Eadweard Muybridge
History doesn't stop
though we'll take a few hours
to climb into the porthole
of sleep, then take out the trash;
peel a bowl of potatoes, crack
an egg, boil coffee, wipe down
the counters, read a book, curse, laugh, cry.
I don't know which planets will align with
the sun some coming weekend, or
whether they'll be visible through the rough
breaker of trees. This morning,
in the bay, wind carves a high,
scalloped path through waves. History
is aways turning each crest like that,
so we are figures in a flip book or
stop-motion film where the horses run
eternally in silhouette over the Palo
Alto track and boys play never-
ending leapfrog. It is 1893, or 1874,
or 1833. The woman in the green
silk gown and Gibson girl hairdo
and the man with his arm around her waist,
sporting a thin mustache and tuxedo tails,
twirl round and round without stopping
for a breath. When the photographer caught
up with his wife's lover in Calistoga,
he said "Here's the answer to
the letter you sent my wife," and shot him
point-blank. I've never seen a bison,
which is ecologically extinct.
But there's an animated sequence
from 1887, remastered in 2006, where
the animal is cantering over a field.