Salon

Everything’s collage, pastiche, pictures gummed atop each other; puppets strung on wire or made to bob on long sticks behind the shower curtain. Show a leg, honey; it doesn’t matter if you haven’t shaved. Whistle some kind of sarabande and curtsy. The image of the king is drawn with curlicues of paperclip wire for a beard; he’s consort to a queen dressed in petticoats of coffee filters, stiletto heels clad in leather and copper. How handsome they look, in that hipster kind of way. I strain to hear them speak, but the noise levels on the patio are much too high: clatter of dishes and coffee cups, banter across the counters; buzz of tiny machines that fit in the palm of the hand. The leaves of potted plants need moisturizing. The only one I want to talk to is the bird in a cage in the back of the room, its eye a tiny bead, surveying.

 

In response to Via Negativa: Fishy.

Relay

“I will not go to bed with you because/ I want to very much.” – Marilyn Hacker

Who does not want that kind of stubborn love, weaving down a road full of uncertain certainty, a glass of some fortifying spirit in hand, a clutch of what passes for worldly provision in the other? Everyone’s such a cynic— all sentiment is suspect these days, all language mannered. There are at least a thousand synonyms for careful, though not all the money in the world could buy enough insurance. Long-sleeved oxfords now have little pockets sewn on the sleeves: for the heart, of course. They’re not to be worn out anymore. So then, I won’t be redundant. There go the runners in the race, true to form, bodies glistening from the earnestness of effort. Sometimes it’s a baton they pass, sometimes a torch. It’s the tiny lights bobbing off into the distance when you lean out the window into the dark. It’s the lick of flame circling the pond just before the koi swim away as one body from view.

 

In response to Via Negativa: My Dream About Being Robbed.

There are words and there are words:

This entry is part 9 of 18 in the series Morning Porch Poems: Summer 2013

in every language a surfeit of words— words for bread and hunger,
words for pain and cry, for rain and sleep and sunlight; words
for milk and salt, a baby’s spit, an old man’s phlegm, a night-
bird’s cry; words for the way the wind sounds, whipping
and soughing through the trees; words for cuss and cough
and kiss, words for flame and burn, blood, heat—

There are words and there are words, for sometime in the past
someone must have seen a white snakeroot glowing in the meadow,
a seed burst into flower or shrivel into dust; or heard
the tinny orchestra of tree crickets warming up at dusk,
oily bassoon of frogs in the river’s sludge-filled mouth
which must have moved him to work his lips into a shape

mimicking their sound, yet every sound he made
was always shadow— And is this why we want to throw
ourselves at the elusive, burrow into the music: press the wrists,
the fingers of the hand into the board; draw the bow’s whole length
across the string as if by quivering, it’s possible to leach
more of the quickly fading summer light we love?

~ впиватьса (vpivatsia)

For Pavel Ilyashov

 

In response to an entry from the Morning Porch.

Every Death

This entry is part 8 of 18 in the series Morning Porch Poems: Summer 2013

“…so hard to hear the music of what happens. Every day some poet dies from the strain.” ~ D. Bonta

Did you slip away when we weren’t looking,
did you see a white wading bird? Did you hear
the water arguing with itself, its longest

and most faithful lover? Did the branches
hang low over the water, did the reclusive
fish lift their heads to see? Did the dry

circle in the middle of the field burst
into flames at noon? Did the flood
rise step by step through the halls

and cathedrals of our towns?
Did you feel the warmth of fingerprints,
faint florets of breath so recently left,

it seems, by those who peered
momentarily through the glass
before turning and moving away?

 

In response to an entry from the Morning Porch.