Letter to Spam

This entry is part 70 of 95 in the series Morning Porch Poems: Winter 2010-11

Can you keep a secret? They will never know. In my e-mailbox at work this morning, this message: When wearing one of Practically Genuine’s clones, you won’t have to worry about being caught. How? We manufacture all our products (from the inside/out). Using the same metals, markings, materials as the originals ensures the perfect clone. In 1936 the pantywaist was a type of child’s garment with short pants that buttoned to the waist of the shirt. In Old English, a stole is a long robe, a scarf-like garment. Clergymen wore it. Frankly, I much prefer the sixteenth century use of doublet (root, Fr. duble) as “one of two things that are alike.” Keep this quiet and your friends, family, co-workers, and loved ones will never know the difference. Six inches of fresh powder. A pair of squirrels will wrestle in it, then go up the big maple, couple on the trunk, retreat to separate limbs. All those little gropings in the shadows. Do you need a translator? Think of it. History is full of copies, some of them cutting themselves out of the landscape right now.

Luisa A. Igloria
02 22 2011

In response to today’s Morning Porch entry.

Letter to Rubbermaid and Tupperware

This entry is part 69 of 95 in the series Morning Porch Poems: Winter 2010-11

Dear aggregate of semi-synthetic solids, dear
clear acrylic, polyester, silicone, polyurethane
or halogenated plastics; menagerie of molded
food boxes separated from their lids and falling
to the floor as I root around in the kitchen
cabinets— I’m certain my ancestors could not
have had the same early morning dilemmas
as I do: where to stash that bit of leftover
scrambled egg or steel-cut oatmeal, which
cute snack holder will keep the grade-
schooler’s cut-up kiwi and blueberries
from spilling and turning the bottom of her
book bag into a mulch of paper and fruit.
Outside, chipmunks traverse a fresh cement of
wintry mix, their tails italic with urgency.
A bento box holds carrot flower cups and
shiso leaves against neat rows of jeweled rice.
Here, shelves of ice-coated branches rattle
in the wind; unrolled, how far east would their
cellophane sheets reach? On highland trails
in my childhood home, woodsmen make
their way to town with provisions in leaf-
lined baskets: boiled shoots and purple yams,
salads of curly fern; dried venison and quail
fermented with smoke, salted with dew.

Luisa A. Igloria
02 21 2011

In response to today’s Morning Porch entry.

Letter to Levity

This entry is part 66 of 95 in the series Morning Porch Poems: Winter 2010-11

Dear buoyancy, dear levity, dear
little digression; dear necessary respite
from gravity and circumspection, your voice is
just audible over the wind like a junco’s chitter—
Leaves like tongues lift off from the newly melted
forest floor, busily trading all kinds of news
from the world— for instance, why did I not know
before today of Qaddafi’s all-girl coterie of virgin
bodyguards, smart as models in their khaki outfits;
or of how he sometimes likes to camp out in five-
star hotel gardens in a sumptuous, heated Bedouin
tent guarded by a camel? Or of Unsinkable Molly B,
the cow that jumped a slaughterhouse gate and fled
authorities by swimming across the Missouri river?
(She’s safe now in a Montana sanctuary.) They say
that Elton John’s in town this weekend: I want to know
if he’s traveled with the same grand piano that workers
in Tsarkoye Selo scratched their heads over, wondering
how to hoist it through the narrow windows of Catherine
the Great’s gilded ballroom. And what about those three
men in Malaysia who made off with 725,000 condoms
(still missing), or the Mexican woman now on her ninth
day of a hunger strike, demanding an invitation to Prince
William’s wedding? A 35 year-old naked man was captured
on surveillance video taking sausages from the kitchen
of a retirement home. Who knows why these things happen?
Perhaps an inexplicable longing seized them all in the night,
some order not to be disobeyed flashed on in the cortex
of the brain. Once, my daughter’s piano teacher mistook
a gift of strawberry body butter for yogurt. She called,
half laughing and half in pain, saying she was just
so hungry, that it smelled so beautiful and good; and
suddenly she wanted it, more than anything in the world.

Luisa A. Igloria
02 19 2011

In response to today’s Morning Porch entry.

Thaw

This entry is part 67 of 95 in the series Morning Porch Poems: Winter 2010-11

If I were a brook I would unwind
like a spool in the sun, shake my green
maracas with sequined stones.

If I were a beet in the soil I’d pulse
like a heart, pull myself out
of my muddy shroud.

If I were a bowl of new
steamed rice I’d curl fringes of steam
and float a grateful face above it.

All over the newly bare field, melting
voices— whispering, murmuring, sighing
and gurgling a hundred ways at once.

Luisa A. Igloria
02 18 2011

In response to today’s Morning Porch entry.

