Composition

Sam Pepys and me

This morning came my box of papers from Brampton of all my uncle’s papers, which will now set me at work enough. At noon I went to the Exchange, where I met my uncle Wight, and found him so discontented about my father (whether that he takes it ill that he has not been acquainted with things, or whether he takes it ill that he has nothing left him, I cannot tell), for which I am much troubled, and so staid not long to talk with him.
Thence to my mother’s, where I found my wife and my aunt Bell and Mrs. Ramsey, and great store of tattle there was between the old women and my mother, who thinks that there is, God knows what fallen to her, which makes me mad, but it was not a proper time to speak to her of it, and so I went away with Mr. Moore, and he and I to the Theatre, and saw “The Jovial Crew,” the first time I saw it, and indeed it is as merry and the most innocent play that ever I saw, and well performed. From thence home, and wrote to my father and so to bed. Full of thoughts to think of the trouble that we shall go through before we come to see what will remain to us of all our expectations.

a box of paper
from the mothers of ink

is it time to speak

the first full thoughts
go through me


Erasure poem derived from The Diary of Samuel Pepys, Thursday 25 July 1661.

Accommodation

This entry is part 41 of 51 in the series Une Semaine de Bonté
Page 44 from Max Ernst’s Une Semaine de Bonté

—It’s a grim age for pilgrimage. The waters of ablution bloom with blue-green algae. But even the fastest Baptist would find this torrent abhorrent.

—Oh don’t be shellfish and mussel your way into the shoals! It’s simply unseemly. Surely the river doesn’t need another drowned voice.

—But the water is getting away; it must be stopped! This canyon would be so much more accommodating if it harbored a peaceful lake. The spirit could find herself there, in those still waters, gazing back.

Celestial Peaches

river in November light between bare woods and mountain
The afternoon before your surgery I sit 
in this quiet house, ignoring the laundry basket
and the checkerboard of ingrained dirt on kitchen
tile to slice fruit from the bag I brought home
from the store. What is it about fruit with amulets
for hearts—nectarines, plums, apricots, peaches—
with a pit in the center of their planetary bodies and
the squish as your teeth cut through their flesh?
From Asia Minor, migrating birds helped scatter seeds
of cherry and other trees. In Taoist mythology, even
just the fragrance of a ripe peach of immortality
extended your life by 360 years. You know everyone
could use a little sweetness in their mouths, a legend
about drifting upriver into a village where time has stopped.

Hideout

Sam Pepys and me

This morning my wife in bed tells me of our being robbed of our silver tankard, which vexed me all day for the negligence of my people to leave the door open.
My wife and I by water to Whitehall, where I left her to her business and I to my cozen Thomas Pepys, and discoursed with him at large about our business of my uncle’s will. He can give us no light at all into his estate, but upon the whole tells me that he do believe that he has left but little money, though something more than we have found, which is about 500l.
Here came Sir G. Lane by chance, seeing a bill upon the door to hire the house, with whom my coz and I walked all up and down, and indeed it is a very pretty place, and he do intend to leave the agreement for the House, which is 400l. fine, and 46l. rent a year to me between them. Then to the Wardrobe, but come too late, and so dined with the servants. And then to my Lady, who do shew my wife and me the greatest favour in the world, in which I take great content.
Home by water and to the office all the afternoon, which is a great pleasure to me again, to talk with persons of quality and to be in command, and I give it out among them that the estate left me is 200l. a year in land, besides moneys, because I would put an esteem upon myself.
At night home and to bed after I had set down my journals ever since my going from London this journey to this house.
This afternoon I hear that my man Will hath lost his cloak with my tankard, at which I am very glad.

robbed of light
in the hole we rent

between the war and the office
night is our cloak


Erasure poem derived from The Diary of Samuel Pepys, Wednesday 24 July 1661.

