Throttle Ghazal

This entry is part 19 of 47 in the series Morning Porch Poems: Summer 2012

In the heart of the downtown section, a stretch of cobblestone streets:
they stop motorists from gunning through them at full throttle.

Don’t put the cart before the horse, don’t jump from the frying
pan into the fire: in other words, don’t go at full throttle.

Who finds caution in the wind? Who gleans the stitches
from the timid rhyme? Not the young, going at full throttle.

In the school parking lot, I skirt the second speed bump when I can. They’re there
for a reason
, says the youngest daughter: to keep you from going full throttle.

On my bookshelf is a History of Doubt, filled with stories of ancient thinkers and
medieval cynics: anyone who might have said Not so fast, not at full throttle.

Who pays heed anymore? Three birds in succession thunk against the glass. Which
one is pursuer, which pursued? Danger and excitement. Dance at full throttle.

 

In response to an entry from the Morning Porch.

These are the leaves we are hearing now

The kitchen boy comes out of the restaurant door, swinging a bag of trash. On the way to the dumpster he pauses under the crepe myrtles in full and premature flower, under the magnolias and their profusion of heavy blooms. It’s nearly midnight but the heat is thick as a double velvet drape in an old-time movie theatre, and the sounds of rasping in the trees are like instruments being tuned in the orchestra pit. The cooks have gone home, and the sushi chef. Only the waitresses are still inside. The security guard with the name of a crone comes out of his car and walks around the parking lot, peers into the lit windows of the sports store. The Pho restaurant’s been closed since nine; the sign in neon-colored chalk advertising their new bubble tea has muted to one shade: that of a rusty hinge. Hidden from view, a hundred forewings translating texture; tymbals rasping along the insect’s abdomen, to make the sound of the leaves we are hearing now.

 

In response to Via Negativa: Leaf wings.

Annual

“Live, said the liver.
Hear, said the heart.”

 

Open wide, place your feet
in the stirrups

Say aaahh and nothing more
as your pockets are swabbed

for bits of loose change
Make a fist to prime the vein

Blow a little air through closed
lids and watch the needle skitter

Afterwards fold the robe into a paper
shade to hang above the table

 

In response to Via Negativa: Self-destruction.

Amarillo

This entry is part 17 of 47 in the series Morning Porch Poems: Summer 2012

Overheard lunchtime conversation: Longing is a color, just as much as a state.
And as I turn to the window, goldfinches pass through the trees like a yellow wind.

Along the boardwalk, shops sell puka shell bracelets, batik sarongs, T-shirts silkscreened
Virginia is for Lovers. Skateboarders on the street, zipping by like day-glo wind.

See the parasailers aloft in their tethered vests. Waves roll in and crash, then roll out
again. The beach is dotted with collapsible tents, ochre-striped flaps open to the wind.

From someone’s radio, the dance theme from Slumdog Millionaire. I’m seized by
a craving for lemon rice, mango chutney, some hint of chillies and saffron in the wind.

Some days are impermeable, asbestos. Other days spontaneously combust. The thing is,
there’s no warning panel with lights flashing yellow, no siren blaring into the wind.

Amarillo‘s another name for the blossom of the Caraiba, Tabebuia, or Araguaney:
long-throated flowers emerge after leaves have shed, rustling like gold foil in the wind.

Dear sunflower, you are too faithful, following that scorcher all day— Has he ever
bent to kiss your hot golden head? No? But rain’s been kind; and the cool wind.

 

In response to an entry from the Morning Porch.

What We’ll Remember

This entry is part 16 of 47 in the series Morning Porch Poems: Summer 2012

We’ll remember this as the summer when hail rained down as large as peaches, when whips of lightning tore through the humid air. We’ll remember this as the summer when we woke and looked up to see a sky filled with clouds in the shape of women’s pendulous breasts; when every day as we walked from one end of the field to the other, it seemed the cicadas’ agitated chirping might rival the noise of oncoming trains. And we’ll remember this as the summer of startling sightings: wild birds far from home, a man-of-war sailing into the harbor, cannons firing in salute; and a body washed up on the river’s edge. A cerulean warbler sang incessantly in the yard, and doctor’s reports recommended the cutting away of some parts. We’ll remember this as the summer of swiftest change: how we walked, mornings and evenings, past fences overgrown with wisteria— their opulent scent already balanced on the rim of decay.

 

In response to an entry from the Morning Porch.

Index

This entry is part 15 of 47 in the series Morning Porch Poems: Summer 2012

“Now learn this lesson from the fig tree: As soon as its twigs get tender and its leaves come out, you know that summer is near…” Matthew 24: 32

—and the clouds gather into scrolls over the foothills
—and the crepe myrtles fall on the pavements as if it were spring
—and meadow plants turn limp, while some stiffen as though they were bristles in winter
—and the river’s surface is flecked with bits of foam and plastic, and shadows of wading birds
—and passing trains pitch their whistle to the winds
—and afternoons are hardest, for their shore is the in-between

 

In response to an entry from the Morning Porch.

Stress Test

Dress comfortably, but not in last night’s negligee.
Nothing by mouth after midnight: personally,
I don’t really like the taste of nothing. I am reminded
of sawdust, or of certain fiber residues a.k.a. lint
from the dryer. Everything, therefore, should be
permissible. The treadmill will incline in the correct
direction if you can successfully use the word
cardiovascular as a slant rhyme. If you cannot use
your legs, you will be allowed to crank a bicycle with
your arms. If you make the electrodes click to the rhythm
of Tico-Tico, the test results may become unreadable,
or perhaps more readable. This is very serious, I am not joking.
It is important to know the measure of certain things in regard
to the heart: whether the blood, loosed like a caged animal
no longer used to the wild, will be able to return through
corridors narrowed by an abundance of grief and care,
or made dense with neglect; whether it will consent
to lie down in chambers that have grown too small,
their walls opening to looped circuits without end.

Ghazal, with Onions, after Midnight

Methodical clicking, light metal against another surface: and I think that someone
in the kitchen is slicing an onion— this sound that wakes me after midnight.

For a moment I don’t know the day, don’t know the hour— But I am almost perfectly sure
that on the red and white chopping board, an onion is being diced, after midnight.

The night lights are out, only the clock’s green numbers float on the ceiling.
Outside: raindrops like tiny pearl onions, dark baguette of sky at midnight.

The rain has peeled away some of the heat. But there are always more
layers underneath, like an onion. And now I’m sleepless, after midnight.

I wish I knew how to tell which spiral leads into another. Then perhaps some things in life might be
simpler. And why I thought of the onion, I don’t know. But now it keeps me awake after midnight.

So many thoughts that unroll like parchment in the mind. And a poet I love once wrote in praise of
the onion and its honorable career: for the sake of others, disappear. All this, past midnight.

And long ago, someone spoke to me of marriage, bringing me home at dusk. I fingered the latch at the gate,
unable to put a finger on some vacant unease, tiny space at the onion’s heart. I think of it too at midnight.

It’s true there are worse things in life that bring tears, and that fumes from candle flame
help dissipate an onion’s sting. But what remedy for the soul’s unease, after midnight?

 

In response to small stone (107).