Letter to Affliction

This entry is part 65 of 95 in the series Morning Porch Poems: Winter 2010-11

Dear ruefulness, dear regret, I’ve rounded
the bend and here you are again in the clearing,
each tree planted like a taper in a circle
of melted ground. How deep are your roots,
really? The sky’s chipped at the rim like an old
piece of crockery— its white band milky,
its saucer mismatched. Where’s the calico
napkin appliqued with cats? I’ve forgotten
if I’ve set the table for dinner or for tea.
Perhaps it’s not too late to take a long
vacation by the sea. A fleet of sandpipers
and gulls holds the rocks at siege. The water
asks over and over, What is the heart?
You know it makes a sound louder
than any internal combustion engine.
Here I am waiting for the skin of leaves
to split open; waiting for lightning
to marble in the marrow.

Luisa A. Igloria
02 17 2011

In response to today’s Morning Porch entry (and to another response-poem, by Dale Favier)

Love Poem with Skull and Candy Valentines

This entry is part 62 of 95 in the series Morning Porch Poems: Winter 2010-11


“…And everich of hem did his besy cure
Benygnely to chese or for to take,
By hir acord, his formel or his make.”
—Geoffrey Chaucer, “Parlement of Foules” (369-371)

In Cosmedin, Rome— in the Chiesa di Santa Maria,
a flower-wreathed skull sits preserved in a shrine
more ornate than any foil-covered box of candy—
that’s Saint Valentine himself, as the hand-lettered
strip of bandage across his brow proclaims.
“Protector of love,” martyr of Terni, he got
couples hitched at a time when (would you believe)
it was illegal to marry. The stories say he was “beaten
with clubs and stoned; and when that failed to kill him,
he was beheaded” outside the Porta del Popolo.
Poor Val, his aquiline nose may even have been broken.
But he seems to have kept most of his teeth, which rest
(some gaps between, though they say that can be sexy)
just inside the edge of the reliquary frame. His gold box
resembles a 1930’s RCA TV, or the consoles in the Dr. Who
episode where an alien disguised as a woman is trying
to take over the world. Even here, the theme is love
and monsters; or love and sex, lust, appetite, desire–
everything you want but can’t actually have, so naturally
you want it even more. On the eve of the festival
of Lupercalia, young Roman boys and girls wrote
their names on slips of paper and put them into jars;
then they held a grand old raffle to find out who
they’d walk hand in hand with the next day, share
a honeyed sweetmeat with, maybe spoon a little,
golden in the olive grove. Did the trees make noise
under the cloudless sky, touching in ways we
rarely do? Everyone loves a little sugar every
now and then; why not them too? Cushioned
in red and gold, the saint would understand
the meanings of excess: candygrams and chalky
conversation hearts (“Sweet Dreams”, “URDGR8ST”,
“Be Mine”, “Big Hugs”), little mounds of milk
chocolate goopy in their maraschino centers,
cardboard boxes lettered with their swirly
tic-tac-toe of X’s and O’s; lacy thong, slinky
sarong, velvet codpiece. Welt of pepper and spice,
ascetic stripe of sea-salt on the hungry tongue.

Luisa A. Igloria
02 14 2011

In response to today’s Morning Porch entry.

Letter to Arrythmia

This entry is part 61 of 95 in the series Morning Porch Poems: Winter 2010-11

Dear arrhythmia, dear perennially
side-stepping, asynchronous and rapid
tachycardia, I’ve learned not so much
to fancy up my footwork than to fake
a passable improv: not even time
to do my nails, check my hair or lines
for an audition call— but here we are
again in the molasses of a telenovela,
gliding from moments of near hysteria
then shimmying to the Copacobana
as doors revolve like windmills
in the background… And it’s true, then,
what they say about you: how you break
knees, break hearts, and then ask
Will you dance? Sometimes I want to stop,
just be the wallflower, enjoy the view— be
the one the waiters come and tend to,
their silver trays bobbing with fancy,
pileated tufts of napkins. Oh but I’ve never
known the ease of a downier partner:
only you dealing and dealing it out;
sometimes, more than I can muster.

Luisa A. Igloria
02 13 2011

In response to today’s Morning Porch entry.

Landscape, with Mockingbird and Ripe Figs

This entry is part 60 of 95 in the series Morning Porch Poems: Winter 2010-11

Like a wren, like an oriole, like the quail—
there’s the mockingbird improvising in the grass.
Chittering call of a Cooper’s hawk, jay that calls
and calls until his double answers. Who
hears my voice crying out in the middle of the day,
who knows to tell the echo from its answer?
The Japanese beetles have gored open
the sides of figs velveting the tree.
You picked my hair clean of shadows.
You dropped little stones in the beaker
so the water rose and I could drink.
Sweet smell of clover, sweet-fingered fruit
ripening to rot upon the sill.
Above the sheets, a spider couples
with its prey. In their eyes’ prismed glass,
our limbs bond into brittle sugar.
That isn’t steam beneath the ceiling.
Outside, small birds continue feeding.
A strangled cry. Finally, the jay calls like a jay.

Luisa A. Igloria
02 12 2011

In response to today’s Morning Porch entry.