Cabaret

This entry is part 40 of 51 in the series Une Semaine de Bonté

Page 43 of Max Ernst’s Une Semaine de Bonté

in the face of death
the urgency of burlesque

to prove what power
flesh still holds

an endless caress
of hour and minute hands

the silent tolling
of a jellyfish belly

the show must go on
it waits for no man

if we lack an acrobatic chorale
for a closing number

there’s still the time-worn lap
dance of waves

Bereft

Sam Pepys and me

Put on my mourning. Made visits to Sir W. Pen and Batten. Then to Westminster, and at the Hall staid talking with Mrs. Michell a good while, and in the afternoon, finding myself unfit for business, I went to the Theatre, and saw “Brenoralt,” I never saw before. It seemed a good play, but ill acted; only I sat before Mrs. Palmer, the King’s mistress, and filled my eyes with her, which much pleased me. Then to my father’s, where by my desire I met my uncle Thomas, and discoursed of my uncle’s will to him, and did satisfy [him] as well as I could. So to my uncle Wight’s, but found him out of doors, but my aunt I saw and staid a while, and so home and to bed. Troubled to hear how proud and idle Pall is grown, that I am resolved not to keep her.

mourning filled my eyes
with a cursed door

I saw how all I own
I am not to keep


Erasure poem derived from The Diary of Samuel Pepys, Tuesday 23 July 1661.

Oido

river in November light between bare woods and mountain
The house of my childhood was always
packed with noisy guests in summer—
vacationing aunts who played mahjong
all night, cousins who chased each other
around and under the dining table. The rest
of the year, we had boarders—college
students from Thailand. They wore
miniskirts and T-strap sandals, and
taught me how to play Chopsticks
and Blue Moon on the piano, by ear,
plus improvised variations. My father said
playing music by ear, intuitively, without
benefit of notation, is called oido—
only, he pronounced it wee-do, and so
for the longest time I thought it was spelled
w-i-d-o-w. Was this the reason the lonely
singer crooned Blue moon, you saw me standing
alone/ Without a dream in my heart/ Without

a love of my own? Drawn into its wistful
longing, I made up a narrative that perhaps
she'd lost her love to death, but now was praying
no longer to be alone. Oido, wee-do, how else
could I explain the ability, in the absence of notes,
to make music in one's head? It tries to embody
a whole world of things which are separate and
distinct from us, until we find a language
to bring them almost close enough to touch,
almost close enough to pull into our arms.

Poetry Blog Digest 2024, Week 29

Poetry Blogging Network

A personal selection of posts from the Poetry Blogging Network and beyond. Although I tend to quote my favorite bits, please do click through and read the whole posts. You can also browse the blog digest archive at Via Negativa or, if you’d like it in your inbox, subscribe on Substack (where the posts might be truncated by some email providers).

This week: Cassandra at summer camp, being a longlistee, the daily countings, a severed creek, and a gull seeking more. Enjoy!

Continue reading “Poetry Blog Digest 2024, Week 29”

Grounded

Sam Pepys and me

Up by three, and going by four on my way to London; but the day proves very cold, so that having put on no stockings but thread ones under my boots, I was fain at Bigglesworth to buy a pair of coarse woollen ones, and put them on. So by degrees till I come to Hatfield before twelve o’clock, where I had a very good dinner with my hostess, at my Lord of Salisbury’s Inn, and after dinner though weary I walked all alone to the Vineyard, which is now a very beautiful place again; and coming back I met with Mr. Looker, my Lord’s gardener (a friend of Mr. Eglin’s), who showed me the house, the chappell with brave pictures, and, above all, the gardens, such as I never saw in all my life; nor so good flowers, nor so great gooseberrys, as big as nutmegs.
Back to the inn, and drank with him, and so to horse again, and with much ado got to London, and set him up at Smithfield; so called at my uncle Fenner’s, my mother’s, my Lady’s, and so home, in all which I found all things as well as I could expect. So weary and to bed.

cold under my boots
where I bury a flower

a field in which I found
all things


Erasure poem derived from The Diary of Samuel Pepys, Monday 22 July 1661.

Riparian

This entry is part 39 of 51 in the series Une Semaine de Bonté

Page 42 of Max Ernst’s Une Semaine de Bonté

I sleep with the river
in my ears for years

I float I drift
empires rise and fall

clamor turns to murmur
in the temple of my pulse

I wake to a mudlark
crowing over his find