There's nearly an entire month you can't account for, when (you were told) you were confined in the hospital. First or second grade, scabby-kneed, hard to feed, breaking out in hives and blisters; nose bleeds almost every day. Confine—a word that only brings up images of a high bed with a metal frame; a drafty room, the old-building smell (like yellow piss, like peeling paint and antiseptic. Nurses came at intervals to check your temperature or bring a glass of water to your lips, bitter liquid in little dosage cups. In the hallways, the sound of wheels rolling across tile. Years later this is the same hospital where you give birth to your third child— every single time the resident pushed her thick fingers in to check the progress of dilation, she'd say 2 cm. Unreal. It's the same hospital where your father passed away on a makeshift pallet, the walls having collapsed in the aftermath of earthquake. You can't remember how many days and nights there was no running water, no power, no gas, no telephone service. A drama of tents sprang up in parks. There was rain and mud, and makeshift stoves into which you pushed torn newspapers. Box of matches, black- bottomed pot from the ruined kitchen; tins of sardines, can opener. Grocers handing out bread through a hole in the wall. Flies led rescue teams to bodies. The dead got their coffins. For such things, there are actually records.
Head-in-Sand Ritual
uncanny heat
for the tenth of February
but the creek’s trickle still hits
the right notes after dark
the evening jets rumble
somewhere out of mind
i disturb a sparrow
in the juniper tree
that holds my house close
to its accretionary trunk
and the fluttering of wings
where a heart would beat
tells me to go bury my head
under the blankets
to bed down with the radio
dead air hissing in my ear
and dream a killing floor
of windblown sand
where pump jacks raise
and lower their horse heads
and flare stacks
burn eternally
for unknown soldiers
it’s essential to keep
the necromance young
the lovely refrigerator
humming in my kitchen
depends on it
and the space heater
and the halloween ladybugs
awakening in the walls
too early
with a burning thirst
Gone for a Soldier
At the office all the morning. Dined at home, and then to the Exchange, and took Mr. Warren with me to Mr. Kennard, the master joiner, at Whitehall, who was at a tavern, and there he and I to him, and agreed about getting some of my Lord’s deals on board to-morrow.
Then with young Mr. Reeve home to his house, who did there show me many pretty pleasures in perspectives, that I have not seen before, and I did buy a little glass of him cost me 5s. And so to Mr. Crew’s, and with Mr. Moore to see how my father and mother did, and so with him to Mr. Adam Chard’s (the first time I ever was at his house since he was married) to drink, then we parted, and I home to my study, and set some papers and money in order, and so to bed.
a war to join
you show me
many pleasures
I have not seen
a little glass
of hard drink
then home
to my paper order
Erasure poem derived from The Diary of Samuel Pepys, Monday 11 February 1660/61.
Cedrus Deodara
Beneath the tree whose branches are garlanded with bits of paper covered with now indecipherable handwriting, we gather to string letters, wishes, poems. Its name in Sanskrit means wood of the gods. The sky, azure after a cloudy morning, peeps through a latticework of branches. It must be indeed patient and forbearing: letting us transfer our supplications to its arms.
Heating up
(Lord’s day). Took physique all day, and, God forgive me, did spend it in reading of some little French romances. At night my wife and I did please ourselves talking of our going into France, which I hope to effect this summer. At noon one came to ask for Mrs. Hunt that was here yesterday, and it seems is not come home yet, which makes us afraid of her. At night to bed.
god give me some
little stalk of hope
summer seems no home
which makes us afraid
Erasure poem derived from The Diary of Samuel Pepys, Sunday 10 February 1660/61.
Microcosmic

like a bloodshot eye
with a black pupil
crab-walking across my knee
a blacklegged tick
oh lovely horror
i take three photos
then decapitate
with a persistent thumbnail
the meek are inheriting the earth
with increasing speed
last night i came home
to an old cocoon
from one of the giant silkworms
lying on my doorstep

fabricated from a single leaf
like a dolma tied with silk
long since vacated
and weathered to old gold
and now the wind has taken
some interest in it
this empty shroud
that gave birth to wings
and to think i almost didn’t
crouch down to look
where does it come from
this disinclination
to get down close
and attend to the details
where the devil is said to dwell
among the flies
forefeet coming together
like prayerful hands

that’s what will finish us off
the piety of carrion-lovers
i tell a clump of sagging puffballs
on a stump beside the trail
their blunderbusses pointed
up down and sideways
i give one a tap
the smallest gray cloud of spores
spurts out and rides
off on the wind

Plummer’s Hollow, February 9, 2024
Molting
Why do we speak of streaks of light, but never of darkness? I stand inside the circle of an xray machine that revolves around my face to locate white shards of bone in my gum. The moon is something that looks like I could put in my mouth, says the child. While we talk on the phone, picking at the remnants of our meal, star fragments wash up on the beach. Small bodies shed their tiny houses in the sand, looking to move into an empty nautilus.
Current resident
To my Lord’s with Mr. Creed (who was come to me this morning to get a bill of imprest signed), and my Lord being gone out he and I to the Rhenish wine-house with Mr. Blackburne. To whom I did make known my fears of Will’s losing of his time, which he will take care to give him good advice about.
Afterwards to my Lord’s and Mr. Shepley and I did make even his accounts and mine. And then with Mr. Creed and two friends of his (my late lord Jones’ son one of them), to an ordinary to dinner, and then Creed and I to Whitefriars’ to the Play-house, and saw “The Mad Lover,” the first time I ever saw it acted, which I like pretty well, and home.
how is the wine
to know my fear
of losing time and friends
o Lord of the ordinary
I use time
like a home
Erasure poem derived from The Diary of Samuel Pepys, Saturday 9 February 1660/61.
Tell me about the future
without telling me it's impossible— Tell me about soft green that emerges in between burned roots and branches, and of the slow sorting of stones, the choosing of what withstood the worst. Tell of the even slower: return of movement in the outer reaches of air, in hollows opening again to rainwater. Patient schools of dinosaur shrimp, harboring their cysts. Red bark beetles flat as guitar picks coming out of dehyrdation. At the very bottom of the Antarctic sea, glass sponges undulate, though they might not even remember when they last ate, 15.000 years ago.
Fugitives
At the office all the morning. At noon to the Exchange to meet Mr. Warren the timber merchant, but could not meet with him. Here I met with many sea commanders, and among others Captain Cuttle, and Curtis, and Mootham, and I, went to the Fleece Tavern to drink; and there we spent till four o’clock, telling stories of Algiers, and the manner of the life of slaves there! And truly Captn. Mootham and Mr. Dawes (who have been both slaves there) did make me fully acquainted with their condition there: as, how they eat nothing but bread and water. At their redemption they pay so much for the water they drink at the public fountaynes, during their being slaves. How they are beat upon the soles of their feet and bellies at the liberty of their padron. How they are all, at night, called into their master’s Bagnard; and there they lie. How the poorest men do use their slaves best. How some rogues do live well, if they do invent to bring their masters in so much a week by their industry or theft; and then they are put to no other work at all. And theft there is counted no great crime at all.
Thence to Mr. Rawlinson’s, having met my old friend Dick Scobell, and there I drank a great deal with him, and so home and to bed betimes, my head aching.
into the timber we flee
a life of slaves
we who have
been nothing
but water for the water
soles of the feet
at liberty
call to the dust
Erasure poem derived from The Diary of Samuel Pepys, Friday 8 February 1660/61.

