One evening she copied notes
for an assignment without really understanding
why it mattered. The professor said there was
a difference between a paraphrase and a precis:
one sharpened your mind, the other could dull it.
And so she practiced sharpening, hoping to produce
a brght graphite point out of the small heap of curls
and wood shavings, anticipating the feel of the first
stroke laid on paper, the letters vining into words
into sentences into thoughts that could carry
their weight across the page and to the reader
that might come upon them. Perhaps fictions
learned as lessons last the longest. Perhaps a story
is remembered best if someone writes it down.
Poetry Blog Digest 2024, Week 25
A personal selection of posts from the Poetry Blogging Network and beyond. Although I tend to quote my favorite bits, please do click through and read the whole posts. You can also browse the blog digest archive at Via Negativa or, if you’d like it in your inbox, subscribe on Substack (where the posts might be truncated by some email providers).
This week: midsummer nightmares, turning into a woodpecker, an idea of wrongness, a flat-bread moon, and more. Enjoy.
Continue reading “Poetry Blog Digest 2024, Week 25”Mater

I cannot get this ocean out of my ear. It roars. It pounds. My nestlings clamor for worms, but I feed them fingers that the cat brings in from the jail next door, bloodless and gray. Somehow I’m OK with clammy things. I’ll lick the sweat off a brow just for the salt.
Pious
(Lord’s day). In the morning to church, and my wife not being well, I went with Sir W. Batten home to dinner, my Lady being out of town, where there was Sir W. Pen, Captain Allen and his daughter Rebecca, and Mr. Hempson and his wife. After dinner to church all of us and had a very good sermon of a stranger, and so I and the young company to walk first to Graye’s Inn Walks, where great store of gallants, but above all the ladies that I there saw, or ever did see, Mrs. Frances Butler (Monsieur L’Impertinent’s sister) is the greatest beauty. Then we went to Islington, where at the great house I entertained them as well as I could, and so home with them, and so to my own home and to bed. Pall, who went this day to a child’s christening of Kate Joyce’s, staid out all night at my father’s, she not being well.
church after church
a stranger you
gray on her own
christening night
Erasure poem derived from The Diary of Samuel Pepys, Sunday 23 June 1661.
Intemperate
A first taste leads to another, then another.
Just as in the days leading up to our family
potlucks, there’s excitement at the prospect of eating
for the pleasure of tasting what someone else
has made. We’ve become too familiar with
the shapes produced by our everyday hunger.
The crackle from oil, the bite of pink peppercorn,
the marriage of mint with watermelon and lime
are so much more interesting. Before we leave for this
communal repast, I drag the old garden hose
out front. Everything suffers in this blistering
heat—the rosemary and gardenia, the twin
Japanese maples and pale hydrangeas. We
all lap it up, lean toward the cool heart of water.
Invested

if even the sacred heart of a high-
minded pilgrim is for sale
let me be the highest bidder
oh lord of chaos
I’m in the market for martyrs
their futures are prized as reliquaries
I’m in the market to feel
at least alive
as the poet said
the first green is gold
and so green am i
my beard has gone haywire
engulfing my face and erasing
anything human
Exurban
Abroad all the morning about several businesses. At noon went and dined with my Lord Crew, where very much made of by him and his lady. Then to the Theatre, “The Alchymist,” which is a most incomparable play. And that being done I met with little Luellin and Blirton, who took me to a friend’s of theirs in Lincoln’s Inn fields, one Mr. Hodges, where we drank great store of Rhenish wine and were very merry. So I went home, where I found my house now very clean, which was great content to me.
road made of heat
mist in the fields
where we drank wine
an unclean tent
Erasure poem derived from The Diary of Samuel Pepys, Saturday 22 June 1661.
Intemperate
How to be a heart without a human hunger, how to be
a hunger you can sate without harm? Today I went
into the yard to see if any figs were ripe enough
to pick, and found a small nest in the fork of a branch.
I couldn’t tell if it was abandoned, or if speckled eggs
nestled inside. Underneath, everything seemed
a call and answer of dapple and wing; everything
thatched thick with heat that we index, as if it
could be pressed into the pages of a book.
Just a few days ago, reports of a rare pink dolphin
sighting in the Outer Banks turned out to be
computer-generated: fake. How to explain
the need to satisfy that kind of hunger, that desire
to flood the world with poor copies of itself?
A first taste leads to another, then another.
Plot
This morning going to my father’s I met him, and so he and I went and drank our morning draft at the Samson in Paul’s Churchyard, and eat some gammon of bacon, &c., and then parted, having bought some green Say for curtains in my parler. Home, and so to the Exchequer, where I met with my uncle Wight, and home with him to dinner, where among others (my aunt being out of town), Mr. Norbury and I did discourse of his wife’s house and land at Brampton, which I find too much for me to buy.
Home, and in the afternoon to the office, and much pleased at night to see my house begin to be clean after all the dirt.
in the churchyard a green home
among my own
bury me at night
in clean dirt
Erasure poem derived from The Diary of Samuel Pepys, Friday 21 June 1661.
Lengthen, Loosen
Past the solstice, the longest day,
summer begins to reel in its boundlessness.
I write a letter to you, because I dream
the moon will swallow me whole when I leave
this life if I don't remember how to let go
of the thread that tethers these flower boats
to the dock. My end is frayed; I've clutched it
so tightly though I admit, there have been days
when I nearly fed everything to my sorrow.
When at last I light a votive and set it afloat
on the water, it is like signing the name by which
you've known me all your life. It is what
one does before leaving the temple
after praying at the feet of the gods, after
dropping a final offering into the metal box.

