After a while, the shapes and colours that spring so strongly from the work seem to invade the spaces in between. The people looking at the paintings, their shapes and angles and outlines, appear more and more as if they’d stepped out of them. A painted shock of red hair, a purple dress, a pale, drooping, interesting face, take the eye straight to another that is not painted.
Dave Bonta (bio) often suffers from imposter syndrome, but not in a bad way — more like some kind of flower-breathing dragon, pot-bellied and igneous. Be that as it may, all of his writing here is available for reuse and creative remix under a Creative Commons Attribution-ShareAlike 4.0 International License. For attribution in printed material, his name (Dave Bonta) will suffice, but for web use, please link back to the original. Contact him for permission to waive the “share alike” provision (e.g. for use in a conventionally copyrighted work).