A hollow hemlock:
peering out is more fun
than peering in.
*
I start looking
for a kite string –
the motionless vulture.
*
Thursday’s hurricane
sings softly
in my screen door.
*
The house he grew up in
long vanished,
he brings a lawn chair.
A hollow hemlock:
peering out is more fun
than peering in.
*
I start looking
for a kite string –
the motionless vulture.
*
Thursday’s hurricane
sings softly
in my screen door.
*
The house he grew up in
long vanished,
he brings a lawn chair.
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This is the weblog of Dave Bonta, a poet, editor, and shutterbug from the eastern edge of western Pennsylvania. For background on the site, see the About page. For more about me, see my Google profile.

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Contact me for a signed copy or to barter for your own book. Central PA residents can buy it at Webster's.
Qarrtsiluni, a literary magazine I co-edit
Festival of the Trees, a blog carnival I co-founded
Open Micro, a group blog I belong to dedicated to poetry in 140 or fewer characters
Moving Poems, my daily compendium of video poems from YouTube, Vimeo, and beyond
The Morning Porch, Twitter-length prose-poems based on the view from my porch first thing in the morning
Woodrat Photoblog, "a midden of photos from a Pennsylvania mountaintop"
Shadow Cabinet, an online collection of my more recent poems
Spoil, an online collection of my older poems
(For a complete listing, see my Google profile)
Mark Doty
And then, when they were done, I turned my head and saw, on a video screen, my own heart. It was golden, and pulsing, and resembled a cross between a Georgia O'Keefe flower and a jellyfish.
----
Dick Jones' Patteran Pages
The painter washes his hands on the flannel of the sky
Everything is in gouts of colour
And the hats of the passing women are comets
across the evening’s fire.
----
Parmanu
But Hopper didn’t paint any snowy landscapes, did he? I wonder why. The loneliness and solitude of people in his cityscapes would, it seems to me, be accentuated in a street filled with snow. I can almost imagine the effect of streetlamp light bouncing off the snow, and the resulting shadows on nearby objects.
----
Mutating the Signature
Don’t bring your tires
stripped of hot rims, or used
condoms, syringes or jumbo sized
needles. Leave the headless
doll in the truck, along with wrappers,
giddy snack vestiges and Keystone
cans.
----
the cassandra pages
Her features rubbed with a wooden spoon,
Fadwa's Damascene face emerges
beneath my hands black with printing ink...
----
Clive Hicks-Jenkins' Artlog
I may yet soften the massed patterning of leaves and branches, but it nevertheless has to be present, carefully arranged to suggest a foliate barricade made by a careful gardener to create a safe oasis from the wilderness beyond. Perhaps I'll put some sheep on the distant hills rising to the upper edge of the painting. And some low mounds of rock plants. The painting evolves and becomes dense with shapes and patterning, shadow and highlight, colour and tone.
----
everything feeds process
In stories like Alice in Wonderland, Wizard of Oz or The Little Mermaid, the main character has to make sense of a world that is not her own. In my mind, this is an excellent metaphor for living as a grown-up in modern times.
----
slow reads
This cold has eyes, not menacing or even intent ones, but the limpid eyes of the cold dead, the kind of eyes that feel every nape’s tooth marks. This cold moves as slowly as black water, silently as the far side of fish: unpied, canopied — the crosshatch of hawks.
----
Coyote Mercury
Somewhere along those dusty Philippine roads my fascination with war turned to recoiling as I realized it was one thing to reenact battles with my friends, but quite another to walk endless miles along a trail of brutality, hopelessness and murder. I think it was then that the idea of war began to move from fantasy to nightmare as we walked through Bataan imagining the sheer horror of the reality our reenactment was meant to remember.
----
The Middlewesterner
Even the crow
knows nothing
except that hope
is a kind of
uselessness.
----
All content by Dave Bonta at Via Negativa is available for reprint and remix under a Creative Commons Attribution-Share Alike 3.0 United States License.


That vulture is great, man.
And the photo’s superb.
Thanks.
I especially like the third for its calm local view at something extraordinary. Northeasterners often forget how sheltered and safe we are. Wish the same could be said for the man-made phenomena.
Yes, i imagine we’d have a much more respectful attitude toward nature if the climate weren’t so temperate.
Wild dreams last night. A scuffle below me, in tree-tops along a wall of a cliff. A huge, fat raccoon tumbles from the leaves. It drops toward a distant plain, where houses are tiny. It goes spread-eagle and I plainly see that it has skin flaps like a flying squirrel. I begin to think it will survive the fall. As it grows smaller I notice there’s a thread trailing from it which arcs up to where I sit near the cliff’s edge. Something comes alive in my hand. It’s a spool of line hissing, tugging.
I dreamt of visiting a city in Africa where art galleries were disguised as bars.
My favorite is the last one…
Oh yeah? I was thinking of this old guy who sometimes sits with his wife down at our railroad crossing. Grew up in a shack a few feet from the tracks and says he finds the thunder of passing trains to be the most restful thing in the world.
Having lived near railroad tracks at various points in my life, I can certainly understand that feeling.
What that particular haiku said to me was the man didn’t need the physical trappings to relish his memories. Proximity was more than enough.
Sigh. I wish I could write haiku.
Me too! Someday…