa, Dave! So glad it exists; and, thanks to you, that I found my way here.

And it’s thanks to Luisa, I’m sure, that I’m still blogging here myself. I highly recommend getting a co-blogger to anyone struggling with burnout.

And here’s the eye of a green dragon that used to be a white pine tree, that rests beside one of my favorite spots for drinking my afternoon tea. Seeing is always a knotty problem. I’m reminded of one of the very first things I posted here back on December 17, 2003, from Martin Buber’s Tales of the Hasidim:

Rabbi Nahman of Bratzlav has handed down to us these words of his great-grandfather, the Baal Shem Tov: ‘Alas! The world is full of enormous lights and mysteries, and man shuts them from himself with one small hand!’

Or as the Zennies would say, we prefer the pointing finger to the moon. A lot more fingers than moons on social media.

Blogging is of course dead… or was, until Substack came along. We’ll maintain our independence here, but I’m cheered to see the return of creative energy online among a younger generation, who seem finally to be waking up to the brutality undergirding much of our economic system. I won’t say I’ve lost all hope, but I do think it’s an open question whether any of us will be around for Via Negativa’s 25th. Authoritarianism, runaway militarism, and severe inequality make for a volatile mix even before you factor in the multiple environmental crises we face. Things have never been more grim.

For that reason, it would seem grotesque to make a huge big deal out of this anniversary. Thanks to all who read here or share links with friends, and thanks to my friends and colleagues in what we used to call the blogosphere, especially other members of the Class of ’03, who were such grand company in those dark times. We started online magazines and played with free online tech to make poems in new ways and shared strange thoughts and hand-made things, and from time to time compared notes on the enormous lights and mysteries that still fill the earth.

Pregnant pause

Sam Pepys and me

All day looking after my workmen, only in the afternoon to the office where both Sir Williams were come from Woolwich, and tell us that, contrary to their expectations, the Assurance is got up, without much damage to her body, only to the goods that she hath within her, which argues her to be a strong, good ship.
This day my parlour is gilded, which do please me well.

looking after we lust
the expectation is out

a body within her
on a gilded lease


Erasure poem derived from The Diary of Samuel Pepys, Monday 17 December 1660.