What She Wants

This entry is part 59 of 95 in the series Morning Porch Poems: Winter 2010-11

Nearly noon, but only a few
hours since I washed my face
upon rising. The day needs
to bloom harder, needs more
roundness— The swell of plucked
bandurria strings, the glisten
of corn chaff flying, soft
stripes of light dipped in saffron
wash; this thin milk passing for air
bursting instead with pollen,
as if some goddess had carelessly
flicked the dust off her sandals,
as if it were August, and all
she wants is the green-gold
mango hanging from the tree.

Luisa A. Igloria
02 11 2011

In response to today’s Morning Porch entry.

After Luisa: two poem sequences

Yesterday and today, Dale Favier left poems in response to Luisa Igloria’s poems in the comments at the Morning Porch, and both times it prompted a further exchange between Luisa and me as time permitted. Here are the results.

Jessie’s wearing a knit belt,
a band of vivid pink.

She whistles the beginning of something
again and again.

I glance down at my coffee.
When I look back up

she’s pulled on a gray sweater
and gone to look at the sky.

—Dale Favier

*

(This made me smile in two ways at once. Well done!
—Dave Bonta)

*

Things That Make Me Smile
In Two Ways At Once

Flounced ruffles
Swagger-me boots
Lost and found capers
A long drink
of something mint
Dimpled time
A lie-in
Bright circlet
inside a small hour
Homing like
the hummingbird
That little dish
of nectar partly
hidden in
the leaves—

—Luisa A. Igloria

*

Jessie’s wearing boots of mint. She whistles the hummingbird out of the leaves in another story, one without curved bakery cases and metal tubes that hiss into small cups. In this dimpled time, nectar drips from gold cages, & a sad lawyer feeds himself to a lie-in. She hums & taps her toe. She homes in.

—D.B.

*

Bedtime Story

But what if she hasn’t learned how to whistle? Will the hummingbird come out of hiding, will it part the leaves for a pucker, for a yodel, or if she crooned? Will it flutter its wings more rapidly than eyelashes? Summer is a long way away. Summer is stripes of vermilion, the plumage of birds of paradise. She looks out where the wind has started sifting fine snow again. The birdbath is an upturned bundt pan ringed by tiny marzipan leaves. Knock on its sides and the echo circles the garden. When it’s cold, we want to suck everything down to the marrow, forgetting the fire in the feathers, the smolder in the song. The sad lawyer in the canopy bed stops alternately tossing in the sheets and sitting up to smooth them. She regales him with stories, pretending she is Sheherazade: short of the endings, before daylight, she braids their ends and coils them flat as coins. Laughing, she tells him he must find them himself. She hides them underneath the mattress, then wishes she were a florin, a ducat, a coronet dollar piece.

—L.A.I.

*

(three tanka)

That ache in the lungs
on a very cold dawn—
I almost enjoy it.
The blue near the horizon
is the earth’s own shadow.

Half-in, half-out,
a leaf flaps
from the frozen birdbath.
I pluck an unsightly hair
from the bridge of my nose.

In the post office window,
the clerk & I compared
ten dollar bills.
1001 spam emails
vanish with one click.

—D.B.

*

That ache in the lungs
on a very cold dawn,
that blue near the horizon—

Across the counterpane
I’ve chased my shadow
half-in, half-out of sleep—

I fill the chamber with ink
and the nib presses
against creamy paper—

Ink color named after a battle,
cornfields bordering
Antietam creek—

That ache in the wake
of language, words like pennants
marking what can’t ever be held—

As in a roomful of people
where I find I’m still always
speaking to you—

—L.A.I.

* * *

In the massage room is
a trickle-water fountain
which pricks the Reiki music
with little pings of drips.

That high harsh sound
of something tearing
is only my tinnitus.

I believe for a desolate moment
she is going to lay her head
down on my oiled chest.

—D.F.

*

A man built a city
in his basement out
of balsa wood, all so
the model people
riding round & round
on his train wouldn’t
get bored. Look!
There’s a fountain,
as artificial as in
real life! And trees
with an ageless foliage
that won’t show dust.
I crouch down & peer
under the table.
A rat trap has been
baited with what looks
like catfood. We have
just been introduced
to his wife’s collection
of orchids, & I am
still agog: all those
ornate enticements
for special lovers who
will never find them,
so far into the country
of winter in their hot
glass house.

—D.B.

*

So far into the country
of winter in their hot
glass house they find
the abandoned piano,
a yellowed score and jazz
notes drifting overhead.
She follows the scent
of ginger and he follows
her down the winding
corridor. The air is cool
in rooms carved from old
wood. He looks for twigs
to whittle, happiest finding
stray pieces that the wind’s
blown in, or that the surf
washes up on shore.
No matter, they can both
admire the heavy tapestry
embroidered with a garden–
all the vines and brambles,
clusters of fruit shot through
with gold thread; the lovers
outlined in white and sienna,
each with their haltered
animals: they bend toward a chink
in the wall that separates them,
press ear and mouth against
the place they might align with
the other; they hear the short
relay of filtered breath.

—L.A.I.