Viernes

This entry is part 10 of 31 in the series Morning Porch Poems: Spring 2013

The high school boy with the skateboard comes by the café where his mother is having an iced coffee with her lover. Bees buzz among the potted daffodils, and yellow canvas umbrellas shade the tables on the sidewalk. He is tall and lithe, he is lovely to look at with his bronze curls, his freckled tan, his worn canvas shoes and rumpled graphic tee. And his voice, when he speaks, balances on that boy-man threshold, especially when he asks his mother if he can spend the night somewhere with his friends: just a movie, shoot some pool, something like that. I cannot hear but see her refusal, the shaking of her ponytail, her finger twisting one end of her crocheted vest into a determined ball. He doesn’t want to whine but pleads again— to no avail. The young French girls in off-the-shoulder blouses and gauzy tops who are always in a huddle at the café, chic expatriates, are laughing and gesturing with their hands. They talk fast, very fast; they light their cigarettes and smoke, not paying attention to anything or anyone else. They don’t even glance up when the boy stalks off in a huff, then leans away into the curb on his board.

 

In response to an entry from the Morning Porch.

Twelve Simple Songs now available in print

Twelve Simple SongsYou can now order a print copy of Twelve Simple Songs from Peecho.com. The link is www.peecho.com/print/1116. I’ve also created a dedicated page for the book at my author website: davebonta.com/twelve-simple-songs.

While not absolutely perfect, the quality of the photo reproduction in the print edition is pretty adequate, I think. Including shipping to the U.S. from the printer in the Netherlands (kind of disappointing that they don’t have a print partner in the US yet), I paid just $15.78 — that’s for the medium size (210mm or 8 1/4 inches square), full-color, glossy paperback option, which is the one I’d recommend. Not bad! When you click on the link, you’ll also have the options of magazine format (which I think means saddle-stapled rather than perfect bound) and hardcover.

I’m selling these at cost because the book started as a gift and I would like to continue to give it away in the spirit of Ecclesiastes 11:1. Exploring affordable, full-color print publishing options is something I’ve wanted to do for some time, so I am very much benefiting from all this.

Caul

What is pleasure? The gardener leaning into the rake to loosen the soil, to make circles nested within circles: does he think that is pleasure? And the bell that interrupts the thickly padded silence? If I said monk instead of gardener, does the sense of pleasure increase? If I said the drone of planes instead of bell? Is pleasure the animal panting over its kill, digging into the dead thing’s flanks? And the rush of wind and heat as the runners crest the hill, the sound of what could have been fireworks going off just beyond the line?

 

In response to Via Negativa: Credo.

“The first slaughter is for victory, but the second slaughter is for grief—” *

which is not to say either of them makes sense,
which is not to say one might be excused but not the other—
So when the bodies were brought home,
the women sat on the ground, tore their hair,
and wailed in unison—
for they deserved nothing less.
Lock me to sleep, discharge me numb—
Who was burned or hammered, whose flesh was torn from bone?
What has happened, what has been done?
I think of rooms in a gallery where it is raining.
So much water, so much rain that pours and pours
in sheets from the ceiling—
But how terrible that no one ever gets wet.

* ~ from Lucia Perillo’s “The Second Slaughter”

 

In response to Via Negativa: Somnambulist.

A bee staggers out of the peony

(A cento)

The word gets around
but my hands, beside yours in the sunlight, can’t refrain—

Your silver smile, your jackpot laugh,
bright gifts—

If you dream of a poet, someone will cry.
If you dream of a flower, it is nothing.

My pencil, Venus Velvet No. 2,
It was the end of a terrible winter and, when I awoke, I had sky in my mouth.

 

In response to Via Negativa: Basho Remix (2).

~ Sources: Basho (via Dave Bonta); Leslie Marmon Silko, from a July 28 1979 letter to James Wright; Deryn Rees-Jones, “From the Songs of Elizabeth So;” Carol Ann Duffy, from “Treasure;” Eliot Weinberger, from An Elemental Thing; Gjertrud Schnackenberg, from “Venus Velvet No. 2;” Cecilia Woloch, from “Postcard from Akhmatova’s Bed”

Chickadees as excavators


watch on Vimeo

Since April 8th, a pair of black-capped chickadees has been hard at work excavating a den hole in the stumpy remains of the dead ornamental cherry beside my front porch. The hole even faces the chair where I usually sit. Wildlife watching has never been easier! And to think that just a couple of weeks ago when I was cutting up the fallen top of the dead elm in my yard, I strongly considering taking out the cherry snag as well. It’s not a thing of beauty — but it is rather charismatic nonetheless, I said to myself, and besides, if you care about biodiversity, you can never have enough standing dead trees.

It’s really quite astonishing to see birds with such small bills hammering away at the cherry wood and hauling out the sawdust one beakfull at a time. This morning I was up early enough to watch them start work. The couple appeared together in the lilac, flitted over to inspect the hole, then flew up — I presume to grab a quick bite to eat. Seconds after the whistle blew at the paper mill in Tyrone two miles away, the chickadees returned to start their shift, spelling each other as in the video (which I shot yesterday morning), and keeping up the pace for hours.

With two large black snakes living in or around the house, I have my doubts about whether this couple will be able to raise a brood here. Follow The Morning Porch to stay updated on their progress.

Reverence to the Moon

(after Elmer Borlongan‘s photograph with the same title; dedicated to all victims of the Boston Marathon bombing)

The birds started singing before five. Morning shuddered into light, cool air.
What animal rolled up its shirtsleeves and pilfered the lock of the cage, its hair
matted as night, its breath the color of knives? Smoke and bombs in the street,

screams, broken glass. The saint, in her lifetime, hardly wore shoes on her feet.
She walked the streets to touch the sick and dying, the young and old; the cat
licking its wounds in the alley, mewing for a bowl of milk— Anyone who forgot

how the moon could spill its honey to overshadow the lamps by the bay;
and still there will be more. Wreckage and debris, charred ashes that grey
each stone on the ground. In a stampede, dust the color of gold.

O love, o neighbor, o stranger huddled in fear and waiting for parole:
how much more we belong to each other. How we wait to be consoled.

 

In response to small stone (237).