The life of a painting

Clive Hicks-Jenkins:

A man and a woman were standing in front of my painting Green George, and he was speaking with lively enthusiasm about the work, explaining to her what the artist had been attempting in it, and the technical tricks he’d used to pull off the effects. She gazed up at him adoringly, basking in the light of his knowledge. What he had to say sounded most interesting and plausible. Even I was impressed.

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